The Assyrian came down like the wolf on the fold,
And his cohorts were gleaming in purple and gold;
And the sheen of their spears was like stars on the sea,
When the blue wave rolls nightly on deep Galilee.
 
Like the leaves of the forest when Summer is green,
That host with their banners at sunset were seen;
Like the leaves of the forest when Autumn hath blown,
That host on the morrow lay withered and strown.
 
For the Angel of Death spread his wings on the blast,
And breathed in the face of the foe as he passed;
And the eyes of the sleepers waxed deadly and chill,
And their hearts but once heaved, and for ever grew still!
 
And there lay the steed with his nostril all wide,
But through it there rolled not the breath of his pride;
And the foam of his gasping lay white on the turf,
And cold as the spray of the rock-beating surf.
 
And there lay the rider distorted and pale,
With the dew on his brow, and the rust on his mail;
And the tents were all silent, the banners alone,
The lances unlifted, the trumpet unblown.
 
And the widows of Ashur are loud in their wail,
And the idols are broke in the temple of Baal;
And the might of the Gentile, unsmote by the sword,
Hath melted like snow in the glance of the Lord.

Your names toll in my dreams.
I pick up tinsel in the street. A nameless god
streaks my hand with blood. I look at the lighted trees
in windows & the spindles of pine tremble
in warm rooms. The flesh of home, silent.
How quiet the bells of heaven must be, cold
with stars who cannot rhyme their brilliance
to our weapons. What rouses our lives each moment?
Nothing but life dares dying. My memory, another obituary.
My memory is a cross. Face down. A whistle in high grass.
A shadow pouring down the sill of calamity.
Your names wake me in the nearly dark hour.
The candles in our windows flicker
where your faces peer in, ask us
questions light cannot answer.

                  49

    Go thou to Rome,—at once the Paradise,
    The grave, the city, and the wilderness;
    And where its wrecks like shattered mountains rise,
    And flowering weeds, and fragrant copses dress
    The bones of Desolation's nakedness
    Pass, till the spirit of the spot shall lead
    Thy footsteps to a slope of green access
    Where, like an infant's smile, over the dead
A light of laughing flowers along the grass is spread;

                  50
				  
    And gray walls moulder round, on which dull Time
    Feeds, like slow fire upon a hoary brand;
    And one keen pyramid with wedge sublime,
    Pavilioning the dust of him who planned
    This refuge for his memory, doth stand
    Like flame transformed to marble; and beneath,
    A field is spread, on which a newer band
    Have pitched in Heaven's smile their camp of death,
Welcoming him we lose with scarce extinguished breath.

                  51
				  
    Here pause: these graves are all too young as yet
    To have outgrown the sorrow which consigned
    Its charge to each; and if the seal is set,
    Here, on one fountain of a mourning mind,
    Break it not thou! too surely shalt thou find
    Thine own well full, if thou returnest home,
    Of tears and gall. From the world's bitter wind
    Seek shelter in the shadow of the tomb.
What Adonais is, why fear we to become?

                  52
				  
    The One remains, the many change and pass;
    Heaven's light forever shines, Earth's shadows fly;
    Life, like a dome of many-coloured glass,
    Stains the white radiance of Eternity,
    Until Death tramples it to fragments.—Die,
    If thou wouldst be with that which thou dost seek!
    Follow where all is fled!—Rome's azure sky,
    Flowers, ruins, statues, music, words, are weak
The glory they transfuse with fitting truth to speak.

King Henry to Westmoreland

What's he that wishes so?
My cousin Westmoreland? No my fair cousin:
If we are mark'd to die, we are enow
To do our country loss; and if to live,
The fewer men, the greater share of honor.
God's will! I pray thee, wish not one man more.
By Jove, I am not covetous for gold,
Nor care I who doth feed upon my cost;
It yearns me not if men my garments wear;
Such outward things dwell not in my desires:
But if it be a sin to covet honor,
I am the most offending soul alive.
No, faith, my coz, wish not a man from England:
God's peace! I would not lose so great an honor
As one man more, methinks, would share from me
For the best hope I have. O, do not wish one more!
Rather proclaim it, Westmoreland, through my host,
That he which hath no stomach to this fight,
Let him depart; his passport shall be made
And crowns for convoy put into his purse:
We would not die in that man's company
That fears his fellowship to die with us.
This day is called the feast of Crispian:
He that outlives this day, and comes safe home
Will stand a tip-toe when the day is named,
And rouse him at the name of Crispian.
He that shall live this day, and see old age,
Will yearly on the vigil feast his neighbors,
And say 'To-morrow is Saint Crispian:'
Then will he strip his sleeve and show his scars.
And say 'These wounds I had on Crispin's day.'
Old men forget: yet all shall be forgot,
But he'll remember with advantages
What feats he did that day: then shall our names,
Familiar in his mouth as household words
Harry the king, Bedford and Exeter,
Warwick and Talbot, Salisbury and Gloucester,
Be in their flowing cups freshly remember'd.
This story shall the good man teach his son;
And Crispin Crispian shall ne'er go by,
From this day to the ending of the world,
But we in it shall be remember'd;
We few, we happy few, we band of brothers;
For he to-day that sheds his blood with me
Shall be my brother; be he ne'er so vile,
This day shall gentle his condition:
And gentlemen in England now a-bed
Shall think themselves accursed they were not here,
And hold their manhoods cheap whiles any speaks
That fought with us upon Saint Crispin's day.

The three witches, casting a spell

Round about the cauldron go;   
In the poison’d entrails throw.   
Toad, that under cold stone    
Days and nights hast thirty one   
Swelter’d venom sleeping got,   
Boil thou first i’ the charmed pot.   

     Double, double toil and trouble; 
     Fire burn and cauldron bubble.   

Fillet of a fenny snake,   
In the cauldron boil and bake;   
Eye of newt, and toe of frog,   
Wool of bat, and tongue of dog,   
Adder’s fork, and blind-worm’s sting,   
Lizard’s leg, and howlet’s wing,   
For a charm of powerful trouble, 
Like a hell-broth boil and bubble.   

     Double, double toil and trouble;   
     Fire burn and cauldron bubble.  

Scale of dragon, tooth of wolf,      
Witches’ mummy, maw and gulf     
Of the ravin’d salt-sea shark,     
Root of hemlock digg’d i’ the dark,     
Liver of blaspheming Jew,      
Gall of goat, and slips of yew     
Sliver’d in the moon’s eclipse,     
Nose of Turk, and Tartar’s lips,     
Finger of birth-strangled babe      
Ditch-deliver’d by a drab,     
Make the gruel thick and slab:     
Add thereto a tiger’s chaudron,     
For the ingredients of our cauldron.

     Double, double toil and trouble;   
     Fire burn and cauldron bubble.  

It's a year almost that I have not seen her:
Oh, last summer green things were greener,
Brambles fewer, the blue sky bluer.

It's surely summer, for there's a swallow:
Come one swallow, his mate will follow,
The bird race quicken and wheel and thicken.

Oh happy swallow whose mate will follow
O'er height, o'er hollow! I'd be a swallow,
To build this weather one nest together.

Take this kiss upon the brow!
And, in parting from you now,
Thus much let me avow:
You are not wrong who deem
That my days have been a dream;
Yet if hope has flown away
In a night, or in a day,
In a vision, or in none,
Is it therefore the less gone?
All that we see or seem
Is but a dream within a dream.

I stand amid the roar
Of a surf-tormented shore,
And I hold within my hand
Grains of the golden sand--
How few! yet how they creep
Through my fingers to the deep,
While I weep--while I weep!
O God! can I not grasp
Them with a tighter clasp?
O God! can I not save
One from the pitiless wave?
Is all that we see or seem
But a dream within a dream?

The line-storm clouds fly tattered and swift, 
  The road is forlorn all day, 
Where a myriad snowy quartz stones lift, 
  And the hoof-prints vanish away. 
The roadside flowers, too wet for the bee,
  Expend their bloom in vain. 
Come over the hills and far with me, 
  And be my love in the rain. 

The birds have less to say for themselves 
  In the wood-world’s torn despair
Than now these numberless years the elves, 
  Although they are no less there: 
All song of the woods is crushed like some 
  Wild, easily shattered rose. 
Come, be my love in the wet woods; come,
  Where the boughs rain when it blows. 

There is the gale to urge behind 
  And bruit our singing down, 
And the shallow waters aflutter with wind 
  From which to gather your gown.    
What matter if we go clear to the west, 
  And come not through dry-shod? 
For wilding brooch shall wet your breast 
  The rain-fresh goldenrod. 

Oh, never this whelming east wind swells   
  But it seems like the sea’s return 
To the ancient lands where it left the shells 
  Before the age of the fern; 
And it seems like the time when after doubt 
  Our love came back amain.      
Oh, come forth into the storm and rout 
  And be my love in the rain.

As I must mount to feed those doves of ours,  
Perhaps you too will spend nocturnal hours   
      Upon your roof   
      So high aloof 
That from its terraced bowers   
We catch at clouds and draw a bath from showers.  
Before the moon has made all pale the night,  
Let's meet with flute and viol, and supper light :  
A yew lamb, minted sauce, a raisined bun,  
A melon riper than the melting sun—  
A flask of Xeres, that we've scarce begun—  
We'll try the « lunar waltz » while floats afar  
Upon the liquid night—night's nenuphar.  
Or else, with senses tuned alike perchance,  
Reclining love will make the heavens dance;  
And if the enemy from aerial cars  
Drops death, we'll share it vibrant with the stars!

On the day the world ends
A bee circles a clover,
A fisherman mends a glimmering net.
Happy porpoises jump in the sea,
By the rainspout young sparrows are playing
And the snake is gold-skinned as it should always be.

On the day the world ends
Women walk through the fields under their umbrellas,
A drunkard grows sleepy at the edge of a lawn,
Vegetable peddlers shout in the street
And a yellow-sailed boat comes nearer the island,
The voice of a violin lasts in the air
And leads into a starry night.

And those who expected lightning and thunder
Are disappointed.
And those who expected signs and archangels' trumps
Do not believe it is happening now.
As long as the sun and the moon are above,
As long as the bumblebee visits a rose,
As long as rosy infants are born
No one believes it is happening now.

Only a white-haired old man, who would be a prophet
Yet is not a prophet, for he's much too busy,
Repeats while he binds his tomatoes:
No other end of the world will there be,
No other end of the world will there be.

It flows through old hushed Egypt and its sands,
Like some grave mighty thought threading a dream,
And times and things, as in that vision, seem
Keeping along it their eternal stands,—
Caves, pillars, pyramids, the shepherd bands
That roamed through the young world, the glory extreme
Of high Sesostris, and that southern beam,
The laughing queen that caught the world's great hands.

Then comes a mightier silence, stern and strong,
As of a world left empty of its throng,
And the void weighs on us; and then we wake,
And hear the fruitful stream lapsing along
'Twixt villages, and think how we shall take
Our own calm journey on for human sake.

There is no dusk to be,
   There is no dawn that was,
Only there's now, and now,
   And the wind in the grass.

Days I remember of
   Now in my heart, are now;
Days that I dream will bloom
   White peach bough.

Dying shall never be
   Now in the windy grass;
Now under shooken leaves
   Death never was.

What passing-bells for these who die as cattle?
Only the monstrous anger of the guns.
Only the stuttering rifles’ rapid rattle
Can patter out their hasty orisons.
No mockeries now for them; no prayers nor bells;
Nor any voice of mourning save the choirs,
The shrill, demented choirs of wailing shells;
And bugles calling for them from sad shires.
What candles may be held to speed them all?
Not in the hands of boys, but in their eyes
Shall shine the holy glimmers of good-byes.
The pallor of girls’ brows shall be their pall;
Their flowers the tenderness of patient minds,
And each slow dusk a drawing-down of blinds.

Anything can happen. You know how Jupiter
Will mostly wait for clouds to gather head
Before he hurls the lightning? Well, just now
He galloped his thunder cart and his horses

Across a clear blue sky. It shook the earth
And the clogged underearth, the River Styx,
The winding streams, the Atlantic shore itself.
Anything can happen, the tallest towers

Be overturned, those in high places daunted,
Those overlooked regarded. Stropped-beak Fortune
Swoops, making the air gasp, tearing the crest off one,
Setting it down bleeding on the next.

Ground gives. The heaven’s weight
Lifts up off Atlas like a kettle-lid.
Capstones shift, nothing resettles right.
Telluric ash and fire-spores boil away.

At night the Universe grows lean, sober-
faced, of intoxication,
The shadow of the half-sphere curtains
down closely against my world, like a 
doorless cage, and the stillness chained by
wrinkled darkness strains throughout the Uni-
verse to be free. 
Listen, frogs in the pond, (the world is a pond itself)
     cry out for the light, for the truth!
The curtains rattle ghostlily along, bloodily biting
     my soul, the winds knocking on my cabin door
     with their shadowy hands.

The tide ebbs and reveals orange and purple sea stars. 
I have no theory of radiance, 

                but after rain evaporates 
off pine needles, the needles glisten. 

In the courtyard, we spot the rising shell of a moon,
and, at the equinox, bathe in its gleam. 

Using all the tides of starlight, 
                we find 
                vicissitude is our charm.

On the mud flats off Homer, 
I catch the tremor when waves start to slide back in; 

and, from Roanoke, you carry 
                the leafing jade smoke of willows. 

Looping out into the world, we thread 
                and return. The lapping waves 

cover an expanse of mussels clustered on rocks; 
and, giving shape to what is unspoken, 
		
                forsythia buds and blooms in our arms.

I always was afraid of Somes’s Pond:
Not the little pond, by which the willow stands,
Where laughing boys catch alewives in their hands
In brown, bright shallows; but the one beyond.
There, when the frost makes all the birches burn
Yellow as cow-lilies, and the pale sky shines
Like a polished shell between black spruce and pines,
Some strange thing tracks us, turning where we turn.

You’ll say I dream it, being the true daughter
Of those who in old times endured this dread.
Look! Where the lily-stems are showing red
A silent paddle moves below the water,
A sliding shape has stirred them like a breath;
Tall plumes surmount a painted mask of death.

To see a World in a Grain of Sand
And a Heaven in a Wild Flower
Hold Infinity in the palm of your hand
And Eternity in an hour
A Robin Red breast in a Cage
Puts all Heaven in a Rage
A Dove house filld with Doves & Pigeons
Shudders Hell thr’ all its regions
A dog starvd at his Masters Gate
Predicts the ruin of the State
A Horse misusd upon the Road
Calls to Heaven for Human blood
Each outcry of the hunted Hare
A fibre from the Brain does tear
A Skylark wounded in the wing
A Cherubim does cease to sing
The Game Cock clipd & armd for fight
Does the Rising Sun affright
Every Wolfs & Lions howl
Raises from Hell a Human Soul
The wild deer, wandring here & there
Keeps the Human Soul from Care
The Lamb misusd breeds Public Strife
And yet forgives the Butchers knife
The Bat that flits at close of Eve
Has left the Brain that wont Believe
The Owl that calls upon the Night
Speaks the Unbelievers fright
He who shall hurt the little Wren
Shall never be belovd by Men
He who the Ox to wrath has movd
Shall never be by Woman lovd
The wanton Boy that kills the Fly
Shall feel the Spiders enmity
He who torments the Chafers Sprite
Weaves a Bower in endless Night
The Catterpiller on the Leaf
Repeats to thee thy Mothers grief
Kill not the Moth nor Butterfly
For the Last Judgment draweth nigh
He who shall train the Horse to War
Shall never pass the Polar Bar
The Beggars Dog & Widows Cat
Feed them & thou wilt grow fat
The Gnat that sings his Summers Song
Poison gets from Slanders tongue
The poison of the Snake & Newt
Is the sweat of Envys Foot
The poison of the Honey Bee
Is the Artists Jealousy
The Princes Robes & Beggars Rags
Are Toadstools on the Misers Bags
A Truth thats told with bad intent
Beats all the Lies you can invent
It is right it should be so
Man was made for Joy & Woe
And when this we rightly know
Thro the World we safely go
Joy & Woe are woven fine
A Clothing for the soul divine
Under every grief & pine
Runs a joy with silken twine
The Babe is more than swadling Bands
Throughout all these Human Lands
Tools were made & Born were hands
Every Farmer Understands
Every Tear from Every Eye
Becomes a Babe in Eternity
This is caught by Females bright
And returnd to its own delight
The Bleat the Bark Bellow & Roar
Are Waves that Beat on Heavens Shore
The Babe that weeps the Rod beneath
Writes Revenge in realms of Death
The Beggars Rags fluttering in Air
Does to Rags the Heavens tear
The Soldier armd with Sword & Gun
Palsied strikes the Summers Sun
The poor Mans Farthing is worth more
Than all the Gold on Africs Shore
One Mite wrung from the Labrers hands
Shall buy & sell the Misers Lands
Or if protected from on high
Does that whole Nation sell & buy
He who mocks the Infants Faith
Shall be mockd in Age & Death
He who shall teach the Child to Doubt
The rotting Grave shall neer get out
He who respects the Infants faith
Triumphs over Hell & Death
The Childs Toys & the Old Mans Reasons
Are the Fruits of the Two seasons
The Questioner who sits so sly
Shall never know how to Reply
He who replies to words of Doubt
Doth put the Light of Knowledge out
The Strongest Poison ever known
Came from Caesars Laurel Crown
Nought can Deform the Human Race
Like to the Armours iron brace
When Gold & Gems adorn the Plow
To peaceful Arts shall Envy Bow
A Riddle or the Crickets Cry
Is to Doubt a fit Reply
The Emmets Inch & Eagles Mile
Make Lame Philosophy to smile
He who Doubts from what he sees
Will neer Believe do what you Please
If the Sun & Moon should Doubt
Theyd immediately Go out
To be in a Passion you Good may Do
But no Good if a Passion is in you
The Whore & Gambler by the State
Licencd build that Nations Fate
The Harlots cry from Street to Street
Shall weave Old Englands winding Sheet
The Winners Shout the Losers Curse
Dance before dead Englands Hearse
Every Night & every Morn
Some to Misery are Born
Every Morn and every Night
Some are Born to sweet delight
Some are Born to sweet delight
Some are Born to Endless Night
We are led to Believe a Lie
When we see not Thro the Eye
Which was Born in a Night to perish in a Night
When the Soul Slept in Beams of Light
God Appears & God is Light
To those poor Souls who dwell in Night
But does a Human Form Display
To those who Dwell in Realms of day

See the pair of us
                              Raining and morning

the first soft ashes
                              along the high road

running the far ridge
                              of pines ripped wild to

timbers by storming
                              to shreds see the white

shreds like coals like a
                              sudden sorrow see

the partial moon see
                              the cut sky see us

serene with singing
                              are we merry are

we rueful neither
                              is there sufficient

wording for what falls
                              all the muffled horns

pleading but too late
                              along the last route

of what remains can
                              you see us what can

you see there—lost leaves
                              waiting to come back

as leaves . . .

                        I

Beyond the years the answer lies,

Beyond where brood the grieving skies

        And Night drops tears.

Where Faith rod-chastened smiles to rise

        And doff its fears,

And carping Sorrow pines and dies—

        Beyond the years.

                        II

Beyond the years the prayer for rest

Shall beat no more within the breast;

        The darkness clears,

And Morn perched on the mountain's crest

        Her form uprears—

The day that is to come is best,

        Beyond the years.

                        III

Beyond the years the soul shall find

That endless peace for which it pined,

        For light appears,

And to the eyes that still were blind

        With blood and tears,

Their sight shall come all unconfined

        Beyond the years.

Hail Britannia's noblest daughter,
Who is surrounded by the water
Of many a lake and broad sea,
Land of beaver and of maple tree.

Her lofty brow is wreathed with smiles,
For from the far Atlantic isles
In pomp have come their delegates,
All seeking to unite their fates.

With Canada great northern queen,
And now throughout the land is seen,
High festival and stately dance,
Triumphant nuptials to advance.

And soon shall Red River valley
And distant Vancouver rally,
To form this Empire gigantic
From Pacific to Atlantic.

(at St. Mary’s)

may the tide

that is entering even now

the lip of our understanding

carry you out

beyond the face of fear

may you kiss

the wind then turn from it

certain that it will

love your back may you

open your eyes to water

water waving forever

and may you in your innocence

sail through this to that

1. Vast oceanic movements, the flux and reflux of immeasurable tides, oversweep our continent.

2. From the far Caucasian steppes, from the squalid Ghettos of Europe,

3. From Odessa and Bucharest, from Kief and Ekaterinoslav,

4. Hark to the cry of the exiles of Babylon, the voice of Rachel mourning for her children, of Israel lamenting for Zion.

5. And lo, like a turbid stream, the long-pent flood bursts the dykes of oppression and rushes hitherward.

6. Unto her ample breast, the generous mother of nations welcomes them.

7. The herdsman of Canaan and the seed of Jerusalem's royal shepherd renew their youth amid the pastoral plains of Texas and the golden valleys of the Sierras.

In paths untrodden,

In the growth by margins of pond-waters,

Escaped from the life that exhibits itself,

From all the standards hitherto publish'd, from the pleasures, profits, conformities,

Which too long I was offering to feed my soul,

Clear to me now standards not yet publish'd, clear to me that my soul,

That the soul of the man I speak for rejoices in comrades,

Here by myself away from the clank of the world,

Tallying and talk'd to here by tongues aromatic,

No longer abash'd, (for in this secluded spot I can respond as I would not dare elsewhere,)

Strong upon me the life that does not exhibit itself, yet contains all the rest,

Resolv'd to sing no songs to-day but those of manly attachment,

Projecting them along that substantial life,

Bequeathing hence types of athletic love,

Afternoon this delicious Ninth-month in my forty-first year,

I proceed for all who are or have been young men,

To tell the secret of my nights and days,

To celebrate the need of comrades.

We make our meek adjustments,
Contented with such random consolations
As the wind deposits
In slithered and too ample pockets.

For we can still love the world, who find
A famished kitten on the step, and know
Recesses for it from the fury of the street,
Or warm torn elbow coverts.

We will sidestep, and to the final smirk
Dally the doom of that inevitable thumb
That slowly chafes its puckered index toward us,
Facing the dull squint with what innocence
And what surprise!

And yet these fine collapses are not lies
More than the pirouettes of any pliant cane;
Our obsequies are, in a way, no enterprise.
We can evade you, and all else but the heart:
What blame to us if the heart live on.

The game enforces smirks; but we have seen
The moon in lonely alleys make
A grail of laughter of an empty ash can,
And through all sound of gaiety and quest
Have heard a kitten in the wilderness.

I heard the bells on Christmas Day
Their old, familiar carols play,
    And wild and sweet
    The words repeat
Of peace on earth, good-will to men!

And thought how, as the day had come,
The belfries of all Christendom
    Had rolled along
    The unbroken song
Of peace on earth, good-will to men!

Till ringing, singing on its way,
The world revolved from night to day,
    A voice, a chime,
    A chant sublime
Of peace on earth, good-will to men!

Then from each black, accursed mouth
The cannon thundered in the South,
    And with the sound
    The carols drowned
Of peace on earth, good-will to men!

It was as if an earthquake rent
The hearth-stones of a continent,
    And made forlorn
    The households born
Of peace on earth, good-will to men!

And in despair I bowed my head;
"There is no peace on earth," I said;
    "For hate is strong,
    And mocks the song
Of peace on earth, good-will to men!"

Then pealed the bells more loud and deep:
"God is not dead, nor doth He sleep;
    The Wrong shall fail,
    The Right prevail,
With peace on earth, good-will to men."

O my songs,
Why do you look so eagerly and so curiously into people's faces,
Will you find your lost dead among them?

Oh Danny boy, the pipes, the pipes are calling
From glen to glen, and down the mountain side
The summer's gone, and all the flowers are dying
'Tis you, 'tis you must go and I must bide.
But come ye back when summer's in the meadow
Or when the valley's hushed and white with snow
'Tis I'll be here in sunshine or in shadow
Oh Danny boy, oh Danny boy, I love you so.
And when you come, and all the flowers are dying
If I am dead, as dead I well may be
You'll come and find the place where I am lying
And kneel and say an "Ave" there for me.
And I shall hear, tho' soft you tread above me
And all my dreams will warm and sweeter be
If you'll not fail to tell me that you love me
I'll simply sleep in peace until you come to me.
I'll simply sleep in peace until you come to me.

Dreams draw near at dawn and then recede
even if you beckon them.
They loom like demons
you tug by the tail to examine from up close
and then let fly away.
Their colors at once brighter and less bright
than you remembered, they
hover and insinuate all day
at the corner of your eye.

Dear March—Come in—
How glad I am—
I hoped for you before—
Put down your Hat—
You must have walked—
How out of Breath you are—
Dear March, how are you, and the Rest—
Did you leave Nature well—
Oh March, Come right upstairs with me—
I have so much to tell—

I got your Letter, and the Birds—
The Maples never knew that you were coming—
I declare - how Red their Faces grew—
But March, forgive me—
And all those Hills you left for me to Hue—
There was no Purple suitable—
You took it all with you—

Who knocks? That April—
Lock the Door—
I will not be pursued—
He stayed away a Year to call
When I am occupied—
But trifles look so trivial
As soon as you have come

That blame is just as dear as Praise
And Praise as mere as Blame—

Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of tired, outstripped Five-Nines that dropped behind.

Gas! Gas! Quick, boys!—An ecstasy of fumbling,
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling
And flound'ring like a man in fire or lime...
Dim, through the misty panes and thick green light,
As under a green sea, I saw him drowning.

In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.

If in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,—
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.

The way a crow
Shook down on me
The dust of snow
From a hemlock tree

Has given my heart
A change of mood
And saved some part
Of a day I had rued.

Beneath heaven’s vault
remember always walking
through halls of cloud
down aisles of sunlight
or through high hedges
of the green rain
walk in the world
highheeled with swirl of cape
hand at the swordhilt
of your pride
Keep a tall throat
Remain aghast at life

Enter each day
as upon a stage
lighted and waiting
for your step
Crave upward as flame
have keenness in the nostril
Give your eyes
to agony or rapture

Train your hands
as birds to be
brooding or nimble
Move your body
as the horses
sweeping on slender hooves
over crag and prairie
with fleeing manes
and aloofness of their limbs

Take earth for your own large room
and the floor of the earth
carpeted with sunlight
and hung round with silver wind
for your dancing place

Of the dark past
A child is born;
With joy and grief
My heart is torn.

Calm in his cradle
The living lies.
May love and mercy
Unclose his eyes!

Young life is breathed
On the glass;
The world that was not
Comes to pass.

A child is sleeping:
An old man gone.
O, father forsaken,
Forgive your son! 

   Gaily bedight,
   A gallant knight,
In sunshine and in shadow,
   Had journeyed long,
   Singing a song,
In search of Eldorado.

   But he grew old,
   This knight so bold,
And o'er his heart a shadow
   Fell as he found
   No spot of ground
That looked like Eldorado.

   And, as his strength
   Failed him at length,
He met a pilgrim shadow;
   "Shadow," said he,
   "Where can it be,
This land of Eldorado?"

   "Over the mountains
   Of the moon,
Down the valley of the shadow,
   Ride, boldly ride,"
   The shade replied,--
"If you seek for Eldorado!"

An old, mad, blind, despised, and dying king,— 
Princes, the dregs of their dull race, who flow 
Through public scorn,—mud from a muddy spring,— 
Rulers who neither see, nor feel, nor know, 
But leech-like to their fainting country cling, 
Till they drop, blind in blood, without a blow,— 
A people starved and stabbed in the untilled field,— 
An army, which liberticide and prey 
Makes as a two-edged sword to all who wield 
Golden and sanguine laws which tempt and slay; 
Religion Christless, Godless—a book sealed; 
A Senate,—Time's worst statute unrepealed,— 
Are graves, from which a glorious Phantom may 
Burst, to illumine our tempestous day.

This is the way water 
thinks about the desert.
The way the thought of water 
gives you something 
to stumble on. A ghost river.
A sentence trailing off
toward lower ground.
A finger pointing
at the rest of the show.

I wanted to read it. 
I wanted to write a poem 
and call it “Ephemeral Stream”
because you made of this 
imaginary creek
a hole so deep 
it looked like a green eye 
taking in the storm, 
a poem interrupted 
by forgiveness.

It’s not over yet.
A dream can spend 
all night fighting off 
the morning. Let me
start again. A stream 
may be a branch or a beck, 
a crick or kill or lick,
a syke, a runnel. It pours 
through a corridor. The door 
is open. The keys
are on the dashboard. 

Those blessèd structures, plot and rhyme—
why are they no help to me now
I want to make
something imagined, not recalled?
I hear the noise of my own voice:
The painter’s vision is not a lens,
it trembles to caress the light.
But sometimes everything I write 
with the threadbare art of my eye
seems a snapshot,
lurid, rapid, garish, grouped,
heightened from life,
yet paralyzed by fact.
All’s misalliance.
Yet why not say what happened?
Pray for the grace of accuracy
Vermeer gave to the sun’s illumination
stealing like the tide across a map
to his girl solid with yearning.
We are poor passing facts,
warned by that to give
each figure in the photograph
his living name.

Everyone forgets that Icarus also flew.
It’s the same when love comes to an end,
or the marriage fails and people say
they knew it was a mistake, that everybody
said it would never work. That she was
old enough to know better. But anything
worth doing is worth doing badly.
Like being there by that summer ocean
on the other side of the island while
love was fading out of her, the stars
burning so extravagantly those nights that
anyone could tell you they would never last.
Every morning she was asleep in my bed
like a visitation, the gentleness in her
like antelope standing in the dawn mist.
Each afternoon I watched her coming back
through the hot stony field after swimming,
the sea light behind her and the huge sky
on the other side of that. Listened to her
while we ate lunch. How can they say
the marriage failed? Like the people who
came back from Provence (when it was Provence)
and said it was pretty but the food was greasy.
I believe Icarus was not failing as he fell,
but just coming to the end of his triumph.

Slowly, without sun, the day sinks
toward the close of December.
It is minus sixty degrees.

Over the sleeping houses a dense
fog rises—smoke from banked fires,
and the snowy breath of an abyss
through which the cold town
is perceptibly falling.

As if Death were a voice made visible, 
with the power of illumination …

Now, in the white shadow
of those streets, ghostly newsboys
make their rounds, delivering 
to the homes of those
who have died of the frost
word of the resurrection of Silence.

     My daughter has lived overseas for a number
of years now. She married into royalty, and they
won’t let her communicate with any of her family or
friends. She lives on birdseed and a few sips
of water. She dreams of me constantly. Her husband,
the Prince, whips her when he catches her dreaming.
Fierce guard dogs won’t let her out of their sight.
I hired a detective, but he was killed trying to
rescue her. I have written hundreds of letters
to the State Department. They have written back
saying that they are aware of the situation. I
never saw her dance. I was always at some
convention. I never saw her sing. I was always
working late. I called her My Princess, to make
up for my shortcomings, and she never forgave me.
Birdseed was her middle name.

Some say the world will end in fire,
Some say in ice.
From what I've tasted of desire
I hold with those who favor fire.
But if it had to perish twice,
I think I know enough of hate
To know that for destruction ice
Is also great
And would suffice.

(Written to be read aloud, if so be, Thanksgiving Day)

I remember here by the fire,
In the flickering reds and saffrons,
They came in a ramshackle tub,
Pilgrims in tall hats,
Pilgrims of iron jaws,
Drifting by weeks on beaten seas,
And the random chapters say
They were glad and sang to God.

And so
Since the iron-jawed men sat down
And said, "Thanks, O God,"
For life and soup and a little less
Than a hobo handout to-day,
Since gray winds blew gray patterns of sleet on Plymouth Rock,
Since the iron-jawed men sang "Thanks, O God,"
You and I, O Child of the West,
Remember more than ever
November and the hunter's moon,
November and the yellow-spotted hills.

And so
In the name of the iron-jawed men
I will stand up and say yes till the finish is come and gone.
God of all broken hearts, empty hands, sleeping soldiers,
God of all star-flung beaches of night sky,
I and my love-child stand up together to-day and sing: "Thanks, O God."

My candle burns at both ends;
    It will not last the night;
But ah, my foes, and oh, my friends—
    It gives a lovely light!

Otis on vinyl
carries from
the barn. Blessed
is this day. The camera
captures us youthful
& triumphant.
Blessed be this day,
a celebration
of friends coming
together. Last night,
surrounded by
those I love, I had wanted
to read Berrigan's
"Words For Love,"
but I didn't want to say
the heart breaks, even though I know
it's true & the breaking
can be a good thing
sometimes, like the way
my heart shatters
a little each time
I think of my friends
& how lucky in life
I've been to get
to know them, to have
had the time to laugh &
drink & dance & to argue
& feel hurt too.
How can one possibly
say everything
that should be said?
These feelings
just feelings, not
defined by words.
To be overwhelmed,
caught in a whirlwind
& up to one's
ankles in the creek
as lightning bugs
polka-dot the sky
& Otis, again Otis,
always Otis in my
memory, provides
the soundtrack.
Not every day
can be a good day
but this is one
of them, one
of the best days.

The slender checkered beetle, pale
earth brown, sallies forth from among 
the bark canals of the oak, the eaten mar 
of the woody gall left dying.  Her spiny 
yellow hairs sparkle in the summer sun.

Lacewings, locust, and laurel loosen
cocoon, carapace, and bud, shimmy out
and pause, airing wings expanding like rumpled
petals, spreading petals opening like slatted 
wings, as they pass into the new world.

Toe by toe the children of the sun depart 
from the east out of living fire to become
spikes, glumes, anthers, sheaves, broad
montane grassland, flowing steppe, 
savannah, veld, wild horse pampas. 

The fiddler crab with his royal blue 
spot emerges beside the great charging 
dawn of the morning sea, scuttles sideways 
out of the drenched sands and savory 
mud bank of the tidal marsh.

Now echoes in cougar lairs, snake crannies,
coon burrows, the hillside den of gray fox.  
Moonrat's  nose appears from the crevice 
in the bluff, sniffing fish and wormy mud.  
Turtle's beak shows at shell's edge first.
Claws and feet extend directly.
		
The smooth, golden-green swale 
of the trout swivels upward, breaks 
through the boundaries of sky 
with its mouth wide open gulping day.

After parting the flap, after gripping 
the knob, after lifting the latch, after kicking 
the door until the hinges crack and fail 
and the hindrance falls, then the jaunt, 
the saunter, the sprint, the lope, the totter, 
ramble and meander, the traipse and slink,
the shamble, shuffle, gallop and glide, 
the push against the beyond begins.

Sweet and low, sweet and low,
   Wind of the western sea,
Low, low, breathe and blow,
   Wind of the western sea!
Over the rolling waters go,
Come from the dying moon, and blow,
   Blow him again to me;
While my little one, while my pretty one, sleeps.

Sleep and rest, sleep and rest,
   Father will come to thee soon;
Rest, rest, on mother's breast,
   Father will come to thee soon;
Father will come to his babe in the nest,
Silver sails all out of the west
   Under the silver moon:
Sleep, my little one, sleep, my pretty one, sleep.

River inscrutable, river mysterious,
     Mornings or evenings, in gray skies or blue,
Thousands of toilers in gay mood or serious,
     Workward and homeward have gazed upon you.

Swirling or sluggish, but ever inscrutable,
     Sparkling or oily, but never the same;
You, like the city, mysterious, mutable,
     Tremble with passions which no on can name.

Between the blinds Past the coded locks
Past the slanted gold bars of the day
Smelling of all-night salt rain on the docks
Of grief Of birth Of bergamot Of May

In the wind that lifts the harbor litter
Wet against my fingers in a dream
Salvaging among the tideline's bitter
gleanings Generous Exigent Lush and lean

Your voice A tune I thought I had forgotten
The taste of cold July brook on my tongue
A fire built on thick ice in the winter
The place where lost and salvaged meet and fit
The cadences a class in grief is taught in
The sound when frozen rivers start to run

Some springs, apples bloom too soon.
The trees have grown here for a hundred years, and are still quick
to trust that the frost has finished. Some springs,
pink petals turn black. Those summers, the orchards are empty
and quiet. No reason for the bees to come.

Other summers, red apples beat hearty in the trees, golden apples
glow in sheer skin. Their weight breaks branches,
the ground rolls with apples, and you fall in fruit.

You could say, I have been foolish. You could say, I have been fooled.
You could say, Some years, there are apples.

I feel myself in need
   Of the inspiring strains of ancient lore,
My heart to lift, my empty mind to feed,
   And all the world explore.

I know that I am old
   And never can recover what is past,
But for the future may some light unfold
   And soar from ages blast.

I feel resolved to try,
   My wish to prove, my calling to pursue,
Or mount up from the earth into the sky,
   To show what Heaven can do.

My genius from a boy,
   Has fluttered like a bird within my heart;
But could not thus confined her powers employ,
   Impatient to depart.

She like a restless bird,
   Would spread her wings, her power to be unfurl'd,
And let her songs be loudly heard,
   And dart from world to world.

Because my mother loved pocketbooks
I come alive at the opening click or close of a metal clasp.

And sometimes, unexpectedly, a faux crocodile handle makes me weep.

Breathy clearing of throat, a smooth arm, heels on pavement, she lingers, sound tattoos.

I go to the thrift store to feel for bobby pins caught in the pocket seam
of a camel hair coat.

I hinge a satin handbag in the crease of my arm. I buy a little change purse with its
curled and fitted snap.

My mother bought this for me. This was my mother’s.

I buy and then I buy and then, another day, I buy something else.

In Paris she had a dog, Bijou, and when they fled Paris in 1942 they left the dog behind.

When my mother died on February 9, 1983, she left me.

Now, thirty years later and I am exactly her age.

I tell my husband I will probably die by the end of today and all day he says, Are you
getting close, Sweetheart? And late in the afternoon, he asks if he should buy enough filet
of sole for two.

From a blue velvet clutch I take out a mirror and behold my lips in the small rectangle.

Put on something nice. Let him splurge and take you out for dinner, my mother whispers
on the glass.

I dwell in a lonely house I know
That vanished many a summer ago,
   And left no trace but the cellar walls,
   And a cellar in which the daylight falls
And the purple-stemmed wild raspberries grow.

O'er ruined fences the grape-vines shield
The woods come back to the mowing field;
   The orchard tree has grown one copse
   Of new wood and old where the woodpecker chops;
The footpath down to the well is healed.

I dwell with a strangely aching heart
In that vanished abode there far apart
   On that disused and forgotten road
   That has no dust-bath now for the toad.
Night comes; the black bats tumble and dart;

The whippoorwill is coming to shout
And hush and cluck and flutter about:
   I hear him begin far enough away
   Full many a time to say his say
Before he arrives to say it out.

It is under the small, dim, summer star.
I know not who these mute folk are
   Who share the unlit place with me—
   Those stones out under the low-limbed tree
Doubtless bear names that the mosses mar.

They are tireless folk, but slow and sad—
Though two, close-keeping, are lass and lad,—
   With none among them that ever sings,
   And yet, in view of how many things,
As sweet companions as might be had.

If this bowl is always empty

If it breathes if it’s lung

If a horse can rise from the ashes


Saul was a sailor on the boat to Damascus

He did not know what he was

Paul turned to a voice it rose up from the waves

It chained his boat to the darkness


A man finds ash & he makes it a man

A horse finds ash in a horse

It lifts us it holds us it breaks us again

Scatter him into the harbor

Our heart wanders lost in the dark woods.
Our dream wrestles in the castle of doubt.
But there’s music in us. Hope is pushed down
but the angel flies up again taking us with her.
The summer mornings begin inch by inch
while we sleep, and walk with us later
as long-legged beauty through
the dirty streets. It is no surprise 
that danger and suffering surround us.
What astonishes is the singing.
We know the horses are there in the dark
meadow because we can smell them,
can hear them breathing. 
Our spirit persists like a man struggling 
through the frozen valley
who suddenly smells flowers
and realizes the snow is melting
out of sight on top of the mountain,
knows that spring has begun.

I have a rendezvous with Life,

In days I hope will come,

Ere youth has sped, and strength of mind,

Ere voices sweet grow dumb.

I have a rendezvous with Life,

When Spring's first heralds hum.

Sure some would cry it's better far

To crown their days with sleep

Than face the road, the wind and rain,

To heed the calling deep.

Though wet nor blow nor space I fear,

Yet fear I deeply, too,

Lest Death should meet and claim me ere

I keep Life's rendezvous.

I hear an army charging upon the land,   
  And the thunder of horses plunging, foam about their knees:   
Arrogant, in black armour, behind them stand,   
  Disdaining the reins, with fluttering whips, the charioteers.   
   
They cry unto the night their battle-name:        
  I moan in sleep when I hear afar their whirling laughter.   
They cleave the gloom of dreams, a blinding flame,   
  Clanging, clanging upon the heart as upon an anvil.   
   
They come shaking in triumph their long, green hair:   
  They come out of the sea and run shouting by the shore. 
My heart, have you no wisdom thus to despair?   
  My love, my love, my love, why have you left me alone?

I saw a man pursuing the horizon;
Round and round they sped.
I was disturbed at this;
I accosted the man.
"It is futile," I said,
"You can never—"

"You lie," he cried,
And ran on.

I sit and sew—a useless task it seems,
My hands grown tired, my head weighed down with dreams—
The panoply of war, the martial tred of men,
Grim-faced, stern-eyed, gazing beyond the ken
Of lesser souls, whose eyes have not seen Death
Nor learned to hold their lives but as a breath—
But—I must sit and sew.

I sit and sew—my heart aches with desire—
That pageant terrible, that fiercely pouring fire
On wasted fields, and writhing grotesque things
Once men. My soul in pity flings
Appealing cries, yearning only to go
There in that holocaust of hell, those fields of woe—
But—I must sit and sew.

The little useless seam, the idle patch;
Why dream I here beneath my homely thatch,
When there they lie in sodden mud and rain,
Pitifully calling me, the quick ones and the slain?
You need, me, Christ! It is no roseate seam
That beckons me—this pretty futile seam,
It stifles me—God, must I sit and sew?

Daphne was known within these doors
And to these streets. Lovely her humor and lovely her smile
We tear our garments and sit on low boxes
Let’s see who can sing the best story.

Amaryllis
I will praise as best I can
Taking my turn to raise our Daphne up
Among the stars, Daphne shall be high
Among the stars; I too was loved by Daphne.

Lycoris
Morning coffee bitter and milky with gossip.
Our mothers still offering worried apposite
Instructions. We’d gather the awful scraps 
At the kitchen table and smooth them flat.   

Cytheris
Why do I care that she was still beautiful
Yesterday in this last photo—Daphne’s pearly skin 
And delicate frozen face tilting up between 
Her boy and girl, between her next-to-last and last breath.

Delia
One autumn hayride into the apple picking orchard
We locked shoulders, bowed our heads in talk, then heard
Calling, weeping in the dappling light. Left behind, 
Our little boys were searching for us hand in hand.

Nysa
Who was there when Daphne’s hands stopped
Closing? Where was fate when Daphne’s tongue
Thickened and set in her mouth. Or the breezes
When Daphne’s  muscles no longer moved her lungs?

Phyllis
Mornings on the Palisade greenway, the path
A jumble of undergrowth and branches and glass,
We walked and talked and thought, but it wasn’t true,
That my life was closing down and hers was blazing anew.

If we must die—let it not be like hogs
Hunted and penned in an inglorious spot,
While round us bark the mad and hungry dogs,
Making their mock at our accursed lot.
If we must die—oh, let us nobly die,
So that our precious blood may not be shed
In vain; then even the monsters we defy
Shall be constrained to honor us though dead!
Oh, Kinsmen! We must meet the common foe;
Though far outnumbered, let us show us brave,
And for their thousand blows deal one deathblow!
What though before us lies the open grave?
Like men we'll face the murderous, cowardly pack,
Pressed to the wall, dying, but fighting back!

In Flanders fields the poppies blow

Between the crosses, row on row,

    That mark our place; and in the sky

    The larks, still bravely singing, fly

Scarce heard amid the guns below.

We are the Dead. Short days ago

We lived, felt dawn, saw sunset glow,

    Loved and were loved, and now we lie

        In Flanders fields.

Take up our quarrel with the foe: 

To you from failing hands we throw

    The torch; be yours to hold it high. 

    If ye break faith with us who die

We shall not sleep, though poppies grow

        In Flanders fields.

All within is warm,
   Here without it's very cold,
   Now the year is grown so old
And the dead leaves swarm.

In your heart is light,
   Here without it's very dark,
   When shall I hear the lark?
When see aright?

Oh, for a moment's space!
   Draw the clinging curtains wide
   Whilst I wait and yearn outside
Let the light fall on my face.

(To the Memory of Edgar Allan Poe)



City of night,
Wrap me in your folds of shadow.

City of twilight,
City that projects into the west,
City whose columns rest upon the sunset, city of square, threatening 
    masses blocking out the light:
City of twilight,
Wrap me in your folds of shadow.

City of midnight, city that the full moon overflows, city where the cats 
    prowl and the closed iron dust-carts go rattling through the shadows:
City of midnight,
Wrap me in your folds of shadow.

City of early morning, cool fresh-sprinkled city, city whose sharp roof 
    peaks are splintered against the stars, city that unbars tall haggard 
    gates in pity,
City of midnight,
Wrap me in your folds of shadow.

City of rain, city where the bleak wind batters the hard drops once and again, 
    sousing a shivering, cursing beggar who clings amid the stiff Apostles on the 
    cathedral portico;
City where the glare is dull and lowering, city where the clouds flare and flicker 
    as they pass upwards, where sputtering lamps stare into the muddy pools 
    beneath them;
City where the winds shriek up the streets and tear into the squares, city whose 
    cobbles quiver and whose pinnacles waver before the buzzing chatter of raindrops 
    in their flight;
City of midnight,
Drench me with your rain of sorrow.

City of vermilion curtains, city whose windows drip with crimson, tawdry, tinselled, 
    sensual city, throw me pitilessly into your crowds.
City filled with women's faces leering at the passers by,
City with doorways always open, city of silks and swishing laces, city where bands 
    bray dance-music all night in the plaza,
City where the overscented light hangs tepidly, stabbed with jabber of the crowd, 
    city where the stars stare coldly, falsely smiling through the smoke-filled air,
City of midnight,
Smite me with your despair.

City of emptiness, city of the white façades, city where one lonely dangling lantern 
    wavers aloft like a taper before a marble sarcophagus, frightening away the ghosts;
City where a single white-lit window in a motionless blackened house-front swallows 
    the hosts of darkness that stream down the street towards it;
City above whose dark tree-tangled park emerges suddenly, unlit, uncannily, a grey 
    ghostly tower whose base is lost in the fog, and whose summit has no end.
City of midnight,
Bury me in your silence.

City of night,
Wrap me in your folds of shadow.

City of restlessness, city where I have tramped and wandered,
City where the herded crowds glance at me suspiciously, city where the churches are 
    locked, the shops unopened, the houses without hospitality,
City of restlessness,
Wrap me in your folds of shadow.

City of sleeplessness, city of cheap airless rooms, where in the gloom are heard snores 
    through the partition, lovers that struggle, couples that squabble, cabs that rattle, 
    cats that squall,
City of sleeplessness,
Wrap me in your folds of shadow.

City of feverish dreams, city that is being besieged by all the demons of darkness, city of 
    innumerable shadowy vaults and towers, city where passion flowers desperately and 
    treachery ends in death the strong:
City of night,
Wrap me in your folds of shadow.

Things will be different.
No one will lose their sight,
their hearing, their gallbladder.
It will be all Catskills with brand
new wrap-around verandas.
The idea of Hitler will not
have vibrated yet.
While back here,
they are still cleaning out
pockets of wrinkled
Nazis hiding in Argentina.
But in the next galaxy,
certain planets will have true
blue skies and drinking water.

we drank in the remains
of ruined buildings 
and we sat in a cave or
wrecked houses on farms given back to the bank 
listening to men who'd been raised
in ways that were lost
and we strained to make out
the use of their news
they were crazy or passed out 
speed notched with a cross
they drank from the flask and the mouth
they came in and shook off the rain
inflamed and dismayed 
calm and arcane 
the least one seethed chanting whitman for hours 
then wept at the dregs of the fire 
foam formed at the edge of their lips
we drank and waited for something to drop  
you and I looking and sifting
for signs written in wax 
we were young we knew how to die
but not how to last 
a small man who claimed he was blake raged 
all night and probably he was
he had god in his sights  
white crosses shone in our eyes or acid mandalic 
in the ruins the men talked: 
seraphic and broken 
glowing with gnosis and rubbish 
we sorted their mad sacred words 
these dog-headed guides to the life after 
and the life after that

And I gave myself to the poem.
And the poem gave to me.
And I gave myself to the sky.
And the sky gave to me.
And I gave myself to the wind.
And the wind took what I gave
and passed it to the sky.

And I gave myself to women.
And women gave to me.
And I gave myself to the wound.
And the wound gave to me.
And I gave myself to hope.
And hope took what I gave
and passed it to the wound.

And I gave myself to wine.
And wine gave to me.
And I gave myself to candlelight.
And candlelight gave to me.
And I gave myself to memory.
And memory took what I gave
and passed it to candlelight.

And I gave myself to music.
And music gave to me.
And I gave myself to the tree.
And the tree gave to me.
And I gave myself to change.
And change took what I gave
and passed it to the tree.

And I gave myself to silence.
And silence gave to me.
And I gave myself to light.
And light gave to me.
And I gave myself to night.
And night took what I gave
and passed it to the stars. 

People that build their houses inland,
   People that buy a plot of ground
Shaped like a house, and build a house there,
   Far from the sea-board, far from the sound

Of water sucking the hollow ledges,
   Tons of water striking the shore,—
What do they long for, as I long for
   One salt smell of the sea once more?

People the waves have not awakened,
   Spanking the boats at the harbour's head,
What do they long for, as I long for,—
   Starting up in my inland bed,

Beating the narrow walls, and finding
   Neither a window nor a door,
Screaming to God for death by drowning,—
   One salt taste of the sea once more?

Come when the nights are bright with stars
    Or when the moon is mellow;
Come when the sun his golden bars
    Drops on the hay-field yellow.
Come in the twilight soft and gray,
Come in the night or come in the day,
Come, O love, whene’er you may,
    And you are welcome, welcome.

You are sweet, O Love, dear Love,
You are soft as the nesting dove.
Come to my heart and bring it rest
As the bird flies home to its welcome nest.

Come when my heart is full of grief
    Or when my heart is merry;
Come with the falling of the leaf
    Or with the redd’ning cherry.
Come when the year’s first blossom blows,
Come when the summer gleams and glows,
Come with the winter’s drifting snows,
    And you are welcome, welcome.

It sifts from Leaden Sieves -
It powders all the Wood.
It fills with Alabaster Wool
The Wrinkles of the Road -

It makes an Even Face
Of Mountain, and of Plain -
Unbroken Forehead from the East
Unto the East again -

It reaches to the Fence -
It wraps it Rail by Rail
Till it is lost in Fleeces -
It deals Celestial Vail

To Stump, and Stack - and Stem -
A Summer’s empty Room -
Acres of Joints, where Harvests were,
Recordless, but for them -

It Ruffles Wrists of Posts
As Ankles of a Queen -
Then stills its Artisans - like Ghosts -
Denying they have been -

It was a hard thing to undo this knot.
The rainbow shines, but only in the thought
Of him that looks. Yet not in that alone,
For who makes rainbows by invention?
And many standing round a waterfall
See one bow each, yet not the same to all,
But each a hand's breadth further than the next.
The sun on falling waters writes the text
Which yet is in the eye or in the thought.
It was a hard thing to undo this knot.

’Twas brillig, and the slithy toves
   Did gyre and gimble in the wabe;
All mimsy were the borogoves,
   And the mome raths outgrabe.

“Beware the Jabberwock, my son
   The jaws that bite, the claws that catch!
Beware the Jubjub bird, and shun
   The frumious Bandersnatch!”

He took his vorpal sword in hand;
   Long time the manxome foe he sought—
So rested he by the Tumtum tree,
   And stood awhile in thought.

And, as in uffish thought he stood,
   The Jabberwock, with eyes of flame,
Came whiffling through the tulgey wood,
   And burbled as it came!

One, two! One, two! And through and through
   The vorpal blade went snicker-snack!
He left it dead, and with its head
   He went galumphing back.

“And hast thou slain the Jabberwock?
   Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!”
   He chortled in his joy.

’Twas brillig, and the slithy toves
   Did gyre and gimble in the wabe;
All mimsy were the borogoves,
   And the mome raths outgrabe.

La Serenissima, in morning light, is beautiful.
But you already knew that. 
Palette of honeyed ochre and ship’s bell bronze, 
water precisely the color of the hand-ground pigment
with which the water of Venice has been painted for centuries, 
angled slats of aquamarine chopped by wakes to agate, 
matte black backlit with raw opal 
and anodized aluminum, rope-work of wisteria, wands
of oleander emerging from hidden gardens. At noon, 
near the boat-yard of the last gondola maker, a violin echoes 
from deep inside an empty cistern. 
Lo and behold. Ecco. 
A swirl of wind-blown ashes from yet another cigarette 
and for a moment you see December snow
in Saint Petersburg, the Lion’s Bridge, crystalline halo
crowning Akhmatova’s defiant silhouette. 

Sunset: bitter orange and almond milk,
sepia retinting the canals with cartographer’s ink
as you study the small gray lagoon crabs
patrolling a kingdom of marble slabs 
descending into the depths; rising almost imperceptibly,
the tide licks at, kisses, then barely spills 
across the top step’s foot-worn, weed-velveted lip 
in slippery caravans, dust-laden rivulets.
So another day’s cargo of terrestrial grit 
enriches their scuttled realm, 
and they make haste, like drunken pirates in a silent film,
erratically but steadfastly, to claim it. 

In late October in the park
the autumn's faults begin to show:
the houses suddenly go stark
beyond a thinning poplar row;
the edges of the leaves go brown
on every chestnut tree in town.

The honking birds go south again
where I have gone in better times;
the hardy ones, perhaps, remain
to nestle in the snowy pines.
I think of one bold, raucous bird
whose wintry song I've often heard.

I live among so many things
that flash and fade, that come and go.
One never knows what season brings
relief and which will merely show
how difficult it is to span
a life, given the Fall of Man.

The old ones dawdle on a bench,
and young ones drool into their bibs;
an idle boffer, quite a mensch,
moves fast among the crowd with fibs.
A painted lady hangs upon
his word as if his sword was drawn.

Among so many falling fast
I sometimes wonder why I care;
the first, as ever, shall be last;
the last are always hard to bear.
I never know if I should stay
to see what ails the livelong day.

I never quite know how to ask
why some men wear bright, silver wings
while others, equal to the task,
must play the role of underlings.
"It's what you know, not who," they swore.
I should have known what to ignore.

I started early, did my bit
for freedom and the right to pray.
I leaned a little on my wit,
and learned the sort of thing to say,
yet here I am, unsatisfied
and certain all my elders lied.

A middle man in middle way
between the darkness and the dark,
the seasons have tremendous sway:
I change like chestnuts in the park.
Come winter, I'll be branches, bones;
come spring, a wetness over stones.

   For Robert Lowell

I
In the tunnel of woods, as the road
Winds up through the freckled light, a porcupine,
Larger than life, crosses the road.
He moves with the difficulty of relics—
Possum, armadillo, horseshoe crab.
To us they seem creatures arthritic with time,
Winding joylessly down like burnt-out galaxies.
In all their slowness we see no dignity,
Only a want of scale.
Having crossed the road oblivious, he falls off
Deliberately and without grace into the ferns.

II
In another state are hills as choppy as lake water
And, on a hillside there,
Is a junkyard of old cars, kept for the parts—
Fenders and chassis and the engine blocks
Right there in the field, smaller parts in bins
In a shed by the side of the road. Cows graze
Among the widely spaced rows,
Which are irregular only as an old orchard is,
Following the contours of the hill.
The tops of the cars are bright colors still
And as pretty as bottles hung on a bare tree
Or painted cinder blocks in a garden.
Cars the same age are parked on the road like cannibals.

III
At the edge of a harbor, in a field
That faces the ocean they came by and left by,
Statues of soldiers and governors and their queen
Lie where the Africans put them.
Unbewildered, not without understanding,
The marble countenances look at the green
Continent; they did their best; plunderers
Were fewer among them than men of honor.
But no one comes for them, though they have been offered.
With chipped extremities, in a chipped regalia
They lie at angles of unaccustomed ease.
In the parks and squares of England are set up
Bolder, more dreadful shapes of the ego,
While African lichen confers an antique grandeur
On these, from whom men have withheld it.

IV
At the edge of the Greek world, I think, was a cliff
To which fallen gods were chained, immortal.
Time is without forgiveness, but intermittenly
He sends the old, sentimental, hungry
Vulture compassion to gnaw on the stone
Vitals of each of us, even the young, as if
To ready each of us, even the old, for an unthinkable
Event he foresees for each of us—a reckoning, our own.

Thirty days hath September,
April, June and November.
All the rest have thirty-one,
Excepting February alone,
And that has twenty-eight days clear
And twenty-nine in each leap year.

I bathe my television    in total attention    I give it my corneas
I give it my eardrums    I give it my longing
In return I get pictures      of girls fighting    and men flying
and women in big houses    with tight faces    blotting down tears
with tiny knuckles    Sometimes my mother calls
and I don't answer      Sometimes a siren     sings past the window
and summer air     pushes in     dripping with the scent
of human sweat       But what do I care      I've given my skin
to the TV     I've given it my tastes     In return    it gives me so many
different sounds     to fill the silence   where the secrets
of my life     flash by like ad space     for the coming season

I wander thro’ each charter’d street,
Near where the charter’d Thames does flow,
And mark in every face I meet
Marks of weakness, marks of woe.

In every cry of every man,
In every Infant’s cry of fear,
In every voice, in every ban,
The mind-forg’d manacles I hear.

How the Chimney-sweeper’s cry
Every blackning Church appalls;
And the hapless Soldier’s sigh
Runs in blood down Palace walls.

But most thro’ midnight streets I hear
How the youthful Harlot’s curse
Blasts the new-born Infant’s tear,
And blights with plagues the Marriage hearse.

              10

maggie and milly and molly and may
went down to the beach(to play one day)

and maggie discovered a shell that sang
so sweetly she couldn’t remember her troubles,and

milly befriended a stranded star
whose rays five languid fingers were;

and molly was chased by a horrible thing
which raced sideways while blowing bubbles:and

may came home with a smooth round stone
as small as a world and as large as alone.

For whatever we lose(like a you or a me)
it’s always ourselves we find in the sea

I have wanted other things more than lovers …	
I have desired peace, intimately to know	
The secret curves of deep-bosomed contentment,	
To learn by heart things beautiful and slow.	
 
Cities at night, and cloudful skies, I’ve wanted;
And open cottage doors, old colors and smells a part;	
All dim things, layers of river-mist on river—	
To capture Beauty’s hands and lay them on my heart.	
 
I have wanted clean rain to kiss my eyelids,	
Sea-spray and silver foam to kiss my mouth.
I have wanted strong winds to flay me with passion;	
And, to soothe me, tired winds from the south.	
 
These things have I wanted more than lovers …	
Jewels in my hands, and dew on morning grass—	
Familiar things, while lovers have been strangers.
Friended thus, I have let nothing pass.

It will not hurt me when I am old,
     A running tide where moonlight burned
          Will not sting me like silver snakes;
The years will make me sad and cold,
          It is the happy heart that breaks.

The heart asks more than life can give,
     When that is learned, then all is learned;
          The waves break fold on jewelled fold,
But beauty itself is fugitive,
          It will not hurt me when I am old.

Redwinged blackbirds in the cattail pond—
today I kicked and flipped a wing 
in the sand and saw it was a sheared 
off flicker's. Yesterday's rain has left 
			
snow on Tesuque Peak, and the river 
will widen then dwindle. We step 
into a house and notice antlers mounted 
on the wall behind us; a ten-day-old child 
			
looks, nurses, and sleeps; his mother 
smiles but says she cries then cries 
as emptiness brims up and over.  
And as actions are rooted in feelings, 

I see how picking spinach in a field 
blossoms the picker, how a thoughtless act 
shears a wing. As we walk out 
to the car, the daylight is brighter 
			
than we knew. We do not believe 
flames shoot out of a cauldron of days 
but, looking at the horizon, see
flames leap and crown from tree to tree.

The donkey. The donkey pulling the cart.
The caravan of dust. The cart made of plywood,
of crossbeam and junkyard tires. The donkey
made of donkey. The long face. The long ears.
The curled lashes. The obsidian eyes blinking
in the dust. The cart rolling, cracking the knuckles
of pebbles. The dust. The blanket over the cart.
The hidden mortar shells. The veins of wires.
The remote device. The red light. The donkey
trotting. The blue sky. The rolling cart. The dust
smudging the blue sky. The silent bell of the sun.
The Humvee. The soldiers. The dust-colored
uniforms. The boy from Montgomery, the boy
from Little Falls. The donkey cart approaching.
The dust. The laughter on their lips. The dust
on their lips. The moment before the moment.
The shockwave. The dust. The dust. The dust.

        —for my children

I see her doing something simple, paying bills,
or leafing through a magazine or book,
and wish that I could say, and she could hear,

that now I start to understand her love
for all of us, the fullness of it.

It burns there in the past, beyond my reach,
a modest lamp.

My childhood home I see again, 
    And sadden with the view; 
And still, as memory crowds my brain, 
    There's pleasure in it too.

O Memory! thou midway world 
    'Twixt earth and paradise, 
Where things decayed and loved ones lost 
    In dreamy shadows rise,

And, freed from all that's earthly vile, 
    Seem hallowed, pure, and bright, 
Like scenes in some enchanted isle 
    All bathed in liquid light.

As dusky mountains please the eye 
    When twilight chases day; 
As bugle-notes that, passing by, 
    In distance die away;

As leaving some grand waterfall, 
    We, lingering, list its roar— 
So memory will hallow all 
    We've known, but know no more.

Near twenty years have passed away 
    Since here I bid farewell 
To woods and fields, and scenes of play, 
    And playmates loved so well.

Where many were, but few remain 
    Of old familiar things; 
But seeing them, to mind again 
    The lost and absent brings.

The friends I left that parting day, 
    How changed, as time has sped! 
Young childhood grown, strong manhood gray, 
    And half of all are dead.

I hear the loved survivors tell 
    How nought from death could save, 
Till every sound appears a knell, 
    And every spot a grave.

I range the fields with pensive tread, 
    And pace the hollow rooms, 
And feel (companion of the dead) 
    I'm living in the tombs.

My heart leaps up when I behold 

   A rainbow in the sky:

So was it when my life began; 

So is it now I am a man; 

So be it when I shall grow old, 

   Or let me die!

The Child is father of the Man;

And I could wish my days to be

Bound each to each by natural piety.

 

Often I think of the beautiful town  
  That is seated by the sea;  
Often in thought go up and down  
The pleasant streets of that dear old town,  
  And my youth comes back to me.           
    And a verse of a Lapland song  
    Is haunting my memory still  
    'A boy's will is the wind's will,  
And the thoughts of youth are long, long thoughts.'  
  
I can see the shadowy lines of its trees,            
  And catch, in sudden gleams,  
The sheen of the far-surrounding seas,  
And islands that were the Hesperides  
  Of all my boyish dreams.  
    And the burden of that old song,            
    It murmurs and whispers still:  
    'A boy's will is the wind's will,  
And the thoughts of youth are long, long thoughts.'  
  
I remember the black wharves and the slips,  
  And the sea-tides tossing free;            
And the Spanish sailors with bearded lips,  
And the beauty and mystery of the ships,  
  And the magic of the sea.  
    And the voice of that wayward song  
    Is singing and saying still:            
    'A boy's will is the wind's will,  
And the thoughts of youth are long, long thoughts.'  
  
I remember the bulwarks by the shore,  
  And the fort upon the hill;  
The sunrise gun, with its hollow roar,            
The drum-beat repeated o'er and o'er,  
  And the bugle wild and shrill.  
    And the music of that old song  
    Throbs in my memory still:  
    'A boy's will is the wind's will,            
And the thoughts of youth are long, long thoughts.'  
  
I remember the sea-fight far away,  
  How it thundered o'er the tide!  
And the dead captains, as they lay  
In their graves, o'erlooking the tranquil bay            
  Where they in battle died.  
    And the sound of that mournful song  
    Goes through me with a thrill:  
    'A boy's will is the wind's will,  
And the thoughts of youth are long, long thoughts.'            
  
I can see the breezy dome of groves,  
  The shadows of Deering's Woods;  
And the friendship old and the early loves  
Come back with a Sabbath sound, as of doves  
  In quiet neighborhoods.            
    And the verse of that sweet old song,  
    It flutters and murmurs still:  
    'A boy's will is the wind's will,  
And the thoughts of youth are long, long thoughts.'  
  
I remember the gleams and glooms that dart            
  Across the school-boy's brain;  
The song and the silence in the heart,  
That in part are prophecies, and in part  
  Are longings wild and vain.  
    And the voice of that fitful song            
    Sings on, and is never still:  
    'A boy's will is the wind's will,  
And the thoughts of youth are long, long thoughts.'  
  
There are things of which I may not speak;  
  There are dreams that cannot die;            
There are thoughts that make the strong heart weak,  
And bring a pallor into the cheek,  
  And a mist before the eye.  
    And the words of that fatal song  
    Come over me like a chill:            
    'A boy's will is the wind's will,  
And the thoughts of youth are long, long thoughts.'  
  
Strange to me now are the forms I meet  
  When I visit the dear old town;  
But the native air is pure and sweet,            
And the trees that o'ershadow each well-known street,  
  As they balance up and down,  
    Are singing the beautiful song,  
    Are sighing and whispering still:  
    'A boy's will is the wind's will,            
And the thoughts of youth are long, long thoughts.'  
  
And Deering's Woods are fresh and fair,  
  And with joy that is almost pain  
My heart goes back to wander there,  
And among the dreams of the days that were,            
  I find my lost youth again.  
    And the strange and beautiful song,  
    The groves are repeating it still:  
    'A boy's will is the wind's will,  
And the thoughts of youth are long, long thoughts.'

I’d like to see the tree as it once stood
before me, childhood, the branch and leaf
a single form of transport, ecstasy
shaking my body I give to the leaves,
the leaves return, my stare all interchange.

But that was when I had a sky to name
since I had a belief in constancy
like everyone. The sky was my background,
the drama of the tree and me, one act,
then three, then five, a Shakespearean play script.
some tragic flaw in hero, heroine,
yet to be discovered.
                             But now the sky
clouds even dawn with a black mist that falls
from all things and all imaginings.

The tree in my backyard is caught in this.
When I look for the sky it is still there
but now a matter of my memory
or prophecy.
                 Where is the root, bough, stem
set clearly against a morning, clearing?

Now winter nights enlarge
    This number of their hours;
And clouds their storms discharge
    Upon the airy towers.
Let now the chimneys blaze
    And cups o’erflow with wine,
Let well-tuned words amaze
    With harmony divine.
Now yellow waxen lights 
    Shall wait on honey love
While youthful revels, masques, and courtly sights 
    Sleep’s leaden spells remove.

This time doth well dispense
    With lovers’ long discourse;
Much speech hath some defense,
    Though beauty no remorse.
All do not all things well:
    Some measures comely tread,
Some knotted riddles tell,
    Some poems smoothly read.
The summer hath his joys,
    And winter his delights;
Though love and all his pleasures are but toys
    They shorten tedious nights.

Oh stay at home, my lad, and plough
   The land and not the sea,
And leave the soldiers at their drill,
And all about the idle hill
   Shepherd your sheep with me.

Oh stay with company and mirth
   And daylight and the air;
Too full already is the grave
Of fellows that were good and brave
   And died because they were.

     Set back from the street behind a stand of trees,
a shuttered house unnoticed by casual passers-by,
     where I see you standing in the middle of your life,
poised to enter a summer evening where there will be
     drinks and then a meal on an old stone terrace,
and it will seem, as the glass of wine is lifted to your lips,
     that no one you know will ever have to die.
All this, of course, has already happened, happened
     many times, never to happen again. In that faraway dark,
two voices softly braid themselves into one murmuring
     conversation, but words spoken so long ago
want to be private. I would not imagine it otherwise.
     Unasked, I have entered a memory I was never part of,
and come face to face with love's leisurely vanished pace.
     Everything's changed. The new owner's cut down trees,
cleared decades of overgrowth to let the light in, and anyone
     passing right now will only see what the too-bright
present wants them to see: a gracious forthright house,
     empty of meaning, sitting overexposed in spring sunlight.

How savage, fierce and grim!
     His bones are bleached and white.
But what is death to him?
     He grins as if to bite.
He mocks the fate
     That bade, ''Begone.''
There's fierceness stamped
     In ev'ry bone.
 

Let silence settle from the midnight sky—
Such silence as you've broken with your cry;
The bleak wind howl, unto the ut'most verge
Of this mighty waste, thy fitting dirge.

the word for the inability to find the right word,
leads me to self-diagnose: onomatomaniac. It’s not
the 20 volume OED, I need,
nor Dr. Roget’s book, which offers
equals only, never discovery.
I accept the fallibility of language,
its spastic elasticity,
its jake-leg, as well as prima ballerina, dances.
I accept that language
can be manipulated towards deceit
(ex.: The Mahatmapropaganda, i.e., Goebbels);
I accept, and mourn, though not a lot,
the loss of the dash/semi-colon pair.
It’s the sound of a pause unlike no other pause.
And when the words are tedious
and tedious also their order—sew me up
in a rug and toss me in the sea!
Language is dying, the novel is dying, poetry
is a corpse colder than the Ice Man,
they’ve all been dying for thousands of years,
yet people still write, people still read,
and everyone knows that nothing is really real
until it is written.
Until it is written!
Even those who cannot read
know that.

Out of the rolling ocean, the crowd, came a drop gently to me,
Whispering I love you, before long I die,
I have travel'd a long way, merely to look on you to touch you,
For I could not die till I once look'd on you,
For I fear'd I might afterward lose you.

Now we have met, we have look'd, we are safe,
Return in peace to the ocean my love,
I too am part of that ocean, my love, we are not so much separated,
Behold the great rondure, the cohesion of all, how perfect!
But as for me, for you, the irresistible sea is to separate us,
As for an hour carrying us diverse, yet cannot carry us diverse forever;
Be not impatient—a little space—know you I salute the air, the ocean and the land,
Every day at sundown for your dear sake my love.

I met a traveller from an antique land
Who said: “Two vast and trunkless legs of stone
Stand in the desert . . . Near them, on the sand,
Half sunk, a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed:
And on the pedestal these words appear:
‘My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!’
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away.”

In Milwaukee it is snowing

on the golden statue 

of the 1970s television star

whose television house

was in Milwaukee 

and also on the Comet Cafe

and on the white museum 

the famous Spanish architect 

built with a glass 

elevator through it

and a room with a button

that when you press it

makes two wings

on the sides of the building 

more quickly than you might 

imagine mechanically 

rise like a clumsy

thoughtful bird 

thinking now

I am at last ready 

over the lake

that has many moods

to fly but it will not

and people ask

who are we who see 

so much evil and try 

to stop it and fail 

and know we are no longer 

for no reason worrying 

the terrible governors 

are evil or maybe 

just mistaken and nothing 

can stop them not even 

the workers who keep 

working even when 

it snows on their heads

and on the bridge 

that keeps our cars 

above the water 

for an hour 

in northern California 

today it snowed 

and something

happened people 

turned their beautiful 

sparkling angry faces up

Over the shop where silk is sold
Still the dragon kites are flying.

I want to forget their names, the generals,
advisors, puppet rulers,
the puffed-up and the brought-low,

I want not to know them,
not hear their plans, their excuses,
the President and the President's men,
the Pope with his white smoke for voodoo,

the suits, ties, teeth, insignia,
the guns, the names of trucks and weapons. 

I want to forget them all, 
to be washed of them,
to begin again: where no one knows who anyone is, 
or what he believes. 

To give my attention to:
frangipani leaves uncurling, 
the smell of  jasmine,
one person helping another across a street;  

to the seeds,
to the beginnings; to one clear word for which
there is no disguise and no alternative.

Along Ancona's hills the shimmering heat,
A tropic tide of air with ebb and flow
Bathes all the fields of wheat until they glow
Like flashing seas of green, which toss and beat
Around the vines. The poppies lithe and fleet
Seem running, fiery torchmen, to and fro
To mark the shore.

                        The farmer does not know
That they are there. He walks with heavy feet,
Counting the bread and wine by autumn's gain,
But I,—I smile to think that days remain
Perhaps to me in which, though bread be sweet
No more, and red wine warm my blood in vain,
I shall be glad remembering how the fleet,
Lithe poppies ran like torchmen with the wheat.

He wrote the whole novel in his head,

Sentence by sentence. It took him all day.

Then he took out a wide-ruled yellow legal pad

With three pink vertical lines marking the left margin,

And from his breast pocket he extracted

A disposable plastic fountain pen,

And near the top of the page he wrote the word ODE

In black ink, all caps. For a few minutes he did nothing. 

Then he skipped three lines and wrote,

"It was the greatest birthday present he had ever received:

The manual Smith-Corona typewriter

His parents gave him on the day he graduated from high school

After they took him to the Statler Hilton for lunch, 

Where they had cold poached salmon, his father's favorite."

Out through the fields and the woods
   And over the walls I have wended;
I have climbed the hills of view
   And looked at the world, and descended;
I have come by the highway home,
   And lo, it is ended.

The leaves are all dead on the ground,
   Save those that the oak is keeping
To ravel them one by one
   And let them go scraping and creeping
Out over the crusted snow,
   When others are sleeping.

And the dead leaves lie huddled and still,
   No longer blown hither and thither;
The last lone aster is gone;
   The flowers of the witch hazel wither;
The heart is still aching to seek,
   But the feet question ‘Whither?’

Ah, when to the heart of man
   Was it ever less than a treason
To go with the drift of things,
   To yield with a grace to reason,
And bow and accept the end
   Of a love or a season?

I must not think of thee; and, tired yet strong,
I shun the thought that lurks in all delight—
   The thought of thee—and in the blue heaven’s height,
And in the sweetest passage of a song.
Oh, just beyond the fairest thoughts that throng
   This breast, the thought of thee waits hidden yet bright;
But it must never, never come in sight;
I must stop short of thee the whole day long.
But when sleep comes to close each difficult day,
   When night gives pause to the long watch I keep,
And all my bonds I needs must loose apart,
Must doff my will as raiment laid away,—
   With the first dream that comes with the first sleep
I run, I run, I am gathered to thy heart.

Backward, turn backward, O Time, in your flight,
Make me a child again just for tonight!
Mother, come back from the echoless shore,
Take me again to your heart as of yore;
Kiss from my forehead the furrows of care,
Smooth the few silver threads out of my hair;
Over my slumbers your loving watch keep;—      
Rock me to sleep, mother, — rock me to sleep!

Backward, flow backward, O tide of the years!
I am so weary of toil and of tears,—      
Toil without recompense, tears all in vain,—   
Take them, and give me my childhood again!
I have grown weary of dust and decay,—   
Weary of flinging my soul-wealth away;
Weary of sowing for others to reap;—   
Rock me to sleep, mother — rock me to sleep!

Tired of the hollow, the base, the untrue,
Mother, O mother, my heart calls for you!
Many a summer the grass has grown green,
Blossomed and faded, our faces between:
Yet, with strong yearning and passionate pain,
Long I tonight for your presence again.
Come from the silence so long and so deep;—   
Rock me to sleep, mother, — rock me to sleep!

Over my heart, in the days that are flown,
No love like mother-love ever has shone;
No other worship abides and endures,—      
Faithful, unselfish, and patient like yours:
None like a mother can charm away pain
From the sick soul and the world-weary brain.
Slumber’s soft calms o’er my heavy lids creep;—      
Rock me to sleep, mother, — rock me to sleep!

Come, let your brown hair, just lighted with gold,
Fall on your shoulders again as of old;
Let it drop over my forehead tonight,
Shading my faint eyes away from the light;
For with its sunny-edged shadows once more
Haply will throng the sweet visions of yore;
Lovingly, softly, its bright billows sweep;—   
Rock me to sleep, mother, — rock me to sleep!

Mother, dear mother, the years have been long
Since I last listened your lullaby song:
Sing, then, and unto my soul it shall seem
Womanhood’s years have been only a dream.
Clasped to your heart in a loving embrace,
With your light lashes just sweeping my face,
Never hereafter to wake or to weep;—      
Rock me to sleep, mother, — rock me to sleep! 

That is no country for old men. The young
In one another’s arms, birds in the trees
—Those dying generations—at their song,
The salmon-falls, the mackerel-crowded seas,
Fish, flesh, or fowl, commend all summer long
Whatever is begotten, born, and dies.
Caught in that sensual music all neglect
Monuments of unageing intellect.

An aged man is but a paltry thing,
A tattered coat upon a stick, unless
Soul clap its hands and sing, and louder sing
For every tatter in its mortal dress,
Nor is there singing school but studying
Monuments of its own magnificence;
And therefore I have sailed the seas and come
To the holy city of Byzantium.

O sages standing in God’s holy fire
As in the gold mosaic of a wall,
Come from the holy fire, perne in a gyre,
And be the singing-masters of my soul.
Consume my heart away; sick with desire
And fastened to a dying animal
It knows not what it is; and gather me
Into the artifice of eternity.

Once out of nature I shall never take
My bodily form from any natural thing,
But such a form as Grecian goldsmiths make
Of hammered gold and gold enamelling
To keep a drowsy Emperor awake;
Or set upon a golden bough to sing
To lords and ladies of Byzantium
Of what is past, or passing, or to come.

When I had no roof I made
Audacity my roof. When I had
No supper my eyes dined.

When I had no eyes I listened.
When I had no ears I thought.
When I had no thought I waited.

When I had no father I made
Care my father. When I had
No mother I embraced order.

When I had no friend I made
Quiet my friend. When I had no
Enemy I opposed my body.

When I had no temple I made
My voice my temple. I have
No priest, my tongue is my choir.

When I have no means fortune
Is my means. When I have
Nothing, death will be my fortune.

Need is my tactic, detachment
Is my strategy. When I had
No lover I courted my sleep.

I must go down to the seas again, to the lonely sea and the sky,
And all I ask is a tall ship and a star to steer her by,
And the wheel’s kick and the wind’s song and the white sail’s shaking,
And a grey mist on the sea’s face, and a grey dawn breaking,
 
I must go down to the seas again, for the call of the running tide
Is a wild call and a clear call that may not be denied;
And all I ask is a windy day with the white clouds flying,
And the flung spray and the blown spume, and the sea-gulls crying.
 
I must go down to the seas again, to the vagrant gypsy life,
To the gull’s way and the whale’s way where the wind’s like a whetted knife;
And all I ask is a merry yarn from a laughing fellow-rover,
And quiet sleep and a sweet dream when the long trick’s over.

The hillside was blocked 
with pens, horses of other colors 

five or six to a pen, 
and one long fenced strip

from the base of the hill up, 
with dark brown horses flank to flank 

not moving, 
but their necks craning over

each other's backs. 
They were looking towards 

the dip at the top of the hill,
and the stream running through it.

They were looking at what 
was on the other side, 

which was my mother, 
whom I had just walked over the bridge.

for Elizabeth

1
Poetry is a weapon, and should be used,
though not in the crudity of violence.
It is a prayer before an unknown altar,
a spell to bless the silence.

2
There is a music beyond all this,
beyond all forms of grievance,
where anger lays its muzzle down
into the lap of silence.

3
Or some butterfly script,
fathomed only by the other,
as supple fingers draw
a silent message from the tangible.

The problem with boundaries: in the blink of an eye a dozen crows
lose their individuality and become a flock. Same as now:
frayed seconds disappear into quarters
that transfer their worth into the afternoon's account.
Time flows but space isn't any worse:
the flock of crows cuts the sky diagonally.
It's as if a new continent were emerging
to greet halfway the nascent cartographers
and their dreams. Sooner or later the flock will break up
into birds. The sea will crumble into waves.
The waves into drops. A delicate afternoon will be calculable
like harvested grain. The room will resemble
a clock without hands.

Oh strong-ridged and deeply hollowed
nose of mine! what will you not be smelling?
What tactless asses we are, you and I, boney nose,
always indiscriminate, always unashamed,
and now it is the souring flowers of the bedraggled
poplars: a festering pulp on the wet earth
beneath them. With what deep thirst
we quicken our desires
to that rank odor of a passing springtime!
Can you not be decent? Can you not reserve your ardors
for something less unlovely? What girl will care
for us, do you think, if we continue in these ways?
Must you taste everything? Must you know everything?
Must you have a part in everything?

Out of the bosom of the Air,
    Out of the cloud-folds of her garments shaken,
Over the woodlands brown and bare,
    Over the harvest-fields forsaken,
      Silent, and soft, and slow
      Descends the snow.

Even as our cloudy fancies take
    Suddenly shape in some divine expression,
Even as the troubled heart doth make
In the white countenance confession,
      The troubled sky reveals
      The grief it feels.

This is the poem of the air,
    Slowly in silent syllables recorded;
This is the secret of despair,
    Long in its cloudy bosom hoarded,
      Now whispered and revealed
      To wood and field.

Drink deep, drink deep of quietness,
    And on the margins of the sea
Remember not thine old distress
    Nor all the miseries to be.
Calmer than mists, and cold
As they, that fold on fold
Up the dim valley are rolled,
    Learn thou to be.

The Past—it was a feverish dream,
    A drunken slumber full of tears.
The Future—O what wild wings gleam,
    Wheeled in the van of desperate years!
Thou lovedst the evening: dawn
Glimmers; the night is gone:—
What dangers lure thee on,
    What dreams more fierce?

But meanwhile, now the east is gray,
    The hour is pale, the cocks yet dumb,
Be glad before the birth of day,
    Take thy brief rest ere morning come:
Here in the beautiful woods
All night the sea-mist floods,—
Thy last of solitudes,
    Thy yearlong home.

There are some qualities—some incorporate things,
   That have a double life, which thus is made
A type of that twin entity which springs
   From matter and light, evinced in solid and shade.
There is a two-fold Silence—sea and shore—
   Body and soul. One dwells in lonely places,
   Newly with grass o’ergrown; some solemn graces,
Some human memories and tearful lore,
Render him terrorless: his name’s “No More.”
He is the corporate Silence: dread him not!
   No power hath he of evil in himself;
But should some urgent fate (untimely lot!)
   Bring thee to meet his shadow (nameless elf,
That haunteth the lone regions where hath trod
No foot of man,) commend thyself to God!

In the small towns along the river
nothing happens day after long day.
Summer weeks stalled forever,
and long marriages always the same.
Lives with only emergencies, births,
and fishing for excitement. Then a ship
comes out of the mist. Or comes around
the bend carefully one morning
in the rain, past the pines and shrubs.
Arrives on a hot fragrant night,
grandly, all lit up. Gone two days
later, leaving fury in its wake.


For Susan Crosby Lawrence Anderson

Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.

My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.

He gives his harness bells a shake
To ask if there is some mistake.
The only other sound’s the sweep
Of easy wind and downy flake.

The woods are lovely, dark and deep.
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.

                        The oriole sings in the greening grove
                                           As if he were half-way waiting,
                                           The rosebuds peep from their hoods of green,
                                           Timid and hesitating.
The rain comes down in a torrent sweep
             And the nights smell warm and piney,
The garden thrives, but the tender shoots
             Are yellow-green and tiny.
Then a flash of sun on a waiting hill,
             Streams laugh that erst were quiet,
The sky smiles down with a dazzling blue
             And the woods run mad with riot.

Looking back now, I see 
I was dispassionate too often, 
dismissing the robin as common, 
and now can't remember what 
robin song sounds like. I hoarded
my days, as though to keep them 
safe from depletion, and meantime 
I kept busy being lonely. This 
took up the bulk of my time, 
and I did not speak to strangers 
because they might be boring, 
and there were those I feared 

would ask me for money. I was
clumsy around the confident, 
and the well bred, standing on 
their parapets, enthralled me,
but when one approached, I
fled. I also feared the street's 
down and outs, anxious lest 
they look at me closely, and 
afraid I would see their misery. 

I feared my father who feared 
me and did not touch me, 
which made me more afraid. 
My mother feared him too, 
and as I grew to be like him, 
she became afraid of me also. 
I kept busy avoiding dangers 
of many colors, fleeing from 
those with whom I had much 

in common. Now afternoon, 
one chair in the garden. Late
low light, the lilies still open,
sky beyond them preparing 
to close for the night. I'd 
made money, but had I kissed

a single lily? On the chair's
arm my empty cup. Its curved 
lip struck, bright in late light. 
I watch that last light going, 
leaving behind its brief burning
 which will come to nothing. 

The lilies still open, waiting.

Let me be that last sliver of light.
Let me be that last gleaming sliver of silver, 
there for an instant on the lily's petal, 

light speaking in tongues, tongues of flame.

The Angel that presided o’er my birth
Said, “Little creature, form’d of Joy and Mirth,
“Go love without the help of any Thing on Earth.”

Which yet joined not scent to hue,
Crown the pale year weak and new;
When the night is left behind
In the deep east, dun and blind,
And the blue noon is over us,
And the multitudinous
Billows murmur at our feet,
Where the earth and ocean meet,
And all things seem only one
In the universal sun.

Between the dark and the daylight,
   When the night is beginning to lower,
Comes a pause in the day's occupations,
   That is known as the Children's Hour.

I hear in the chamber above me
   The patter of little feet,
The sound of a door that is opened,
   And voices soft and sweet.

From my study I see in the lamplight,
   Descending the broad hall stair,
Grave Alice, and laughing Allegra,
   And Edith with golden hair.

A whisper, and then a silence:
   Yet I know by their merry eyes
They are plotting and planning together
   To take me by surprise.

A sudden rush from the stairway,
   A sudden raid from the hall!
By three doors left unguarded
   They enter my castle wall!

They climb up into my turret
   O'er the arms and back of my chair;
If I try to escape, they surround me;
   They seem to be everywhere.

They almost devour me with kisses,
   Their arms about me entwine,
Till I think of the Bishop of Bingen
   In his Mouse-Tower on the Rhine!

Do you think, O blue-eyed banditti,
   Because you have scaled the wall,
Such an old mustache as I am
   Is not a match for you all!

I have you fast in my fortress,
   And will not let you depart,
But put you down into the dungeon
   In the round-tower of my heart.

And there will I keep you forever,
   Yes, forever and a day,
Till the walls shall crumble to ruin,
   And moulder in dust away!

The morning comes, and thickening clouds prevail,
    Hanging like curtains all the horizon round,
Or overhead in heavy stillness sail;
    So still is day, it seems like night profound;
Scarce by the city’s din the air is stirred,
    And dull and deadened comes its every sound;
The cock’s shrill, piercing voice subdued is heard,
    By the thick folds of muffling vapors drowned.
Dissolved in mists the hills and trees appear,
    Their outlines lost and blended with the sky;
And well-known objects, that to all are near,
    No longer seem familiar to the eye,
But with fantastic forms they mock the sight,
As when we grope amid the gloom of night.

(Lines on the loss of the "Titanic")

I

     In a solitude of the sea
     Deep from human vanity,
And the Pride of Life that planned her, stilly couches she.

II

     Steel chambers, late the pyres
     Of her salamandrine fires,
Cold currents thrid, and turn to rhythmic tidal lyres.

III

     Over the mirrors meant
     To glass the opulent
The sea-worm crawls—grotesque, slimed, dumb, indifferent.

IV

     Jewels in joy designed
     To ravish the sensuous mind
Lie lightless, all their sparkles bleared and black and blind.

V

     Dim moon-eyed fishes near
     Gaze at the gilded gear
And query: "What does this vaingloriousness down here?". . .

VI

     Well: while was fashioning
     This creature of cleaving wing,
The Immanent Will that stirs and urges everything

VII

     Prepared a sinister mate
     For her—so gaily great—
A Shape of Ice, for the time far and dissociate.

VIII

     And as the smart ship grew
     In stature, grace, and hue
In shadowy silent distance grew the Iceberg too.

IX

     Alien they seemed to be:
     No mortal eye could see
The intimate welding of their later history.

X

     Or sign that they were bent
     By paths coincident
On being anon twin halves of one August event,

XI

     Till the Spinner of the Years
     Said "Now!" And each one hears,
And consummation comes, and jars two hemispheres.

I leant upon a coppice gate 
    When Frost was spectre-gray,
And Winter’s dregs made desolate
    The weakening eye of day.
The tangled bine-stems scored the sky
    Like strings of broken lyres,
And all mankind that haunted nigh
    Had sought their household fires. 

The land’s sharp features seemed to be
    The Century’s corpse outleant,
His crypt the cloudy canopy,
    The wind his death-lament.
The ancient pulse of germ and birth
    Was shrunken hard and dry,
And every spirit upon earth
    Seemed fervourless as I.

At once a voice arose among
    The bleak twigs overhead
In a full-hearted evensong
    Of joy illimited;
An aged thrush, frail, gaunt, and small,
    In blast-beruffled plume,
Had chosen thus to fling his soul
    Upon the growing gloom.

So little cause for carolings
    Of such ecstatic sound
Was written on terrestrial things
    Afar or nigh around,
That I could think there trembled through
    His happy good-night air
Some blessed Hope, whereof he knew
    And I was unaware.

You sit at a window and listen to your father
crossing the dark grasses of the fields

toward you, a moon soaking through his shoes as he shuffles the wind
aside, the night in his hands like an empty bridle.

How long have we been this way, you ask him.
It must be ages, the wind answers. It must be the music of the wind

turning your fingers to glass, turning the furniture of childhood
to the colors of horses, turning them away.

Your father is still crossing the acres, a light on his tongue
like a small coin from an empire that has always been ruined.

Now the dark flocks are drifting through his shoulders
with an odor of lavender, an odor of gold. Now he has turned

as though to go, but only knelt down with the heavy oars
of October on his forearms, to begin the horrible rowing.

You sit in a chair in the room. The wind lies open
on your lap like the score of a life you did not measure.

You rise. You turn back to the room and repeat what you know:
The earth is not a home. The night is not an empty bridle

in the hands of a man crossing a field with a new moon
in his old wool. We abandon the dead. We abandon them.
 

Look back with longing eyes and know that I will follow,
Lift me up in your love as a light wind lifts a swallow,
Let our flight be far in sun or blowing rain—
But what if I heard my first love calling me again?

Hold me on your heart as the brave sea holds the foam,
Take me far away to the hills that hide your home;
Peace shall thatch the roof and love shall latch the door—
But what if I heard my first love calling me once more?

The heart of a woman goes forth with the dawn,
As a lone bird, soft winging, so restlessly on,
Afar o’er life’s turrets and vales does it roam
In the wake of those echoes the heart calls home.

The heart of a woman falls back with the night,
And enters some alien cage in its plight,
And tries to forget it has dreamed of the stars
While it breaks, breaks, breaks on the sheltering bars.

O be swift—
we have always known you wanted us.

We fled inland with our flocks.
we pastured them in hollows,
cut off from the wind
and the salt track of the marsh.

We worshipped inland—
we stepped past wood-flowers,
we forgot your tang,
we brushed wood-grass.

We wandered from pine-hills
through oak and scrub-oak tangles,
we broke hyssop and bramble,
we caught flower and new bramble-fruit
in our hair: we laughed
as each branch whipped back,
we tore our feet in half-buried rocks
and knotted roots and acorn-cups.

We forgot—we worshipped,
we parted green from green,
we sought further thickets,
we dipped our ankles
through leaf-mould and earth,
and wood and wood-bank enchanted us—

and the feel of the clefts in the bark,
and the slope between tree and tree—
and a slender path strung field to field
and wood to wood
and hill to hill
and the forest after it.

We forgot—for a moment
tree-resin, tree-bark,
sweat of a torn branch
were sweet to taste.

We were enchanted with the fields,
the tufts of coarse grass—
in the shorter grass—
we loved all this.

But now, our boat climbs—hesitates—drops—
climbs—hesitates—crawls back—
climbs—hesitates—
O, be swift—
we have always known you wanted us.

Part I

The wind was a torrent of darkness among the gusty trees,
The moon was a ghostly galleon tossed upon cloudy seas,
The road was a ribbon of moonlight over the purple moor,
And the highwayman came riding—
   Riding—riding—
The highwayman came riding, up to the old inn-door.

He'd a French cocked-hat on his forehead, a bunch of lace at his chin,
A coat of the claret velvet, and breeches of brown doe-skin;
They fitted with never a wrinkle: his boots were up to the thigh!
And he rode with a jewelled twinkle,
   His pistol butts a-twinkle,
His rapier hilt a-twinkle, under the jewelled sky.

Over the cobbles he clattered and clashed in the dark inn-yard,
He tapped with his whip on the shutters, but all was locked and barred;
He whistled a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter,
   Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.

And dark in the dark old inn-yard a stable-wicket creaked
Where Tim the ostler listened; his face was white and peaked;
His eyes were hollows of madness, his hair like mouldy hay,
But he loved the landlord's daughter,
   The landlord's red-lipped daughter,
Dumb as a dog he listened, and he heard the robber say—

"One kiss, my bonny sweetheart, I'm after a prize to-night,
But I shall be back with the yellow gold before the morning light;
Yet, if they press me sharply, and harry me through the day,
Then look for me by moonlight,
   Watch for me by moonlight,
I'll come to thee by moonlight, though hell should bar the way."

He rose upright in the stirrups; he scarce could reach her hand,
But she loosened her hair i' the casement! His face burnt like a brand
As the black cascade of perfume came tumbling over his breast;
And he kissed its waves in the moonlight,
   (Oh, sweet black waves in the moonlight!)
Then he tugged at his rein in the moonlight, and galloped away to the West.

Part II

He did not come in the dawning; he did not come at noon;
And out o' the tawny sunset, before the rise o' the moon,
When the road was a gipsy's ribbon, looping the purple moor,
A red-coat troop came marching—
   Marching—marching—
King George's men came marching, up to the old inn-door.

They said no word to the landlord, they drank his ale instead,
But they gagged his daughter and bound her to the foot of her narrow bed;
Two of them knelt at her casement, with muskets at their side!
There was death at every window;
   And hell at one dark window;
For Bess could see, through her casement, the road that he would ride.

They had tied her up to attention, with many a sniggering jest;
They had bound a musket beside her, with the barrel beneath her breast!
"Now keep good watch!" and they kissed her.
   She heard the doomed man say—
Look for me by moonlight;
   Watch for me by moonlight;
I'll come to thee by moonlight, though hell should bar the way!

She twisted her hands behind her; but all the knots held good!
She writhed her hands till her fingers were wet with sweat or blood!
They stretched and strained in the darkness, and the hours crawled by like years,
Till, now, on the stroke of midnight,
   Cold, on the stroke of midnight,
The tip of one finger touched it! The trigger at least was hers!

The tip of one finger touched it; She strove no more for the rest!
Up, she stood up to attention, with the barrel beneath her breast,
She would not risk their hearing; she would not strive again;
For the road lay bare in the moonlight;
   Blank and bare in the moonlight;
And the blood of her veins in the moonlight throbbed to her love's refrain.

Tlot-tlot; tlot-tlot! Had they heard it? The horse-hoofs ringing clear;
Tlot-tlot, tlot-tlot, in the distance? Were they deaf that they did not hear?
Down the ribbon of moonlight, over the brow of the hill,
The highwayman came riding,
   Riding, riding!
The red-coats looked to their priming! She stood up, straight and still!

Tlot-tlot, in the frosty silence! Tlot-tlot, in the echoing night!
Nearer he came and nearer! Her face was like a light!
Her eyes grew wide for a moment; she drew one last deep breath,
Then her finger moved in the moonlight,
   Her musket shattered the moonlight,
Shattered her breast in the moonlight and warned him—with her death.

He turned; he spurred to the West; he did not know who stood
Bowed, with her head o'er the musket, drenched with her own red blood!
Not till the dawn he heard it, his face grew gray to hear
How Bess, the landlord's daughter,
   The landlord's black-eyed daughter,
Had watched for her love in the moonlight, and died in the darkness there.

Back, he spurred like a madman, shrieking a curse to the sky,
With the white road smoking behind him and his rapier brandished high!
Blood-red were his spurs i' the golden noon; wine-red was his velvet coat,
When they shot him down on the highway,
   Down like a dog on the highway, And he lay in his blood on the highway, with the bunch of lace at his throat.

* * * *

And still of a winter's night, they say, when the wind is in the trees,
When the moon is a ghostly galleon tossed upon cloudy seas,
When the road is a ribbon of moonlight over the purple moor,
A highwayman comes riding—
   Riding—riding—
A highwayman comes riding, up to the old inn-door.

Over the cobbles he clatters and clangs in the dark inn-yard;
He taps with his whip on the shutters, but all is locked and barred;
He whistles a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter,
   Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.

Bowed by the weight of centuries he leans
Upon his hoe and gazes on the ground,
The emptiness of ages in his face,
And on his back the burden of the world.
Who made him dead to rapture and despair,
A thing that grieves not and that never hopes.
Stolid and stunned, a brother to the ox?
Who loosened and let down this brutal jaw?
Whose was the hand that slanted back this brow?
Whose breath blew out the light within this brain?
Is this the Thing the Lord God made and gave
To have dominion over sea and land;
To trace the stars and search the heavens for power;
To feel the passion of Eternity?
Is this the Dream He dreamed who shaped the suns
And marked their ways upon the ancient deep?
Down all the stretch of Hell to its last gulf
There is no shape more terrible than this —
More tongued with censure of the world's blind greed —
More filled with signs and portents for the soul —
More fraught with menace to the universe.
What gulfs between him and the seraphim!
Slave of the wheel of labor, what to him
Are Plato and the swing of Pleiades?
What the long reaches of the peaks of song,
The rift of dawn, the reddening of the rose?
Through this dread shape the suffering ages look;
Time's tragedy is in the aching stoop;
Through this dread shape humanity betrayed,
Plundered, profaned, and disinherited,
Cries protest to the Powers that made the world.
A protest that is also a prophecy.
O masters, lords and rulers in all lands,
Is this the handiwork you give to God,
This monstrous thing distorted and soul-quenched?
How will you ever straighten up this shape;
Touch it again with immortality;
Give back the upward looking and the light;
Rebuild in it the music and the dream,
Make right the immemorial infamies,
Perfidious wrongs, immedicable woes?
O masters, lords and rulers in all lands
How will the Future reckon with this Man?
How answer his brute question in that hour
When whirlwinds of rebellion shake all shores?
How will it be with kingdoms and with kings —
With those who shaped him to the thing he is —
When this dumb Terror shall rise to judge the world.
After the silence of the centuries?

Oh, the coming-out-of-nowhere moment

when,   nothing 

happens 

no what-have-I-to-do-today-list 


maybe   half a moment  

the rush of traffic stops.  

The whir of I should be, I should be, I should be 

slows to silence,

the white cotton curtains hanging still.

                     —an ars poetica


I remember the death, in Russia,
of postage stamps 
like immense museum masterpieces
patchwork
wrapped in linen, tea stained,
with hemp for strapping...

these colored stamps designed for foreign places
were even printed during famine—
so when they vanished, so did the whole
Soviet system:
the Berlin Wall, tanks from Afghanistan
and Ceausescu's bride before a firing squad.

It had begun with the character of Yuri Zhivago
in a frozen wilderness, the summer house
of his dead in-laws, his 
pregnant mistress asleep
before the fireplace
with flames dancing around a broken chair, piano keys
and the gardener's long black underwear.

Lara lying there. A vulgar fat businessman
coming by sleigh to collect her for the dangers
of a near arctic escape...

But for Yuri, not that long ago, he was
with celebrity, 
a young doctor publishing a thin volume
of poems in France, he was writing
now at a cold desk
poems against all experience
and for love of a woman buried
in moth-eaten furs on the floor—

while he wrote
wolves out along the green treeline
howled at him. The author of this novel,
Boris Pasternak arranged it all. Stalin would
have liked to have killed him. But superstition kept him from it.
So, the daughter of Pasternak's mistress eventually 
is walking with a candle
through a prison basement—
she is stepping over acres of twisted corpses
hoping to locate her vanished mother...
she thinks this reminds her of edging slowly
over the crust on a very deep snow, just a child who believes 
she is about to be swallowed by the purity of it all,
like this write your new poems.

Riches I hold in light esteem,
   And Love I laugh to scorn;
And lust of fame was but a dream,
   That vanished with the morn:

And if I pray, the only prayer
   That moves my lips for me
Is, "Leave the heart that now I bear,
   And give me liberty!"

Yes, as my swift days near their goal:
   ’Tis all that I implore;
In life and death a chainless soul,
   With courage to endure.

When a deed is done for Freedom, through the broad earth's aching breast 
Runs a thrill of joy prophetic, trembling on from east to west,         
And the slave, where'er he cowers, feels the soul within him climb 
To the awful verge of manhood, as the energy sublime        
Of a century bursts full-blossomed on the thorny stem of Time.               

Through the walls of hut and palace shoots the instantaneous throe,
When the travail of the Ages wrings earth's systems to and fro;      
At the birth of each new Era, with a recognizing start,         
Nation wildly looks at nation, standing with mute lips apart,           
And glad Truth's yet mightier man-child leaps beneath the Future's heart.    

So the Evil's triumph sendeth, with a terror and a chill,        
Under continent to continent, the sense of coming ill,          
And the slave, where'er he cowers, feels his sympathies with God  
In hot tear-drops ebbing earthward, to be drunk up by the sod,        
Till a corpse crawls round unburied, delving in the nobler clod.        

For mankind are one in spirit, and an instinct bears along,   
Round the earth's electric circle, the swift flash of right or wrong;  
Whether conscious or unconscious, yet Humanity's vast frame        
Through its ocean-sundered fibres feels the gush of joy or shame;—           
In the gain or loss of one race all the rest have equal claim.   

Once to every man and nation comes the moment to decide,           
In the strife of Truth with Falsehood, for the good or evil side;       
Some great cause, God's new Messiah, offering each the bloom or blight,  
Parts the goats upon the left hand, and the sheep upon the right,      
And the choice goes by forever 'twixt that darkness and that light.    

Hast thou chosen, O my people, on whose party thou shalt stand,   
Ere the Doom from its worn sandals shakes the dust against our land?       
Though the cause of Evil prosper, yet 'tis Truth alone is strong,      
And, albeit she wander outcast now, I see around her throng           
Troops of beautiful, tall angels, to enshield her from all wrong.        

Backward look across the ages and the beacon-moments see,          
That, like peaks of some sunk continent, jut through Oblivion's sea;           
Not an ear in court or market for the low, foreboding cry    
Of those Crises, God's stern winnowers, from whose feet earth's chaff must fly;    
Never shows the choice momentous till the judgment hath passed by.          

Careless seems the great Avenger; history's pages but record          
One death-grapple in the darkness 'twixt old systems and the Word;           
Truth forever on the scaffold, Wrong forever on the throne,—        
Yet that scaffold sways the future, and, behind the dim unknown,  
Standeth God within the shadow, keeping watch above his own.      

We see dimly in the Present what is small and what is great,           
Slow of faith how weak an arm may turn the iron helm of fate,       
But the soul is still oracular; amid the market's din, 
List the ominous stern whisper from the Delphic cave within,—     
"They enslave their children's children who make compromise with sin."     

Slavery, the earth-born Cyclops, fellest of the giant brood,  
Sons of brutish Force and Darkness, who have drenched the earth with blood,       
Famished in his self-made desert, blinded by our purer day,
Gropes in yet unblasted regions for his miserable prey;—    
Shall we guide his gory fingers where our helpless children play?     

Then to side with Truth is noble when we share her wretched crust,
Ere her cause bring fame and profit, and 'tis prosperous to be just;  
Then it is the brave man chooses, while the coward stands aside,    
Doubting in his abject spirit, till his Lord is crucified,          
And the multitude make virtue of the faith they had denied.  

Count me o'er earth's chosen heroes,—they were souls that stood alone,     
While the men they agonized for hurled the contumelious stone,    
Stood serene, and down the future saw the golden beam incline      
To the side of perfect justice, mastered by their faith divine,
By one man's plain truth to manhood and to God's supreme design.  

By the light of burning heretics Christ's bleeding feet I track,          
Toiling up new Calvaries ever with the cross that turns not back,    
And these mounts of anguish number how each generation learned
One new word of that grand Credo which in prophet-hearts hath burned    
Since the first man stood God-conquered with his face to heaven upturned.

For Humanity sweeps onward: where to-day the martyr stands,      
On the morrow crouches Judas with the silver in his hands;
Far in front the cross stands ready and the crackling fagots burn,    
While the hooting mob of yesterday in silent awe return      
To glean up the scattered ashes into History's golden urn.      

'Tis as easy to be heroes as to sit the idle slaves        
Of a legendary virtue carved upon our fathers' graves,         
Worshippers of light ancestral make the present light a crime;—     
Was the Mayflower launched by cowards, steered by men behind their time?        
Turn those tracks toward Past or Future, that made Plymouth Rock sublime?           

They were men of present valor, stalwart old iconoclasts,    
Unconvinced by axe or gibbet that all virtue was the Past's;
But we make their truth our falsehood, thinking that hath made us free,     
Hoarding it in mouldy parchments, while our tender spirits flee      
The rude grasp of that great Impulse which drove them across the sea.         

They have rights who dare maintain them; we are traitors to our sires,        
Smothering in their holy ashes Freedom's new-lit altar-fires;           
Shall we make their creed our jailer? Shall we, in our haste to slay,
From the tombs of the old prophets steal the funeral lamps away    
To light up the martyr-fagots round the prophets of to-day?  

New occasions teach new duties; Time makes ancient good uncouth;         
They must upward still, and onward, who would keep abreast of Truth;     
Lo, before us gleam her camp-fires! we ourselves must Pilgrims be,           
Launch our Mayflower, and steer boldly through the desperate winter sea, 
Nor attempt the Future's portal with the Past's blood-rusted key.

(For Warren Winslow, Dead At Sea)

Let man have dominion over the fishes of the sea and
the fowls of the air and the beasts and the whole earth,
and every creeping creature that moveth upon the earth.

I

A brackish reach of shoal off Madaket--
The sea was still breaking violently and night
Had steamed into our North Atlantic Fleet,
When the drowned sailor clutched the drag-net.  Light
Flashed from his matted head and marble feet,
He grappled at the net
With the coiled, hurdling muscles of his thighs:
The corpse was bloodless, a botch of reds and whites,
Its open, staring eyes
Were lustreless dead-lights
Or cabin-windows on a stranded hulk
Heavy with sand.  We weight the body, close
Its eyes and heave it seaward whence it came,
Where the heel-headed dogfish barks its nose
On Ahab's void and forehead; and the name
Is blocked in yellow chalk.
Sailors, who pitch this portent at the sea
Where dreadnaughts shall confess
Its hell-bent deity,
When you are powerless
To sand-bag this Atlantic bulwark, faced
By the earth-shaker, green, unwearied, chaste
In his steel scales: ask for no Orphean lute
To pluck life back.  The guns of the steeled fleet
Recoil and then repeat
The hoarse salute.

 
II

Whenever winds are moving and their breath
Heaves at the roped-in bulwarks of this pier,
The terns and sea-gulls tremble at your death
In these home waters.  Sailor, can you hear
The Pequod's sea wings, beating landward, fall
Headlong and break on our Atlantic wall
Off 'Sconset, where the yawing S-boats splash
The bellbuoy, with ballooning spinnakers,
As the entangled, screeching mainsheet clears
The blocks: off Madaket, where lubbers lash
The heavy surf and throw their long lead squids
For blue-fish?  Sea-gulls blink their heavy lids
Seaward.  The winds' wings beat upon the stones,
Cousin, and scream for you and the claws rush
At the sea's throat and wring it in the slush
Of this old Quaker graveyard where the bones
Cry out in the long night for the hurt beast
Bobbing by Ahab's whaleboats in the East.

 
III

All you recovered from Poseidon died
With you, my cousin, and the harrowed brine
Is fruitless on the blue beard of the god,
Stretching beyond us to the castles in Spain,
Nantucket's westward haven.  To Cape Cod
Guns, cradled on the tide,
Blast the eelgrass about a waterclock
Of bilge and backwash, roil the salt and sand
Lashing earth's scaffold, rock
Our warships in the hand
Of the great God, where time's contrition blues
Whatever it was these Quaker sailors lost
In the mad scramble of their lives.  They died
When time was open-eyed,
Wooden and childish; only bones abide
There, in the nowhere, where their boats were tossed
Sky-high, where mariners had fabled news
Of IS, the whited monster.  What it cost
Them is their secret.  In the sperm-whale's slick
I see the Quakers drown and hear their cry:
"If God himself had not been on our side,
If God himself had not been on our side,
When the Atlantic rose against us, why,
Then it had swallowed us up quick."

 
IV

This is the end of the whaleroad and the whale
Who spewed Nantucket bones on the thrashed swell
And stirred the troubled waters to whirlpools
To send the Pequod packing off to hell:
This is the end of them, three-quarters fools,
Snatching at straws to sail
Seaward and seaward on the turntail whale,
Spouting out blood and water as it rolls,
Sick as a dog to these Atlantic shoals:
Clamavimus, O depths.  Let the sea-gulls wail

For water, for the deep where the high tide
Mutters to its hurt self, mutters and ebbs.
Waves wallow in their wash, go out and out,
Leave only the death-rattle of the crabs,
The beach increasing, its enormous snout
Sucking the ocean's side.
This is the end of running on the waves;
We are poured out like water.  Who will dance
The mast-lashed master of Leviathans
Up from this field of Quakers in their unstoned graves?

 
V

When the whale's viscera go and the roll
Of its corruption overruns this world
Beyond tree-swept Nantucket and Wood's Hole
And Martha's Vineyard, Sailor, will your sword
Whistle and fall and sink into the fat?
In the great ash-pit of Jehoshaphat
The bones cry for the blood of the white whale,
The fat flukes arch and whack about its ears,
The death-lance churns into the sanctuary, tears
The gun-blue swingle, heaving like a flail,
And hacks the coiling life out: it works and drags
And rips the sperm-whale's midriff into rags,
Gobbets of blubber spill to wind and weather,
Sailor, and gulls go round the stoven timbers
Where the morning stars sing out together
And thunder shakes the white surf and dismembers
The red flag hammered in the mast-head.  Hide,
Our steel, Jonas Messias, in Thy side.

 
VI

OUR LADY OF WALSINGHAM

There once the penitents took off their shoes
And then walked barefoot the remaining mile;
And the small trees, a stream and hedgerows file
Slowly along the munching English lane,
Like cows to the old shrine, until you lose
Track of your dragging pain.
The stream flows down under the druid tree,
Shiloah's whirlpools gurgle and make glad
The castle of God.  Sailor, you were glad
And whistled Sion by that stream.  But see:

Our Lady, too small for her canopy,
Sits near the altar.  There's no comeliness
at all or charm in that expressionless
Face with its heavy eyelids.  As before,
This face, for centuries a memory,
Non est species, neque decor,
Expressionless, expresses God: it goes
Past castled Sion.  She knows what God knows,
Not Calvary's Cross nor crib at Bethlehem
Now, and the world shall come to Walsingham.

 
VII

The empty winds are creaking and the oak
splatters and splatters on the cenotaph,
The boughs are trembling and a gaff
Bobs on the untimely stroke
Of the greased wash exploding on a shoal-bell
In the old mouth of the Atlantic.  It's well;
Atlantic, you are fouled with the blue sailors,
sea-monsters, upward angel, downward fish:
Unmarried and corroding, spare of flesh
Mart once of supercilious, wing'd clippers,
Atlantic, where your bell-trap guts its spoil
You could cut the brackish winds with a knife
Here in Nantucket, and cast up the time
When the Lord God formed man from the sea's slime
And breathed into his face the breath of life,
And blue-lung'd combers lumbered to the kill.
The Lord survives the rainbow of His will.

Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?

   The sea is lonely, the sea is dreary, 
The sea is restless and uneasy; 
Thou seekest quiet, thou art weary, 
Wandering thou knowest not whither;— 
Our little isle is green and breezy, 
Come and rest thee! Oh come hither, 
Come to this peaceful home of ours, 
      Where evermore 
The low west-wind creeps panting up the shore 
To be at rest among the flowers; 
Full of rest, the green moss lifts, 
   As the dark waves of the sea 
Draw in and out of rocky rifts, 
   Calling solemnly to thee 
With voices deep and hollow,— 
      "To the shore 
   Follow! Oh, follow! 
   To be at rest forevermore! 
         Forevermore!" 

Look how the gray old Ocean 
From the depth of his heart rejoices, 
Heaving with a gentle motion, 
When he hears our restful voices; 
List how he sings in an undertone, 
Chiming with our melody; 
And all sweet sounds of earth and air 
Melt into one low voice alone, 
That murmurs over the weary sea, 
And seems to sing from everywhere,— 
"Here mayst thou harbor peacefully, 
Here mayst thou rest from the aching oar; 
   Turn thy curvëd prow ashore, 
And in our green isle rest forevermore! 
         Forevermore!" 
And Echo half wakes in the wooded hill, 
   And, to her heart so calm and deep, 
   Murmurs over in her sleep, 
Doubtfully pausing and murmuring still, 
         "Evermore!" 
      Thus, on Life's weary sea, 
      Heareth the marinere 
      Voices sweet, from far and near, 
      Ever singing low and clear, 
      Ever singing longingly. 

   It is not better here to be, 
Than to be toiling late and soon? 
In the dreary night to see 
Nothing but the blood-red moon 
Go up and down into the sea; 
Or, in the loneliness of day, 
   To see the still seals only 
Solemnly lift their faces gray, 
   Making it yet more lonely? 
Is it not better than to hear 
Only the sliding of the wave 
Beneath the plank, and feel so near 
A cold and lonely grave, 
A restless grave, where thou shalt lie 
Even in death unquietly? 
Look down beneath thy wave-worn bark, 
   Lean over the side and see 
The leaden eye of the sidelong shark
      Upturnëd patiently, 
   Ever waiting there for thee: 
Look down and see those shapeless forms, 
   Which ever keep their dreamless sleep 
   Far down within the gloomy deep, 
And only stir themselves in storms, 
Rising like islands from beneath, 
And snorting through the angry spray, 
As the frail vessel perisheth 
In the whirls of their unwieldy play; 
   Look down! Look down! 
Upon the seaweed, slimy and dark, 
That waves its arms so lank and brown, 
      Beckoning for thee! 
Look down beneath thy wave-worn bark 
      Into the cold depth of the sea! 
   Look down! Look down! 
      Thus, on Life's lonely sea, 
      Heareth the marinere 
      Voices sad, from far and near, 
      Ever singing full of fear, 
      Ever singing dreadfully. 

   Here all is pleasant as a dream; 
The wind scarce shaketh down the dew, 
The green grass floweth like a stream 
         Into the ocean's blue; 
            Listen! Oh, listen! 
Here is a gush of many streams, 
   A song of many birds, 
And every wish and longing seems 
Lulled to a numbered flow of words,— 
            Listen! Oh, listen! 
Here ever hum the golden bees 
Underneath full-blossomed trees, 
At once with glowing fruit and flowers crowned;— 
So smooth the sand, the yellow sand, 
That thy keel will not grate as it touches the land; 
All around with a slumberous sound, 
The singing waves slide up the strand, 
And there, where the smooth, wet pebbles be 
The waters gurgle longingly, 
As if they fain would seek the shore, 
To be at rest from the ceaseless roar, 
To be at rest forevermore,— 
         Forevermore. 
      Thus, on Life's gloomy sea, 
      Heareth the marinere 
      Voices sweet, from far and near, 
      Ever singing in his ear, 
      "Here is rest and peace for thee!"

The times are nightfall, look, their light grows less;  
The times are winter, watch, a world undone:  
They waste, they wither worse; they as they run  
Or bring more or more blazon man's distress.  
And I not help. Nor word now of success:       
All is from wreck, here, there, to rescue one—  
Work which to see scarce so much as begun  
Makes welcome death, does dear forgetfulness.  
  
Or what is else? There is your world within.  
There rid the dragons, root out there the sin.   
Your will is law in that small commonweal...

^{“Nam Sibyllam quidem Cumis ego ipse oculis meis vidi in ampulla pendere, et cum illi pueri dicerent: Σιβυλλα τι θελεις; respondebat illa: αποθανειν θελω.”}

^{For Ezra Pound
il miglior fabbro}

I. The Burial of the Dead

April is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.
Winter kept us warm, covering
Earth in forgetful snow, feeding
A little life with dried tubers.
Summer surprised us, coming over the Starnbergersee
With a shower of rain; we stopped in the colonnade,
And went on in sunlight, into the Hofgarten,
And drank coffee, and talked for an hour.
Bin gar keine Russin, stamm’ aus Litauen, echt deutsch.
And when we were children, staying at the archduke’s,
My cousin’s, he took me out on a sled,
And I was frightened. He said, Marie,
Marie, hold on tight. And down we went.
In the mountains, there you feel free.
I read, much of the night, and go south in the winter.

What are the roots that clutch, what branches grow
Out of this stony rubbish? Son of man,
You cannot say, or guess, for you know only
A heap of broken images, where the sun beats,
And the dead tree gives no shelter, the cricket no relief,
And the dry stone no sound of water. Only
There is shadow under this red rock,
(Come in under the shadow of this red rock),
And I will show you something different from either
Your shadow at morning striding behind you
Or your shadow at evening rising to meet you;
I will show you fear in a handful of dust.

           Frisch weht der Wind
           Der Heimat zu,            
           Mein Irisch Kind,
           Wo weilest du?

“You gave me hyacinths first a year ago;
“They called me the hyacinth girl.”
—Yet when we came back, late, from the Hyacinth garden,
Your arms full, and your hair wet, I could not
Speak, and my eyes failed, I was neither
Living nor dead, and I knew nothing,
Looking into the heart of light, the silence.
Öd’ und leer das Meer.

Madame Sosostris, famous clairvoyante,
Had a bad cold, nevertheless
Is known to be the wisest woman in Europe,
With a wicked pack of cards. Here, said she,
Is your card, the drowned Phoenician Sailor,
(Those are pearls that were his eyes. Look!)
Here is Belladonna, the Lady of the Rocks,
The lady of situations.
Here is the man with three staves, and here the Wheel,
And here is the one-eyed merchant, and this card,
Which is blank, is something he carries on his back,
Which I am forbidden to see. I do not find
The Hanged Man. Fear death by water.
I see crowds of people, walking round in a ring.
Thank you. If you see dear Mrs. Equitone,
Tell her I bring the horoscope myself:
One must be so careful these days.

Unreal City,
Under the brown fog of a winter dawn,
A crowd flowed over London Bridge, so many,
I had not thought death had undone so many.
Sighs, short and infrequent, were exhaled,
And each man fixed his eyes before his feet.
Flowed up the hill and down King William Street,
To where Saint Mary Woolnoth kept the hours
With a dead sound on the final stroke of nine.
There I saw one I knew, and stopped him, crying: “Stetson!
“You who were with me in the ships at Mylae!
“That corpse you planted last year in your garden,
“Has it begun to sprout? Will it bloom this year?
“Or has the sudden frost disturbed its bed?
“Oh keep the Dog far hence, that’s friend to men,
“Or with his nails he’ll dig it up again!
“You! hypocrite lecteur!—mon semblable,—mon frère!”

II. A Game of Chess

The Chair she sat in, like a burnished thone,
Glowed on the marble, where the glass
Held up by standards wrought with fruited vines
From which a golden Cupidon peeped out
(Another hid his eyes behind his wing)
Doubled the flames of sevenbranched candelabra
Reflecting light upon the table as
The glitter of her jewels rose to meet it,
From satin cases poured in rich profusion;
In vials of ivory and coloured glass
Unstoppered, lurked her strange synthetic perfumes,
Unguent, powdered, or liquid—troubled, confused
And drowned the sense in odours; stirred by the air
That freshened from the window, these ascended
In fattening the prolonged candle-flames,
Flung their smoke into the laquearia,
Stirring the pattern on the coffered ceiling.
Huge sea-wood fed with copper
Burned green and orange, framed by the coloured stone,
In which sad light a carvèd dolphin swam.
Above the antique mantel was displayed.
As though a window gave upon the sylvan scene
The change of Philomel, by the barbarous king
So rudely forced; yet there the nightingale
Filled all the desert with inviolable voice
And still she cried, and still the world pursues,
“Jug Jug” to dirty ears.
And other withered stumps of time
Were told upon the walls; staring forms
Leaned out, leaning, hushing the room enclosed.
Footsteps shuffled on the stair.
Under the firelight, under the brush, her hair
Spread out in fiery points
Clawed into words, then would be savagely still.

“My nerves are bad tonight. Yes, bad. Stay with me.
“Speak to me. Why do you never speak. Speak.
“What are you thinking of? What thinking? What?
“I never know what you are thinking. Think.”

I think we are in rats’ alley
Where the dead men lost their bones.

“What is the noise?”
                                 The wind under the door.
“What is that noise now? What is the wind doing?”
                                        Nothing again nothing.
                                                              “Do
“You know nothing? Do you see nothing? Do you remember
“Nothing?”
                    I remember
                                        Those are pearls that were his eyes.
“Are you alive, or not? Is there nothing in your head?”
                                                            But
O  O  O  O  that Shakespeherian Rag—
It’s so elegant
So intelligent

“What shall I do now? What shall I do?”
“I shall rush out as I am, and walk the street
“With my hair down, so. What shall we do tomorrow?
“What shall we ever do?”
                                    The hot water at ten.
And if it rains, a closed car at four.
And we shall play a game of chess,
Pressing lidless eyes and waiting for a knock upon the door.

When Lil’s husband got demobbed, I said—
I didn’t mince my words, I said to her myself,
HURRY UP PLEASE ITS TIME
Now Albert’s coming back, make yourself a bit smart.
He’ll want to know what you done with that money he gave you
To get yourself some teeth. He did, I was there.
You have them all out, Lil, and get a nice set,
He said, I swear, I can’t bear to look at you.
And no more can’t I, I said, and think of poor Albert,
He’s been in the army four years, he wants a good time,
And if you don’t give it him, there's others will, I said.
Oh is there, she said. Something o’ that, I said.
Then I’ll know who to thank, she said, and give me a straight look.
HURRY UP PLEASE ITS TIME
If you don’t like it you can get on with it, I said,
Others can pick and choose if you can’t.
But if Albert makes off, it won’t be for lack of telling.
You ought to be ashamed, I said, to look so antique.
(And her only thirty-one.)
I can’t help it, she said, pulling a long face,
It’s them pills I took, to bring it off, she said.
(She’s had five already, and nearly died of young George.)
The chemist said it would be alright, but I’ve never been the same.
You are a proper fool, I said.
Well, if Albert won’t leave you alone, there it is, I said,
What you get married for if you don’t want children?
HURRY UP PLEASE ITS TIME
Well, that Sunday Albert was home, they had a hot gammon,
And they asked me in to dinner, to get the beauty of it hot—
HURRY UP PLEASE ITS TIME
HURRY UP PLEASE ITS TIME
Goonight Bill. Goonight Lou. Goonight May. Goonight.
Ta ta. Goonight. Goonight.
Good night, ladies, good night, sweet ladies, good night, good night.

III. The Fire Sermon

The river’s tent is broken: the last fingers of leaf
Clutch and sink into the wet bank. The wind
Crosses the brown land, unheard. The nymphs are departed.
Sweet Thames, run softly, till I end my song.
The river bears no empty bottles, sandwich papers,
Silk handkerchiefs, cardboard boxes, cigarette ends
Or other testimony of summer nights. The nymphs are departed.
And their friends, the loitering heirs of City directors;
Departed, have left no addresses.
By the waters of Leman I sat down and wept . . .
Sweet Thames, run softly till I end my song,
Sweet Thames, run softly, for I speak not loud or long.
But at my back in a cold blast I hear
The rattle of the bones, and chuckle spread from ear to ear.

A rat crept softly through the vegetation
Dragging its slimy belly on the bank
While I was fishing in the dull canal
On a winter evening round behind the gashouse
Musing upon the king my brother’s wreck
And on the king my father’s death before him.
White bodies naked on the low damp ground
And bones cast in a little low dry garret,
Rattled by the rat’s foot only, year to year.
But at my back from time to time I hear
The sound of horns and motors, which shall bring
Sweeney to Mrs. Porter in the spring.
O the moon shone bright on Mrs. Porter
And on her daughter
They wash their feet in soda water
Et O ces voix d’enfants, chantant dans la coupole!

Twit twit twit
Jug jug jug jug jug jug
So rudely forc’d.
Tereu

Unreal City
Under the brown fog of a winter noon
Mr. Eugenides, the Smyrna merchant
Unshaven, with a pocket full of currants
C.i.f. London: documents at sight,
Asked me in demotic French
To luncheon at the Cannon Street Hotel
Followed by a weekend at the Metropole.

At the violet hour, when the eyes and back
Turn upward from the desk, when the human engine waits
Like a taxi throbbing waiting,
I Tiresias, though blind, throbbing between two lives,
Old man with wrinkled female breasts, can see
At the violet hour, the evening hour that strives
Homeward, and brings the sailor home from sea,
The typist home at teatime, clears her breakfast, lights
Her stove, and lays out food in tins.
Out of the window perilously spread
Her drying combinations touched by the sun’s last rays,
On the divan are piled (at night her bed)
Stockings, slippers, camisoles, and stays.
I Tiresias, old man with wrinkled dugs
Perceived the scene, and foretold the rest—
I too awaited the expected guest.
He, the young man carbuncular, arrives,
A small house agent’s clerk, with one bold stare,
One of the low on whom assurance sits
As a silk hat on a Bradford millionaire,
The time is now propitious, as he guesses,
The meal is ended, she is bored and tired,
Endeavours to engage her in caresses
Which still are unreproved, if undesired.
Flushed and decided, he assaults at once;
Exploring hands encounter no defence;
His vanity requires no response,
And makes a welcome of indifference.
(And I Tiresias have foresuffered all
Enacted on this same divan or bed;
I who have sat by Thebes below the wall
And walked among the lowest of the dead.)
Bestows one final patronising kiss,
And gropes his way, finding the stairs unlit . . .

She turns and looks a moment in the glass,
Hardly aware of her departed lover;
Her brain allows one half-formed thought to pass:
“Well now that’s done: and I’m glad it’s over.”
When lovely woman stoops to folly and
Paces about her room again, alone,
She smoothes her hair with automatic hand,
And puts a record on the gramophone.

“This music crept by me upon the waters”
And along the Strand, up Queen Victoria Street.
O City City, I can sometimes hear
Beside a public bar in Lower Thames Street,
The pleasant whining of a mandoline
And a clatter and a chatter from within
Where fishmen lounge at noon: where the walls
Of Magnus Martyr hold
Inexplicable splendour of Ionian white and gold.

The river sweats
Oil and tar
The barges drift
With the turning tide
Red sails
Wide
To leeward, swing on the heavy spar.
The barges wash
Drifting logs
Down Greenwich reach
Past the Isle of Dogs.
                       Weialala leia
                       Wallala leialala
Elizabeth and Leicester
Beating oars
The stern was formed
A gilded shell
Red and gold
The brisk swell
Rippled both shores
Southwest wind
Carried down stream
The peal of bells
White towers
                       Weialala leia
                       Wallala leialala

“Trams and dusty trees.
Highbury bore me. Richmond and Kew
Undid me. By Richmond I raised my knees
Supine on the floor of a narrow canoe.”

“My feet are at Moorgate, and my heart
Under my feet. After the event
He wept. He promised ‘a new start.’
I made no comment. What should I resent?”

“On Margate Sands.
I can connect
Nothing with nothing.
The broken fingernails of dirty hands.
My people humble people who expect
Nothing.”
                       la la

To Carthage then I came

Burning burning burning burning
O Lord Thou pluckest me out
O Lord Thou pluckest

burning

IV. Death by Water

Phlebas the Phoenician, a fortnight dead,
Forgot the cry of gulls, and the deep sea swell
And the profit and loss.
                                       A current under sea
Picked his bones in whispers. As he rose and fell
He passed the stages of his age and youth
Entering the whirlpool.
                                       Gentile or Jew
O you who turn the wheel and look to windward,
Consider Phlebas, who was once handsome and tall as you.

V. What the Thunder Said

After the torchlight red on sweaty faces
After the frosty silence in the gardens
After the agony in stony places
The shouting and the crying
Prison and palace and reverberation
Of thunder of spring over distant mountains
He who was living is now dead
We who were living are now dying
With a little patience

Here is no water but only rock
Rock and no water and the sandy road
The road winding above among the mountains
Which are mountains of rock without water
If there were water we should stop and drink
Amongst the rock one cannot stop or think
Sweat is dry and feet are in the sand
If there were only water amongst the rock
Dead mountain mouth of carious teeth that cannot spit
Here one can neither stand nor lie nor sit
There is not even silence in the mountains
But dry sterile thunder without rain
There is not even solitude in the mountains
But red sullen faces sneer and snarl
From doors of mudcracked houses
                                              If there were water
      And no rock
      If there were rock
      And also water
      And water
      A spring
      A pool among the rock
      If there were the sound of water only
      Not the cicada
      And dry grass singing
      But sound of water over a rock
      Where the hermit-thrush sings in the pine trees
      Drip drop drip drop drop drop drop
      But there is no water

Who is the third who walks always beside you?
When I count, there are only you and I together
But when I look ahead up the white road
There is always another one walking beside you
Gliding wrapt in a brown mantle, hooded
I do not know whether a man or a woman
—But who is that one on the other side of you?

What is that sound high in the air
Murmur of maternal lamentation
Who are those hooded hordes swarming
Over endless plains, stumbling in cracked earth
Ringed by the flat horizon only
What is the city over the mountains
Cracks and reforms and bursts in the violet air
Falling towers
Jerusalem Athens Alexandria
Vienna London
Unreal

A woman drew her long black hair out tight
And fiddled whisper music on those strings
And bats with baby faces in the violet light
Whistled, and beat their wings
And crawled head downward down a blackened wall
And upside down in air were towers
Tolling reminiscent bells, that kept the hours
And voices singing out of empty cisterns and exhausted wells.

In this decayed hole among the mountains
In the faint moonlight, the grass is singing
Over the tumbled graves, about the chapel
There is the empty chapel, only the wind’s home,
It has no windows, and the door swings,
Dry bones can harm no one.
Only a cock stood on the rooftree
Co co rico co co rico
In a flash of lightning. Then a damp gust
Bringing rain

Ganga was sunken, and the limp leaves
Waited for rain, while the black clouds
Gathered far distant, over Himavant.
The jungle crouched, humped in silence.
Then spoke the thunder
DA
Datta: what have we given?
My friend, blood shaking my heart
The awful daring of a moment’s surrender
Which an age of prudence can never retract
By this, and this only, we have existed
Which is not to be found in our obituaries
Or in memories draped by the beneficent spider
Or under seals broken by the lean solicitor
In our empty rooms
DA
Dayadhvam: I have heard the key
Turn in the door once and turn once only
We think of the key, each in his prison
Thinking of the key, each confirms a prison
Only at nightfall, aethereal rumours
Revive for a moment a broken Coriolanus
DA
Damyata: The boat responded
Gaily, to the hand expert with sail and oar
The sea was calm, your heart would have responded
Gaily, when invited, beating obedient
To controlling hands

                                    I sat upon the shore
Fishing, with the arid plain behind me
Shall I at least set my lands in order?

London Bridge is falling down falling down falling down
Poi s’ascose nel foco che gli affina
em>Quando fiam ceu chelidon—O swallow swallow
Le Prince d’Aquitaine à la tour abolie
These fragments I have shored against my ruins
Why then Ile fit you. Hieronymo’s mad againe.
Datta. Dayadhvam. Damyata.

          Shantih     shantih     shantih

Notes

Not only the title, but the plan and a good deal of the incidental symbolism of the poem were suggested by Miss Jessie L. Weston’s book on the Grail legend: From Ritual to Romance (Cambridge). Indeed, so deeply am I indebted, Miss Weston’s book will elucidate the difficulties of the poem much better than my notes can do; and I recommend it (apart from the great interest of the book itself) to any who think such elucidation of the poem worth the trouble. To another work of anthropology I am indebted in general, one which has influenced our generation profoundly; I mean The Golden Bough; I have used especially the two volumes Adonis, Attis, Osiris. Anyone who is acquainted with these works will immediately recognize in the poem certain references to vegetation ceremonies.

I. The Burial of the Dead

Line 20. Cf. Ezekiel II, i.
23. Cf. Ecclesiastes XII, v.
31. V. Tristan und Isolde, I, verses 5–8.
42. Id. III, verse 24.
46. I am not familiar with the exact constitution of the Tarot pack of cards, from which I have obviously departed to suit my own convenience. The Hanged Man, a member of the traditional pack, fits my purpose in two ways: because he is associated in my mind with the Hanged God of Frazer, and because I associate him with the hooded figure in the passage of the disciples of Emmaus in Part V. The Phoenician Sailor and the Merchant appear later; also the “crowds of people,” and Death by Water is executed in Part IV. The Man with Three Staves (an authentic member of the Tarot pack) I associate, quite arbitrarily, with the Fisher King himself.
60. Cf. Baudelaire:

“Fourmillante cité, cité pleine de rêves
“Où le spectre en plein jour raccroche le passant.”

63. Cf. Inferno III, 55–57:

                          “si lunga tratta
“di gente, ch’io non avrei mai creduto
che morte tanta n’avesse disfatta.”

64. Cf. Inferno IV, 25–27:

“Quivi, secondo che per ascoltare,
“non avea pianto ma’ che de sospiri,
“che l’aura eterna facevan tremare.”

68. A phenomenon which I have often noticed.
74. Cf. The Dirge in Webster’s White Devil.
76. V. Baudelaire, Preface to Fleurs du Mal.

II. A Game of Chess

77. Cf. Antony and Cleopatra, II, ii, I. 190.
92. Laquearia. V. Aeneid, I, 726:

                          “dependent lychni laquearibus aureis incensi, et noctem flammis funalia vincunt.”

98. Sylvan scene. V. Milton, Paradise Lost, IV, 140.
99. V. Ovid, Metamorphoses, VI, Philomela.
100. Cf. Part III 1. 204.
115. Cf. Part III 1. 195.
118. Cf. Webster: “Is the wind in that door still?”
126. Cf. Part I, ll. 37, 48.
138. Cf. the game of chess in Middleton’s Women Beware Women.

III. The Fire Sermon

176. V. Spenser, Prothalamion.
192. Cf. The Tempest, I, ii.
196. Cf. Marvell, To His Coy Mistress.
197. Cf. Day, Parliament of Bees:

“When of the sudden, listening, you shall hear,
“A noise of horns and hunting, which shall bring
“Actaeon to Diana in the spring,
“Where all shall see her naked skin. . .”

199. I do not know the origin of the ballad from which these lines are taken; it was reported to me from Sydney, Australia.
202. V. Verlaine, “Parsifal.”
210. The currants were quoted at a price “carriage and insurance free to London”; and the Bill of Lading etc. were to be handed to the buyer upon payment of the sight draft.
218. Tiresias, although a mere spectator and not indeed a “character,” is yet the most important personage in the poem, uniting all the rest. Just as the one-eyed merchant, seller of currants, melts into the Phoenician Sailor, and the latter is not wholly distinct from Ferdinand Prince of Naples, so all the women are one woman, and the two sexes meet in Tiresias. What Tiresias sees, in fact, is the substance of the poem. The whole passage from Ovid is of great anthropological interest:

. . . Cum Iunone iocos et “maior vestra profecto est
Quam, quae contingit maribus,” dixisse, “voluptas.”
Illa negat; placuit quae sit sententia docti
Quaerere Tiresiae: venus huic erat utraque nota.
Nam duo magnorum viridi coeuntia silva
Corpora serpentum baculi violaverat ictu
Deque viro factus, mirabile, femina septem
Egerat autumnos; octavo rursus eosdem
Vidit et “est vestrae si tanta potentia plagae,”
Dixit “ut auctoris sortem in contraria mutet,
Nunc quoque vos feriam!” percussis anguibus isdem
Forma prior rediit genetivaque venit imago.
Arbiter hic igitur sumptus de lite iocosa
Dicta Iovis firmat; gravius Saturnia iusto
Nec pro materia fertur doluisse suique
Iudicis aeterna damnavit lumina nocte,
At pater omnipotens (neque enim licet inrita cuiquam
Facta dei fecisse deo) pro lumine adempto
Scire future dedit poenamque levavit honore.

221. This may not appear as exact as Sappho’s lines, but I had in mind the “longshore” or “dory” fisherman, who returns at nightfall.
253. V. Goldsmith, the song in The Vicar of Wakefield.
257. V. The Tempest, as above.
264. The interior of St. Magnus Martyr is to my mind one of the finest among Wren’s interiors. See The Proposed Demolition of Nineteen City Churches: (P.S. King & Son Ltd.).
266. The Song of the (three) Thames-daughters begins here. From line 292 to 306 inclusive they speak in turn. V. Götterdämmerung, III, i: the Rhine-daughters.
279. V. Froude, Elizabeth Vol. I, ch. iv, letter of De Quadra to Philip of Spain: “In the afternoon we were in a barge, watching the games on the river. (The queen) was alone with Lord Robert and myself on the poop, when they began to talk nonsense, and went so far that Lord Robert at last said, as I was on the spot there was no reason why they should not be married if the queen pleased.”
293. Cf. Purgatorio, V. 133:

“Ricorditi di me, che son la Pia;
“Siena mi fe’, disfecemi Maremma.”

307. V. St. Augustine’s Confessions: “to Carthage then I came, where a cauldron of unholy loves sang all about mine ears.”
308. The complete text of the Buddha’s Fire Sermon (which corresponds in importance to the Sermon on the Mount) from which these words are taken, will be found translated in the late Henry Clarke Warren’s Buddhism in Translation (Harvard Oriental Series). Mr. Warren was one of the great pioneers of Buddhist studies in the occident.
312. From St. Augustine’s Confessions again. The collocation of these two representatives of eastern and western asceticism, as the culmination of this part of the poem, is not an accident.

V. What the Thunder Said

In the first part of Part V three themes are employed: the journey to Emmaus, the approach to the Chapel Perilous (see Miss Weston’s book) and the present decay of eastern Europe.

357. This is Turdus aonalaschkae pallasii, the hermit-thrush which I have heard in Quebec Country. Chapman says (Handbook of Birds of Eastern North America) “it is most at home in secluded woodland and thickety retreats. . . . Its notes are not remarkable for variety or volume, but in purity and sweetness of tone and exquisite modulation they are unequaled.” Its “water-dripping song” is justly celebrated.
360. The following lines were stimulated by the account of one of the Antarctic expeditions (I forget which, but I think one of Shackleton’s): it was related that the party of explorers, at the extremity of their strength, had the constant delusion that there was one more member than could actually be counted.
366-76. Cf. Hermann Hesse, Blick ins Chaos: “Schon ist halb Europa, schon ist zumindest der halbe Osten Europas auf dem Wege zum Chaos, fährt betrunken im heiligem Wahn am Abgrund entlang und singt dazu, singt betrunken und hymnisch wie Dmitri Karamasoff sang. Ueber diese Lieder lacht der Bürger beleidigt, der Heilige und Seher hört sie mit Tränen.”
401. “Datta, dayadhvam, damyata” (Give, sympathise, control). The fable of the meaning of the Thunder is found in the Brihadaranyaka–Upanishad, 5, I. A translation is found in Deussen’s Sechzig Upanishads des Veda, p. 489.
407. Cf. Webster, The White Devil, V. vi:

                          “. . . they’ll remarry
“Ere the worm pierce your winding-sheet, ere the spider
Make a thin curtain for your epitaphs.”

411. Cf. Inferno, XXXIII, 46:

“ed io seniti chiavar l’uscio di sotto
all’orribile torre.”

Also F. H, Bradley, Appearance and Reality, p. 346.
“My external sensations are no less private to myself than are my thoughts or my feelings. In either case my experience falls within my own circle, a circle closed on the outside; and, with all its elements alike, every sphere is opaque to the others which surround it. . . . In brief, regarded as an existence which appears in a soul, the whole world for each is peculiar and private to that soul.”
424. V. Weston: From Ritual to Romance; chapter on the Fisher King.
427. V. Purgatorio, XXVI, 148.

“‘Ara vos prec, per aquella valor
‘que vos guida al som de l’escalina,
‘sovegna vos a temps de ma dolor.’
Poi s’ascose nel foco che gli affina.”

428. V. Pervigilium Veneris. Cf. Philomela in Parts II and III.
429. V. Gérard de Nerval, Sonnet “El Desdichado.”
431. V. Kyd’s Spanish Tragedy.
433. Shantih. Repeated as here, a formal ending to an Upanishad. “The Peace which passeth understanding” is a feeble transition of the content of this word.

Maker-of-Sevens in the scheme of things
From earth to star;
Thy cycle holds whatever is fate, and
Over the border the bar.
Though rank and fierce the mariner
Sailing the seven seas,
He prays as he holds his glass to his eyes,
Coaxing the Pleiades.

I cannot love them; and I feel your glad,
Chiding from the grave,
That my all was only worth at all, what
Joy to you it gave,
These seven links the Law compelled
For the human chain—
I cannot love them; and you, oh,
Seven-fold months in Flanders slain!

A jungle there, a cave here, bred six
And a million years.
Sure and strong, mate for mate, such
Love as culture fears;
I gave you clear the oil and wine;
You saved me your hob and hearth—
See how even life may be ere the
Sickle comes and leaves a swath.

But I can wait the seven of moons,
Or years I spare,
Hoarding the heart's plenty, nor spend
A drop, nor share—
So long but outlives a smile and
A silken gown;
Then gaily I reach up from my shroud,
And you, glory-clad, reach down.

I have walked a great while over the snow,
And I am not tall nor strong.
My clothes are wet, and my teeth are set,
And the way was hard and long.
I have wandered over the fruitful earth,
But I never came here before.
Oh, lift me over the threshold, and let me in at the door!

The cutting wind is a cruel foe.
I dare not stand in the blast.
My hands are stone, and my voice a groan,
And the worst of death is past.
I am but a little maiden still,
My little white feet are sore.
Oh, lift me over the threshold, and let me in at the door!

Her voice was the voice that women have,
Who plead for their heart's desire.
She came—she came—and the quivering flame
Sunk and died in the fire.
It never was lit again on my hearth
Since I hurried across the floor,
To lift her over the threshold, and let her in at the door.

for Marilyn Hacker

There were the books, and wolves were in the books.
They roamed between words. They snarled and loped
through stories with bedraggled wolfish looks

at which the hackles rose and the world stopped
in horror, and she read them because she knew
the pleasures of reading, the page being rapt

with the magic of the fierce, and she could do
the talk of such creatures. So one day
when teacher asked if there were any who

could read, she rose as if the task were play,
to claim the story where she felt at home.
The tale was Riding Hood, the wolf was grey.

The fierceness was the wood where grey wolves roam.
She read it round, she read it through and through
It was as if the wolf were hers to comb,

like those bedraggled creatures in the zoo
that, trapped behind the bars, would snarl and stride
as you’d expect a page or wolf to do.

The world is too much with us; late and soon,
Getting and spending, we lay waste our powers;
Little we see in Nature that is ours;
We have given our hearts away, a sordid boon!
This Sea that bares her bosom to the moon;
The winds that will be howling at all hours,
And are up-gathered now like sleeping flowers,
For this, for everything, we are out of tune;
It moves us not.—Great God! I’d rather be
A pagan suckled in a creed outworn;
So might I, standing on this pleasant lea,
Have glimpses that would make me less forlorn;
Have sight of Proteus rising from the sea;
Or hear old Triton blow his wreathèd horn.

There may be chaos still around the world,
This little world that in my thinking lies;
For mine own bosom is the paradise
Where all my life’s fair visions are unfurled.
Within my nature’s shell I slumber curled,
Unmindful of the changing outer skies,
Where now, perchance, some new-born Eros flies,
Or some old Cronos from his throne is hurled.
I heed them not; or if the subtle night
Haunt me with deities I never saw,
I soon mine eyelid’s drowsy curtain draw
To hide their myriad faces from my sight.
They threat in vain; the whirlwind cannot awe
A happy snow-flake dancing in the flaw.

There's a certain Slant of light,
Winter Afternoons – 
That oppresses, like the Heft
Of Cathedral Tunes – 

Heavenly Hurt, it gives us – 
We can find no scar,
But internal difference,
Where the Meanings, are – 

None may teach it – Any – 
'Tis the Seal Despair – 
An imperial affliction
Sent us of the Air – 

When it comes, the Landscape listens – 
Shadows – hold their breath – 
When it goes, 'tis like the Distance
On the look of Death – 

The owl is abroad, the bat, and the toad,
     And so is the cat-a-mountain,
The ant and the mole sit both in a hole,
     And the frog peeps out o' the fountain;
The dogs they do bay, and the timbrels play,
     The spindle is now a turning;
The moon it is red, and the stars are fled,
     But all the sky is a-burning:

The ditch is made, and our nails the spade,
With pictures full, of wax and of wool;
Their livers I stick, with needles quick;
There lacks but the blood, to make up the flood.
     Quickly, Dame, then bring your part in,
     Spur, spur upon little Martin,
     Merrily, merrily, make him fail,
     A worm in his mouth, and a thorn in his tail,
     Fire above, and fire below,
     With a whip in your hand, to make him go.

I

Among twenty snowy mountains,
The only moving thing
Was the eye of the blackbird.

II

I was of three minds,
Like a tree
In which there are three blackbirds.

III
The blackbird whirled in the autumn winds.
It was a small part of the pantomime.

IV

A man and a woman
Are one.
A man and a woman and a blackbird
Are one.

V

I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendoes,
The blackbird whistling
Or just after.

VI

Icicles filled the long window
With barbaric glass.
The shadow of the blackbird
Crossed it, to and fro.
The mood
Traced in the shadow
An indecipherable cause.

VII

O thin men of Haddam,
Why do you imagine golden birds?
Do you not see how the blackbird
Walks around the feet
Of the women about you?

VIII

I know noble accents
And lucid, inescapable rhythms;
But I know, too,
That the blackbird is involved
In what I know.

IX

When the blackbird flew out of sight,
It marked the edge
Of one of many circles.

X

At the sight of blackbirds
Flying in a green light,
Even the bawds of euphony
Would cry out sharply.

XI

He rode over Connecticut
In a glass coach.
Once, a fear pierced him,
In that he mistook
The shadow of his equipage
For blackbirds.

XII

The river is moving.
The blackbird must be flying.

XIII

It was evening all afternoon.
It was snowing
And it was going to snow.
The blackbird sat
In the cedar-limbs.

To feed my soul with beauty till I die;
To give my hands a pleasant task to do;
To keep my heart forever filled anew
With dreams and wonders which the days supply;
To love all conscious living, and thereby
Respect the brute who renders up its due,
And know the world as planned is good and true—
And thus—because there chanced to be an I!

This is my life since things are as they are:
One half akin to flowers and the grass:
The rest a law unto the changeless star.
And I believe when I shall come to pass
Within the Door His hand shall hold ajar
I’ll leave no echoing whisper of Alas!

Tired with all these, for restful death I cry,
As to behold desert a beggar born,
And needy nothing trimm'd in jollity,
And purest faith unhappily forsworn,
And gilded honour shamefully misplac'd,
And maiden virtue rudely strumpeted,
And right perfection wrongfully disgrac'd,
And strength by limping sway disabled
And art made tongue-tied by authority,
And folly—doctor-like—controlling skill,
And simple truth miscall'd simplicity,
And captive good attending captain ill:
    Tir'd with all these, from these would I be gone,
    Save that, to die, I leave my love alone.

instead, insulted. to look, in green light. redact. can you read... the oracular, such indifference. failing in the halls of an unknown.

to have powered down. mission. some sort of cavalcade, plane flight caucus to indifference. a mission, museum, the night in the unknown. a city.

raked forest leaves, consorted with compost fires, down in steam, walked an incline, slipped to fall. the clatter of bones on buried stones, on those leaves fallen, but not as fast as I fell.

in Turrell’s dim light, I realized the failure of the art official. an artificial stance, an impossibility: to speak and listen simultaneously.

the train bed, we call them tracks, where two ties swim beneath. a gossip, these gadgets, soaked in white scrimmed preamble. I made the mistake of coming closer, again.

the rejection, a mastication of the brain, those thoughts that fuel the day. I can’t, besides, canning involves brine and fish we simply don’t have.

in the sea farm, large carp. in the lake, a new cat finds our resources, our swims, those precious summer waters, where the between marks space.

the train from platform; here, everything in an elevated series of windows, lighted, in yellow mirrored fashion. large tower rests on the ground. the pavement gives way, the grinding of breaks.

came across a few seats, edits, and large empty doors. there were paintings, an elderly man. a slipped space to look aside guards and walls. I can’t think of how many steps it takes to escape.

platformed, clasped, we waited to circulate, encased, dined within curator’s task, lips sown in a silence of those emeriti.

caustic, in bold approach, pallid lips, rouged face, nearly quaffed and ensconced. I edged the red, a rage lost in the linen weave, a time.

Still are there wonders of the dark and day:
   The muted shrilling of shy things at night,
      So small beneath the stars and moon;
   The peace, dream-frail, but perfect while the light
      Lies softly on the leaves at noon.
         These are, and these will be
             Until eternity;
But she who loved them well has gone away.

Each dawn, while yet the east is veiléd grey,
   The birds about her window wake and sing;
      And far away, each day, some lark
   I know is singing where the grasses swing;
      Some robin calls and calls at dark.
         These are, and these will be
             Until eternity;
But she who loved them well has gone away.

The wild flowers that she loved down green ways stray;
   Her roses lift their wistful buds at dawn,
      But not for eyes that loved them best;
   Only her little pansies are all gone,
      Some lying softly on her breast.
         And flowers will bud and be
             Until eternity;
But she who loved them well has gone away.

Where has she gone? And who is there to say?
   But this we know: her gentle spirit moves
      And is where beauty never wanes,
   Perchance by other streams, mid other groves;
      And to us there, ah! she remains
         A lovely memory
             Until eternity;
She came, she loved, and then she went away.

To the dragon
any loss is
total. His rest 
is disrupted
if a single 
jewel encrusted
goblet has
been stolen.
The circle
of himself
in the nest
of his gold
has been
broken. No
loss is token.

We trekked into a far country,
My friend and I.
Our deeper content was never spoken,
But each knew all the other said.
He told me how calm his soul was laid
By the lack of anvil and strife.
"The wooing kestrel," I said, "mutes his mating-note
To please the harmony of this sweet silence."
And when at the day's end
We laid tired bodies 'gainst
The loose warm sands,
And the air fleeced its particles for a coverlet;
When star after star came out
To guard their lovers in oblivion—
My soul so leapt that my evening prayer
Stole my morning song!

I’m only leaving you
for a handful of days,
but it feels as though
I’ll be gone forever—
the way the door closes

behind me with such solidity,
the way my suitcase
carries everything
I’d need for an eternity
of traveling light.

I’ve left my hotel number
on your desk, instructions
about the dog
and heating dinner. But
like the weather front

they warn is on its way
with its switchblades
of wind and ice,
our lives have minds
of their own.

Is is.

There is no distinction between ideology and image.

One.

He records his name on a gold medallion.

Two.

The philosopher must say is.

The world is legion.

The self is a suffering form.

Is is.

Waves rise and fall, but the sea remains.

I used to love words,
but not looking them up.

Now I love both,
the knowing,

and the looking up,
the absurdity

of discovering that "boreal"
has been meaning

"northern" all this time
or that "estrus"

is a much better word
for the times when

I would most likely
have said, "in heat."

When I was translating,
the dictionary

was my enemy,
the repository of knowledge

that I seemed incapable
of retaining. The foreign word

for "inflatable" simply
would not stay in my head,

though the English word "deictic,"
after just one encounter,

has stuck with me for a year.
I once lost "desiccated"

for a decade, first encountered
in an unkind portrayal

of Ronald Reagan, and then
finally returned to me

in an article about cheese.
I fell in love with my husband,

not when he told me
what the word "apercus" means,

but when I looked it up,
and he was right.

There’s even a word
for when you use a word

not to mean its meaning,
but as a word itself,

and I’d tell you what it was
if I could remember it.

My friend reads the dictionary
for its perspective on culture,

laughs when I say that
reference books are not really

books, but proleptic databases.
My third grade teacher

used to joke that if we were bored
we could copy pages out of the dictionary,

but when I did, also as a joke,
she was horrified rather than amused.

Discovery is always tinged
with sorrow, the knowledge

that you have been living
without something,

so we try to make learning
the province of the young,

who have less time to regret
having lived in ignorance.

My students are lost
in dictionaries,

unable to figure out why
"categorize" means

"to put into categories"
or why the fifth definition

of "standard" is the one
that will make the sentence

in question make sense.
I wonder how anyone

can live without knowing
the word "wonder."

A famous author
once said in an interview,

that he ended his novel
with an obscure word

he was sure his reader
would not know

because he liked the idea
of the reader looking it up.

He wanted the reader,
upon closing his book, to open

another, that second book
being a dictionary,

and however much I may have loved
that author, after reading

that story
(and this may surprise you)

I loved him less.

Do not weep, maiden, for war is kind.
Because your lover threw wild hands toward the sky
And the affrighted steed ran on alone,
Do not weep.
War is kind.

   Hoarse, booming drums of the regiment
   Little souls who thirst for fight,
   These men were born to drill and die
   The unexplained glory flies above them
   Great is the battle-god, great, and his kingdom--
   A field where a thousand corpses lie.

Do not weep, babe, for war is kind.
Because your father tumbled in the yellow trenches,
Raged at his breast, gulped and died,
Do not weep.
War is kind.

   Swift, blazing flag of the regiment
   Eagle with crest of red and gold,
   These men were born to drill and die
   Point for them the virtue of slaughter
   Make plain to them the excellence of killing
   And a field where a thousand corpses lie.

Mother whose heart hung humble as a button
On the bright splendid shroud of your son,
Do not weep.
War is kind.

Lincoln, leaving Springfield, 1861,
         boards a train with a salute: but it is weak.
To correct it, he slides his hand away
         from his face as if waving, as if brushing
the snows of childhood from his eyes.

The train is coming east. In the window
         Lincoln watches his face. You’ll grow old
the moment you arrive, he says to this face.
         But you will never reach great age. The train
speeds like the cortical pressure wave

in the left lateral sinus, say, a bullet
         in the skull. Then he will have his salute.
Then they will love him. Then eternity will slow, fall
         like snow. Then the treaty with huge silence
which he, his face exhausted, must sign.
 

—A simple child,
That lightly draws its breath,
And feels its life in every limb,
What should it know of death?

I met a little cottage girl:
She was eight years old, she said;
Her hair was thick with many a curl
That clustered round her head.

She had a rustic, woodland air,
And she was wildly clad:
Her eyes were fair, and very fair;
—Her beauty made me glad.

"Sisters and brothers, little maid,
How many may you be?"
"How many? Seven in all," she said,
And wondering looked at me.

"And where are they? I pray you tell."
She answered, "Seven are we;
And two of us at Conway dwell,
And two are gone to sea.

"Two of us in the churchyard lie,
My sister and my brother;
And, in the churchyard cottage, I
Dwell near them with my mother."

"You say that two at Conway dwell,
And two are gone to sea,
Yet ye are seven! I pray you tell,
Sweet maid, how this may be."

Then did the little maid reply,
"Seven boys and girls are we;
Two of us in the churchyard lie,
Beneath the churchyard tree."

"You run about, my little maid,
Your limbs they are alive;
If two are in the churchyard laid,
Then ye are only five."

"Their graves are green, they may be seen,"
The little maid replied,
"Twelve steps or more from my mother's door,
And they are side by side.

"My stockings there I often knit,
My kerchief there I hem;
And there upon the ground I sit,
And sing a song to them.

"And often after sunset, sir,
When it is light and fair,
I take my little porringer,
And eat my supper there.

"The first that died was sister Jane;
In bed she moaning lay,
Till God released her of her pain;
And then she went away.

"So in the churchyard she was laid;
And, when the grass was dry,
Together round her grave we played,
My brother John and I.

"And when the ground was white with snow
And I could run and slide,
My brother John was forced to go,
And he lies by her side."

"How many are you, then," said I,
"If they two are in heaven?"
Quick was the little maid's reply,
"O master! we are seven."

"But they are dead; those two are dead!
Their spirits are in heaven!"
'Twas throwing words away; for still
The little maid would have her will,
And said, "Nay, we are seven!"

You’re sitting at a small bay window
in an empty café by the sea.
It’s nightfall, and the owner is locking up,
though you’re still hunched over the radiator,
which is slowly losing warmth.

Now you’re walking down to the shore
to watch the last blues fading on the waves.
You’ve lived in small houses, tight spaces—
the walls around you kept closing in—
but the sea and the sky were also yours.

No one else is around to drink with you
from the watery fog, shadowy depths.
You’re alone with the whirling cosmos.
Goodbye, love, far away, in a warm place.
Night is endless here, silence infinite.

I think about the past. I empty the ice-cube trays
crack crack cracking like bones, and I think
of decades of ice cubes and of John Cheever,
of Anne Sexton making cocktails, of decades
of cocktail parties, and it feels suddenly far
too lonely at my counter. Although I have on hooks
nearby the embroidered apron of my friend's
grandmother and one my mother made for me
for Christmas 30 years ago with gingham I had
coveted through my childhood. In my kitchen
I wield my great aunt's sturdy black-handled
soup ladle and spatula, and when I pull out
the drawer, like one in a morgue, I visit 
the silverware of my husband's grandparents.
We never met, but I place this in my mouth
every day and keep it polished out of duty.
In the cabinets I find my godmother's 
teapot, my mother's Cambridge glass goblets,
my mother-in-law's Franciscan plates, and here
is the cutting board my first husband parqueted
and two potholders I wove in grade school.
Oh the past is too much with me in the kitchen,
where I open the vintage metal recipe box,
robin's egg blue in its interior, to uncover
the card for Waffles, writ in my father's hand
reaching out from the grave to guide me
from the beginning, "sift and mix dry ingredients"
with his note that this makes "3 waffles in our
large pan" and around that our an unbearable
round stain—of egg yolk or melted butter?—
that once defined a world.

When to the sessions of sweet silent thought
I summon up remembrance of things past,
I sigh the lack of many a thing I sought,
And with old woes new wail my dear time's waste:
Then can I drown an eye, unused to flow,
For precious friends hid in death's dateless night,
And weep afresh love's long since cancelled woe,
And moan the expense of many a vanished sight:
Then can I grieve at grievances foregone,
And heavily from woe to woe tell o'er
The sad account of fore-bemoanèd moan,
Which I new pay as if not paid before.
    But if the while I think on thee, dear friend,
    All losses are restored and sorrows end.

Who will go drive with Fergus now, 
And pierce the deep wood's woven shade, 
And dance upon the level shore?
Young man, lift up your russet brow, 
And lift your tender eyelids, maid, 
And brood on hopes and fear no more. 

And no more turn aside and brood
Upon love's bitter mystery;
For Fergus rules the brazen cars, 
And rules the shadows of the wood, 
And the white breast of the dim sea
And all dishevelled wandering stars.

And the robin flew
Into the air, the air,
The white mist through;
And small and rare
The night-frost fell
Into the calm and misty dell.

And the dusk gathered low,
And the silver moon and stars
On the frozen snow
Drew taper bars,
Kindled winking fires
In the hooded briers.

And the sprawling Bear
Growled deep in the sky;
And Orion's hair
Streamed sparkling by:
But the North sighed low,
"Snow, snow, more snow!"

Sharp is the night, but stars with frost alive
Leap off the rim of earth across the dome.
It is a night to make the heavens our home
More than the nest whereto apace we strive.
Lengths down our road each fir-tree seems a hive,
In swarms outrushing from the golden comb.
They waken waves of thoughts that burst to foam:
The living throb in me, the dead revive.
Yon mantle clothes us: there, past mortal breath,
Life glistens on the river of the death.
It folds us, flesh and dust; and have we knelt,
Or never knelt, or eyed as kine the springs
Of radiance, the radiance enrings:
And this is the soul’s haven to have felt.

I know it must be winter (though I sleep)—

I know it must be winter, for I dream

I dip my bare feet in the running stream,

And flowers are many, and the grass grows deep.

I know I must be old (how age deceives!)

I know I must be old, for, all unseen,

My heart grows young, as autumn fields grow green

When late rains patter on the falling sheaves.

I know I must be tired (and tired souls err)—

I know I must be tired, for all my soul

To deeds of daring beats a glad, faint roll,

As storms the riven pine to music stir.

I know I must be dying (Death draws near)—

I know I must be dying, for I crave

Life—life, strong life, and think not of the grave,

And turf-bound silence, in the frosty year.

When latest autumn spreads her evening veil,	
And the gray mists from these dim waves arise,	
I love to listen to the hollow sighs	
Through the half leafless wood that breathes the gale.	
For at such hours the shadowy phantom pale,	        
Oft seems to fleet before the poet's eyes;	
Strange sounds are heard, and mournful melodies	
As of night-wanderers who their woes bewail.	
Here by his native stream, at such an hour,	
Pity's own Otway I methinks could meet	        
And hear his deep sighs swell the saddened wind!	
O Melancholy, such thy magic power	
That to the soul these dreams are often sweet	
And soothe the pensive visionary mind.

I am yours as the summer air at evening is
Possessed by the scent of linden blossoms,

As the snowcap gleams with light
Lent it by the brimming moon.

Without you I'd be an unleafed tree
Blasted in a bleakness with no Spring.

Your love is the weather of my being.
What is an island without the sea?