English 102 Module D anthology

Vigil strange I kept on the field one night;
When you my son and my comrade dropt at my side that day,
One look I but gave which your dear eyes return’d with a look I shall never forget,
One touch of your hand to mine O boy, reach’d up as you lay on the ground,
Then onward I sped in the battle, the even-contested battle,
Till late in the night reliev’d to the place at last again I made my way,
Found you in death so cold dear comrade, found your body son of responding kisses, (never again on earth responding,)
Bared your face in the starlight, curious the scene, cool blew the moderate night-wind,
Long there and then in vigil I stood, dimly around me the battle-field spreading,
Vigil wondrous and vigil sweet there in the fragrant silent night,
But not a tear fell, not even a long-drawn sigh, long, long I gazed,
Then on the earth partially reclining sat by your side leaning my chin in my hands,
Passing sweet hours, immortal and mystic hours with you dearest comrade—not a tear, not a word,
Vigil of silence, love and death, vigil for you my son and my soldier,
As onward silently stars aloft, eastward new ones upward stole,
Vigil final for you brave boy, (I could not save you, swift was your death,
I faithfully loved you and cared for you living, I think we shall surely meet again,)
Till at latest lingering of the night, indeed just as the dawn appear’d,
My comrade I wrapt in his blanket, envelop’d well his form,
Folded the blanket well, tucking it carefully over head and carefully under feet,
And there and then and bathed by the rising sun, my son in his grave, in his rude-dug grave I deposited,
Ending my vigil strange with that, vigil of night and battle-field dim,
Vigil for boy of responding kisses, (never again on earth responding,)
Vigil for comrade swiftly slain, vigil I never forget, how as day brighten’d,
I rose from the chill ground and folded my soldier well in his blanket,
And buried him where he fell.

The earth expanding right hand and left hand,
The picture alive, every part in its best light,
The music falling in where it is wanted, and stopping where it is not wanted,
The cheerful voice of the public road, the gay fresh sentiment of the road.

O highway I travel, do you say to me Do not leave me?
Do you say Venture not—if you leave me you are lost?
Do you say I am already prepared, I am well-beaten and undenied, adhere to me?

O public road, I say back I am not afraid to leave you, yet I love you,
You express me better than I can express myself,
You shall be more to me than my poem.

I think heroic deeds were all conceiv’d in the open air, and all free poems also,
I think I could stop here myself and do miracles,
I think whatever I shall meet on the road I shall like, and whoever beholds me shall like me,
I think whoever I see must be happy.

Trippers and askers surround me, 
People I meet, the effect upon me of my early life or the ward and city I live in, or the nation, 
The latest dates, discoveries, inventions, societies,  authors old and new, 
My dinner, dress, associates, looks, compliments, dues, 
The real or fancied indifference of some man or woman I love, 
The sickness of one of my folks or of myself or ill-doing or loss or lack of money, or depressions or exaltations,
Battles, the horrors of fratricidal war, the fever of doubtful news, the fitful events; 
These come to me days and nights and go from me again,
But they are not the Me myself. 

Apart from the pulling and hauling stands what I am, 
Stands amused, complacent, compassionating, idle, unitary, 
Looks down, is erect, or bends an arm on an impalpable certain rest, 
Looking with side-curved head curious what will come next, 
Both in and out of the game and watching and wondering at it. 

Backward I see in my own days where I sweated through fog with linguists and contenders, 
I have no mockings or arguments, I witness and wait. 

Why, who makes much of a miracle?
As to me I know of nothing else but miracles,
Whether I walk the streets of Manhattan,
Or dart my sight over the roofs of houses toward the sky,
Or wade with naked feet along the beach just in the edge of the water,
Or stand under trees in the woods,
Or talk by day with any one I love, or sleep in the bed at night with any one I love,
Or sit at table at dinner with the rest,
Or look at strangers opposite me riding in the car,
Or watch honey-bees busy around the hive of a summer forenoon,
Or animals feeding in the fields,
Or birds, or the wonderfulness of insects in the air,
Or the wonderfulness of the sundown, or of stars shining so quiet and bright,
Or the exquisite delicate thin curve of the new moon in spring;
These with the rest, one and all, are to me miracles,
The whole referring, yet each distinct and in its place.

To me every hour of the light and dark is a miracle,
Every cubic inch of space is a miracle,
Every square yard of the surface of the earth is spread with the same,
Every foot of the interior swarms with the same.

To me the sea is a continual miracle,
The fishes that swim—the rocks—the motion of the waves—the
        ships with men in them,
What stranger miracles are there?

Shut not your doors to me, proud libraries,
For that which was lacking among you all, yet needed most, I bring;
A book I have made for your dear sake, O soldiers,
And for you, O soul of man, and you, love of comrades;
The words of my book nothing, the life of it everything;
A book separate, not link’d with the rest, nor felt by the intellect;
But you will feel every word, O Libertad! arm’d Libertad!
It shall pass by the intellect to swim the sea, the air,
With joy with you, O soul of man.

You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I’ll rise.

Does my sassiness upset you?
Why are you beset with gloom?
’Cause I walk like I’ve got oil wells
Pumping in my living room.
Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I’ll rise.

Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops,
Weakened by my soulful cries?

Does my haughtiness offend you?
Don’t you take it awful hard
’Cause I laugh like I’ve got gold mines
Diggin’ in my own backyard.

You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I’ll rise.

Does my sexiness upset you?
Does it come as a surprise
That I dance like I’ve got diamonds
At the meeting of my thighs?

Out of the huts of history’s shame
I rise
Up from a past that’s rooted in pain
I rise
I’m a black ocean, leaping and wide,
Welling and swelling I bear in the tide.

Leaving behind nights of terror and fear
I rise
Into a daybreak that’s wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.

Lying, thinking
Last night
How to find my soul a home
Where water is not thirsty
And bread loaf is not stone
I came up with one thing
And I don’t believe I’m wrong
That nobody,
But nobody
Can make it out here alone.

Alone, all alone
Nobody, but nobody
Can make it out here alone.

There are some millionaires
With money they can’t use
Their wives run round like banshees
Their children sing the blues
They’ve got expensive doctors
To cure their hearts of stone.
But nobody
No, nobody
Can make it out here alone.

Alone, all alone
Nobody, but nobody
Can make it out here alone.

Now if you listen closely
I’ll tell you what I know
Storm clouds are gathering
The wind is gonna blow
The race of man is suffering
And I can hear the moan,
’Cause nobody,
But nobody
Can make it out here alone.

Alone, all alone
Nobody, but nobody
Can make it out here alone.

Thine emulous fond flowers are dead, too,
And the daft sun-assaulter, he
That frighted thee so oft, is fled or dead:
Save only me
(Nor is it sad to thee!)
Save only me
There is none left to mourn thee in the fields.

The gray grass is not dappled with the snow;
Its two banks have not shut upon the river;
But it is long ago—
It seems forever—
Since first I saw thee flance,
With all the dazzling other ones,
In airy dalliance,
Precipitate in love,
Tossed, tangled, whirled and whirled above,
Like a limp rose-wreath in a fairy dance.

When that was, the soft mist
Of my regret hung not on all the land,
And I was glad for thee,
And glad for me, I wist.

Thou didst not know, who tottered, wandering on high,
That fate had made thee for the pleasure of the wind,
With those great careless wings,
Nor yet did I.

And there were other things:
It seemed God let thee flutter from his gentle clasp:
Then fearful he had let thee win
Too far beyond him to be gathered in,
Snatched thee, o'er eager, with ungentle grasp.

Ah! I remember me
How once conspiracty was rife
Against my life—
The languor of it and the dreaming fond;
Surging, the grasses dizzied me of thought,
The breeze three odors brought,
And a gem-flower waved in a wand!

Then when I was distraught
And could not speak,
Sidelong, full on my cheek,
What should that reckless zephyr fling
But the wild touch of thy dye-dusty wing!

I found that wing broken to-day!
For thou art dead, I said,
And the strange birds say.
I found it with the withered leaves
Under the eaves.

Come with rain, O loud Southwester!
Bring the singer, bring the nester;
Give the buried flower a dream;
Make the settled snowbank steam;
Find the brown beneath the white;
But whate’er you do tonight,
Bathe my window, make it flow,
Melt it as the ice will go;
Melt the glass and leave the sticks
Like a hermit’s crucifix;
Burst into my narrow stall;
Swing the picture on the wall;
Run the rattling pages o’er;
Scatter poems on the floor;
Turn the poet out of door.

A Christmas circular letter
  
  
The city had withdrawn into itself  
And left at last the country to the country;  
When between whirls of snow not come to lie  
And whirls of foliage not yet laid, there drove  
A stranger to our yard, who looked the city,   
Yet did in country fashion in that there  
He sat and waited till he drew us out,  
A-buttoning coats, to ask him who he was.  
He proved to be the city come again  
To look for something it had left behind   
And could not do without and keep its Christmas.  
He asked if I would sell my Christmas trees;  
My woods—the young fir balsams like a place  
Where houses all are churches and have spires.  
I hadn't thought of them as Christmas trees.    
I doubt if I was tempted for a moment  
To sell them off their feet to go in cars  
And leave the slope behind the house all bare,  
Where the sun shines now no warmer than the moon.  
I'd hate to have them know it if I was.      
Yet more I'd hate to hold my trees, except  
As others hold theirs or refuse for them,  
Beyond the time of profitable growth—  
The trial by market everything must come to.  
I dallied so much with the thought of selling.      
Then whether from mistaken courtesy  
And fear of seeming short of speech, or whether  
From hope of hearing good of what was mine,  
I said, "There aren't enough to be worth while."
  
"I could soon tell how many they would cut,     
You let me look them over."  
 
                                    "You could look.  
But don't expect I'm going to let you have them."  
Pasture they spring in, some in clumps too close  
That lop each other of boughs, but not a few     
Quite solitary and having equal boughs  
All round and round. The latter he nodded "Yes" to,  
Or paused to say beneath some lovelier one,  
With a buyer's moderation, "That would do."  
I thought so too, but wasn't there to say so.   
We climbed the pasture on the south, crossed over,  
And came down on the north. 
 
                                    He said, "A thousand."  
  
"A thousand Christmas trees!—at what apiece?"  
  
He felt some need of softening that to me:       
"A thousand trees would come to thirty dollars."  
  
Then I was certain I had never meant  
To let him have them. Never show surprise!  
But thirty dollars seemed so small beside  
The extent of pasture I should strip, three cents    
(For that was all they figured out apiece)—   
Three cents so small beside the dollar friends  
I should be writing to within the hour  
Would pay in cities for good trees like those,  
Regular vestry-trees whole Sunday Schools     
Could hang enough on to pick off enough.
  
A thousand Christmas trees I didn't know I had!  
Worth three cents more to give away than sell,  
As may be shown by a simple calculation.  
Too bad I couldn't lay one in a letter.       
I can't help wishing I could send you one,  
In wishing you herewith a Merry Christmas.

Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.

     Night funeral
     In Harlem:

     Where did they get
     Them two fine cars?

Insurance man, he did not pay—
His insurance lapsed the other day—
Yet they got a satin box
for his head to lay.

     Night funeral
     In Harlem:

     Who was it sent
     That wreath of flowers?

Them flowers came
from that poor boy's friends—
They'll want flowers, too,
When they meet their ends.

     Night funeral
     in Harlem:

     Who preached that
     Black boy to his grave?

Old preacher man
Preached that boy away—
Charged Five Dollars
His girl friend had to pay.

     Night funeral
     In Harlem:

When it was all over
And the lid shut on his head
and the organ had done played
and the last prayers been said
and six pallbearers
Carried him out for dead
And off down Lenox Avenue
That long black hearse done sped,
     The street light
     At his corner
     Shined just like a tear— That boy that they was mournin'
Was so dear, so dear
To them folks that brought the flowers,
To that girl who paid the preacher man—
It was all their tears that made
     That poor boy's
     Funeral grand.

     Night funeral
     In Harlem.

Hold fast to dreams 
For if dreams die
Life is a broken-winged bird
That cannot fly.

Hold fast to dreams
For when dreams go
Life is a barren field
Frozen with snow.

When I was home de
Sunshine seemed like gold.
When I was home de
Sunshine seemed like gold.
Since I come up North de
Whole damn world's turned cold.

I was a good boy,
Never done no wrong.
Yes, I was a good boy,
Never done no wrong,
But this world is weary
An' de road is hard an' long.

I fell in love with
A gal I thought was kind.
Fell in love with
A gal I thought was kind.
She made me lose ma money
An' almost lose ma mind.

Weary, weary,
Weary early in de morn.
Weary, weary,
Early, early in de morn.
I's so weary
I wish I'd never been born.

I’ve known rivers:
I’ve known rivers ancient as the world and older than the
     flow of human blood in human veins.

My soul has grown deep like the rivers.

I bathed in the Euphrates when dawns were young.
I built my hut near the Congo and it lulled me to sleep.
I looked upon the Nile and raised the pyramids above it.
I heard the singing of the Mississippi when Abe Lincoln
     went down to New Orleans, and I’ve seen its muddy
     bosom turn all golden in the sunset.

I’ve known rivers:
Ancient, dusky rivers.

My soul has grown deep like the rivers.

I went down to the river,
I set down on the bank.
I tried to think but couldn't,
So I jumped in and sank.

I came up once and hollered!
I came up twice and cried!
If that water hadn't a-been so cold
I might've sunk and died.

     But it was      Cold in that water!      It was cold!

I took the elevator
Sixteen floors above the ground.
I thought about my baby
And thought I would jump down.

I stood there and I hollered!
I stood there and I cried!
If it hadn't a-been so high
I might've jumped and died.

     But it was      High up there!      It was high!

So since I'm still here livin',
I guess I will live on.
I could've died for love—
But for livin' I was born

Though you may hear me holler,
And you may see me cry—
I'll be dogged, sweet baby,
If you gonna see me die.

     Life is fine!      Fine as wine!      Life is fine!

The instructor said,

    Go home and write
    a page tonight.
    And let that page come out of you—
    Then, it will be true.

I wonder if it's that simple?
I am twenty-two, colored, born in Winston-Salem.
I went to school there, then Durham, then here
to this college on the hill above Harlem.
I am the only colored student in my class.
The steps from the hill lead down into Harlem,
through a park, then I cross St. Nicholas,
Eighth Avenue, Seventh, and I come to the Y,
the Harlem Branch Y, where I take the elevator
up to my room, sit down, and write this page:

It's not easy to know what is true for you or me
at twenty-two, my age. But I guess I'm what
I feel and see and hear, Harlem, I hear you:
hear you, hear me—we two—you, me, talk on this page.
(I hear New York, too.) Me—who?
Well, I like to eat, sleep, drink, and be in love.
I like to work, read, learn, and understand life.
I like a pipe for a Christmas present,
or records—Bessie, bop, or Bach.
I guess being colored doesn't make me not like
the same things other folks like who are other races.
So will my page be colored that I write?

Being me, it will not be white.
But it will be
a part of you, instructor.
You are white—
yet a part of me, as I am a part of you.
That's American.
Sometimes perhaps you don't want to be a part of me.
Nor do I often want to be a part of you.
But we are, that's true!
As I learn from you,
I guess you learn from me—
although you're older—and white—
and somewhat more free.

This is my page for English B.

Droning a drowsy syncopated tune,
Rocking back and forth to a mellow croon,
     I heard a Negro play.
Down on Lenox Avenue the other night
By the pale dull pallor of an old gas light
     He did a lazy sway . . .
     He did a lazy sway . . .
To the tune o’ those Weary Blues.
With his ebony hands on each ivory key
He made that poor piano moan with melody.
     O Blues!
Swaying to and fro on his rickety stool
He played that sad raggy tune like a musical fool.
     Sweet Blues!
Coming from a black man’s soul.
     O Blues!
In a deep song voice with a melancholy tone
I heard that Negro sing, that old piano moan—
     "Ain’t got nobody in all this world,
       Ain’t got nobody but ma self.
       I’s gwine to quit ma frownin’
       And put ma troubles on the shelf."

Thump, thump, thump, went his foot on the floor.
He played a few chords then he sang some more—
     "I got the Weary Blues
       And I can’t be satisfied.
       Got the Weary Blues
       And can’t be satisfied—
       I ain’t happy no mo’
       And I wish that I had died."
And far into the night he crooned that tune.
The stars went out and so did the moon.
The singer stopped playing and went to bed
While the Weary Blues echoed through his head.
He slept like a rock or a man that's dead.

Autumn is over the long leaves that love us,
And over the mice in the barley sheaves;
Yellow the leaves of the rowan above us,
And yellow the wet wild-strawberry leaves.

The hour of the waning of love has beset us,
And weary and worn are our sad souls now;
Let us part, ere the season of passion forget us,
With a kiss and a tear on thy drooping brow. 

Others because you did not keep
That deep-sworn vow have been friends of mine;
Yet always when I look death in the face,
When I clamber to the heights of sleep,
Or when I grow excited with wine,
Suddenly I meet your face.

Once more the storm is howling, and half hid
Under this cradle-hood and coverlid
My child sleeps on. There is no obstacle
But Gregory's wood and one bare hill
Whereby the haystack- and roof-levelling wind,
Bred on the Atlantic, can be stayed;
And for an hour I have walked and prayed
Because of the great gloom that is in my mind.

I have walked and prayed for this young child an hour
And heard the sea-wind scream upon the tower,
And under the arches of the bridge, and scream
In the elms above the flooded stream;
Imagining in excited reverie
That the future years had come,
Dancing to a frenzied drum,
Out of the murderous innocence of the sea.

May she be granted beauty and yet not
Beauty to make a stranger's eye distraught,
Or hers before a looking-glass, for such,
Being made beautiful overmuch,
Consider beauty a sufficient end,
Lose natural kindness and maybe
The heart-revealing intimacy
That chooses right, and never find a friend.

Helen being chosen found life flat and dull
And later had much trouble from a fool,
While that great Queen, that rose out of the spray,
Being fatherless could have her way
Yet chose a bandy-leggèd smith for man.
It's certain that fine women eat
A crazy salad with their meat
Whereby the Horn of Plenty is undone.

In courtesy I'd have her chiefly learned;
Hearts are not had as a gift but hearts are earned
By those that are not entirely beautiful;
Yet many, that have played the fool
For beauty's very self, has charm made wise,
And many a poor man that has roved,
Loved and thought himself beloved,
From a glad kindness cannot take his eyes.

May she become a flourishing hidden tree
That all her thoughts may like the linnet be,
And have no business but dispensing round
Their magnanimities of sound,
Nor but in merriment begin a chase,
Nor but in merriment a quarrel.
O may she live like some green laurel
Rooted in one dear perpetual place.

My mind, because the minds that I have loved,
The sort of beauty that I have approved,
Prosper but little, has dried up of late,
Yet knows that to be choked with hate
May well be of all evil chances chief.
If there's no hatred in a mind
Assault and battery of the wind
Can never tear the linnet from the leaf.

An intellectual hatred is the worst,
So let her think opinions are accursed.
Have I not seen the loveliest woman born
Out of the mouth of Plenty's horn,
Because of her opinionated mind
Barter that horn and every good
By quiet natures understood
For an old bellows full of angry wind?

Considering that, all hatred driven hence,
The soul recovers radical innocence
And learns at last that it is self-delighting,
Self-appeasing, self-affrighting,
And that its own sweet will is Heaven's will;
She can, though every face should scowl
And every windy quarter howl
Or every bellows burst, be happy still.

And may her bridegroom bring her to a house
Where all's accustomed, ceremonious;
For arrogance and hatred are the wares
Peddled in the thoroughfares.
How but in custom and in ceremony
Are innocence and beauty born?
Ceremony's a name for the rich horn,
And custom for the spreading laurel tree.

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?

When you are old and grey and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;

How many loved your moments of glad grace,
And loved your beauty with love false or true,
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face;

And bending down beside the glowing bars,
Murmur, a little sadly, how Love fled
And paced upon the mountains overhead
And hid his face amid a crowd of stars.

Now as at all times I can see in the mind's eye,
In their stiff, painted clothes, the pale unsatisfied ones
Appear and disappear in the blue depth of the sky
With all their ancient faces like rain-beaten stones,
And all their helms of silver hovering side by side,
And all their eyes still fixed, hoping to find once more,
Being by Calvary's turbulence unsatisfied,
The uncontrollable mystery on the bestial floor.

We sat together at one summer's end,
That beautiful mild woman, your close friend,
And you and I, and talked of poetry.
I said, "A line will take us hours maybe;
Yet if it does not seem a moment's thought,
Our stitching and unstitching has been naught.
Better go down upon your marrow-bones
And scrub a kitchen pavement, or break stones
Like an old pauper, in all kinds of weather;
For to articulate sweet sounds together
Is to work harder than all these, and yet
Be thought an idler by the noisy set
Of bankers, schoolmasters, and clergymen
The martyrs call the world." 
                                              And thereupon
That beautiful mild woman for whose sake
There's many a one shall find out all heartache
On finding that her voice is sweet and low
Replied, "To be born woman is to know—
Although they do not talk of it at school—
That we must labour to be beautiful."
I said, "It's certain there is no fine thing
Since Adam's fall but needs much labouring.
There have been lovers who thought love should be
So much compounded of high courtesy
That they would sigh and quote with learned looks
precedents out of beautiful old books;
Yet now it seems an idle trade enough."

We sat grown quiet at the name of love;
We saw the last embers of daylight die,
And in the trembling blue-green of the sky
A moon, worn as if it had been a shell
Washed by time's waters as they rose and fell
About the stars and broke in days and years.
I had a thought for no one's but your ears:
That you were beautiful, and that I strove
To love you in the old high way of love;
That it had all seemed happy, and yet we'd grown
As weary-hearted as that hollow moon.

Everything’s wrong,
Days are too long,
Sunshine’s too hot,
Wind is too strong.
Clouds are too fluffy,
Grass is too green,
Ground is too dusty,
Sheets are too clean.
Stars are too twinkly,
Moon is too high,
Water’s too drippy,
Sand is too dry.
Rocks are too heavy,
Feathers too light,
Kids are too noisy,
Shoes are too tight.
Folks are too happy,
Singin’ their songs.
Why can’t they see it?
Everything’s wrong!

If space and time, as sages say,
    Are things which cannot be,
The fly that lives a single day
    Has lived as long as we.
But let us live while yet we may,
    While love and life are free,
For time is time, and runs away,
    Though sages disagree.

The flowers I sent thee when the dew
    Was trembling on the vine,
Were withered ere the wild bee flew
    To suck the eglantine.
But let us haste to pluck anew
    Nor mourn to see them pine,
And though the flowers of love be few
    Yet let them be divine.
 

Twelve o'clock.	
Along the reaches of the street	
Held in a lunar synthesis,	
Whispering lunar incantations	
Dissolve the floors of memory	        
And all its clear relations,	
Its divisions and precisions.	
Every street lamp that I pass	
Beats like a fatalistic drum,	
And through the spaces of the dark	        
Midnight shakes the memory	
As a madman shakes a dead geranium.	
 
   Half-past one,	
The street-lamp sputtered,	
The street-lamp muttered,	        
The street-lamp said, "Regard that woman	
Who hesitates toward you in the light of the door	
Which opens on her like a grin.	
You see the border of her dress	
Is torn and stained with sand,	        
And you see the corner of her eye	
Twists like a crooked pin."	
 
   The memory throws up high and dry	
A crowd of twisted things;	
A twisted branch upon the beach	        
Eaten smooth, and polished	
As if the world gave up	
The secret of its skeleton,	
Stiff and white.	
A broken spring in a factory yard,	        
Rust that clings to the form that the strength has left	
Hard and curled and ready to snap.	
 
   Half-past two,	
The street-lamp said,	
"Remark the cat which flattens itself in the gutter,	        
Slips out its tongue	
And devours a morsel of rancid butter."	
So the hand of the child, automatic,	
Slipped out and pocketed a toy that was running along the quay.	
I could see nothing behind that child's eye.	        
I have seen eyes in the street	
Trying to peer through lighted shutters,	
And a crab one afternoon in a pool,	
An old crab with barnacles on his back,	
Gripped the end of a stick which I held him.	        
 
   Half-past three,	
The lamp sputtered,	
The lamp muttered in the dark.	
The lamp hummed:	
"Regard the moon,	        
La lune ne garde aucune rancune,	
She winks a feeble eye,	
She smiles into corners.	
She smooths the hair of the grass.	
The moon has lost her memory.	        
A washed-out smallpox cracks her face,	
Her hand twists a paper rose,	
That smells of dust and eau de Cologne,	
She is alone	
With all the old nocturnal smells	        
That cross and cross across her brain."	
The reminiscence comes	
Of sunless dry geraniums	
And dust in crevices,	
Smells of chestnuts in the streets,	        
And female smells in shuttered rooms,	
And cigarettes in corridors	
And cocktail smells in bars.	
 
   The lamp said,	
"Four o'clock,	        
Here is the number on the door.	
Memory!	
You have the key,	
The little lamp spreads a ring on the stair.	
Mount.	        
The bed is open; the tooth-brush hangs on the wall,	
Put your shoes at the door, sleep, prepare for life."	
 
   The last twist of the knife.

When we came home across the hill
    No leaves were fallen from the trees;
    The gentle fingers of the breeze
Had torn no quivering cobweb down.

The hedgerow bloomed with flowers still,
    No withered petals lay beneath;
    But the wild roses in your wreath
Were faded, and the leaves were brown.
 

Webster was much possessed by death	
And saw the skull beneath the skin;	
And breastless creatures under ground	
Leaned backward with a lipless grin.	
 
Daffodil bulbs instead of balls
Stared from the sockets of the eyes!	
He knew that thought clings round dead limbs	
Tightening its lusts and luxuries.	
 
Donne, I suppose, was such another	
Who found no substitute for sense;
To seize and clutch and penetrate,	
Expert beyond experience,	
 
He knew the anguish of the marrow	
The ague of the skeleton;	
No contact possible to flesh
Allayed the fever of the bone.

.    .    .    .    .    .    .    .

Grishkin is nice: her Russian eye	
Is underlined for emphasis;	
Uncorseted, her friendly bust	
Gives promise of pneumatic bliss.
 
The couched Brazilian jaguar	
Compels the scampering marmoset	
With subtle effluence of cat;	
Grishkin has a maisonette;	
 
The sleek Brazilian jaguar
Does not in its arboreal gloom	
Distil so rank a feline smell	
As Grishkin in a drawing-room.	
 
And even the Abstract Entities	
Circumambulate her charm;
But our lot crawls between dry ribs	
To keep our metaphysics warm.

He clasps the crag with crooked hands;
Close to the sun in lonely lands,
Ringed with the azure world, he stands.

The wrinkled sea beneath him crawls;
He watches from his mountain walls,
And like a thunderbolt he falls.

I cannot live with You – 
It would be Life – 
And Life is over there – 
Behind the Shelf

The Sexton keeps the Key to – 
Putting up
Our Life – His Porcelain – 
Like a Cup – 

Discarded of the Housewife – 
Quaint – or Broke – 
A newer Sevres pleases – 
Old Ones crack – 

I could not die – with You – 
For One must wait
To shut the Other’s Gaze down – 
You – could not – 

And I – could I stand by
And see You – freeze – 
Without my Right of Frost – 
Death's privilege?

Nor could I rise – with You – 
Because Your Face
Would put out Jesus’ – 
That New Grace

Glow plain – and foreign
On my homesick Eye – 
Except that You than He
Shone closer by – 

They’d judge Us – How – 
For You – served Heaven – You know,
Or sought to – 
I could not – 

Because You saturated Sight – 
And I had no more Eyes
For sordid excellence
As Paradise

And were You lost, I would be – 
Though My Name
Rang loudest
On the Heavenly fame – 

And were You – saved – 
And I – condemned to be
Where You were not – 
That self – were Hell to Me – 

So We must meet apart – 
You there – I – here – 
With just the Door ajar
That Oceans are – and Prayer – 
And that White Sustenance – 
Despair – 

The Soul unto itself
Is an imperial friend  – 
Or the most agonizing Spy  – 
An Enemy  –  could send  – 

Secure against its own  – 
No treason it can fear  – 
Itself  –  its Sovereign  –  of itself
The Soul should stand in Awe  – 

Besides the Autumn poets sing,	
A few prosaic days	
A little this side of the snow	
And that side of the Haze -	
  
A few incisive mornings -	        
A few Ascetic eves -	
Gone - Mr Bryant’s “Golden Rod” -	
And Mr Thomson’s “sheaves.”	
  
Still, is the bustle in the brook -	
Sealed are the spicy valves -	        
Mesmeric fingers softly touch	
The eyes of many Elves -	
  
Perhaps a squirrel may remain -	
My sentiments to share -
Grant me, Oh Lord, a sunny mind -        
Thy windy will to bear!

I have a little shadow that goes in and out with me,
And what can be the use of him is more than I can see.
He is very, very like me from the heels up to the head;
And I see him jump before me, when I jump into my bed.

The funniest thing about him is the way he likes to grow—
Not at all like proper children, which is always very slow;
For he sometimes shoots up taller like an India-rubber ball,
And he sometimes gets so little that there’s none of him at all.

He hasn’t got a notion of how children ought to play,
And can only make a fool of me in every sort of way.
He stays so close beside me, he’s a coward you can see;
I’d think shame to stick to nursie as that shadow sticks to me!

One morning, very early, before the sun was up,
I rose and found the shining dew on every buttercup;
But my lazy little shadow, like an arrant sleepy-head,
Had stayed at home behind me and was fast asleep in bed.

Though he, that ever kind and true,
Kept stoutly step by step with you,
Your whole long, gusty lifetime through,
      Be gone a while before,
Be now a moment gone before,
Yet, doubt not, soon the seasons shall restore
      Your friend to you.

He has but turned the corner — still
He pushes on with right good will,
Through mire and marsh, by heugh and hill,
      That self-same arduous way —
That self-same upland, hopeful way,
That you and he through many a doubtful day
      Attempted still.

He is not dead, this friend — not dead,
But in the path we mortals tread
Got some few, trifling steps ahead
      And nearer to the end;
So that you too, once past the bend,
Shall meet again, as face to face, this friend
      You fancy dead.

Push gaily on, strong heart! The while
You travel forward mile by mile,
He loiters with a backward smile
      Till you can overtake,
And strains his eyes to search his wake,
Or whistling, as he sees you through the brake,
      Waits on a stile.

You too, my mother, read my rhymes
For love of unforgotten times,
And you may chance to hear once more
The little feet along the floor.

Under the wide and starry sky,
    Dig the grave and let me lie.
Glad did I live and gladly die,
    And I laid me down with a will.

This be the verse you grave for me:
    Here he lies where he longed to be;
Home is the sailor, home from sea,
    And the hunter home from the hill.

Eruptive lightnings flutter to and fro
Above the heights of immemorial hills;
Thirst-stricken air, dumb-throated, in its woe
Limply down-sagging, its limp body spills
Upon the earth. A panting silence fills
The empty vault of Night with shimmering bars
Of sullen silver, where the lake distils
Its misered bounty.—Hark! No whisper mars
The utter silence of the untranslated stars.

34

my father moved through dooms of love
through sames of am through haves of give,
singing each morning out of each night
my father moved through depths of height

this motionless forgetful where
turned at his glance to shining here;
that if (so timid air is firm)
under his eyes would stir and squirm

newly as from unburied which
floats the first who, his april touch
drove sleeping selves to swarm their fates
woke dreamers to their ghostly roots

and should some why completely weep
my father’s fingers brought her sleep:
vainly no smallest voice might cry
for he could feel the mountains grow.

Lifting the valleys of the sea
my father moved through griefs of joy;
praising a forehead called the moon
singing desire into begin

joy was his song and joy so pure
a heart of star by him could steer
and pure so now and now so yes
the wrists of twilight would rejoice

keen as midsummer’s keen beyond
conceiving mind of sun will stand,
so strictly (over utmost him
so hugely) stood my father’s dream

his flesh was flesh his blood was blood:
no hungry man but wished him food;
no cripple wouldn’t creep one mile
uphill to only see him smile.

Scorning the Pomp of must and shall
my father moved through dooms of feel;
his anger was as right as rain
his pity was as green as grain

septembering arms of year extend
less humbly wealth to foe and friend
than he to foolish and to wise 
offered immeasurable is

proudly and (by octobering flame
beckoned) as earth will downward climb,
so naked for immortal work
his shoulders marched against the dark

his sorrow was as true as bread:
no liar looked him in the head;
if every friend became his foe
he’d laugh and build a world with snow.

My father moved through theys of we,
singing each new leaf out of each tree
(and every child was sure that spring
danced when she heard my father sing)

then let men kill which cannot share,
let blood and flesh be mud and mire,
scheming imagine, passion willed,
freedom a drug that’s bought and sold

giving to steal and cruel kind,
a heart to fear, to doubt a mind,
to differ a disease of same,
conform the pinnacle of am

though dull were all we taste as bright,
bitter all utterly things sweet,
maggoty minus and dumb death
all we inherit, all bequeath

and nothing quite so least as truth
—i say though hate were why men breathe—
because my Father lived his soul
love is the whole and more than all

My life has been the poem I would have writ
But I could not both live and utter it.

Whate’er we leave to God, God does, 
And blesses us; 
The work we choose should be our own, 
God leaves alone.
 
If with light head erect I sing, 
Though all the Muses lend their force, 
From my poor love of anything, 
The verse is weak and shallow as its source. 

But if with bended neck I grope 
Listening behind me for my wit, 
With faith superior to hope, 
More anxious to keep back than forward it; 

Making my soul accomplice there 
Unto the flame my heart hath lit, 
Then will the verse forever wear—
Time cannot bend the line which God hath writ. 

Always the general show of things 
Floats in review before my mind, 
And such true love and reverence brings, 
That sometimes I forget that I am blind. 

But now there comes unsought, unseen, 
Some clear divine electuary, 
And I, who had but sensual been, 
Grow sensible, and as God is, am wary. 

I hearing get, who had but ears, 
And sight, who had but eyes before, 
I moments live, who lived but years, 
And truth discern, who knew but learning’s lore. 

I hear beyond the range of sound, 
I see beyond the range of sight, 
New earths and skies and seas around, 
And in my day the sun doth pale his light. 

A clear and ancient harmony 
Pierces my soul through all its din, 
As through its utmost melody—
Farther behind than they, farther within. 

More swift its bolt than lightning is, 
Its voice than thunder is more loud, 
It doth expand my privacies 
To all, and leave me single in the crowd. 

It speaks with such authority, 
With so serene and lofty tone, 
That idle Time runs gadding by, 
And leaves me with Eternity alone. 

Now chiefly is my natal hour, 
And only now my prime of life; 
Of manhood’s strength it is the flower, 
’Tis peace’s end and war’s beginning strife. 

It comes in summer’s broadest noon, 
By a grey wall or some chance place, 
Unseasoning Time, insulting June, 
And vexing day with its presuming face. 

Such fragrance round my couch it makes, 
More rich than are Arabian drugs, 
That my soul scents its life and wakes 
The body up beneath its perfumed rugs. 

Such is the Muse, the heavenly maid, 
The star that guides our mortal course, 
Which shows where life’s true kernel’s laid, 
Its wheat’s fine flour, and its undying force. 

She with one breath attunes the spheres, 
And also my poor human heart, 
With one impulse propels the years 
Around, and gives my throbbing pulse its start. 

I will not doubt for evermore, 
Nor falter from a steadfast faith, 
For thought the system be turned o'er, 
God takes not back the word which once He saith. 

I will not doubt the love untold 
Which not my worth nor want has bought, 
Which wooed me young, and woos me old, 
And to this evening hath me brought. 

My memory I’ll educate 
To know the one historic truth, 
Remembering to the latest date 
The only true and sole immortal youth. 

Be but thy inspiration given, 
No matter through what danger sought, 
I’ll fathom hell or climb to heaven, 
And yet esteem that cheap which love has bought.

Fame cannot tempt the bard Who’s famous with his God, Nor laurel him reward Who has his Maker’s nod.

Low-anchored cloud,
Newfoundland air,
Fountain-head and source of rivers,
Dew-cloth, dream-drapery,
And napkin spread by fays;
Drifting meadow of the air,
Where bloom the daisied banks and violets,
And in whose fenny labyrinth
The bittern booms and heron wades;
Spirit of lakes and seas and rivers,—
Bear only perfumes and the scent
Of healing herbs to just men’s fields.

Oh! that my young life were a lasting dream!
My spirit not awakening, till the beam
Of an Eternity should bring the morrow.
Yes! tho’ that long dream were of hopeless sorrow,
’Twere better than the cold reality
Of waking life, to him whose heart must be,
And hath been still, upon the lovely earth,
A chaos of deep passion, from his birth.
But should it be—that dream eternally
Continuing—as dreams have been to me
In my young boyhood—should it thus be given,
’Twere folly still to hope for higher Heaven.
For I have revell’d when the sun was bright
I’ the summer sky, in dreams of living light,
And loveliness,—have left my very heart
In climes of mine imagining, apart
From mine own home, with beings that have been
Of mine own thought—what more could I have seen?
’Twas once—and only once—and the wild hour
From my remembrance shall not pass—some power
Or spell had bound me—’twas the chilly wind
Came o’er me in the night, and left behind
Its image on my spirit—or the moon
Shone on my slumbers in her lofty noon
Too coldly—or the stars—howe’er it was
That dream was as that night-wind—let it pass.
I have been happy, tho’ [but] in a dream.

I have been happy—and I love the theme:
Dreams! in their vivid colouring of life
As in that fleeting, shadowy, misty strife
Of semblance with reality which brings
To the delirious eye, more lovely things
Of Paradise and Love—and all our own!
Than young Hope in his sunniest hour hath known.

From childhood’s hour I have not been
As others were—I have not seen
As others saw—I could not bring
My passions from a common spring—
From the same source I have not taken
My sorrow—I could not awaken
My heart to joy at the same tone—
And all I lov’d—I lov’d alone—
Then—in my childhood—in the dawn
Of a most stormy life—was drawn
From ev’ry depth of good and ill
The mystery which binds me still—
From the torrent, or the fountain—
From the red cliff of the mountain—
From the sun that ‘round me roll’d
In its autumn tint of gold—
From the lightning in the sky
As it pass’d me flying by—
From the thunder, and the storm—
And the cloud that took the form
(When the rest of Heaven was blue)
Of a demon in my view—

Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door—
“’Tis some visitor,” I muttered, “tapping at my chamber door—
               Only this and nothing more.”

Ah, distinctly I remember it was in the bleak December;
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;—vainly I had sought to borrow
From my books surcease of sorrow—sorrow for the lost Lenore—
For the rare and radiant maiden whom the angels name Lenore—
               Nameless here for evermore.

And the silken, sad, uncertain rustling of each purple curtain
Thrilled me—filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
“’Tis some visitor entreating entrance at my chamber door—
Some late visitor entreating entrance at my chamber door;—
               This it is and nothing more.”

Presently my soul grew stronger; hesitating then no longer,
“Sir,” said I, “or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you”—here I opened wide the door;—
               Darkness there and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, “Lenore?”
This I whispered, and an echo murmured back the word, “Lenore!”—
               Merely this and nothing more.

Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
“Surely,” said I, “surely that is something at my window lattice;
Let me see, then, what thereat is, and this mystery explore—
Let my heart be still a moment and this mystery explore;—
               ’Tis the wind and nothing more!”

Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door—
Perched upon a bust of Pallas just above my chamber door—
               Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,
Ghastly grim and ancient Raven wandering from the Nightly shore—
Tell me what thy lordly name is on the Night’s Plutonian shore!”
               Quoth the Raven “Nevermore.”

Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning—little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blest with seeing bird above his chamber door—
Bird or beast upon the sculptured bust above his chamber door,
               With such name as “Nevermore.”

But the Raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered—not a feather then he fluttered—
Till I scarcely more than muttered “Other friends have flown before—
On the morrow he will leave me, as my hopes have flown before.”
               Then the bird said “Nevermore.”

Startled at the stillness broken by reply so aptly spoken,
“Doubtless,” said I, “what it utters is its only stock and store
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore—
Till the dirges of his Hope that melancholy burden bore
               Of ‘Never—nevermore.’”

But the Raven still beguiling my sad fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore—
What this grim, ungainly, ghastly, gaunt and ominous bird of yore
               Meant in croaking “Nevermore.”

This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom’s core;
This and more I sat divining, with my head at ease reclining
On the cushion’s velvet lining that the lamp-light gloated o’er,
But whose velvet violet lining with the lamp-light gloating o'er,
               She shall press, ah, nevermore!

Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
“Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee
Respite—respite and nepenthe, from thy memories of Lenore;
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”
               Quoth the Raven “Nevermore.”

“Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted—
On this home by Horror haunted—tell me truly, I implore—
Is there—is there balm in Gilead?—tell me—tell me, I implore!”
               Quoth the Raven “Nevermore.”

“Prophet!” said I, “thing of evil—prophet still, if bird or devil!
By that Heaven that bends above us—by that God we both adore—
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore—
Clasp a rare and radiant maiden whom the angels name Lenore.”
               Quoth the Raven “Nevermore.”

“Be that word our sign in parting, bird or fiend!” I shrieked, upstarting—
“Get thee back into the tempest and the Night’s Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken!—quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!”
               Quoth the Raven “Nevermore.”

And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon’s that is dreaming,
And the lamp-light o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
               Shall be lifted—nevermore!

Desolate and lone
All night long on the lake
Where fog trails and mist creeps,
The whistle of a boat
Calls and cries unendingly,
Like some lost child
In tears and trouble
Hunting the harbor’s breast
And the harbor’s eyes.

You have spoken the answer.
A child searches far sometimes
Into the red dust
                       On a dark rose leaf
And so you have gone far
                       For the answer is:
                                           Silence.

   In the republic
Of the winking stars
                       and spent cataclysms
Sure we are it is off there the answer is hidden and folded over,
Sleeping in the sun, careless whether it is Sunday or any other
    day of the week,

Knowing silence will bring all one way or another.

Have we not seen
Purple of the pansy
            out of the mulch
            and mold
            crawl
            into a dusk
            of velvet?
            blur of yellow?
Almost we thought from nowhere but it was the silence,
            the future,
            working.
 

Bend low again, night of summer stars.
So near you are, sky of summer stars, 
So near, a long-arm man can pick off stars, 
Pick off what he wants in the sky bowl, 
So near you are, summer stars, 
So near, strumming, strumming, 
                So lazy and hum-strumming.

Night from a railroad car window
Is a great, dark, soft thing
Broken across with slashes of light.

   Under the harvest moon, 
When the soft silver
Drips shimmering
Over the garden nights,
Death, the gray mocker, 
Comes and whispers to you
As a beautiful friend
Who remembers.

   Under the summer roses 
When the flagrant crimson
Lurks in the dusk
Of the wild red leaves,
Love, with little hands,
Comes and touches you
With a thousand memories, 
And asks you
Beautiful, unanswerable questions.

I, too, sing America.

I am the darker brother.
They send me to eat in the kitchen
When company comes,
But I laugh,
And eat well,
And grow strong.

Tomorrow,
I'll be at the table
When company comes.
Nobody'll dare
Say to me,
“Eat in the kitchen,”
Then.

Besides,
They'll see how beautiful I am
And be ashamed—

I, too, am America.

To fling my arms wide
In some place of the sun,
To whirl and to dance
Till the white day is done.
Then rest at cool evening
Beneath a tall tree
While night comes on gently,
    Dark like me—
That is my dream!

To fling my arms wide
In the face of the sun,
Dance! Whirl! Whirl!
Till the quick day is done.
Rest at pale evening . . .
A tall, slim tree . . .
Night coming tenderly
    Black like me.

My heart leaps up when I behold 
   A rainbow in the sky:
So was it when my life began; 
So is it now I am a man; 
So be it when I shall grow old, 
   Or let me die!
The Child is father of the Man;
And I could wish my days to be
Bound each to each by natural piety.
 

Every day brings a ship,
Every ship brings a word;
Well for those who have no fear,
Looking seaward well assured
That the word the vessel brings
Is the word they wish to hear.

And I behold once more
My old familiar haunts; here the blue river,
The same blue wonder that my infant eye
Admired, sage doubting whence the traveller came,—
Whence brought his sunny bubbles ere he washed
The fragrant flag-roots in my father’s fields,
And where thereafter in the world he went.
Look, here he is, unaltered, save that now
He hath broke his banks and flooded all the vales
With his redundant waves.
Here is the rock where, yet a simple child,
I caught with bended pin my earliest fish,
Much triumphing, —and these the fields
Over whose flowers I chased the butterfly,
A blooming hunter of a fairy fine.
And hark! where overhead the ancient crows
Hold their sour conversation in the sky:—
These are the same, but I am not the same,
But wiser than I was, and wise enough
Not to regret the changes, tho’ they cost
Me many a sigh. Oh, call not Nature dumb;
These trees and stones are audible to me,
These idle flowers, that tremble in the wind,
I understand their faery syllables,
And all their sad significance. The wind,
That rustles down the well-known forest road—
It hath a sound more eloquent than speech.
The stream, the trees, the grass, the sighing wind,
All of them utter sounds of ’monishment
And grave parental love.
They are not of our race, they seem to say,
And yet have knowledge of our moral race,
And somewhat of majestic sympathy,
Something of pity for the puny clay,
That holds and boasts the immeasurable mind.
I feel as I were welcome to these trees
After long months of weary wandering,
Acknowledged by their hospitable boughs;
They know me as their son, for side by side,
They were coeval with my ancestors,
Adorned with them my country’s primitive times,
And soon may give my dust their funeral shade.

The water understands
Civilization well;
It wets my foot, but prettily,
It chills my life, but wittily,
It is not disconcerted,
It is not broken-hearted:
Well used, it decketh joy,
Adorneth, doubleth joy:
Ill used, it will destroy,
In perfect time and measure
With a face of golden pleasure
Elegantly destroy.

By the rude bridge that arched the flood,
    Their flag to April’s breeze unfurled,
Here once the embattled farmers stood,
    And fired the shot heard round the world.

The foe long since in silence slept;
    Alike the conqueror silent sleeps;
And Time the ruined bridge has swept
    Down the dark stream which seaward creeps.

On this green bank, by this soft stream,
    We set to-day a votive stone;
That memory may their deed redeem,
    When, like our sires, our sons are gone.

Spirit, that made those heroes dare
    To die, and leave their children free,
Bid Time and Nature gently spare
    The shaft we raise to them and thee.

When we two parted
   In silence and tears,
Half broken-hearted
   To sever for years,
Pale grew thy cheek and cold,
   Colder thy kiss;
Truly that hour foretold
   Sorrow to this.

The dew of the morning
   Sunk chill on my brow— 
It felt like the warning
   Of what I feel now.
Thy vows are all broken,
   And light is thy fame;
I hear thy name spoken,
   And share in its shame.

They name thee before me,
   A knell to mine ear;
A shudder comes o'er me—
   Why wert thou so dear?
They know not I knew thee,
   Who knew thee too well—
Long, long shall I rue thee,
   Too deeply to tell.

In secret we met—
   In silence I grieve,
That thy heart could forget,
   Thy spirit deceive.
If I should meet thee
   After long years,
How should I greet thee?—
   With silence and tears.

I had a dream, which was not all a dream.
The bright sun was extinguish'd, and the stars
Did wander darkling in the eternal space,
Rayless, and pathless, and the icy earth
Swung blind and blackening in the moonless air;
Morn came and went—and came, and brought no day,
And men forgot their passions in the dread
Of this their desolation; and all hearts
Were chill'd into a selfish prayer for light:
And they did live by watchfires—and the thrones,
The palaces of crowned kings—the huts,
The habitations of all things which dwell,
Were burnt for beacons; cities were consum'd,
And men were gather'd round their blazing homes
To look once more into each other's face;
Happy were those who dwelt within the eye
Of the volcanos, and their mountain-torch:
A fearful hope was all the world contain'd;
Forests were set on fire—but hour by hour
They fell and faded—and the crackling trunks
Extinguish'd with a crash—and all was black.
The brows of men by the despairing light
Wore an unearthly aspect, as by fits
The flashes fell upon them; some lay down
And hid their eyes and wept; and some did rest
Their chins upon their clenched hands, and smil'd;
And others hurried to and fro, and fed
Their funeral piles with fuel, and look'd up
With mad disquietude on the dull sky,
The pall of a past world; and then again
With curses cast them down upon the dust,
And gnash'd their teeth and howl'd: the wild birds shriek'd
And, terrified, did flutter on the ground,
And flap their useless wings; the wildest brutes
Came tame and tremulous; and vipers crawl'd
And twin'd themselves among the multitude,
Hissing, but stingless—they were slain for food.
And War, which for a moment was no more,
Did glut himself again: a meal was bought
With blood, and each sate sullenly apart
Gorging himself in gloom: no love was left;
All earth was but one thought—and that was death
Immediate and inglorious; and the pang
Of famine fed upon all entrails—men
Died, and their bones were tombless as their flesh;
The meagre by the meagre were devour'd,
Even dogs assail'd their masters, all save one,
And he was faithful to a corse, and kept
The birds and beasts and famish'd men at bay,
Till hunger clung them, or the dropping dead
Lur'd their lank jaws; himself sought out no food,
But with a piteous and perpetual moan,
And a quick desolate cry, licking the hand
Which answer'd not with a caress—he died.
The crowd was famish'd by degrees; but two
Of an enormous city did survive,
And they were enemies: they met beside
The dying embers of an altar-place
Where had been heap'd a mass of holy things
For an unholy usage; they rak'd up,
And shivering scrap'd with their cold skeleton hands
The feeble ashes, and their feeble breath
Blew for a little life, and made a flame
Which was a mockery; then they lifted up
Their eyes as it grew lighter, and beheld
Each other's aspects—saw, and shriek'd, and died—
Even of their mutual hideousness they died,
Unknowing who he was upon whose brow
Famine had written Fiend. The world was void,
The populous and the powerful was a lump,
Seasonless, herbless, treeless, manless, lifeless—
A lump of death—a chaos of hard clay.
The rivers, lakes and ocean all stood still,
And nothing stirr'd within their silent depths;
Ships sailorless lay rotting on the sea,
And their masts fell down piecemeal: as they dropp'd
They slept on the abyss without a surge—
The waves were dead; the tides were in their grave,
The moon, their mistress, had expir'd before;
The winds were wither'd in the stagnant air,
And the clouds perish'd; Darkness had no need
Of aid from them—She was the Universe.