When foxes eat the last gold grape,
And the last white antelope is killed,
I shall stop fighting and escape
Into a little house I'll build.

But first I'll shrink to fairy size,
With a whisper no one understands,
Making blind moons of all your eyes,
And muddy roads of all your hands.

And you may grope for me in vain
In hollows under the mangrove root,
Or where, in apple-scented rain,
The silver wasp-nests hang like fruit.

Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.

My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.

He gives his harness bells a shake
To ask if there is some mistake.
The only other sound's the sweep
Of easy wind and downy flake.

The woods are lovely, dark and deep.
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.

I will arise and go now, and go to Innisfree,
And a small cabin build there, of clay and wattles made:
Nine bean-rows will I have there, a hive for the honey-bee;
And live alone in the bee-loud glade.

And I shall have some peace there, for peace comes dropping slow,
Dropping from the veils of the morning to where the cricket sings;
There midnight's all a glimmer, and noon a purple glow,
And evening full of the linnet's wings.

I will arise and go now, for always night and day
I hear lake water lapping with low sounds by the shore;
While I stand on the roadway, or on the pavements grey,
I hear it in the deep heart's core.

Shadows, shadows, 
Hug me round, 
So that I shall not be found
By sorrow: 
She pursues me
Everywhere, 
I can't lose her
Anywhere. 

Fold me in your black 
Abyss, 
She will never look
In this,—
Shadows, shadows, 
Hug me round 
In your solitude 
Profound. 

And when I take them out of
the cherrywood box these beads are
the colour of dog-violets in shadow. Then
at the well of the throat where
tears start
they darken. Now I wear at my neck an old stress
of crystal: an impression of earthly housekeeping.
A mysterious brightness
made underground where there is no sun
only stories of a strayed child and her mother bargaining
with a sullen king. Promising and arguing: 
what she can keep, what she can let him have. Shadows 
and the season violets start up in are part of 
the settlement. Stolen from such a place
these beads cannot be anything 
but wise to the healing arts of compromise,
of survival. And when I wear them it is almost
as if my skin was taking into itself
a medicine of light. Something like the old simples.
Rosemary, say, or tansy.
Or camomile which they kept
to cool fever. Which they once used to soothe a child
tossing from side to side, beads of sweat catching 
and holding a gleam from the vigil lamp. 
A child crying out in her sleep
Wait for me. Don’t leave me here.
Who will never remember this.
Who will never remember this. 

   There is a pleasure in the pathless woods,
   There is a rapture on the lonely shore,
   There is society where none intrudes,
   By the deep Sea, and music in its roar:
   I love not Man the less, but Nature more,
   From these our interviews, in which I steal
   From all I may be, or have been before,
   To mingle with the Universe, and feel
What I can ne'er express, yet cannot all conceal.

   Roll on, thou deep and dark blue Ocean--roll!
   Ten thousand fleets sweep over thee in vain;
   Man marks the earth with ruin--his control
   Stops with the shore;--upon the watery plain
   The wrecks are all thy deed, nor doth remain
   A shadow of man's ravage, save his own,
   When for a moment, like a drop of rain,
   He sinks into thy depths with bubbling groan,
Without a grave, unknelled, uncoffined, and unknown.

   His steps are not upon thy paths,--thy fields
   Are not a spoil for him,--thou dost arise
   And shake him from thee; the vile strength he wields
   For earth's destruction thou dost all despise,
   Spurning him from thy bosom to the skies,
   And send'st him, shivering in thy playful spray
   And howling, to his gods, where haply lies
   His petty hope in some near port or bay,
And dashest him again to earth: —there let him lay.

Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.

O hushed October morning mild,
Thy leaves have ripened to the fall;
To-morrow's wind, if it be wild,
Should waste them all.
The crows above the forest call;
To-morrow they may form and go.
O hushed October morning mild,
Begin the hours of this day slow,
Make the day seem to us less brief.
Hearts not averse to being beguiled,
Beguile us in the way you know;
Release one leaf at break of day;
At noon release another leaf;
One from our trees, one far away;
Retard the sun with gentle mist;
Enchant the land with amethyst.
Slow, slow!
For the grapes' sake, if they were all,
Whose leaves already are burnt with frost,
Whose clustered fruit must else be lost—
For the grapes' sake along the wall.

Nobody heard him, the dead man,
But still he lay moaning:
I was much further out than you thought
And not waving but drowning.

Poor chap, he always loved larking
And now he’s dead
It must have been too cold for him his heart gave way,
They said.

Oh, no no no, it was too cold always
(Still the dead one lay moaning)
I was much too far out all my life
And not waving but drowning.

Loveliest of trees, the cherry now
Is hung with bloom along the bough,
And stands about the woodland ride
Wearing white for Eastertide.

Now, of my threescore years and ten,
Twenty will not come again,
And take from seventy springs a score,
It only leaves me fifty more.

And since to look at things in bloom
Fifty springs are little room,
About the woodlands I will go
To see the cherry hung with snow.

Does the road wind up-hill all the way?
    Yes, to the very end.
Will the day's journey take the whole long day?
    From morn to night, my friend.

But is there for the night a resting-place?
    A roof for when the slow dark hours begin.
May not the darkness hide it from my face?
    You cannot miss that inn.

Shall I meet other wayfarers at night?
    Those who have gone before.
Then must I knock, or call when just in sight?
    They will not keep you standing at that door.

Shall I find comfort, travel-sore and weak?
    Of labour you shall find the sum.
Will there be beds for me and all who seek?
    Yea, beds for all who come.

I am! yet what I am none cares or knows,
My friends forsake me like a memory lost;
I am the self-consumer of my woes,
They rise and vanish in oblivious host,
Like shades in love and death’s oblivion lost;
And yet I am! and live with shadows tost

Into the nothingness of scorn and noise,
Into the living sea of waking dreams,
Where there is neither sense of life nor joys,
But the vast shipwreck of my life’s esteems;
And e’en the dearest—that I loved the best—
Are strange—nay, rather stranger than the rest.

I long for scenes where man has never trod;
A place where woman never smil’d or wept;
There to abide with my creator, God,
And sleep as I in childhood sweetly slept:
Untroubling and untroubled where I lie;
The grass below—above the vaulted sky.

As from the house your mother sees
You playing round the garden trees,
So you may see, if you will look
Through the windows of this book,
Another child, far, far away,
And in another garden, play.
But do not think you can at all,
By knocking on the window, call
That child to hear you. He intent
Is all on his play-business bent.
He does not hear; he will not look,
Nor yet be lured out of this book.
For, long ago, the truth to say,
He has grown up and gone away,
And it is but a child of air
That lingers in the garden there.

I think that I shall never see
A poem lovely as a tree.

A tree whose hungry mouth is prest
Against the earth's sweet flowing breast;

A tree that looks at God all day,
And lifts her leafy arms to pray;

A tree that may in summer wear
A nest of robins in her hair;

Upon whose bosom snow has lain;
Who intimately lives with rain.

Poems are made by fools like me,
But only God can make a tree.

I was angry with my friend:
I told my wrath, my wrath did end.
I was angry with my foe:
I told it not, my wrath did grow.

And I watered it in fears
Night and morning with my tears,
And I sunned it with smiles
And with soft deceitful wiles.

And it grew both day and night,
Till it bore an apple bright,
And my foe beheld it shine,
And he knew that it was mine,--

And into my garden stole
When the night had veiled the pole;
In the morning, glad, I see
My foe outstretched beneath the tree.

What happens to a dream deferred?

       Does it dry up
       like a raisin in the sun?
       Or fester like a sore—
       And then run?
       Does it stink like rotten meat?
       Or crust and sugar over—
       like a syrupy sweet?

       Maybe it just sags
       like a heavy load.

       Or does it explode?

Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.

The night was made for rest and sleep, 
For winds that softly sigh; 
It was not made for grief and tears; 
So then why do I cry? 

The wind that blows through leafy trees
Is soft and warm and sweet; 
For me the night is a gracious cloak 
To hide my soul’s defeat. 

Just one dark hour of shaken depths, 
Of bitter black despair—
Another day will find me brave,
And not afraid to dare. 

I've been fighting a War Within Myself all my life,
Tired of the hurt, the pain, the strife.
Anger consumes me from day to day,
Cellies now walking on eggshells, unsure of what to say.
I do pray each night for the peace that I need in my heart,
I need it before I tear what friendships I have apart.
Prison has a funny way of doing some things,
Leaves me wondering what tomorrow may bring.
I'm tired of the hate, anger and pain that I feel,
I just want my heart and soul to be healed.
I want to be able to simply laugh at a joke,
I need someone to help me before I lose all hope.
My heart is almost completely hardened with what I've been through,
I need someone, anyone, maybe that someone is you.
I'm fighting a War Within Myself, and I'm so tired,
So nervous, scared, like I'm on a high tight wire.
I hope that I don't fall before someone catches me,
But then again... maybe it's my destiny.

You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I’ll rise.

Does my sassiness upset you?
Why are you beset with gloom?
’Cause I walk like I’ve got oil wells
Pumping in my living room.
Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I’ll rise.

Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops,
Weakened by my soulful cries?

Does my haughtiness offend you?
Don’t you take it awful hard
’Cause I laugh like I’ve got gold mines
Diggin’ in my own backyard.

You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I’ll rise.

Does my sexiness upset you?
Does it come as a surprise
That I dance like I’ve got diamonds
At the meeting of my thighs?

Out of the huts of history’s shame
I rise
Up from a past that’s rooted in pain
I rise
I’m a black ocean, leaping and wide,
Welling and swelling I bear in the tide.

Leaving behind nights of terror and fear
I rise
Into a daybreak that’s wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.