With a difference —Hamlet.

Again the bloom, the northward flight, 
The fount freed at its silver height, 
And down the deep woods to the lowest, 
The fragrant shadows scarred with light.

O inescapable joy of spring! 
For thee the world shall leap and sing;
But by her darkened door thou goest 
Forever as a spectral thing.

Copyright © 2025 by Louise Imogen Guiney. Originally published in Poem-a-Day on March 23, 2025, by the Academy of American Poets.

I wander among the hills of alien lands
   Where Nature her prerogative resigns
To Man; where Comfort in her shack reclines
   And all the arts and sciences commands.
      But in my soul
      The eastern billows roll—
I hear the voices of my native strands.

My lingering eyes, a lonely hemlock fills
   With grace and splendor rising manifold;
Beneath her boughs the maples spread their gold
   And at her feet, the silver of rills.
      But in my heart
      A peasant void of art
Echoes the voices of my native hills.

On every height a studied art confines
   All human joy in social pulchritude;
The boxwood frowns where beckoning birches stood,
   And where the thrushes caroled Fashion dines.
      But through the spreading cheer
      The shepherd’s reed I hear
Beneath my Lebanon terebinths and pines.

And though no voices here are heard of toil,
   Nor accents least of sorrow, nor the din
Of multitudes, nor even at the Inn
   The City is permitted aught to spoil,
      Yet in my breast,
       A shack at best,
Laments the mother of my native soil.

Even where the sumptuous solitudes deny
   A shelter to a bird or butterfly,
As in the humblest dwelling of the dale
   A gracious welcome’s shown the passer-by;
       But evermore clear
       Allwhere I hear
The calling of my native hut and sky.

Land of my birth! a handful of thy sod
   Resuscitates the flower of my faith;
For whatsoever the seer of science sayth,
   Thou art the cradle and the tomb of God;
      And forever I behold
      A vision old
Of Beauty weeping where He once hath trod.

From A Chant of Mystics (James T. White & Co., 1921) by Ameen Rihani. This poem is in the public domain.

                The world is a beautiful place 
                                                           to be born into 
if you don’t mind happiness 
                                             not always being 
                                                                        so very much fun 
       if you don’t mind a touch of hell
                                                       now and then
                just when everything is fine
                                                             because even in heaven
                                they don’t sing 
                                                        all the time

             The world is a beautiful place
                                                           to be born into
       if you don’t mind some people dying
                                                                  all the time
                        or maybe only starving
                                                           some of the time
                 which isn’t half so bad
                                                      if it isn’t you

      Oh the world is a beautiful place
                                                          to be born into
               if you don’t much mind
                                                   a few dead minds
                    in the higher places
                                                    or a bomb or two
                            now and then
                                                  in your upturned faces
         or such other improprieties
                                                    as our Name Brand society
                                  is prey to
                                              with its men of distinction
             and its men of extinction
                                                   and its priests
                         and other patrolmen
                                                         and its various segregations
         and congressional investigations
                                                             and other constipations
                        that our fool flesh
                                                     is heir to

Yes the world is the best place of all
                                                           for a lot of such things as
         making the fun scene
                                                and making the love scene
and making the sad scene
                                         and singing low songs of having 
                                                                                      inspirations
and walking around 
                                looking at everything
                                                                  and smelling flowers
and goosing statues
                              and even thinking 
                                                         and kissing people and
     making babies and wearing pants
                                                         and waving hats and
                                     dancing
                                                and going swimming in rivers
                              on picnics
                                       in the middle of the summer
and just generally
                            ‘living it up’

Yes
   but then right in the middle of it
                                                    comes the smiling
                                                                                 mortician

                                           

From A Coney Island of the Mind, copyright © 1955 by Lawrence Ferlinghetti. Reprinted by permission of New Directions Publishing Corp.

Nature’s first green is gold,
Her hardest hue to hold.
Her early leaf’s a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.

From The Poetry of Robert Frost edited by Edward Connery Lathem. Copyright © 1923, 1947, 1969 by Henry Holt and Company, copyright © 1942, 1951 by Robert Frost, copyright © 1970, 1975 by Lesley Frost Ballantine. Reprinted by permission of Henry Holt and Company, LLC.

My mistress’ eyes are nothing like the sun;

Coral is far more red than her lips’ red;

If snow be white, why then her breasts are dun;

If hairs be wires, black wires grow on her head.

I have seen roses damasked, red and white,

But no such roses see I in her cheeks;

And in some perfumes is there more delight

Than in the breath that from my mistress reeks.

I love to hear her speak, yet well I know

That music hath a far more pleasing sound;

I grant I never saw a goddess go;

My mistress when she walks treads on the ground.

     And yet, by heaven, I think my love as rare

     As any she belied with false compare.

This poem is in the public domain.

somewhere i have never travelled, gladly beyond
any experience, your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near

your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skillfully, mysteriously) her first rose

or if your wish be to close me, i and
my life will shut very beautifully, suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;

nothing which we are to perceive in this world equals
the power of your intense fragility: whose texture
compels me with the colour of its countries,
rendering death and forever with each breathing

(i do not know what it is about you that closes
and opens; only something in me understands
the voice of your eyes is deeper than all roses)
nobody, not even the rain, has such small hands

From Complete Poems: 1904-1962 by E. E. Cummings, edited by George J. Firmage. Used with the permission of Liveright Publishing Corporation. Copyright © 1923, 1931, 1935, 1940, 1951, 1959, 1963, 1968, 1991 by the Trustees for the E. E. Cummings Trust. Copyright © 1976, 1978, 1979 by George James Firmage.

Shall I compare thee to a summer’s day?
Thou art more lovely and more temperate.
Rough winds do shake the darling buds of May,
And summer’s lease hath all too short a date.
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimmed;
And every fair from fair sometime declines,
By chance, or nature’s changing course, untrimmed;
But thy eternal summer shall not fade,
Nor lose possession of that fair thou ow’st,
Nor shall death brag thou wand’rest in his shade,
When in eternal lines to Time thou grow’st.
    So long as men can breathe, or eyes can see,
    So long lives this, and this gives life to thee.

This poem is in the public domain.

since feeling is first
who pays any attention 
to the syntax of things
will never wholly kiss you;

wholly to be a fool
while Spring is in the world

my blood approves,
and kisses are a better fate 
than wisdom
lady i swear by all flowers. Don’t cry
—the best gesture of my brain is less than
your eyelids’ flutter which says

we are for each other: then
laugh, leaning back in my arms
for life’s not a paragraph

And death i think is no parenthesis

This poem is in the public domain. Published in Poem-a-Day on April 16, 2022, by the Academy of American Poets.

Then said Almitra, Speak to us of Love.
     And he raised his head and looked upon the people, and there fell a stillness upon them. And with a great voice he said:
     When love beckons to you, follow him,
     Though his ways are hard and steep.
     And when his wings enfold you yield to him,
     Though the sword hidden among his pinions may wound you.
     And when he speaks to you believe in him,
     Though his voice may shatter your dreams as the north wind lays waste the garden.

     For even as love crowns you so shall he crucify you. Even as he is for your growth so is he for your pruning.
     Even as he ascends to your height and caresses your tenderest branches that quiver in the sun,
     So shall he descend to your roots and shake them in their clinging to the earth.
     Like sheaves of corn he gathers you unto himself
     He threshes you to make your naked.
     He sifts you to free you from your husks.
     He grinds you to whiteness.
     He kneads you until you are pliant;
     And then he assigns you to his sacred fire, that you may become sacred bread for God’s sacred feast.

     All these things shall love do unto you that you may know the secrets of your heart, and in that knowledge become a fragment of Life’s heart.

     But if in your heart you would seek only love’s peace and love’s pleasure,
     Then it is better for you that you cover your nakedness and pass out of love’s threshing-floor,
     Into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears.
     Love gives naught but itself and takes naught but from itself.
     Love possesses not nor would it be possessed;
     For love is sufficient unto love.

     When you love you should not say, “God is in my heart,” but rather, “I am in the heart of God.”
     And think not you can direct the course of love, for love, if it finds you worthy, directs your course.

     Love has no other desire but to fulfil itself.
     But if you love and must needs have desires, let these be your desires:
     To melt and be like a running brook that sings its melody to the night.
     To know the pain of too much tenderness.
     To be wounded by your own understanding of love;
     And to bleed willingly and joyfully.
     To wake at dawn with a winged heart and give thanks for another day of loving;
     To rest at the noon hour and meditate love’s ecstasy;
     To return home at eventide with gratitude;
     And then to sleep with a prayer for the beloved in your heart and a song of praise upon your lips.

From The Prophet (Knopf, 1923). This poem is in the public domain.

Looking up at the stars, I know quite well
That, for all they care, I can go to hell,
But on earth indifference is the least
We have to dread from man or beast.

How should we like it were stars to burn
With a passion for us we could not return?
If equal affection cannot be,
Let the more loving one be me.

Admirer as I think I am
Of stars that do not give a damn,
I cannot, now I see them, say
I missed one terribly all day.

Were all stars to disappear or die,
I should learn to look at an empty sky
And feel its total dark sublime,
Though this might take me a little time.

From Homage to Clio by W. H. Auden, published by Random House. Copyright © 1960 W. H. Auden, renewed by the Estate of W. H. Auden. Used by permission of Curtis Brown, Ltd.

What was said to the rose that made it open was said
to me here in my chest.

What was told the cypress that made it strong
and straight, what was

whispered the jasmine so it is what it is, whatever made
sugarcane sweet, whatever

was said to the inhabitants of the town of Chigil in
Turkestan that makes them

so handsome, whatever lets the pomegranate flower blush
like a human face, that is

being said to me now. I blush. Whatever put eloquence in
language, that's happening here.

The great warehouse doors open; I fill with gratitude,
chewing a piece of sugarcane,

in love with the one to whom every that belongs!

From The Soul of Rumi: A New Collection of Ecstatic Poems, translated by Coleman Barks, published by HarperCollins. Translation copyright © 2002 by Coleman Barks. Reprinted by permission of HarperCollins. All rights reserved.

Wild Nights – Wild Nights!
Were I with thee
Wild Nights should be
Our luxury!

Futile – the winds –
To a heart in port –
Done with the compass –
Done with the chart!

Rowing in Eden –
Ah, the sea!
Might I moor – Tonight –
In thee!

This poem is in the public domain.

I cautious scanned my little life,
I winnowed what would fade
From what would last till heads like mine
Should be a-dreaming laid.

I put the latter in a barn,
The former blew away —
I went one winter morning,
And lo! my priceless hay

Was not upon the “‘scaffold”’,
Was not upon the “beam”,
And from a thriving farmer 
A cynic I became.

Whether a thief did it —
Whether it was the wind —
Whether Deity ’s guiltless
My business is to find.

So I begin to ransack —
How is it, Heart, with thee?
Art thou within the little barn
Love provided thee?

From The Further Poems of Emily Dickinson (Little, Brown, and Company, 1929), edited by Martha Dickinson Bianchi and Alfred Leete Hampson. This poem is in the public domain.

Forever is composed of Nows —

’Tis not a different time,

Except for infiniteness

And latitude of home.

From this, experienced here,

Remove the dates to these,

Let months dissolve in further months,

And years exhale in years.

Without certificate or pause

Or celebrated days,

As infinite our years would be

As Anno Domini’s.

From The Further Poems of Emily Dickinson (Little, Brown, and Company, 1929), edited by Martha Dickinson Bianchi and Alfred Leete Hampson. This poem is in the public domain.

Beauty is not caused,

It is.

Chase it and it ceases.

Chase it not and it abides.

Overtake the creases

In the meadow when

The Wind

Runs his fingers thro’ it?

Deity will see to it

That you never do it.

From The Further Poems of Emily Dickinson (Little, Brown, and Company, 1929), edited by Martha Dickinson Bianchi and Alfred Leete Hampson. This poem is in the public domain.

After great pain a formal feeling comes —
The nerves sit ceremonious like tombs ;
The stiff Heart questions — was it He that bore ?
And yesterday — or centuries before ?

The feet mechanical go round
A wooden way
Of ground or air or Ought,
Regardless grown,
A quartz contentment like a stone.

This is the hour of lead
Remembered if outlived
As freezing persons recollect
The snow —
First chill, then stupor, then
The letting go.

From The Further Poems of Emily Dickinson (Little, Brown, and Company, 1929), edited by Martha Dickinson Bianchi and Alfred Leete Hampson. This poem is in the public domain.

My life had stood a loaded gun
In corner, till a day
The owner passed — identified,
And carried me away.

And now we roam the sov’reign woods,
And now we hunt the doe —
And every time I speak for him
The mountains straight reply.

And do I smile, such cordial light
Upon the valley glow —
It is as a Vesuvian face
Had let its pleasure through.

And when at night, our good day done,
I guard my master’s head,
’Tis better than the eider duck’s
Deep pillow to have shared.

To foe of his I’m deadly foe,
Non stir the second time
On whom I lay a yellow eye
Or an emphatic thumb.

Though I than he may longer live,
He longer must than I,
For I have but the art to kill —
Without the power to die.

From The Further Poems of Emily Dickinson (Little, Brown, and Company, 1929), edited by Martha Dickinson Bianchi and Alfred Leete Hampson. This poem is in the public domain.

One need not be a chamber—to be haunted—
One need not be a House—
The Brain—has Corridors surpassing 
Material Place—

Far safer, of a Midnight—meeting 
External Ghost—
Than an Interior—confronting—
That cooler—Host—

Far safer, through an Abbey—gallop—
The Stones a’chase—
Than moonless—One’s A’self encounter—
In lonesome place—

Ourself—behind Ourself—Concealed—
Should startle—most—
Assassin—hid in Our Apartment—
Be Horror’s least—

The Prudent—carries a Revolver—
He bolts the Door, 
O’erlooking a Superior Spectre
More near—

From The Poems of Emily Dickinson Variorum Edition, ed. R. W. Franklin, 3 vols (Cambridge, Mass., and London, 1998). 

Most sweet it is with unuplifted eyes
To pace the ground, if path be there or none,
While a fair region round the traveller lies
Which he forbears again to look upon;
Pleased rather with some soft ideal scene,
The work of Fancy, or some happy tone
Of meditation, slipping in between
The beauty coming and the beauty gone.
If Thought and Love desert us from that day,
Let us break off all commerce with the Muse:
With Thought and Love companions of our way,
Whate’er the senses take or may refuse,
The Mind’s internal heaven shall shed her dews
Of inspiration on the humblest lay.

This poem is in the public domain.

She dwelt among the untrodden ways
Beside the springs of Dove,
A Maid whom there were none to praise
And very few to love:

   A violet by a mossy stone
Half hidden from the eye!
—Fair as a star, when only one
Is shining in the sky.

   She lived unknown, and few could know
When Lucy ceased to be;                                  
But she is in her grave, and, oh,
The difference to me!

Written in 1798. First printed in Lyrical Ballads (1800). This poem is in the public domain.

Surprised by joy—impatient as the Wind
I turned to share the transport—Oh! with whom
But Thee, deep buried in the silent Tomb,
That spot which no vicissitude can find?
Love, faithful love, recalled thee to my mind—
But how could I forget thee? Through what power,
Even for the least division of an hour,
Have I been so beguiled as to be blind
To my most grievous loss?—That thought's return
Was the worst pang that sorrow ever bore,
Save one, one only, when I stood forlorn,
Knowing my heart's best treasure was no more;
That neither present time, nor years unborn
Could to my sight that heavenly face restore.

This poem is in the public domain.

I heard a thousand blended notes,
While in a grove I sate reclined,
In that sweet mood when pleasant thoughts
Bring sad thoughts to the mind.

To her fair works did nature link
The human soul that through me ran;
And much it grieved my heart to think
What man has made of man.

Through primrose tufts, in that sweet bower,
The periwinkle trailed its wreaths;
And 'tis my faith that every flower
Enjoys the air it breathes.

The birds around me hopped and played:
Their thoughts I cannot measure,
But the least motion which they made,
It seemed a thrill of pleasure.

The budding twigs spread out their fan,
To catch the breezy air;
And I must think, do all I can,
That there was pleasure there.

If this belief from heaven be sent,
If such be Nature’s holy plan,
Have I not reason to lament
What man has made of man?

This poem is in the public domain.

I wandered lonely as a Cloud
   That floats on high o’er Vales and Hills,
When all at once I saw a crowd,
   A host of golden Daffodils;
Beside the Lake, beneath the trees,
Fluttering and dancing in the breeze.

Continuous as the stars that shine
   And twinkle on the Milky Way,
They stretched in never-ending line
   Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.

The waves beside them danced, but they
   Out-did the sparkling waves in glee:—
A Poet could not but be gay
   In such a jocund company:
I gazed—and gazed—but little thought
What wealth the show to me had brought:

For oft when on my couch I lie
   In vacant or in pensive mood,
They flash upon that inward eye
   Which is the bliss of solitude,
And then my heart with pleasure fills,
And dances with the Daffodils.

This poem appeared in Poem-a-Day on October 1, 2017. This poem is in the public domain.

Bright star! would I were steadfast as thou art—
   Not in lone splendour hung aloft the night,
And watching, with eternal lids apart,
   Like Nature's patient sleepless Eremite,
The moving waters at their priestlike task
   Of pure ablution round earth's human shores,
Or gazing on the new soft fallen mask
   Of snow upon the mountains and the moors—
No—yet still steadfast, still unchangeable,
   Pillow'd upon my fair love's ripening breast,
To feel for ever its soft fall and swell,
   Awake for ever in a sweet unrest,
Still, still to hear her tender-taken breath,
And so live ever—or else swoon to death.

It is the Harvest Moon! On gilded vanes
  And roofs of villages, on woodland crests
  And their aerial neighborhoods of nests
  Deserted, on the curtained window-panes
Of rooms where children sleep, on country lanes
  And harvest-fields, its mystic splendor rests!
  Gone are the birds that were our summer guests,
  With the last sheaves return the laboring wains!
All things are symbols: the external shows
  Of Nature have their image in the mind,
  As flowers and fruits and falling of the leaves;
The song-birds leave us at the summer's close,
  Only the empty nests are left behind,
  And pipings of the quail among the sheaves.

This poem is in the public domain.

The moon has a face like the clock in the hall;

She shines on thieves on the garden wall,

On streets and fields and harbour quays,

And birdies asleep in the forks of the trees.

The squalling cat and the squeaking mouse,

The howling dog by the door of the house,

The bat that lies in bed at noon,

All love to be out by the light of the moon.

But all of the things that belong to the day

Cuddle to sleep to be out of her way;

And flowers and children close their eyes

Till up in the morning the sun shall arise.

This poem is in the public domain.

Full moon rising on the waters of my heart, 
Lakes and moon and fires, 
Cloine tires,
Holding her lips apart. 

Promises of slumber leaving shore to charm the moon, 
Miracle made vesper-keeps, 
Cloine sleeps, 
And I’ll be sleeping soon. 

Cloine, curled like the sleepy waters where the 
        moon-waves start, 
Radiant, resplendently she gleams, 
Cloine dreams, 
Lips pressed against my heart. 

This poem is in the public domain. 

The moon is like a scimitar,
A little silver scimitar,
A-drifting down the sky.
And near beside it is a star,
A timid twinkling golden star,
That watches like an eye.
 
And thro’ the nursery window-pane
The witches have a fire again,
Just like the ones we make,—
And now I know they’re having tea,
I wish they’d give a cup to me,
With witches’ currant cake.
 

This poem is in the public domain.

Above the quiet dock in mid night,
Tangled in the tall mast’s corded height,
Hangs the moon. What seemed so far away
Is but a child’s balloon, forgotten after play.

This poem is in the public domain.

A touch of cold in the Autumn night
I walked abroad,
And saw the ruddy moon lean over a hedge
Like a red-faced farmer.
I did not stop to speak, but nodded; 
And round about were the wistful stars
With white faces like town children.

This poem is in the public domain.

(The fantasia of a fallen gentleman on a cold, bitter night.)

Once, in finesse of fiddles found I ecstasy,
In the flash of gold heels on the hard pavement.
Now see I
That warmth’s the very stuff of poesy.
Oh, God, make small
The old star-eaten blanket of the sky,
That I may fold it round me and in comfort lie.

This poem is in the public domain.

Set me where as the sun doth parch the green, 
Or where his beams do not dissolve the ice; 
In temperate heat where he is felt and seen; 
With proud people, in presence sad and wise; 
Set me in base, or yet in high degree, 
In the long night, or in the shortest day, 
In clear weather, or where mists thickest be, 
In lost youth, or when my hairs be grey; 
Set me in earth, in heaven, or yet in hell, 
In hill, in dale, or in the foaming flood; 
Thrall, or at large, alive where so I dwell, 
Sick, or in health, in ill fame or good: 
Yours will I be, and with that only thought 
Comfort myself when that my hope is nought. 

This poem is in the public domain.

        Busy old fool, unruly Sun,
        Why dost thou thus,
Through windows, and through curtains, call on us?
Must to thy motions lovers' seasons run?
        Saucy pedantic wretch, go chide
        Late school-boys and sour prentices,
    Go tell court-huntsmen that the king will ride,
    Call country ants to harvest offices;
Love, all alike, no season knows nor clime,
Nor hours, days, months, which are the rags of time.

        Thy beams so reverend, and strong
        Why shouldst thou think?
I could eclipse and cloud them with a wink,
But that I would not lose her sight so long.
        If her eyes have not blinded thine,
        Look, and to-morrow late tell me,
    Whether both th' Indias of spice and mine
    Be where thou left'st them, or lie here with me.
Ask for those kings whom thou saw'st yesterday,
And thou shalt hear, "All here in one bed lay."

        She's all states, and all princes I;
        Nothing else is;
Princes do but play us; compared to this,
All honour's mimic, all wealth alchemy.
        Thou, Sun, art half as happy as we,
        In that the world's contracted thus;
    Thine age asks ease, and since thy duties be
    To warm the world, that's done in warming us.
Shine here to us, and thou art everywhere;
This bed thy center is, these walls thy sphere.

This poem is in the public domain.

Ah! sunflower, weary of time,
Who countest the steps of the sun,
Seeking after that sweet golden clime
Where the traveller’s journey is done;

Where the youth pined away with desire,
And the pale virgin shrouded in snow,
Arise from their graves and aspire;
Where my sunflower wishes to go.

This poem is in the public domain.

I’ll tell you how the sun rose, —
A ribbon at a time.
The steeples swam in amethyst,
The news like squirrels ran.

The hills untied their bonnets,
The bobolinks begun.
Then I said softly to myself,
“That must have been the sun!”

But how he set, I know not.
There seemed a purple stile
Which little yellow boys and girls
Were climbing all the while

Till when they reached the other side,
A dominie in gray
Put gently up the evening bars,
And led the flock away.
 

This poem is in the public domain.

The sun that brief December day
Rose cheerless over hills of gray,
And, darkly circled, gave at noon
A sadder light than waning moon.
Slow tracing down the thickening sky
Its mute and ominous prophecy,
A portent seeming less than threat,
It sank from sight before it set.
A chill no coat, however stout,
Of homespun stuff could quite shut out,
    A hard, dull bitterness of cold,
That checked, mid-vein, the circling race
Of life-blood in the sharpened face,
    The coming of the snow-storm told.
The wind blew east: we heard the roar
Of Ocean on his wintry shore, 
And felt the strong pulse throbbing there
Beat with low rhythm our inland air.
Meanwhile we did your nightly chores,—
Brought in the wood from out of doors,
Littered the stalls, and from the mows
Raked down the herd’s-grass for the cows;
Heard the horse whinnying for his corn;
And, sharply clashing horn on horn,
Impatient down the stanchion rows
The cattle shake their walnut bows;
While, peering from his early perch
Upon the scaffold’s pole of birch,
The cock his crested helmet bent
And down his querulous challenge sent.

Unwarmed by any sunset light
The gray day darkened into night,
A night made hoary with the swarm
And whirl-dance of the blinding storm,
As zigzag, wavering to and fro
Crossed and recrossed the wingèd snow:
And ere the early bed-time came
The white drift piled the window-frame,
And through the glass the clothes-line posts
Looked in like tall and sheeted ghosts.

        *
			   
As night drew on, and, from the crest
Of wooded knolls that ridged the west,
The sun, a snow-blown traveller, sank
From sight beneath the smothering bank,
We piled, with care, our nightly stack
Of wood against the chimney-back,—
The oaken log, green, huge, and thick,
And on its top the stout back-stick;
The knotty forestick laid apart,
And filled between with curious art
The ragged brush; then, hovering near,
We watched the first red blaze appear,
Heard the sharp crackle, caught the gleam
On whitewashed wall and sagging beam,
Until the old, rude-furnished room
Burst, flower-like, into rosy bloom;
While radiant with a mimic flame
Outside the sparkling drift became,
And through the bare-boughed lilac-tree
Our own warm hearth seemed blazing free.
The crane and pendent trammels showed,
The Turks’ heads on the andirons glowed;
While childish fancy, prompt to tell
The meaning of the miracle,
Whispered the old rhyme: “Under the tree,
When fire outdoors burns merrily,
There the witches are making tea.”
The moon above the eastern wood
Shone at its full; the hill-range stood
Transfigured in the silver flood,
Its blown snows flashing cold and keen,
Dead white, save where some sharp ravine
Took shadow, or the somber green
Of hemlocks turned to pitchy black
Against the whiteness at their back.
For such a world and such a night
Most fitting that unwarming light,
Which only seemed where’er it fell
To make the coldness visible.

This poem is in the public domain.

Great is the sun, and wide he goes
Through empty heaven without repose;
And in the blue and glowing days
More thick than rain he showers his rays.

Though closer still the blinds we pull
To keep the shady parlour cool,
Yet he will find a chink or two
To slip his golden fingers through.

The dusty attic spider-clad,
He, through the keyhole, maketh glad;
And through the broken edge of tiles,
Into the laddered hay-loft smiles.

Meantime his golden face around
He bares to all the garden ground,
And sheds a warm and glittering look
Among the ivy's inmost nook.

Above the hills, along the blue,
Round the bright air with footing true,
To please the child, to paint the rose,
The gardener of the World, he goes.

This poem is in the public domain.

there is a 
moon sole 
in the blue 
night 

             amorous of waters 
tremulous, 
blinded with silence the 
undulous heaven yearns where 

in tense starlessness 
anoint with ardor 
the yellow lover 

stands in the dumb dark 
svelte 
and 
urgent 

           (again 
love i slowly 
gather 
of thy languorous mouth the 

thrilling 
flower)

From Tulips and Chimneys (Thomas Seltzer, 1923) by E. E. Cummings. This poem is in the public domain.

In faith, I do not love thee with mine eyes,
For they in thee a thousand errors note;
But ’tis my heart that loves what they despise,
Who in despite of view is pleased to dote;
Nor are mine ears with thy tongue’s tune delighted,
Nor tender feeling, to base touches prone,
Nor taste, nor smell, desire to be invited
To any sensual feast with thee alone:
But my five wits nor my five senses can
Dissuade one foolish heart from serving thee,
Who leaves unsway’d the likeness of a man,
Thy proud heart’s slave and vassal wretch to be:
    Only my plague thus far I count my gain,
    That she that makes me sin awards me pain.

This poem is in the public domain.

Be wise as thou art cruel; do not press
My tongue-tied patience with too much disdain;
Lest sorrow lend me words and words express
The manner of my pity-wanting pain.
If I might teach thee wit, better it were,
Though not to love, yet, love, to tell me so;
As testy sick men, when their deaths be near,
No news but health from their physicians know;
For it I should despair, I should grow mad,
And in my madness might speak ill of thee:
Now this ill-wresting world is grown so bad,
Mad slanderers by mad ears believed be.
    That I may not be so, nor thou belied,
    Bear thine eyes straight, though thy proud heart go wide.

This poem is in the public domain.

Canst thou, O cruel! say I love thee not,
When I against myself with thee partake?
Do I not think on thee, when I forgot
Am of myself, all tyrant, for thy sake?
Who hateth thee that I do call my friend?
On whom frown’st thou that I do fawn upon?
Nay, if thou lour’st on me, do I not spend
Revenge upon myself with present moan?
What merit do I in myself respect,
That is so proud thy service to despise,
When all my best doth worship thy defect,
Commanded by the motion of thine eyes?
    But, love, hate on, for now I know thy mind;
    Those that can see thou lovest, and I am blind.

This poem is in the public domain.

The sun has long been set,
  The stars are out by twos and threes,
The little birds are piping yet
  Among the bushes and trees;
There’s a cuckoo, and one or two thrushes,
And a far-off wind that rushes,
And a sound of water that gushes,
And the cuckoo’s sovereign cry
Fills all the hollow of the sky.
  Who would “go parading”
In London, “and masquerading,”
On such a night of June
With that beautiful soft half-moon,
And all these innocent blisses?
On such a night as this is!

This poem is in the public domain.

My branch of thoughts is frail tonight
As one lone-wind-whipped weed.
Little I care if a rain drop laughs
Or cries; I cannot heed

Such trifles now as a twinkling star, 
Or catch a night-bird’s tune. 
My whole life is you, to-night,
And you, a cool distant moon.

With a few soft words to nurture my heart
And brighter beams following love’s cool shower
Who knows but this frail wind-whipped weed
Might bear you a gorgeous flower!

This poem is in the public domain. Published in Poem-a-Day on February 2, 2025, by the Academy of American Poets.

Before you came,
things were as they should be:
the sky was the dead-end of sight,
the road was just a road, wine merely wine.

Now everything is like my heart,
a color at the edge of blood:
the grey of your absence, the color of poison, of thorns,
the gold when we meet, the season ablaze,
the yellow of autumn, the red of flowers, of flames,
and the black when you cover the earth
with the coal of dead fires.

And the sky, the road, the glass of wine?
The sky is a shirt wet with tears,
the road a vein about to break,
and the glass of wine a mirror in which
the sky, the road, the world keep changing.

Don’t leave now that you’re here—
Stay. So the world may become like itself again:
so the sky may be the sky,
the road a road,
and the glass of wine not a mirror, just a glass of wine.

From The Rebel’s Silhouette by Faiz Ahmed Faiz, translated by Agha Shahid Ali. Copyright © 1991 by Agha Shahid Ali. Used by permission of University of Massachusetts Press.

O, thou, who loved me once,
From thy Pagoda glance ;
Shoot down a poisoned lance :
        All’s well that comes from thee.

Look back, look down once more ;
Dear was to thee this shore ;
I see thee nevermore
        Beneath the olive tree.

Remains my station low,
Whilst thou dost greater grow ;
Ah, fate hath struck the blow
        That parted thee and me.

How can I bear my fate,
How can I loveless wait
In this most sorry state,
        When thou art far and free?

Far from the soul that swore
On love’s abysmal door
To cling forevermore
        To none on earth but thee ;

Free from the sacred plight
Which, to dispel the night,
Thou madest, when I quite
        Fell near thy bended knee.

Dost thou not still remember
Love’s May and Love’s December?
Both burned their sacred ember
        In our sweet company.

Dost hear the echoes fall
Within thy gilded hall?
Dost thou not ever recall
        The day thou wert like me?

When all thy gardens bloom,
Look out into the gloom ;
There does the flame consume
        Thy budless lilac tree.

There often thou didst play
A-mindless of the day
When soul to soul would say :
        “No more of thee and me.”

And when withers thy rose,
Throw to the wind that blows
This way a leaf ; who knows
        What therein I can see.

And till my course is run
I’ll count them one by one—
These leaves ; and may the sun
        Of joy ne’er set on thee.

From Myrtle and Myrrh (The Gorham Press, 1905) by Ameen Rihani. This poem is in the public domain.

translated from the Chinese by Florence Wheelock Ayscough and Amy Lowell

Every time I have started for the Yellow Flower River,
I have gone down the Blue-Green Stream, 
Following the hills, making ten thousand turnings,
We go along rapidly, but advance scarcely one hundred li.
We are in the midst of a noise of water,
Of the confused and mingled sounds of water broken by stones,
And in the deep darkness of pine trees.
Rocked, rocked,
Moving on and on, 
We float past water-chestnuts
Into a still clearness reflecting reeds and rushes.
My heart is clean and white as silk; it has already achieved Peace;
It is smooth as the placid river.
I love to stay here, curled up on the rocks, 
Dropping my fish-line forever.

This poem is in the public domain. Published in Poem-a-Day on May 23, 2021, by the Academy of American Poets.

And only where the forest fires have sped, 
  Scorching relentlessly the cool north lands,
A sweet wild flower lifts its purple head, 
And, like some gentle spirit sorrow-fed,
  It hides the scars with almost human hands.

And only to the heart that knows of grief,
  Of desolating fire, of human pain,
There comes some purifying sweet belief, 
Some fellow-feeling beautiful, if brief.
  And life revives, and blossoms once again.

This poem is in the public domain. Published in Poem-a-Day on May 2, 2021, by the Academy of American Poets.

Now that I know
How passion warms little
Of flesh in the mould,
And treasure is brittle,—

I’ll lie here and learn
How, over their ground,
Trees make a long shadow
And a light sound.

This poem is in the public domain. Published in Poem-a-Day on June 6, 2021, by the Academy of American Poets.

Loveliest of trees, the cherry now
Is hung with bloom along the bough,
And stands about the woodland ride
Wearing white for Eastertide.

Now, of my threescore years and ten,
Twenty will not come again,
And take from seventy springs a score,
It only leaves me fifty more.

And since to look at things in bloom
Fifty springs are little room,
About the woodlands I will go
To see the cherry hung with snow.

This poem is in the public domain.

To what purpose, April, do you return again?
Beauty is not enough.
You can no longer quiet me with the redness
Of little leaves opening stickily.
I know what I know.
The sun is hot on my neck as I observe
The spikes of crocus.
The smell of the earth is good.
It is apparent that there is no death.
But what does that signify?
Not only under ground are the brains of men
Eaten by maggots.
Life in itself
Is nothing,
An empty cup, a flight of uncarpeted stairs.
It is not enough that yearly, down this hill,
April
Comes like an idiot, babbling and strewing flowers.

This poem is in the public domain.

A silence slipping around like death,
Yet chased by a whisper, a sigh, a breath;
One group of trees, lean, naked and cold,
Inking their cress ’gainst a sky green-gold;
One path that knows where the corn flowers were;
Lonely, apart, unyielding, one fir;
And over it softly leaning down,
One star that I loved ere the fields went brown.

This poem is in the public domain. Published in Poem-a-Day on December 20, 2020, by the Academy of American Poets.

Because I could not stop for Death
He kindly stopped for me
The Carriage held but just Ourselves 
And Immortality.

We slowly droveHe knew no haste
And I had put away
My labor and my leisure too,
For His Civility

We passed the School, where Children strove
At Recessin the Ring
We passed the Fields of Gazing Grain
We passed the Setting Sun

Or ratherHe passed us
The Dews drew quivering and chill
For only Gossamer, my Gown
My Tippetonly Tulle

We paused before a House that seemed
A Swelling of the Ground
The Roof was scarcely visible
The Cornicein the Ground

Since then’tis Centuriesand yet
Feels shorter than the Day
I first surmised the Horses’ Heads
Were toward Eternity

Poetry used by permission of the publishers and the Trustees of Amherst College from The Poems of Emily Dickinson, Ralph W. Franklin ed., Cambridge, Mass.: The Belknap Press of Harvard University Press, Copyright © 1998 by the President and Fellows of Harvard College. Copyright © 1951, 1955, 1979, by the President and Fellows of Harvard College.

Art thou pale for weariness
Of climbing Heaven, and gazing on the earth,
   Wandering companionless
Among the stars that have a different birth,—
And ever changing, like a joyless eye
That finds no object worth its constancy?

This poem is in the public domain. 

I love too much; I am a river
   Surging with spring that seeks the sea,
I am too generous a giver,
   Love will not stoop to drink of me.

His feet will turn to desert places
   Shadowless, reft of rain and dew,
Where stars stare down with sharpened faces
   From heavens pitilessly blue.

And there at midnight sick with faring
   He will stoop down in his desire
To slake the thirst grown past all bearing
   In stagnant water keen as fire.

This poem is in the public domain.

I feel the spring far off, far off,
    The faint, far scent of bud and leaf—
Oh, how can spring take heart to come
    To a world in grief,
    Deep grief?

The sun turns north, the days grow long,
    Later the evening star grows bright—
How can the daylight linger on
    For men to fight,
    Still fight?

The grass is waking in the ground,
    Soon it will rise and blow in waves—
How can it have the heart to sway
    Over the graves,
    New graves?

Under the boughs where lovers walked
    The apple-blooms will shed their breath—
But what of all the lovers now
    Parted by Death,
    Grey Death?

This poem is in the public domain.

Night is over the park, and a few brave stars
   Look on the lights that link it with chains of gold,
The lake bears up their reflection in broken bars
   That seem to heavy for tremulous water to hold.

We watch the swans that sleep in a shadowy place,
   And now and again one wakes and uplifts its head;
How still you are—your gaze is on my face—
   We watch the swans and never a word is said.

This poem is in the public domain.

Let it be forgotten, as a flower is forgotten,

   Forgotten as a fire that once was singing gold,

Let it be forgotten for ever and ever,

   Time is a kind friend, he will make us old.

  

If anyone asks, say it was forgotten

   Long and long ago,

As a flower, as a fire, as a hushed footfall

   In a long forgotten snow.

 

This poem is in the public domain. Published in Poem-a-Day on December 1, 2019, by the Academy of American Poets.

A delicate fabric of bird song

  Floats in the air,

The smell of wet wild earth

  Is everywhere.

Red small leaves of the maple

  Are clenched like a hand,

Like girls at their first communion

  The pear trees stand.

Oh I must pass nothing by

  Without loving it much,

The raindrop try with my lips,

  The grass with my touch;

For how can I be sure

  I shall see again

The world on the first of May

  Shining after the rain?

This poem is in the public domain. Originally published in Flame and Shadow, by Sara Teasdale.

My heart leaps up when I behold 

   A rainbow in the sky:

So was it when my life began; 

So is it now I am a man; 

So be it when I shall grow old, 

   Or let me die!

The Child is father of the Man;

And I could wish my days to be

Bound each to each by natural piety.

 

This poem is in the public domain.