Here you go
light low and long
in the fields
at sunset and sunrise
Everything twice
a doubled existence
two nows
two thens
two names
yours and the other one
also yours
folded into a paper boat
the points of which
constellate stars

Copyright © 2017 by Carl Adamshick. Originally published in Poem-a-Day on August 18, 2017, by the Academy of American Poets.

translated by Sarah Arvio

To find a kiss of yours
what would I give
A kiss that strayed from your lips
dead to love

My lips taste
the dirt of shadows     

To gaze at your dark eyes
what would I give
Dawns of rainbow garnet  
fanning open before God— 

The stars blinded them
one morning in May

And to kiss your pure thighs
what would I give
Raw rose crystal  
sediment of the sun

*

[Por encontrar un beso tuyo]

Por encontrar un beso tuyo,
¿qué daría yo?
¡Un beso errante de tu boca
muerta para el amor!

(Tierra de sombra
come mi boca.)

Por contemplar tus ojos negros,
¿qué daría yo?
¡Auroras  de carbunclos irisados
abiertas frente a Dios!

(Las estrellas los cegaron
una mañana de mayo.)

Y por besar tus muslos castos,
¿qué daría yo?

(Cristal de rosa primitiva,
sedimento de sol.)

Translation copyright © 2017 by Sarah Arvio. Original text copyright © The Estate of Federico García Lorca. From Poet in Spain (Knopf, 2017). Originally published in Poem-a-Day on July 25, 2017, by the Academy of American Poets.

If lilies are lily white if they exhaust noise and distance and even dust, if they dusty will dirt a surface that has no extreme grace, if they do this and it is not necessary it is not at all necessary if they do this they need a catalogue.

This poem is in the public domain. 

They kept showing up, for days,
dead on the windowsill,
and for days I did nothing about the ladybugs
except to ask if their entering the house
unnoticed and dying before I saw them
was symbolic.
Thinking so was easy.
They symbolized birth and death,
change and rebirth.
It was also possible the tiny beetles
embodied an inborn need
to show themselves,
to turn up in every and any place,
even as the dried-out remains of the once lively.
Or they stood for the burden of being one thing
relieved by becoming another,
which all the world’s children suffer.

This went on and on, and could’ve gone on
forever, so finally I opened the window
and blew them into the wide open
because everything and everyone should get a chance
to be mourned, and they got theirs,
but first they had to die, which is life,
not symbolism.

Copyright © 2017 by Hayan Charara. Originally published in Poem-a-Day on August 25, 2017, by the Academy of American Poets.

Vicksburg, Mississippi


Here, the Mississippi carved
            its mud-dark path, a graveyard

for skeletons of sunken riverboats.
            Here, the river changed its course,

turning away from the city
            as one turns, forgetting, from the past—

the abandoned bluffs, land sloping up
            above the river's bend—where now

the Yazoo fills the Mississippi's empty bed.
            Here, the dead stand up in stone, white

marble, on Confederate Avenue. I stand
            on ground once hollowed by a web of caves;

they must have seemed like catacombs,
            in 1863, to the woman sitting in her parlor,

candlelit, underground. I can see her
            listening to shells explode, writing herself

into history, asking what is to become
            of all the living things in this place?

This whole city is a grave. Every spring—
            Pilgrimage—the living come to mingle

with the dead, brush against their cold shoulders
            in the long hallways, listen all night

to their silence and indifference, relive
            their dying on the green battlefield.

At the museum, we marvel at their clothes—
            preserved under glass—so much smaller

than our own, as if those who wore them
            were only children. We sleep in their beds,

the old mansions hunkered on the bluffs, draped
            in flowers—funereal—a blur

of petals against the river's gray.
            The brochure in my room calls this

living history. The brass plate on the door reads
            Prissy's Room. A window frames

the river's crawl toward the Gulf. In my dream,
            the ghost of history lies down beside me,

rolls over, pins me beneath a heavy arm.

From Native Guard: Poems by Natasha Trethewey. Copyright © 2006 by Natasha Trethewey. Reproduced by permission of Houghton Mifflin Company. All rights reserved.

This is what life is really like.
This is what life is really like.
This is what life is really like every day.

  
—Gray Parrot, Vienna, 1943.


In the circus animals’ diary: “And all this was destroyed in ninety minutes.”
Makeshift forests flaming to high heavens, metal bent bars.
Siberian tigers, black panthers, jaguars, pumas,
bears, hyenas and wolves, and all the lion pit saved from burning
by the keepers’ own hands. By bullets. Only so much can be said.
Herbage will be scarce. Nature will gather like sleeping poppies
over the craters and lost species.
The African wart-hog will be cooked over an open fire in the garden.
One thinks of one’s restlessness, Faustian—
in the minutes-before-dawn dark
with the devil cry of black crows, the miry skull
of the half-eaten rabbit, then gold grimy hills
and light-making jewels and hand mirrors among the trees.
Why are you here? It dawns. All this will never be again.
The circus can’t be locked. 
 

Copyright © 2017 by Carol Frost. Originally published in Poem-a-Day on August 24, 2017, by the Academy of American Poets.

200 cows         more than 600 hilly acres

            property would have been even larger
had  J not sold 66 acres to DuPont for
                      waste from its Washington Works factory
where J was employed        
                                                did not want to sell
            but needed money   poor health         
mysterious ailments

Not long after the sale cattle began to act
deranged     
                          footage shot on a camcorder
grainy               intercut with static         
Images jump repeat      sound accelerates        
      slows down          
                    quality of a horror movie

the rippling shallow water       the white ash
      trees shedding their leaves 
                                                      a large pipe
discharging green water      
                                                  a skinny red cow
hair missing      back humped  
                                               
a dead black calf in snow         its eye
      a brilliant chemical blue    

                                            a calf’s bisected head       
      liver     heart    stomachs    kidneys           
              gall bladder      some dark      some green                  

cows with stringy tails         malformed hooves           
      lesions      red receded eyes        suffering   slobbering       
                  staggering like drunks

It don’t look like
                               anything I’ve been into before

                                   

I began rising through the ceiling of each floor in the hospital as though I were being pulled by some force outside my own volition. I continued rising until I passed through the roof itself and found myself in the sky. I began to move much more quickly past the mountain range near the hospital and over the city. I was swept away by some unknown force, and started to move at an enormous speed. Just moving like a thunderbolt through a darkness.

 

R’s taking on the case I found to be inconceivable

It just felt like the right thing to do
                                                                   a great
opportunity to use my background for people who
                                really needed it          

                                R: filed a federal suit 
                                         pulled permits  
                                             land deeds    
                                                     a letter that mentioned
a substance at the landfill     
                                                 PFOA          
                               perfluorooctanoic acid

a soap-like agent used in
                                              ScotchgardTM
                                                                         TeflonTM

PFOA:                 was to be incinerated or
                              sent to chemical waste facilities     
                                    not to be flushed into water or sewers

DuPont:
                 pumped hundreds of thousands of pounds
                          into the Ohio River    
                 dumped tons of PFOA sludge
                          into open unlined pits 

PFOA:
               increased the size of the liver in rats and rabbits         
                                  (results replicated in dogs)
               caused birth defects in rats      
               caused cancerous testicular pancreatic and
                             liver tumors in lab animals      
               possible DNA damage from exposure 
               bound to plasma proteins in blood     
               was found circulating through each organ       
               high concentrations in the blood of factory workers   
               children of pregnant employees had eye defects          
               dust vented from factory chimneys settled well-beyond
                            the property line
               entered the water table
               concentration in drinking water 3x international safety limit
               study of workers linked exposure with prostate cancer
               worth $1 billion in annual profit
 

(It don’t look like anything I’ve been into before)      

 

Every individual thing glowed with life. Bands of energy were being dispersed from a huge universal heartbeat, faster than a raging river. I found I could move as fast as I could think.

 

DuPont:
               did not make this information public
               declined to disclose this finding       
               considered switching to new compound that appeared less toxic
                        and stayed in the body for a much shorter duration of time
               decided against it
               decided it needed to find a landfill for toxic sludge
               bought 66 acres from a low-level employee
                        at the Washington Works facility
 

(J needed money         
                                         had been in poor health     
a dead black calf              
                                         its eye chemical blue          
cows slobbering               
                                         staggering like drunks)

 

I could perceive the Earth, outer space, and humanity from a spacious and indescribable ‘God’s eye view.’ I saw a planet to my left covered with vegetation of many colors no signs of mankind or any familiar shorelines. The waters were living waters, the grass was living, the trees and the animals were more alive than on earth.

                                   
D’s first husband had been a chemist
                                                                          When you
worked at DuPont in this town you could have
everything you wanted
                                       DuPont paid for his education          
secured him a mortgage           paid a generous salary 
even gave him a free supply of PFOA

 

He explained that the planet we call Earth really has a proper name, has its own energy, is a true living being, was very strong but has been weakened considerably.
 

                                                              which she used
as soap in the family’s dishwasher       

 

I could feel Earth’s desperate situation. Her aura appeared to be very strange, made me wonder if it was radioactivity. It was bleak, faded in color, and its sound was heart wrenching.

 

                                                Sometimes
her husband came home sick—fever, nausea, diarrhea,
vomiting—‘Teflon flu’

             an emergency hysterectomy
                                                                   a second surgery          

 

I could tell the Doctor everything he did upon my arrival down to the minute details of accompanying the nurse to the basement of the hospital to get the plasma for me; everything he did while also being instructed and shown around in Heaven.
 

Clients called R to say they had received diagnoses of cancer
         or that a family member had died

                  W who had cancer had died of a heart attack

            Two years later W’s wife died of cancer

They knew this stuff was harmful
            and they put it in the water anyway
 

I suspect that Earth may be a place of education.
 

PFOA detected in:
                                American blood banks    
                                blood or vital organs of:
                                                                            Atlantic salmon
                                                                            swordfish
                                                                            striped mullet
                                                                            gray seals
                                                                            common cormorants
                                                                            Alaskan polar bears
                                                                            brown pelicans
                                                                            sea turtles
                                                                            sea eagles
                                                                            California sea lions      
                                                                            Laysan albatrosses on a wildlife refuge
                                                                                          in the middle of the North Pacific       Ocean;>


Viewing the myriad human faces with an indescribable, intimate, and profound love. This love was all around me, it was everywhere, but at the same time it was also me.

 

                                      We see a situation

        that has gone

                                from Washington Works
 

All that was important in life was the love we felt.
 

                                                                                          to statewide
 

All that was made, said, done, or even thought without love was undone.

 

                                     to everywhere
 

                  it’s global

                                  

In my particular case, God took the form of a luminous warm water. It does not mean that a luminous warm water is God. It is just that, for me, it was experiencing the luminous warm water that I felt the most connection with the eternal.

Copyright © 2017 Tracy K. Smith. Originally published in Poem-a-Day on June 17, 2017, by the Academy of American Poets. “Watershed” appears in Wade in the Water, forthcoming from Graywolf Press in April 2018.

The shadows of the ships
Rock on the crest
In the low blue lustre
Of the tardy and the soft inrolling tide.

A long brown bar at the dip of the sky
Puts an arm of sand in the span of salt.

The lucid and endless wrinkles
Draw in, lapse and withdraw.
Wavelets crumble and white spent bubbles
Wash on the floor of the beach.

              Rocking on the crest
              In the low blue lustre
              Are the shadows of the ships.
 

This poem is in the public domain. 

Here’s the End of the World
mobile with its shiny bullhorn
& platitudes among drawings
tattooed across the beige hood
big as a mammoth broken out
of ice, bellyful of buttercups.
Doomsday has come & gone,
& now the sluggish van rolls
toward the snowy East River
at a quarter past midnight,
& I wonder how it is to quit
a job one week earlier
& return on blue Monday,
begging the foreman
for a chance to stoke
the brimstone furnace.

Changes stumble into my life
sometimes, like last Sunday
when I sat at the dining table
of an old friend of a thousand
stories, a glare falling into my left
eye, her daughter watching
TV in a side room, & I heard
this Foley guy sawing a maple
cross with a horse-hair bow.
I can’t help but walk over
& lean into the doorway,
& then raise a phantom alto
to my lips. The cat’s young too,
rocking his upright at the foot
of Babel, speaking pain & joy
in the most beautiful way
I’ve heard in a long time,
& say to myself, Rabbas,
you could run the table
with this guy at Small’s,
could teach the shadows
to walk on their hands
& dance with alley cats.

I’ve been here a long time
working this hunk of brass,
& knew Mingus in the days
when he’d strike a righteous
pose up on the bandstand
& bring down the house,
talking jive & rave, jabbing
below the belt, where it hurts.
Can you imagine him up there
today, playing a new version
of “Fables of Faubus,” big
as thunder at dawn rocking
hundred-year-old hanging trees
out of memory, can you dig?

The guy on the corner
jingling coins in a Dixie cup
pulls on his blind-man’s shades
as March runs down Delancey,
woozy as a rush-up of sparrows
over Chinatown. One small thing
seems almost holy, & lightheaded
hues settle over the architecture
& a handkerchief dance unfolds
into some jostle of bumper balls.
This is the hour paradise is not
only for itself, & one doesn’t feel
stupid picking up a dull penny
from a sidewalk. A tremble goes
through cloth, tugging bodies
into a new world, & by ten-thirty
the wind rolls on past the Hudson,
headed upstate. I want to jump
up & down, to shout as March
ambushes the last antiheroes
this scatterbrain side of town.
 

Copyright © 2017 by Yusef Komunyakaa. Originally published in Poem-a-Day on June 26, 2017, by the Academy of American Poets.

Still must the poet as of old, 
In barren attic bleak and cold, 
Starve, freeze, and fashion verses to 
Such things as flowers and song and you;

Still as of old his being give 
In Beauty’s name, while she may live,
Beauty that may not die as long 
As there are flowers and you and song.
 

“To Kathleen” was published in A Few Figs from Thistles (Harper & Brothers, 1922). This poem is in the public domain. 

Ok, I no longer want them,
the many selves I had to manage

that once exhausted friends. I believed

in angels then, thought I might be
an angel—that was me, flying off

on a tangent, just so we could land
on one of my many balconies

so we could look down on everyone.

Copyright © 2017 by Ira Sadoff. Originally published in Poem-a-Day on August 29, 2017, by the Academy of American Poets.

I saw a yellow butterfly
flying
in my opinion
the wrong way, flying across
the sound
to Connecticut

I saw a cormorant
oily-looking
flying
close to the sea’s surface
precisely
as I floated on it on

my back in
the attitude of the crucifixion
minerals in my body
in
conversation with
the minerals of the sea

about the sun
how can I possibly
add
to what’s already been said
so well
by the ancients

and said with
an austerity I’ll never
know
it is an honor to take
a backseat to the ancients
who knew how

I was a fat white fish
dissolving
under the sold-out stadium sun
like a god
but like a god
I could live through anything.
 

Copyright © 2017 by Timothy Donnelly. Originally published in Poem-a-Day on September 11, 2017, by the Academy of American Poets.

If you remember cosmology

there is nothing to stop time

running all the way to zero

 

Lying up or even lying down

I will just wiggle my hand to

remind you I was timorous
 

Copyright © 2017 by Wayne Miller. Originally published in Poem-a-Day on July 7, 2017, by the Academy of American Poets.

There is the question
of bearing witness, of being yourself seen
by yourself, & seen clearly, cleanly,
without weapon or bible in hand;
as this was the wish,
the sturdy & not-so-secret wish
of those who named us—
 
our parents wanted us to be
known to ourselves without confusion:
without judgment,
sans suffering. Never force it,
they said, always find it.
 
OK, strictly speaking, that’s not entirely true.
My particular, sole, insistent, moody mother & father
probably never thought much about it at all.
Those two anxious citizens,
they were never exemplars of patience.
The weightlessness of detachment & acceptance
as I think of it now
would have frightened them—
for good reason.
 
If you could see these words
I’m speaking to you tonight printed on a page 
as typeface & magnified x 500
you would feel just how ragged & coarse
they really are, heavy. 
 
Well, playing the part of a butterfly
must be tiring, right?
I’m happier being the old ox, right?
 
On some plane of existence
these two scraps are all my news:
where the mess is
that’s where my heart is.
 

Copyright © 2017 by David Rivard. Originally published in Poem-a-Day on October 6, 2017, by the Academy of American Poets.

Sun at the zenith. Greening
            earth.
  Slight buckling of the left
 
hind leg. And all this while
            the girl
  at his ear good boy and now
 
the hip giving way and mildly as
            was ever
  his wont the lovely
 
heft of him lists toward the field
            that minutes 
  ago was still so sweet for 
 
grazing and good boy and on the
            ground 
  now where the frightening 
 
last shudder of lungs that we’ve been 
            warned about
  does thank you darling does 
 
not come and feeling for a pulse 
            no pulse
  and warning us touching 
 
the liquid eye which does not 
            close which
  means the slender needle with
 
its toxic everlastingness has done
            its job 
  good boy unbuckling the
 
halter lifting the beautiful head
            to her 
  lap and all this while the girl
 

Copyright © 2017 by Linda Gregerson. Originally published in Poem-a-Day on October 9, 2017, by the Academy of American Poets.

Now that our hero has come back to us
in his white pants and we know his nose
trembling like a flag under fire,
we see the calm cold river is supporting
our forces, the beautiful history.

To be more revolutionary than a nun
is our desire, to be secular and intimate
as, when sighting a redcoat, you smile
and pull the trigger. Anxieties
and animosities, flaming and feeding

on theoretical considerations and
the jealous spiritualities of the abstract
the robot? they’re smoke, billows above
the physical event. They have burned up.
See how free we are! as a nation of persons.

Dear father of our country, so alive
you must have lied incessantly to be
immediate, here are your bones crossed
on my breast like a rusty flintlock,
a pirate’s flag, bravely specific

and ever so light in the misty glare
of a crossing by water in winter to a shore
other than that the bridge reaches for.
Don’t shoot until, the white of freedom glinting
on your gun barrel, you see the general fear.

From Meditations in an Emergency by Frank O'Hara. Copyright © 1957 by Frank O'Hara. Used by permission of Grove Press. All rights reserved.

          They’d only done what all along they’d come
intending to do. So they lay untouched by regret,
after. The combined light and shadow of passing
cars stutter-shifted across the walls the way,
in summer,
                the night moths used to, softly
sandbagging the river of dream against dream’s
return…Listen, it’s not like I don’t get it about
suffering being relative—I get it. Not so much
the traces of ice on the surface of four days’
worth of rainwater in a stone urn, for example,
but how, past the ice,
                                  through the water beneath it,
you can see the leaves—sycamore—where they fell
unnoticed. Now they look suspended, like heroes
inside the myth heroes seem bent on making
from the myth of themselves; or like sunlight, in fog.

Copyright © 2017 by Carl Phillips. Originally published in Poem-a-Day on December 4, 2017, by the Academy of American Poets.

You know how it pretends 
to have a broken wing to 
lure predators away from its 
nest, how it staggers just out 
of reach . . . if, at this moment,
you’re feeling metaphorical, 
nest can be the whatever 
inside us that we think needs 
protection, the whatever that is 
small & hasn’t yet found its 
way. Like us it has lived so long 
on scraps, on what others have 
left behind, it thinks it could live 
on air, on words, forever almost, 
it thinks it would be better to let 
the predator kill it than to turn 
its back on that child again, 
forgetting that one lives inside 
the other. 

Copyright © 2018 by Nick Flynn. Originally published in Poem-a-Day on January 4, 2018, by the Academy of American Poets.

“It’s all empty, empty,” 
he said to himself.
“The sex and drugs. The violence, especially.”
So he went down into the world to exercise his virtue,

thinking maybe that would help.
He taught a little kid to build a kite.
He found a cure, 
and then he found a cure 

for his cure.
He gave a woman at the mercy of the weather 
his umbrella, even though 
icy rain fell and he had pneumonia.
He settled a revolution in Spain.

Nothing worked.
The world happens, the world changes,
the world, it is written here, 
in the next line,
is only its own membrane—

and, oh yes, your compassionate nature,
your compassion for our kind.

Copyright © 2018 by Vijay Seshadri. Originally published in Poem-a-Day on January 1, 2018, by the Academy of American Poets.

A little called anything shows shudders.
Come and say what prints all day. A whole few watermelon. There is no pope.
No cut in pennies and little dressing and choose wide soles and little spats really little spices.
A little lace makes boils. This is not true.
Gracious of gracious and a stamp a blue green white bow a blue green lean, lean on the top.
If it is absurd then it is leadish and nearly set in where there is a tight head.
A peaceful life to arise her, noon and moon and moon. A letter a cold sleeve a blanket a shaving house and nearly the best and regular window.
Nearer in fairy sea, nearer and farther, show white has lime in sight, show a stitch of ten. Count, count more so that thicker and thicker is leaning.
I hope she has her cow. Bidding a wedding, widening received treading, little leading mention nothing.
Cough out cough out in the leather and really feather it is not for.
Please could, please could, jam it not plus more sit in when.

From Tender Buttons (1914) by Gertrude Stein. This poem is in the public domain.

here among them        the americans        this baffling
multi people        extremes and variegations        their
noise        restlessness        their almost frightening
energy        how best describe these aliens in my
reports to The Counselors

disguise myself in order to study them unobserved
adapting their varied pigmentations        white black
red brown yellow        the imprecise and strangering
distinctions by which they live        by which they
justify their cruelties to one another

charming savages        enlightened primitives        brash
new comers lately sprung up in our galaxy        how
describe them        do they indeed know what or who
they are        do not seem to        yet no other beings
in the universe make more extravagant claims
for their importance and identity

like us they have created a veritable populace
of machines that serve and soothe and pamper
and entertain        we have seen their flags and
foot prints on the moon        also the intricate
rubbish left behind        a wastefully ingenious
people        many it appears worship the Unknowable
Essence        the same for them as for us        but are
more faithful to their machine made gods
technologists their shamans

oceans deserts mountains grain fields canyons
forests        variousness of landscapes weathers
sun light moon light as at home        much here is
beautiful        dream like vistas reminding me of
home        item        have seen the rock place known
as garden of the gods and sacred to the first
indigenes        red monoliths of home        despite
the tensions i breathe in i am attracted to
the vigorous americans        disturbing sensuous
appeal of so many        never to be admitted

something they call the american dream        sure
we still believe in it i guess        an earth man
in the tavern said        irregardless of the some
times night mare facts we always try to double
talk our way around        and its okay the dreams
okay and means whats good could be a damn sight
better        means every body in the good old u s a
should have the chance to get ahead or at least
should have three squares a day        as for myself
i do okay        not crying hunger with a loaf of
bread tucked under my arm you understand        i
fear one does not clearly follow i replied
notice you got a funny accent pal        like where
you from he asked        far from here i mumbled
he stared hard        i left

must be more careful        item        learn to use okay
their pass word        okay

crowds gathering in the streets today for some
reason obscure to me        noise and violent motion
repulsive physical contact        sentinels        pigs
i heard them called        with flailing clubs        rage
and bleeding and frenzy and screaming        machines
wailing        unbearable decibels        i fled lest
vibrations of the brutal scene do further harm
to my metabolism already over taxed

The Counselors would never permit such barbarous
confusion        they know what is best for our sereni
ty        we are an ancient race and have outgrown
illusions cherished here        item        their vaunted
liberty        no body pushes me around i have heard
them say        land of the free they sing        what do
they fear mistrust betray more than the freedom
they boast of in their ignorant pride        have seen
the squalid ghettoes in their violent cities
paradox on paradox        how have the americans
managed to survive

parades fireworks displays video spectacles
much grandiloquence much buying and selling
they are celebrating their history        earth men
in antique uniforms play at the carnage whereby
the americans achieved identity        we too recall
that struggle as enterprise of suffering and
faith uniquely theirs        blonde miss teen age
america waving from a red white and blue flower
float as the goddess of liberty        a divided
people seeking reassurance from a past few under
stand and many scorn        why should we sanction
old hypocrisies        thus dissenters        The Counse
lors would silence them
a decadent people The Counselors believe        i
do not find them decadent        a refutation not
permitted me but for all their knowledge
power and inventiveness not yet more than raw
crude neophytes like earthlings everywhere

though i have easily passed for an american        in
bankers grey afro and dashiki long hair and jeans
hard hat yarmulka mini skirt        describe in some
detail for the amusement of The Counselors        and
though my skill in mimicry is impeccable        as
indeed The Counselors are aware        some thing
eludes me        some constant amid the variables
defies analysis and imitation        will i be judged
incompetent

america        as much a problem in metaphysics as
it is a nation earthly entity an iota in our
galaxy        an organism that changes even as i
examine it        fact and fantasy never twice the
same        so many variables

exert greater caution        twice have aroused
suspicion        returned to the ship until rumors
of humanoids from outer space        so their scoff
ing media voices termed us        had been laughed
away        my crew and i laughed too of course

confess i am curiously drawn        unmentionable        to
the americans        doubt i could exist among them for
long however        psychic demands far too severe
much violence        much that repels        i am attracted
none the less        their variousness their ingenuity
their elan vital        and that some thing        essence
quiddity        i cannot penetrate or name

Copyright © 1978, 1982 by Robert Hayden, from Collected Poems of Robert Hayden, edited by Frederick Glaysher. Used by permission of Liveright Publishing Corporation.

The vast waters flow past its back-yard.
You can purchase a six-pack in bars!
Tammy Wynette's on the marquee
 
a block down. It's twenty-five years ago:
you went to death, I to life, and
which was luckier God only knows.

There's this line in an unpublished poem of yours.
The river is like that,
a blind familiar.

The wind will die down when I say so;
the leaden and lessening light on
the current.
 
Then the moon will rise
like the word reconciliation,
like Walt Whitman examining the tear on a dead face.

From Wheeling Motel by Franz Wright. Copyright © 2009 by Franz Wright. Used by permission of Alfred A. Knopf.

[Artemis speaks]
               The cornel-trees
               uplift from the furrows,               
               the roots at their bases
               strike lower through the barley-sprays.

               So arise and face me.
               I am poisoned with the rage of song.

                         I once pierced the flesh
                         of the wild-deer,
                         now am I afraid to touch
                         the blue and the gold-veined hyacinths?

                         I will tear the full flowers
                         and the little heads
                         of the grape-hyacinths.
                         I will strip the life from the bulb
                         until the ivory layers
                         lie like narcissus petals
                         on the black earth.

                         Arise, 
                         lest I bend an ash-tree
                         into a taut bow, 
                         and slay—and tear
                         all the roots from the earth.

               The cornel-wood blazes
               and strikes through the barley-sprays,
               but I have lost heart for this.

               I break a staff.
               I break the tough branch.
               I know no light in the woods.
               I have lost pace with the winds.

This poem is in the public domain. Published in Poem-a-Day on April 29, 2018, by the Academy of American Poets.

For Robert Lowell

This is the time of year
when almost every night
the frail, illegal fire balloons appear.
Climbing the mountain height,

rising toward a saint
still honored in these parts,
the paper chambers flush and fill with light
that comes and goes, like hearts.

Once up against the sky it's hard
to tell them from the stars—
planets, that is—the tinted ones:
Venus going down, or Mars,

or the pale green one. With a wind,
they flare and falter, wobble and toss;
but if it's still they steer between
the kite sticks of the Southern Cross,

receding, dwindling, solemnly
and steadily forsaking us,
or, in the downdraft from a peak,
suddenly turning dangerous.

Last night another big one fell.
It splattered like an egg of fire
against the cliff behind the house.
The flame ran down. We saw the pair

of owls who nest there flying up
and up, their whirling black-and-white
stained bright pink underneath, until
they shrieked up out of sight.

The ancient owls' nest must have burned.
Hastily, all alone,
a glistening armadillo left the scene,
rose-flecked, head down, tail down,

and then a baby rabbit jumped out,
short-eared, to our surprise.
So soft!—a handful of intangible ash
with fixed, ignited eyes.

Too pretty, dreamlike mimicry!
O falling fire and piercing cry
and panic, and a weak mailed fist
clenched ignorant against the sky!

From The Complete Poems 1927-1979 by Elizabeth Bishop, published by Farrar, Straus & Giroux, Inc. Copyright © 1979, 1983 by Alice Helen Methfessel. Used with permission.

Spawn of fantasies
Sitting the appraisable
Pig Cupid            his rosy snout
Rooting erotic garbage
“Once upon a time”
Pulls a weed        white star-topped
Among wild oats sown in mucous membrane
I would             an eye in a Bengal light
Eternity in a sky-rocket
Constellations in an ocean
Whose rivers run no fresher
Than a trickle of saliva


There are suspect places


I must live in my lantern
Trimming subliminal flicker
Virginal             to the bellows
Of experience
                               Colored glass.

This poem is in the public domain. Published in Poem-a-Day on February 16, 2019, by the Academy of American Poets.

For ages long, my people have been 
     Dwellers in this land;
For ages viewed these mountains,
     Loved these mesas and these sands,
That stretch afar and glisten,
     Glimmering in the sun
As it lights the mighty canons
     Ere the weary day is done.
Shall I, a patient dweller in this
     Land of fair blue skies,
Tell something of their story while
     My shuttle swiftly flies?
As I weave I’ll trace their journey,
     Devious, rough and wandering,
Ere they reached the silent region
     Where the night stars seem to sing.
When the myriads of them glitter
     Over peak and desert waste,
Crossing which the silent runner and
     The gaunt of co-yo-tees haste.
Shall I weave the zig-zag pathway
     Whence the sacred fire was born;
And interweave the symbol of the God
     Who brought the corn—
Of the Rain-god whose fierce anger
     Was appeased by sacred meal,
And the trust that my brave people
     In him evermore shall feel?
All this perhaps I might weave
     As the woof goes to and fro,
Wafting as my shuttle passes,
     Humble hopes, and joys and care,
Weaving closely, weaving slowly,
     While I watch the pattern grow;
Showing something of my life:
     To the Spirit God a prayer.
Grateful that he brought my people
     To the land of silence vast
Taught them arts of peace and ended
     All their wanderings of the past.
Deftly now I trace the figures,
     This of joy and that of woe;
And I leave an open gate-way
     For the Dau to come and go.

This poem is in the public domain. Published in Poem-a-Day on November 25, 2018, by the Academy of American Poets.