Orion Dead

- 1886-1961
[Artemis speaks]
               The cornel-trees
               uplift from the furrows,               
               the roots at their bases
               strike lower through the barley-sprays.

               So arise and face me.
               I am poisoned with the rage of song.

                         I once pierced the flesh
                         of the wild-deer,
                         now am I afraid to touch
                         the blue and the gold-veined hyacinths?

                         I will tear the full flowers
                         and the little heads
                         of the grape-hyacinths.
                         I will strip the life from the bulb
                         until the ivory layers
                         lie like narcissus petals
                         on the black earth.

                         Arise, 
                         lest I bend an ash-tree
                         into a taut bow, 
                         and slay—and tear
                         all the roots from the earth.

               The cornel-wood blazes
               and strikes through the barley-sprays,
               but I have lost heart for this.

               I break a staff.
               I break the tough branch.
               I know no light in the woods.
               I have lost pace with the winds.

Stars Wheel in Purple

Stars wheel in purple, yours is not so rare
as Hesperus, nor yet so great a star
as bright Aldeboran or Sirius,
nor yet the stained and brilliant one of War;

stars turn in purple, glorious to the sight;
yours is not gracious as the Pleiads are
nor as Orion's sapphires, luminous;

yet disenchanted, cold, imperious face,
when all the others blighted, reel and fall,
your star, steel-set, keeps lone and frigid tryst
to freighted ships, baffled in wind and blast.

At Baia

I should have thought
in a dream you would have brought
some lovely, perilous thing,
orchids piled in a great sheath,
as who would say (in a dream),
"I send you this,
who left the blue veins
of your throat unkissed."

Why was it that your hands
(that never took mine),
your hands that I could see
drift over the orchid-heads
so carefully,
your hands, so fragile, sure to lift
so gently, the fragile flower-stuff--
ah, ah, how was it

You never sent (in a dream)
the very form, the very scent,
not heavy, not sensuous,
but perilous--perilous--
of orchids, piled in a great sheath,
and folded underneath on a bright scroll,
some word:

"Flower sent to flower;
for white hands, the lesser white,
less lovely of flower-leaf,"

or

"Lover to lover, no kiss,
no touch, but forever and ever this."

Helen in Egypt, Eidolon, Book III: 4

Helen herself seems almost ready for this sacrifice--at least, for the immolation of herself before this greatest love of Achilles, his dedication to "his own ship" and the figurehead, "an idol or eidolon . . . a mermaid, Thetis upon the prow."

Did her eyes slant in the old way?
was she Greek or Egyptian?
had some Phoenician sailor wrought her?

was she oak-wood or cedar?
had she been cut from an awkward block
of ship-wood at the ship-builders,

and afterwards riveted there,
or had the prow itself been shaped
to her mermaid body,

curved to her mermaid hair?
was there a dash of paint
in the beginning, in the garment-fold,

did the blue afterwards wear away?
did they re-touch her arms, her shoulders?
did anyone touch her ever?

Had she other zealot and lover,
or did he alone worship her?
did she wear a girdle of sea-weed

or a painted crown?  how often
did her high breasts meet the spray,
how often dive down?

Related Poems

Orion

        What you make on Orion
              I leave to you

       What you take from Orion
               I take to you




                                                    Far far away where the swans fly to when we
 are having winter, lived a King who had eleven sons and one daughter
                             Hans Christian Andersen



                        


                      in the greening time

there was once

           there was a 

      because we didn’t


                           Turn on the light


There was trespass


            We didn’t





Unadorned             Side is his wife


         Bellatrix are the shoulder stars


                    Drape the mantle of the remarkable nebula
Take first





cause 





is effect

       

              once  mishap misshape


But let us not talk in the language of evidence




sleep deprivation           vigilance         the screen and the Styrofoam king

             of airspace  
                   


                                         renames the sky

documentary to which all words refer

          escapes us          near or newer air