Some say the world will end in fire,
Some say in ice.
From what I've tasted of desire
I hold with those who favor fire.
But if it had to perish twice,
I think I know enough of hate
To know that for destruction ice
Is also great
And would suffice.
First printed in Harper's Magazine, December 1920.
When the flush of a newborn sun fell first on Eden's green and gold, Our father Adam sat under the Tree and scratched with a stick in the mold; And the first rude sketch that the world had seen was joy to his mighty heart, Till the Devil whispered behind the leaves: "It's pretty, but is it Art?" Wherefore he called to his wife and fled to fashion his work anew— The first of his race who cared a fig for the first, most dread review; And he left his lore to the use of his sons—and that was a glorious gain When the Devil chuckled: "Is it Art?" in the ear of the branded Cain. They builded a tower to shiver the sky and wrench the stars apart, Till the Devil grunted behind the bricks: "It's striking, but is it Art?" The stone was dropped by the quarry-side, and the idle derrick swung, While each man talked of the aims of art, and each in an alien tongue. They fought and they talked in the north and the south, they talked and they fought in the west, Till the waters rose on the jabbering land, and the poor Red Clay had rest— Had rest till the dank blank-canvas dawn when the dove was preened to start, And the Devil bubbled below the keel: "It's human, but is it Art?" The tale is old as the Eden Tree—as new as the new-cut tooth— For each man knows ere his lip-thatch grows he is master of Art and Truth; And each man hears as the twilight nears, to the beat of his dying heart, The Devil drum on the darkened pane: "You did it, but was it Art?" We have learned to whittle the Eden Tree to the shape of a surplice-peg, We have learned to bottle our parents twain in the yolk of an addled egg, We know that the tail must wag the dog, as the horse is drawn by the cart; But the Devil whoops, as he whooped of old: "It's clever, but is it Art?" When the flicker of London's sun falls faint on the club-room's green and gold, The sons of Adam sit them down and scratch with their pens in the mold— They scratch with their pens in the mold of their graves, and the ink and the anguish start When the Devil mutters behind the leaves: "It's pretty, but is it art?" Now, if we could win to the Eden Tree where the four great rivers flow, And the wreath of Eve is red on the turf as she left it long ago, And if we could come when the sentry slept, and softly scurry through, By the favor of God we might know as much—as our father Adam knew.
This poem is in the public domain.
Your eyes were gem-like in that dim deep chamber
Hushed and sombre with imprisoned fire,
With yellow ghostly globes of intense aether
Potent as the rays of pure desire.
Your voice was startled into vivid wonder,
When the winged wild whining mystic wheel
Took flight and shot the dark with frosty crashings
Like an ice-berg splitting to the keel.
Your flesh was never warmer to my passion
Than when, moving in that lumor green,
We saw with eyes our fragile bones enamoured
Clasping sadly on the pallid screen.
You seemed so virginal and so undreaming
Of the burning hunger in my eyes,
To peer more fever-deeply in your being
Than the very death of passion lies.
The subtle-tuned shy motions of your spirit,
Fashioned through the ages for the sun,
Were dumb in that green lustre-haunted cavern
Where you walked a naked skeleton;
Slim-hipped and fluent and of lovely motion,
Living to the tip of every bone,
And ah, too exquisitely vivid-moving
Ever to lie wanly down alone—
To lie forever down so still and slender,
Tracing on the ancient screen of night
That naked and pale writing of the wonder
Of your beauty breathing in the light.
This poem is in the public domain. Published in Poem-a-Day on January 29, 2022, by the Academy of American Poets.
The world is a beautiful place
to be born into
if you don’t mind happiness
not always being
so very much fun
if you don’t mind a touch of hell
now and then
just when everything is fine
because even in heaven
they don’t sing
all the time
The world is a beautiful place
to be born into
if you don’t mind some people dying
all the time
or maybe only starving
some of the time
which isn’t half so bad
if it isn’t you
Oh the world is a beautiful place
to be born into
if you don’t much mind
a few dead minds
in the higher places
or a bomb or two
now and then
in your upturned faces
or such other improprieties
as our Name Brand society
is prey to
with its men of distinction
and its men of extinction
and its priests
and other patrolmen
and its various segregations
and congressional investigations
and other constipations
that our fool flesh
is heir to
Yes the world is the best place of all
for a lot of such things as
making the fun scene
and making the love scene
and making the sad scene
and singing low songs of having
inspirations
and walking around
looking at everything
and smelling flowers
and goosing statues
and even thinking
and kissing people and
making babies and wearing pants
and waving hats and
dancing
and going swimming in rivers
on picnics
in the middle of the summer
and just generally
‘living it up’
Yes
but then right in the middle of it
comes the smiling
mortician
From A Coney Island of the Mind, copyright ©1955 by Lawrence Ferlinghetti. Reprinted by permission of New Directions Publishing Corp.
Nature’s first green is gold,
Her hardest hue to hold.
Her early leaf’s a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.
From The Poetry of Robert Frost edited by Edward Connery Lathem. Copyright © 1923, 1947, 1969 by Henry Holt and Company, copyright © 1942, 1951 by Robert Frost, copyright © 1970, 1975 by Lesley Frost Ballantine. Reprinted by permission of Henry Holt and Company, LLC.
I’m Nobody! Who are you?
Are you – Nobody – too?
Then there’s a pair of us!
Don't tell! they'd advertise – you know!
How dreary – to be – Somebody!
How public – like a Frog –
To tell one’s name – the livelong June –
To an admiring Bog!
Poetry used by permission of the publishers and the Trustees of Amherst College from The Poems of Emily Dickinson, Ralph W. Franklin ed., Cambridge, Mass.: The Belknap Press of Harvard University Press. Copyright © 1998 by the President and Fellows of Harvard College. Copyright © 1951, 1955, 1979 by the President and Fellows of Harvard College.
Out of the night that covers me,
Black as the Pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.
In the fell clutch of circumstance
I have not winced nor cried aloud.
Under the bludgeonings of chance
My head is bloody, but unbowed.
Beyond this place of wrath and tears
Looms but the Horror of the shade,
And yet the menace of the years
Finds, and shall find, me unafraid.
It matters not how strait the gate,
How charged with punishments the scroll,
I am the master of my fate:
I am the captain of my soul.
This poem is in the public domain.
Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.
Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.
Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.
Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.
And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.
From The Poems of Dylan Thomas, published by New Directions. Copyright © 1952, 1953 Dylan Thomas. Copyright © 1937, 1945, 1955, 1962, 1966, 1967 the Trustees for the Copyrights of Dylan Thomas. Copyright © 1938, 1939, 1943, 1946, 1971 New Directions Publishing Corp. Used with permission.
If you can keep your head when all about you
Are losing theirs and blaming it on you;
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or, being lied about, don’t deal in lies,
Or, being hated, don’t give way to hating,
And yet don’t look too good, nor talk too wise;
If you can dream—and not make dreams your master;
If you can think—and not make thoughts your aim;
If you can meet with triumph and disaster
And treat those two impostors just the same;
If you can bear to hear the truth you’ve spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to broken,
And stoop and build ’em up with wornout tools;
If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: “Hold on”;
If you can talk with crowds and keep your virtue,
Or walk with kings—nor lose the common touch;
If neither foes nor loving friends can hurt you;
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds’ worth of distance run—
Yours is the Earth and everything that’s in it,
And—which is more—you’ll be a Man, my son!
This poem is in the public domain.
Take this kiss upon the brow!
And, in parting from you now,
Thus much let me avow:
You are not wrong who deem
That my days have been a dream;
Yet if hope has flown away
In a night, or in a day,
In a vision, or in none,
Is it therefore the less gone?
All that we see or seem
Is but a dream within a dream.
I stand amid the roar
Of a surf-tormented shore,
And I hold within my hand
Grains of the golden sand--
How few! yet how they creep
Through my fingers to the deep,
While I weep--while I weep!
O God! can I not grasp
Them with a tighter clasp?
O God! can I not save
One from the pitiless wave?
Is all that we see or seem
But a dream within a dream?
This poem is in the public domain.