We shall not shiver as we vainly try
To stir cold ashes once again to fire,
Nor bury a dead passion, you and I.
The wind that weds a moment sea and sky
In one exultant storm and passes by,
Was our desire.
This poem is in the public domain.
Coming at an end, the lovers
Are exhausted like two swimmers. Where
Did it end? There is no telling. No love is
Like an ocean with the dizzy procession of the waves’ boundaries
From which two can emerge exhausted, nor long goodbye
Like death.
Coming at an end. Rather, I would say, like a length
Of coiled rope
Which does not disguise in the final twists of its lengths
Its endings.
But, you will say, we loved
And some parts of us loved
And the rest of us will remain
Two persons. Yes,
Poetry ends like a rope.
From A Book of Music by Jack Spicer. Appears in My Vocabulary Did This to Me: The Collected Poetry of Jack Spicer (Wesleyan University Press, 2008). Used by permission.
Now that our love has drifted
To a quiet close,
Leaving the empty ache
That always follows when beauty goes;
Now that you and I,
Who stood tip-toe on earth
To touch our fingers to the sky,
Have turned away
To allow our little love to die—
Go, dear, seek again the magic touch.
But if you are wise,
As I shall be wise,
You will not again
Love over much.
From The Book of American Negro Poetry (Harcourt, Brace and Company, 1922), edited by James Weldon Johnson. This poem is in the public domain.
Oh, seek, my love, your newer way;
I’ll not be left in sorrow.
So long as I have yesterday,
Go take your damned to-morrow!
From Enough Rope (Boni & Liveright, 1926) by Dorothy Parker. This poem is in the public domain.
What was it I was going to say?
Slipped away probably because
it needn’t be said. At that edge
almost not knowing but second
guessing the gain, loss, or effect
of an otherwise hesitant remark.
Slant of light on a brass box. The way
a passing thought knots the heart.
There’s nothing, nothing to say.
Copyright © 2015 by Thomas Meyer. Originally published in Poem-a-Day on July 1, 2015, by the Academy of American Poets.
Every night I sleep on alternate
sides of the bed, as if to duplicate
sleeping with you. If
I'm fast enough, I'm the warmth
of my own body beside me, reach
out and touch myself. Breach
the blue of my bones, breathe in my own ear.
You left me. Lying here,
I left you to be with me.
Someone asks if your body
was worth trading for mine.
My sin was always pride.
Did you want a man that sleeps
with himself to keep
the bed warm? I need you like the earth
needed the flood after dearth
Copyright © 2014 by Gary Jackson. Used with permission of the author. This poem appeared in Poem-A-Day on March 27, 2014. Browse the Poem-A-Day archive.
I remembered what it was like, knowing what you want to eat and then making it, forgetting about the ending in the middle, looking at the ocean for a long time without restlessness, or with restlessness not inhabiting the joints, sitting Indian style on a porch overlooking that water, smooth like good cake frosting. And then I experienced it, falling so deeply into the storyline, I laughed as soon as my character entered the picture, humming the theme music even when I’d told myself I wanted to be quiet by some freezing river and never talk to anyone again. And I thought, now is the right time to cut up your shirt.
Copyright © 2013 by Katie Peterson. Used with permission of the author. This poem appeared in Poem-A-Day on October 25, 2013. Browse the Poem-A-Day archive.
If you were once inside my circle of love
and from this circle are now excluded,
and all my love’s citizens I love more than you,
if you were once my lover but I’ve stopped
letting you, what is the view from outside
my love’s limit? Does my love’s interior emit
upward and cut into night? Do my charms,
investigations, and illnesses issue to the dark
that circles my circle? Do they bother
your sleep? And if you were once my friend
and are now my villainous foe, what stories
do you tell about how stupid those days
when I cared for you? Because I tell stories
of how you must tremble at my love’s terrible walls,
how the memory of its interior you must always be eroding.
Copyright © 2013 by Anne Boyer. Used with permission of the author.
I'd like a lidless Vicodin. Oblivion. Countless sensation of him leaving the room. Come back soon. It occurred to me fait accompli. Clinamen. Phantom limb. Black cat sleeping (you used to be next to me) next to me dreams our lost telepathy.
Copyright © 2012 by Rebecca Wolff. Used with permission of the author.
Someone will walk into your life, Leave a footprint on your heart, Turn it into a mudroom cluttered With encrusted boots, children's mittens, Scratchy scarves— Where you linger to unwrap Or ready yourself for rough exits Into howling gales or onto Frozen car seats, expulsions Into the great outdoors where touch Is muffled, noses glisten, And breaths stab, So that when you meet someone Who is leaving your life You will be able to wave stiff Icy mitts and look forward To an evening in spring When you can fold winter away Until your next encounter with A chill so numbing you strew The heart's antechamber With layers of rural garble.
From The World in a Minute by Gary Lenhart. Copyright © 2010 by by Gary Lenhart. Used by permission of Hanging Loose Press.
What can I give you, my lord, my lover, You who have given the world to me, Showed me the light and the joy that cover The wild sweet earth and restless sea? All that I have are gifts of your giving— If I gave them again, you would find them old, And your soul would weary of always living Before the mirror my life would hold. What shall I give you, my lord, my lover? The gift that breaks the heart in me: I bid you awake at dawn and discover I have gone my way and left you free.
This poem is in the public domain.
I came as a stranger; as a stranger now I leave. The flowers of May once welcomed me warmly; a young girl spoke of love, her mother even of marriage. Now all is bleak--the pathway covered with snow. The time of departure is not mine to choose; I must find my way alone in this darkness. With the shadow of the moon at my side, I search for traces of wildlife in the white snow. Why should I linger and give them reason to send me away? Let stray hounds howl outside their master's house. Love likes to wander from one to another, as if God willed it so. My darling, farewell. A quiet step, a careful shutting of the door so your sleep is not disturbed, and two words written on the gate as I leave, "Good night," to let you know I thought of you.
From Schubert's Winterreise: A Winter Journey in Poetry, Image, and Songs by Wilhelm Müller. Copyright © 2003. Reprinted by permission of the University of Wisconsin Press. All rights reserved.
we were never caught
we partied the southwest, smoked it from L.A. to El Dorado
worked odd jobs between delusions of escape
drunk on the admonitions of parents, parsons & professors
driving faster than the road or law allowed.
our high-pitched laughter was young, heartless & disrespected
authority. we could be heard for miles in the night
the Grand Canyon of a new manhood.
womanhood discovered
like the first sighting of Mount Wilson
we rebelled against the southwestern wind
we got so naturally ripped, we sprouted wings,
crashed parties on the moon, and howled at the earth
we lived off love. It was all we had to eat
when you split you took all the wisdom
and left me the worry
Copyright © 2001 by Wanda Coleman. Reprinted from Mercurochrome: New Poems with the permission of Black Sparrow Press. All rights reserved.
In losing you I lost my sun and moon And all the stars that blessed my lonely night. I lost the hope of Spring, the joy of June, The Autumn’s peace, the Winter’s firelight. I lost the zest of living, the sweet sense Expectant of your step, your smile, your kiss; I lost all hope and fear and keen suspense For this cold calm, sans agony, sans bliss. I lost the rainbow’s gold, the silver key That gave me freedom of my town of dreams; I lost the path that leads to Faërie By beechen glades and heron-haunted streams. I lost the master word, dear love, the clue That threads the maze of life when I lost you.
This poem is in the public domain.
To live without the one you love
an empty dream never known
true happiness except as such youth
watching snow at window
listening to old music through morning.
Riding down that deserted street
by evening in a lonely cab
past a blighted theatre
oh god yes, I missed the chance of my life
when I gasped, when I got up and
rushed out the room
away from you.
From Supplication: Selected Poems of John Wieners, edited by Joshua Beckman, CAConrad, and Robert Dewhurst © 2015 John Wieners Literary Trust, Raymond Foye, Administrator. Reprinted with the permission of The John Wieners Literary Trust.
You say you will not think of me:
You shut me out and count your beads,
The chaplet of your rules and doubts,
But lovers never think of creeds.
You’ll fill your mind with serious things:
You’ll think of God or Infinity,
Of a lover whose last charm is gone,
Of anything in the world but me.
Yet every thought will lead you back,
Infinity grow far and dim,
And God, with His sense of irony,
Will never let you think of Him.
From On a Grey Thread (Will Ransom, 1923) by Elsa Gidlow. This poem is in the public domain.
Now you are gone I kiss your dented pillow
And wonder if it hungers like my breast
For the dear head we both have held in rest.
I said once: Love alone cannot assuage
My thirst, my hunger, love has no reply
For that wild questioning, for this fierce cry.
I said: there is no kiss can feed me now.
Perhaps love is life’s flower: I seek the root.
Yea, I have loved and love is dead sea fruit.
Yet, I lie here and kiss your dented pillow,
A trembling girl who loves you overmuch––
A harp in anguish for the player’s touch.
From On a Grey Thread (Will Ransom, 1923) by Elsa Gidlow. This poem is in the public domain.
Go her way, her quiet, quiet way,
Her way is best for one so wistful-tired.
My three-months’ lover, go with your
world-sick heart,
Your love-bruised flesh. I am no sanctuary.
This hot mouth, these ardent, out-reaching arms,
This hollow between my breasts, these
hungry limbs,
They are a cradle, a cradle of living flame;
No haven for you, saddening after peace.
I am not certain, no, nor soothing-safe.
Mine is the shifting, perilous way of life.
Pitiless, ever-changing, hazardous,
My love insatiate and mutable.
Go her way, her quiet, well-path’d way,
Sit by her hearth-fire; let her keep you safe.
Mine the unharbored heart, the uncharted
passions;
Mine, at the end a more than common peace.
From On a Grey Thread (Will Ransom, 1923) by Elsa Gidlow. This poem is in the public domain.
turns out there are more planets than stars more places to land than to be burned I have always been in love with last chances especially now that they really do seem like last chances the trill of it all upending what’s left of my head after we explode are you ready to ascend in the morning I will take you on the wing
Copyright © 2019 by D. A. Powell. Originally published in Poem-a-Day on March 28, 2019, by the Academy of American Poets.
Now it's over, and now it's done;
Why does everything look the same?
Just as bright, the unheeding sun,—
Can't it see that the parting came?
People hurry and work and swear
Laugh and grumble and die and wed,
Ponder what they will eat and wear,—
Don't they know that our love is dead?
Just as busy, the crowded street;
Cars and wagons go rolling on
Children chuckle, and lovers meet,—
Don't they know that our love is gone?
No one pauses to pay a tear;
None walks slow, for the love that's through,—
I might mention, my recent dear,
I've reverted to normal, too.
ONCE, when I was young and true,
Someone left me sad—
Broke my brittle heart in two;
And that is very bad.
Love is for unlucky folk,
Love is but a curse.
Once there was a heart I broke;
And that, I think, is worse.
From Enough Rope (Boni & Liveright, 1926) by Dorothy Parker. This poem is in the public domain.
You know I know what I’m doing.
I’m always with you.
I’m watching these lines get to you.
This is how we’re close.
We can’t have knowing looks
(we’re both as good as dead)
so we have these knowing lines,
typing till the clock says stop.
And if in the course of struggle
a foot slips and we fall,
what does that matter?
I won’t come back to you
when the song is over.
I will not want you
or your unsuitable house and lot.
Expect to miss me, though—
expect ice and snow, rain and hail.
To be embarrassed. To be changed.
To write the year on a check
and be one hundred years off.
To let it go
when I express displeasure.
To let my anger go. Just drop it. Just take it
as you drop it.
Just take it
and go.
Copyright © 2020 by Jacqueline Waters. Originally published in Poem-a-Day on December 31, 2020, by the Academy of American Poets.
The moon assumes her voyeuristic perch
to find the rut of me, releashed from sense,
devoid of focus ’cept by your design.
I never thought restraint would be my thing.
Then you: the hole from which my logic seeps,
who bucks my mind’s incessant swallowsong
& pins the speaker’s squirming lyric down
with ease. You coax a measured flood, decide
the scatter of my breath & know your place—
astride the August heat, your knuckles tight
around a bratty vers, a fuschia gag:
you quiet my neurotic ass, can still
the loudness murmuring beneath my skull.
Be done. There’s nothing more to say.
Copyright © 2023 by Imani Davis. Originally published in Poem-a-Day on February 3, 2023, by the Academy of American Poets.
He’s cleaning out the trunk in which his clothes
are stored for summer, bathing suits, surf shorts,
swimming goggles, neatly folded beach shirts,
all laundered, put in plastic, and then closed
away—and finds a black and silky bra,
some short shorts with a tiny waist, a sleek
black top, all empty of her, as is he,
although she ghosts through him all night and gnaws
his dreams. They were so close he thought he wore
her like a skin, as she wore him till they
wore out. When doubt crawled in, she stored away
her love and latched the trunk and left. It seems
he catches just a whiff of her somewhere
in the blouse. No, it’s clean. Too clean, too clean.
From Sad Jazz: Sonnets (Sheep Meadow Press, 2005) by Tony Barnstone. Copyright © 2005 by Tony Barnstone. Used with the permission of the author.
Dreaded season when light’s too long too soon,
winter turns to you before its work is done.
Along with snowdrops, forsythia, anemone,
along with tulips breaking out of their bulbs,
comes the long memory of the fatal spring
when I was thirty-three and my love wasn’t there,
had gone without waiting and said she’d return,
but winter’s work done, was still gone.
Absence stronger than flowers, steaming in sun,
poisoned the season, buried morbid winter
and filled imagined summer with vapors. Light,
light spring drifts in like a feather
used for torture, its touch
too much and not enough.
Copyright © 2012 by Roger Greenwald. First published in Redwood Coast Review.