Life is short, though I keep this from my children.
Life is short, and I’ve shortened mine
in a thousand delicious, ill-advised ways,
a thousand deliciously ill-advised ways
I’ll keep from my children. The world is at least
fifty percent terrible, and that’s a conservative
estimate, though I keep this from my children.
For every bird there is a stone thrown at a bird.
For every loved child, a child broken, bagged,
sunk in a lake. Life is short and the world
is at least half terrible, and for every kind
stranger, there is one who would break you,
though I keep this from my children. I am trying
to sell them the world. Any decent realtor,
walking you through a real shithole, chirps on
about good bones: This place could be beautiful,
right? You could make this place beautiful.
This poem originally appeared in Waxwing, Issue 10, in June 2016. Used with permission of the author.
It’s not that I can’t have children
that my body is not a house—
it’s just that my life
never had the chance to make room,
did not open in a way to make itself a womb,
the timing of years between my lover and mine,
the age of different periods of mothering inclining
and declining at the same time,
there just was never the solid enough ground of myself
or the chance even,
a man was not in the cards
and I never even played from that deck,
so it never really became
a possibility,
and I am almost at the apex of this want,
this deep yearning to hold a child of my own flesh and bone,
to make my body a home—
but perhaps that proverbial ship has sailed,
and the life that I have created
is the life I have the life I love.
Perhaps my womb has turned outwards somehow,
and my heart is fertility itself.
Perhaps I have always been a mother
without a human child,
searching for my children in the trees,
in the understory of ancient forests,
hidden under smooth stones,
in warm fur-covered bodies,
in wing tuft and claw,
in the exoskeletons of nymphs,
phylums that lack a sort of mothering I can give,
and so I tend to the wild ones,
I mother other kingdoms,
rock every other species to sleep—
the green and howl and pulse and bloom.
It’s not that I can’t have children,
it’s that I already do.
From Mother of Other Kingdoms (Harbor Editions, 2024) by Kai Coggin.
Copyright © 2024 Kai Coggin. Reprinted by permission of the author.
I used to think my body craved
annihilation. An inevitability,
like the slow asphyxiation
of the earth. Yoked to this body
by beauty, its shallow promises
I was desperate to believe,
too fearful to renounce my allegiance
even with its hand closing
around my throat. When I chose
myself, I chose surrender. God
is the river that remakes me
in its image. I didn’t know what
was waiting on the other side.
I swam through it anyway.
Copyright © 2024 by Ally Ang. Originally published in Poem-a-Day on July 16, 2024, by the Academy of American Poets.
If the pain doesn’t come back,
what will I write about? Will the poems
have tendon and teeth? I didn’t get
right the sonnet of all its colors.
I did not find the exact dagger of phrase
about the long loss of my life.
Hope is all I do and am.
I don’t think I’m poet enough
to make you taste this mango;
or see that sutured sunset unless
from a hospital bed.
I was good for carving.
There will be kisses, music, street names.
Loved ones will go where the gone do.
What if I don’t want to (write it: can’t)
write about these things.
What if I would rather feel
than create feeling?
What then? Go ahead.
Copyright © 2024 by Liv Mammone. Originally published in Poem-a-Day on July 3, 2024, by the Academy of American Poets.
Remember the sky that you were born under,
know each of the star’s stories.
Remember the moon, know who she is.
Remember the sun’s birth at dawn, that is the
strongest point of time. Remember sundown
and the giving away to night.
Remember your birth, how your mother struggled
to give you form and breath. You are evidence of
her life, and her mother’s, and hers.
Remember your father. He is your life, also.
Remember the earth whose skin you are:
red earth, black earth, yellow earth, white earth
brown earth, we are earth.
Remember the plants, trees, animal life who all have their
tribes, their families, their histories, too. Talk to them,
listen to them. They are alive poems.
Remember the wind. Remember her voice. She knows the
origin of this universe.
Remember you are all people and all people
are you.
Remember you are this universe and this
universe is you.
Remember all is in motion, is growing, is you.
Remember language comes from this.
Remember the dance language is, that life is.
Remember.
“Remember.” Copyright © 1983 by Joy Harjo from She Had Some Horses by Joy Harjo. Used by permission of W. W. Norton & Company, Inc.
for Nica, Mary, Ryan, et al.
A friend on a rival team confesses
they’ve always been into it.
As a kid, they locked themselves in a closet
to read Trivial Pursuit cards.
They wanted to know everything.
Their team is named Shooting Nudes.
We are Butch Believers.
The next category is Famous Dykes.
The whole bar is packed and smells like
bike sweat and Cosmo slushies.
Our best guess is that it was Audre Lorde
in ’89 advocating for Palestine.
On the fly, we struggle to spell
Stormé DeLarverie, but we’re hoping
bad handwriting hides it, huddling closer
so no one hears our answers.
Meanwhile, the National Park Service
erases the letter T in twenty places
from the Stonewall Monument website.
Slime mold? Whiptail lizards? The category is
Queer Ecology. Now, a federal directive
threatens to cut gender-affirming
care for youth in our city.
The category is Gay for Pay.
Will Smith, Tom Hanks, Hilary Swank.
Cleverness I know can feel exclusive
but here I lean into my friends’ literacies,
their wisdoms my shelter.
The forty somethings know the local lore,
the bygone parties: Donny’s, Pegasus,
Operation Sappho, while The Gen Z kids ace
the tech round, scribbling the name of
a translesbian hacktivist on a canceled sci-fi show.
It turns out being an autodidact is
the unspoken prerequisite for being queer in America.
Will we nerd ourselves into futures
of intergenerational knowing?
In our time, the Press 3 option
of the youth suicide hotline
was created and deleted.
In booths with curly fries,
we turn to each other and say:
Kiki. Bussy. Bulldagger.
Kitty Tsui. Vaginal (Crème) Davis.
Truths our bodies internalized arise
in quick crescendos like this one:
Bernard Mayes founded
the first suicide prevention hotline
in the country. I know this because
he was a dean at my college and the first
audaciously out educator I ever met.
Monthly he held a donut hour,
I was closeted then, so I showed up early
to squeeze onto a cramped couch
and listen: In 1961, he leafletted streets
with a phone number safe to dial
and then waited by a red rotary phone
certain that many would call.
The category is Gay Rage.
Name the band and the song:
Bikini Kill, “Suck My Left One”
Bronski Beat, “Why?”
Princess Nokia, “Tomboy”
Planningtorock, “Get Your
Fckin Laws Off My Body”
Copyright © 2026 by Jenny Johnson. Originally published in Poem-a-Day on January 8, 2026, by the Academy of American Poets.
“The earthy smell that follows rain” from Greek,
petros, rock, and ichor, the gods’ blood. Its tang
nuzzles my nose gustily beautiful as your ashes
settle into living loam layered with cedar oils.
Sweet moisture plumps soil’s organic miniatures to life
as rain taffetas the leaves, a green you once loved.
Ancient smells reside in my skull, olfactory memory:
My mother’s aqua-ocean aroma, what I learned most
when swaddled endless sleeps as a baby, that joy.
One spring I heard country folk in Ottawa remembering
the distinct smell after winter thaw, when soil relaxes
the last hard layer. What remains is fragrant peat,
fallow, before sap flows above ground. This moment
as the Underworld gives up one secret—its scent—
lingers this morning. It again rises into sunlight.
Copyright © 2025 by Denise Low. Used with permission of the author.
How to define the word
yellow?
Tart lemon that stings
your mouth; shining sun
that blinds your eyes;
deep blanket of daffodils
that caresses your face.
Yes, the yellow of petal
that defies early April
and its cruelty. Wild
and tamed flower, its
color reminds us
of the first light
of spring, the memory
that cannot be forgotten.
Copyright © 2011 by Linda Nemec Foster. This poem was first printed in Best Poems (May 2011). Used with the permission of the author.
We do not suffer much now; it is over.
We wanted to forget; we have forgotten.
We tore our hearts with healing; they are healed.
You have gained peace, you who were once a lover,
The garlands of your sacrifice are rotten;
Your garden has become a clover field.
Only at times, in intervals of quiet,
When music gravely claims the twilight air,
And melts the sinews of some bitter thong,
Your heart feels something of the stress and riot
That flung it between rapture and despair;
Something awakes that has been sleeping long.
You say: I am so strong now, I could chance
To play with these old things a while, and taste
The occult savour that I knew so well,
Yet, what was this great love,—a strange romance,
A fierce three autumns, passionately chaste,—
Youth’s customary path, no miracle.
Even that frosty thought, so fugitive,
Shows what is lost beyond all hope to gain,
And just how far from love we two have gone.
We did forget, we healed ourselves, we live,
But we have lost essential joy and pain:
We lived; we died; and having died, live on.
From The Hills Give Promise, A Volume of Lyrics, Together with Carmus: A Symphonic Poem (B. J. Brimmer Company, 1923) by Robert Hillyer. Copyright © 1923 by B. J. Brimmer Company. This poem is in the public domain.
Lying, thinking
Last night
How to find my soul a home
Where water is not thirsty
And bread loaf is not stone
I came up with one thing
And I don’t believe I’m wrong
That nobody,
But nobody
Can make it out here alone.
Alone, all alone
Nobody, but nobody
Can make it out here alone.
There are some millionaires
With money they can’t use
Their wives run round like banshees
Their children sing the blues
They’ve got expensive doctors
To cure their hearts of stone.
But nobody
No, nobody
Can make it out here alone.
Alone, all alone
Nobody, but nobody
Can make it out here alone.
Now if you listen closely
I’ll tell you what I know
Storm clouds are gathering
The wind is gonna blow
The race of man is suffering
And I can hear the moan,
’Cause nobody,
But nobody
Can make it out here alone.
Alone, all alone
Nobody, but nobody
Can make it out here alone.
From Oh Pray My Wings Are Gonna Fit Me Well By Maya Angelou. Copyright © 1975 by Maya Angelou. Reprinted with permission of Random House, Inc. For online information about other Random House, Inc. books and authors, visit the website at www.randomhouse.com.
(War Time)
There will come soft rains and the smell of the ground,
And swallows circling with their shimmering sound;
And frogs in the pools singing at night,
And wild plum trees in tremulous white,
Robins will wear their feathery fire
Whistling their whims on a low fence-wire;
And not one will know of the war, not one
Will care at last when it is done.
Not one would mind, neither bird nor tree
If mankind perished utterly;
And Spring herself, when she woke at dawn,
Would scarcely know that we were gone.
From The Language of Spring, edited by Robert Atwan, published by Beacon Press, 2003.