Watch the dewdrops in the morning,
   Shake their little diamond heads,
Sparkling, flashing, ever moving,
   From their silent little beds.

See the grass! Each blade is brightened,
   Roots are strengthened by their stay;
Like the dewdrops, let us scatter
   Gems of love along the way.

This poem is in the public domain. Published in Poem-a-Day on August 16, 2020, by the Academy of American Poets.

             1.
Pained as he was when he gazed 
upon his father’s face, he held his gaze.

             2.
Toward what he’d never known, he walked,
somehow both arrogant & begging.

The purple of his father’s robes, like a bruise. 

             3.
As a river, over time, can forge
a way through stone, so
absence bore through him,
leaving a valley where his voice
echoes off the canyon walls. 

             4.
His mind had narrowed until all it held
was an idea of father, until so fixed on the idea
his mind seemed under siege. Inside him hummed
a longing, one he felt compelled to fix, so named it ​flaw.

             5.
What the boy wanted:
to finally know his father’s face.
Evidence, at last, of his origin. 

             6.
Felt within, a longing.
Felt and therefore knew
a weakness he wanted to master. 

             7.
A desire to know, and a belief
he deserved to,

these were the human parts of him.

             8. 
Fiery, Dawnsteed, Scorcher, Blaze–

the horses the father owned,

the horses the father, knowing he would fail, let his son steer–

             9.
is this devotion?

             10.
To master, control, rein in;
hoping this might prove him 
a man, perhaps, a god.

             11.
There are gaps knowing cannot fill.

             12.
What boy has not dreamt himself a noble son,
has not prematurely thought himself a man?

             13.
                           He lost control of the reins
& the horses did what one expects
from animals whose lives had always been 
tightly squeezed between two fists:

             14.
breaking from the path they’d always known,

             15.
they galloped nearer to that world from which they’d been kept, 

             16.
not out of malice but a kind of mercy

             17.
for the world the father feared the horses would destroy.

             18.
Finding himself at the mercy of what he’d sought–

             19.
gone too far to turn back, gone far beyond his father now
with further still to go, ignorant of the names
of the horses behind whom he was now dragged like the tail
of a comet hurtling toward earth, as in all directions
he sees the destruction he’d caused:

the flames licking trees at their roots, licking
dry the ocean’s mouth, licking the faces
of each living thing until they’d turned to ash,

until the world without grew hotter than the world within,
until a dizzying heat rose from the soil, until in his feet

             20.
the boy could feel the world ablaze–

             21.
free me from these reins
he cried perhaps to god, 
perhaps to father, 

             22.
the difference indecipherable, more or less insignificant

             23.
for even though he’d met him, the boy still knew himself

             24.
fatherless, godless, no less abandoned than he’d been.

             25.
The world to which, for better or worse, he once belonged, now gone, 

             26.
he belonged nowhere… 

             27.
To save what could be saved, to salvage what had not been lost,
to punish his failure to master what no other ever had: the boy

             28.
was struck dead & buried

             29.
beside a river, which began again to flow toward the distant mouth 

             30.
out of which, it would finally empty.

Copyright © 2020 by Jeremy Michael Clark. Originally published in Poem-a-Day on August 26, 2020, by the Academy of American Poets.

I saw you as I passed last night,
    Framed in a sky of gold;
And through the sun’s fast paling light
    You seemed a queen of old,
Whose smile was light to all the world
    Against the crowding dark.
And in my soul a song there purled—
    Re-echoed by the lark.

I saw you as I passed last night,
    Your tresses burnished gold,
While in your eyes a happy bright
    Gleam of your friendship told.
And I went singing on my way;
    On, on into the dark.
But in my heart still shone the day,
    And still—still sang the lark.

This poem is in the public domain. Published in Poem-a-Day on July 25, 2020, by the Academy of American Poets.

O, come, Love, let us take a walk,
Down the Way-of-Life together;
Storms may come, but what care we,
If be fair or foul the weather.

When the sky overhead is blue,
Balmy, scented winds will after
Us, adown the valley blow
Haunting echoes of our laughter.

When Life’s storms upon us beat
Crushing us with fury, after
All is done, there’ll ringing come
Mocking echoes of our laughter.

So we’ll walk the Way-of-Life,
You and I, Love, both together,
Storm or sunshine, happy we
If be foul or fair the weather.

This poem is in the public domain. Published in Poem-a-Day on August 15, 2020, by the Academy of American Poets.

All hail! This honest dusky maid,
    Let all others prostrate fall;
Bring forth the international diadem,
    And crown her queen of all.

In all pure womanly qualities,
    She stands serene and tall,
Way up above the average,
    This makes her queen of all.

She’s not a sluggard at any place,
    She answers duty’s call
Come all ye people, small and great,
    And crown her queen of all.

She stands bolt upright by her men,
    She will not let them fall,
Now for her valor, tip your hat,
    And crown her queen of all.

This poem is in the public domain. Published in Poem-a-Day on August 9, 2020, by the Academy of American Poets.

everything i do comes down to the fact that i’ve been here before.
in some arrangement of my atoms i was allowed to be free
so don’t ask me when freedom is coming
when a certain eye of mine has seen it,
a cornea in a convoluted future recalls my freedom.
when asked about the absence of freedom, the lack of it
i laugh at the word absence, which always suggests
a presence that has left. but absence is the arena
of death, and we call the dead free (went on to glory), what
is the absence of freedom but an assumption of it?
i have never longed for something
which was not once mine. even fiction is my possession,
and flight is an act of fleeing as much as an act of flying.

Copyright © 2020 by Kara Jackson. Originally published in Poem-a-Day on August 3, 2020, by the Academy of American Poets.

Wild seas of tossing, writhing waves,
A wreck half-sinking in the tortuous gloom;
One man clings desperately, while Boreas raves,
     And helps to blot the rays of moon and star,
     Then comes a sudden flash of light, which gleams on shores afar.

This poem is in the public domain. Published in Poem-a-Day on July 19, 2020 by the Academy of American Poets.

Who would have the sky any color but blue,
     Or the grass any color but green?
Or the flowers that bloom the summer through
     Of other color or sheen?

How the sunshine gladdens the human heart—
     How the sound of the falling rain
Will cause the tender tears to start,
     And free the soul from pain.

Oh, this old world is a great old place!
     And I love each season’s change,
The river, the brook of purling grace,
     The valley, the mountain range.

And when I am called to quit this life,
     My feet will not spurn the sod,
Though I leave this world with its beauty rife,—
     There’s a glorious one with God!

This poem is in the public domain. Published in Poem-a-Day on July 11, 2020 by the Academy of American Poets.

I do not crave to have thee mine alone, dear
   Keeping thy charms within my jealous sight;
Go, give the world the blessing of thy beauty,
   That other hearts may share of my delight!

I do not ask, thy love should be mine only
   While others falter through the dreary night;
Go, kiss the tears from some wayfarer’s vision, 
   That other eyes may know the joy of light!

Where days are sad and skies are hung with darkness, 
   Go, send a smile that sunshine may be rife;
Go, give a song, a word of kindly greeting, 
   To ease the sorrow of some lonely life!

This poem is in the public domain. Published in Poem-a-Day on July 12, 2020 by the Academy of American Poets.

after Marie Howe

              in the wordless beginning

iguana & myrrh

magma & reef          ghost moth

& the cordyceps tickling its nerves

& cedar & archipelago & anemone

dodo bird & cardinal waiting for its red

ocean salt & crude oil         now black

muck now most naïve fumbling plankton

every egg clutched in the copycat soft

of me unwomaned unraced

unsexed          as the ecstatic prokaryote

that would rage my uncle’s blood

or the bacterium that will widow

your eldest daughter’s eldest son

my uncle, her son           our mammoth sun

& her uncountable siblings         & dust mite & peat

apatosaurus & nile river

& maple green & nude & chill-blushed &

yeasty keratined bug-gutted i & you

spleen & femur seven-year refreshed

seven-year shedding & taking & being this dust

& my children & your children

& their children & the children

of the black bears & gladiolus & pink florida grapefruit

here not allied but the same        perpetual breath

held fast to each other as each other’s own skin

cold-dormant & rotting & birthing & being born

in the olympus           of the smallest

possible once before once

Copyright © 2020 by Marissa Davis. Originally published in Poem-a-Day on July 1, 2020, by the Academy of American Poets.

Some there are who say that the fairest thing seen 
on the black earth is an array of horsemen;
some, men marching; some would say ships; but I say
          she whom one loves best

is the loveliest. Light were the work to make this 
plain to all, since she, who surpassed in beauty
all mortality, Helen, once forsaking
          her lordly husband,

fled away to Troy—land across the water. 
Not the thought of child nor beloved parents 
was remembered, after the Queen of Cyprus
          won her at first sight.

Since young brides have hearts that can be persuaded 
easily, light things, palpitant to passion
as am I, remembering Anaktória
          who has gone from me

and whose lovely walk and the shining pallor
of her face I would rather see before my 
eyes than Lydia's chariots in all their glory
          armored for battle.

Reprinted from Greek Lyrics, edited by Richmond Lattimore, published by the University of Chicago Press, copyright © 1949, 1960 by The University of Chicago. All rights reserved.

This text may be used and shared in accordance with the fair use provisions of US and international copyright law and agreement, and it may be archived and redistributed in electronic form, provided that this entire notice, including copyright information, is carried and provided that the University of Chicago Press is notified and no fee is charged for access. Archiving, redistribution or republication of this text on other terms, in any medium, requires both the consent of the author(s) and the University of Chicago Press.

In my eyes he matches the gods, that man who 
sits there facing you--any man whatever--
listening from closeby to the sweetness of your 
          voice as you talk, the

sweetness of your laughter: yes, that--I swear it-- 
sets the heart to shaking inside my breast, since 
once I look at you for a moment, I can't
          speak any longer,

but my tongue breaks down, and then all at once a
subtle fire races inside my skin, my
eyes can't see a thing and a whirring whistle 
          thrums at my hearing,

cold sweat covers me and a trembling takes 
ahold of me all over: I'm greener than the 
grass is and appear to myself to be little
          short of dying.

But all must be endured, since even a poor [

From The Poetry of Sappho (Oxford University Press 2007), translated by Jim Powell. Copyright © 2007 by Jim Powell. Reprinted by permission of the author.

Some say thronging cavalry, some say foot soldiers, 
others call a fleet the most beautiful of 
sights the dark earth offers, but I say it's what-
            ever you love best.

And it's easy to make this understood by 
everyone, for she who surpassed all human 
kind in beauty, Helen, abandoning her
            husband—that best of

men—went sailing off to the shores of Troy and 
never spent a thought on her child or loving 
parents: when the goddess seduced her wits and
            left her to wander,

she forgot them all, she could not remember 
anything but longing, and lightly straying 
aside, lost her way. But that reminds me
            now: Anactória,

she's not here, and I'd rather see her lovely 
step, her sparkling glance and her face than gaze on
all the troops in Lydia in their chariots and
            glittering armor.

From The Poetry of Sappho (Oxford University Press 2007), translated by Jim Powell. Copyright © 2007 by Jim Powell. Reprinted by permission of the author.

Like the very gods in my sight is he who 
sits where he can look in your eyes, who listens
close to you, to hear the soft voice, its sweetness
          murmur in love and

laughter, all for him. But it breaks my spirit; 
underneath my breast all the heart is shaken. 
Let me only glance where you are, the voice dies,
          I can say nothing,

but my lips are stricken to silence, under-
neath my skin the tenuous flame suffuses;
nothing shows in front of my eyes, my ears are
          muted in thunder.

And the sweat breaks running upon me, fever
Shakes my body, paler I turn than grass is;
I can feel that I have been changed, I feel that
          death has come near me.

Reprinted from Greek Lyrics, edited by Richmond Lattimore, published by the University of Chicago Press, copyright © 1949, 1960 by The University of Chicago. All rights reserved.

This text may be used and shared in accordance with the fair use provisions of US and international copyright law and agreement, and it may be archived and redistributed in electronic form, provided that this entire notice, including copyright information, is carried and provided that the University of Chicago Press is notified and no fee is charged for access. Archiving, redistribution or republication of this text on other terms, in any medium, requires both the consent of the author(s) and the University of Chicago Press.

In a dream I spoke with the Cyprus-born,
      And said to her,
"Mother of beauty, mother of joy,
Why hast thou given to men


"This thing called love, like the ache of a wound
      In beauty's side,
To burn and throb and be quelled for an hour
And never wholly depart?"

And the daughter of Cyprus said to me,
      "Child of the earth,
Behold, all things are born and attain,
But only as they desire,—

"The sun that is strong, the gods that are wise,
     The loving heart,
Deeds and knowledge and beauty and joy,—
But before all else was desire."

This poem is in the public domain. Published in Poem-a-Day on July 7, 2018, by the Academy of American Poets.

Masons, when they start upon a building,
Are careful to test out the scaffolding;

Make sure that planks won’t slip at busy points,
Secure all ladders, tighten bolted joints.

And yet all this comes down when the job’s done
Showing off walls of sure and solid stone.

So if, my dear, there sometimes seem to be
Old bridges breaking between you and me

Never fear. We may let the scaffolds fall
Confident that we have built our wall.

“Scaffolding” from Opened Ground: Selected Poems 1966–1996​ by Seamus Heaney. Copyright © 1998 by Seamus Heaney.

We’d build a little bungalow,
If you and I were one,
And carefully we’d plan it, so
We’d get the morning sun.
I’d rise each day at rosy dawn
And bustle gaily down;
In evening’s cool, you’d spray the lawn
When you came back from town.

A little cook-book I should buy,
Your dishes I’d prepare;
And though they came out black and dry,
I know you wouldn’t care.
How valiantly I’d strive to learn,
Assured you’d not complain!
And if my finger I should burn,
You’d kiss away the pain.

I’d buy a little scrubbing-brush
And beautify the floors;
I’d warble gaily as a thrush
About my little chores.
But though I’d cook and sew and scrub,
A higher life I’d find;
I’d join a little women’s club
And cultivate my mind.

If you and I were one, my dear,
A model life we’d lead.
We’d travel on, from year to year,
At no increase of speed.
Ah, clear to me the vision of
The things that we should do!
And so I think it best, my love,
To string along as two.

From Enough Rope (Boni & Liveright, 1926) by Dorothy Parker. This poem is in the public domain.

I wake up in your bed. I know I have been dreaming.
Much earlier, the alarm broke us from each other,
you’ve been at your desk for hours. I know what I dreamed:
our friend the poet comes into my room
where I’ve been writing for days,
drafts, carbons, poems are scattered everywhere,
and I want to show her one poem
which is the poem of my life. But I hesitate,
and wake. You’ve kissed my hair
to wake me. I dreamed you were a poem,
I say, a poem I wanted to show someone . . .
and I laugh and fall dreaming again
of the desire to show you to everyone I love,
to move openly together
in the pull of gravity, which is not simple,
which carries the feathered grass a long way down the upbreathing air.

Poem II from “Twenty-One Love Poems,” from The Dream of a Common Language: Poems 1974–1977 by Adrienne Rich. Copyright © 1978 by W. W. Norton & Company, Inc. Used by permission of W. W. Norton & Company, Inc.

There are names for what binds us:
strong forces, weak forces.
Look around, you can see them:
the skin that forms in a half-empty cup,
nails rusting into the places they join,
joints dovetailed on their own weight.
The way things stay so solidly
wherever they’ve been set down—
and gravity, scientists say, is weak.

And see how the flesh grows back
across a wound, with a great vehemence,
more strong
than the simple, untested surface before.
There’s a name for it on horses,
when it comes back darker and raised: proud flesh,

as all flesh
is proud of its wounds, wears them
as honors given out after battle,
small triumphs pinned to the chest

And when two people have loved each other
see how it is like a
scar between their bodies,
stronger, darker, and proud;
how the black cord makes of them a single fabric
that nothing can tear or mend.

—1982

Originally published in Of Gravity & Angels (Wesleyan University Press, 1988). Copyright © 1988 by Jane Hirshfield. Reprinted with the permission of the author. All rights reserved.