I who employ a poet’s tongue,
Would tell you how
You are a golden damson hung
Upon a silver bough.

I who adore exotic things
Would shape a sound
To be your name, a word that sings
Until the head goes round.

I who am proud with other folk
Would grow complete
In pride on bitter words you spoke,
And kiss your petaled feet.

But never past the frail intent
My will may flow,
Though gentle looks of yours are bent
Upon me where I go.

So must I, starved for love’s delight,
Affect the mute,
When love’s divinest acolyte
Extends me holy fruit.

Since we’re not young, weeks have to do time
for years of missing each other. Yet only this odd warp
in time tells me we’re not young.
Did I ever walk the morning streets at twenty,
my limbs streaming with a purer joy?
did I lean from any window over the city
listening for the future
as I listen here with nerves tuned for your ring?
And you, you move toward me with the same tempo.
Your eyes are everlasting, the green spark
of the blue-eyed grass of early summer,
the green-blue wild cress washed by the spring.
At twenty, yes: we thought we’d live forever.
At forty-five, I want to know even our limits.
I touch you knowing we weren’t born tomorrow,
and somehow, each of us will help the other live,
and somewhere, each of us must help the other die.

The truth is that I fall in love
so easily because

it's easy.
It happens

a dozen times some days.
I've lived whole lives,

had children,
grown old, and died

in the arms of other women
in no more time

than it takes the 2-train
to get from City Hall to Brooklyn,

which brings me back
to you: the only one

I fall in love with
at least once every day—

not because
there are no other
 
lovely women in the world,
but because each time,

dying in their arms,
I call your name.

Love comes quietly,
finally, drops
about me, on me,
in the old ways.

What did I know
thinking myself
able to go
alone all the way.

I love you
            because the Earth turns round the sun
            because the North wind blows north
                 sometimes
            because the Pope is Catholic
                 and most Rabbis Jewish
            because the winters flow into springs
                 and the air clears after a storm
            because only my love for you
                 despite the charms of gravity
                 keeps me from falling off this Earth
                 into another dimension
I love you
            because it is the natural order of things

I love you
            like the habit I picked up in college
                 of sleeping through lectures
                 or saying I’m sorry
                 when I get stopped for speeding
            because I drink a glass of water
                 in the morning
                 and chain-smoke cigarettes
                 all through the day
            because I take my coffee Black
                 and my milk with chocolate
            because you keep my feet warm
                 though my life a mess
I love you
            because I don’t want it
                 any other way

I am helpless
            in my love for you
It makes me so happy
            to hear you call my name
I am amazed you can resist
            locking me in an echo chamber
            where your voice reverberates
            through the four walls
            sending me into spasmatic ecstasy
I love you
            because it’s been so good
            for so long
            that if I didn’t love you
            I’d have to be born again
            and that is not a theological statement
I am pitiful in my love for you

The Dells tell me Love
            is so simple
            the thought though of you
            sends indescribably delicious multitudinous
            thrills throughout and through-in my body
I love you
            because no two snowflakes are alike
            and it is possible
            if you stand tippy-toe
            to walk between the raindrops
I love you
            because I am afraid of the dark
                 and can’t sleep in the light
            because I rub my eyes
                 when I wake up in the morning
                 and find you there
            because you with all your magic powers were
                 determined that
I should love you
            because there was nothing for you but that
I would love you

I love you
            because you made me
                 want to love you
            more than I love my privacy
                 my freedom          my commitments
                      and responsibilities
I love you ’cause I changed my life
            to love you
            because you saw me one Friday
                 afternoon and decided that I would
love you
I love you I love you I love you

^{for Deon}

I peer at the ridges of your palm
rested along the crevice of mine,
while tracing your jagged vasculature
with a delicate press of my finger,

and I explore every uneven wrinkle,
every pronounced callus, every rounded
mole like it is the hilly, stone-ridden
backyard of my childhood home in Mongmong.

I know this place. I have been here
before. I read the swirls inscribed
into your firm dark skin, sound out

each node and connecting branch,
sew syllables into words that spell
out gima’: home.

I raise your hand transposed against
the evening sky, clear of clouds, and I
can find the constellations within you.

Did you know our forefathers did this at sea—
placed their arm to the heavens to translate
the stars? Master navigators of the open ocean,

yet you, my love, are more than a map; I dare
not fold nor decipher your complexity. You
are the beloved, longed-for destination at the end

of the journey, the place that our ancestors craved
return, the reason for the expedition—refuge,
promise, hope. You are home.

This morning I didn’t even honi you when I came in.
I just walked right by your shallow breath,
your eyes shut in the living room, and that bed
stuffed with pulu. And all the blurred words
projecting onto the backs of your eyelids.

Ke alanui maʻawe ‘ula a Kanaloa …

I organize your prescription bottles like kiʻi
along the edges of the kitchen heiau
and try to remember how long it’s been
since you strung a sentence together
and draped it over my shoulders.

I grew up mountain view and I can always see
mauna kea and mauna loa same time

In the afternoon I thicken your drinking water,
obsessing on what you’ll want for the road, and pack
some paʻi ʻai a me ka iʻa. Bundled guesswork
disguised as intention once the oceans open up.
I keep a version of you in my pocket that asks,

Maybe this red road is not mine, but ours, Boy?
So make some food for you, too.

In the evening I sit you up and our eyes trace the octopus’s
footprints moonlit in the yard grass. You smile
and gulp the thick water, and I keep obsessing
about which muʻumuʻu you’ll want to wear in the waʻa.

^{May 2020}

It’s been 300 days since I first laid in your arms
First felt the chill of your kiss on my skin 
You brought me to the thin line between life and death
Between frostbite and heat exhaustion 
You taught me balance
Patience
Compassion

And when you stretched your arms around us
You taught us safety
What it meant to create security with our own bodies
Voices 
So for you 
I am every child who imagined someday you’d be free
I am every prayer laid at your feet

These days 
I am hundreds of miles away 
But you still visit me in my dreams
We share ceremony with Niolopua
And in that realm 
You keep all my secrets
All my fears 
All I am too afraid or ashamed to say out loud

For my fellow kiaʻi
It’s been 300 days since we marked the boundaries
Lined our jurisdictions with the trembling tenor of our collective voice
Since we began to feed each other
In food
In spirit
In care

For you
I am everything that cannot be broken
I am your first pinky promise
I am the incoming swell
I am every bit of love you taught me to lay at her feet
I am songs between stories, between tears
I am the water we fought to protect
That we shared 
Together
In the bitter cold of night
When we worried
No one else was coming

The day after we make love each movement amplifies, ricochets through me.
My right femur might break free from hip. My left shoulder muscle catches scapula.
Pectorals smolder red-orange from the fire in my abdomen. My ankle grinds itself to fine white dust

But the kink in my
wrist reminds me of
fumbling at your belt. 
The cramp in my jaw
of our frantic kisses.
Tension
in my neck, your dark
nipple erect
and delicious. The burning
in my hip sockets your
tongue’s pelvic
journey. My throat
sore from inhaling our
heat. The pang in my
ear where you
whispered
I love you.

And I am grateful for the glyphs sickness carves
on my spine, for the story pain paints
on my body’s cavern walls, for this body
holding you the day after.
For this
body
refusing
to forget.

I think my lover’s cane is sexy. The way they walk
like a rainstorm stumbles slow across the landscape.
How, with fingers laced together, our boots & canes 
click in time—unsteady rhythm of a metronome’s limp 
wrist. All sway & swish, first person I ever saw walk with
a lisp. Call this our love language of unspokens: 
We share so many symptoms, the first time we thought
to hyphenate our names was, playfully, to christen
ourselves a new disorder. We trade tips on medication,
on how to weather what prescriptions make you sick 
to [maybe] make you well. We make toasts with
acetaminophen bought in bulk. Kiss in the airport 
terminal through surgical masks. Rub the knots from 
each others’ backs. We dangle FALL RISK bracelets
from our walls & call it decoration. We visit another
ER & call it a date. When we are sick, again, for months
—with a common illness that will not leave—it is not 
the doctors who care for us. We make do ourselves.
At night, long after the sky has darkened-in—something
like a three-day-bruise, littered with satellites I keep
mistaking for stars—our bodies are fever-sweat stitched. 
A chimera. Shadow-puppet of our lust. Bones bowed into 
a new beast [with two backs, six legs of metal & flesh & 
carbon fiber]. Beside my love, I find I can’t remember 
any prayers so I whisper the names of our medications 
like the names of saints. Orange bottles scattered around 
the mattress like unlit candles in the dark.

^{translated from the Spanish by Ursula K. Le Guin}

   Life of my life, what you loved I sing.
If you're near, if you’re listening,
remembering earth, in the evening,
my life, my shadow, hear me sing.

   Life of my life, I can’t be still.
What is a story we never tell?
How can you find me unless I call?

   Life of my life, I haven’t changed,
not turned aside and not estranged.
Come to me as the shadows grow long,
come, life of my life, if you know the song
you used to know, if you know my name.
I and the song are still the same.

    Beyond time or place I keep the faith.
Follow a path or follow no path, 
don’t fear the night or the rainy wind.
call me to come to you, now at the end,
and come to me, soul of my soul, my friend. 
 

Canto Que Amabas 
 

Yo canto lo que tú amabas, vida mía,
por si te acercas y escuchas, vida mía,
por si te acuerdas del mundo que viviste,
al atardecer yo canto, sombra mía.

Yo no quiero enmudecer, vida mía.
¿Cómo sin mi grito fiel me hallarías?
¿Cuál señal, cuál me declara, vida mía?

Soy la misma que fue tuya, vida mía.
Ni lenta ni trascordada ni perdida.
Acude al anochecer, vida mía;
ven recordando un canto, vida mía,
si la canción reconoces de aprendida
y si mi nombre recuerdas todavía.

Te espero sin plazo ni tiempo.
No temas noche, neblina ni aguacero.
Acude con sendero o sin sendero.
Llámame a donde tú eres, alma mía,
0201y marcha recto hacia mí, compañero.

translated by Sarah Arvio

To find a kiss of yours
what would I give
A kiss that strayed from your lips
dead to love

My lips taste
the dirt of shadows     

To gaze at your dark eyes
what would I give
Dawns of rainbow garnet  
fanning open before God— 

The stars blinded them
one morning in May

And to kiss your pure thighs
what would I give
Raw rose crystal  
sediment of the sun

*

[Por encontrar un beso tuyo]

Por encontrar un beso tuyo,
¿qué daría yo?
¡Un beso errante de tu boca
muerta para el amor!

(Tierra de sombra
come mi boca.)

Por contemplar tus ojos negros,
¿qué daría yo?
¡Auroras  de carbunclos irisados
abiertas frente a Dios!

(Las estrellas los cegaron
una mañana de mayo.)

Y por besar tus muslos castos,
¿qué daría yo?

(Cristal de rosa primitiva,
sedimento de sol.)

what I really mean. He paints my name
 
across the floral bed sheet and ties the bottom corners
to my ankles. Then he paints another
 
for himself. We walk into town and play the shadow game,
saying Oh! I’m sorry for stepping on your
 
shadow! and Please be careful! My shadow is caught in the wheels
of your shopping cart. It's all very polite.
 
Our shadows get dirty just like anyone’s, so we take
them to the Laundromat—the one with
 
the 1996 Olympics themed pinball machine—
and watch our shadows warm
 
against each other. We bring the shadow game home
and (this is my favorite part) when we
 
stretch our shadows across the bed, we get so tangled
my husband grips his own wrist,
 
certain it’s my wrist, and kisses it.