Nature’s first green is gold,
Her hardest hue to hold.
Her early leaf’s a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.

From The Poetry of Robert Frost edited by Edward Connery Lathem. Copyright © 1923, 1947, 1969 by Henry Holt and Company, copyright © 1942, 1951 by Robert Frost, copyright © 1970, 1975 by Lesley Frost Ballantine. Reprinted by permission of Henry Holt and Company, LLC.

Because I could not stop for Death
He kindly stopped for me
The Carriage held but just Ourselves 
And Immortality.

We slowly droveHe knew no haste
And I had put away
My labor and my leisure too,
For His Civility

We passed the School, where Children strove
At Recessin the Ring
We passed the Fields of Gazing Grain
We passed the Setting Sun

Or ratherHe passed us
The Dews drew quivering and chill
For only Gossamer, my Gown
My Tippetonly Tulle

We paused before a House that seemed
A Swelling of the Ground
The Roof was scarcely visible
The Cornicein the Ground

Since then’tis Centuriesand yet
Feels shorter than the Day
I first surmised the Horses’ Heads
Were toward Eternity

Poetry used by permission of the publishers and the Trustees of Amherst College from The Poems of Emily Dickinson, Ralph W. Franklin ed., Cambridge, Mass.: The Belknap Press of Harvard University Press, Copyright © 1998 by the President and Fellows of Harvard College. Copyright © 1951, 1955, 1979, by the President and Fellows of Harvard College.

Whoever you are holding me now in hand,   
Without one thing all will be useless,   
I give you fair warning before you attempt me further,   
I am not what you supposed, but far different.   
   
Who is he that would become my follower? 
Who would sign himself a candidate for my affections?   
   
The way is suspicious, the result uncertain, perhaps destructive,   
You would have to give up all else, I alone would expect to be your sole and exclusive standard,   
Your novitiate would even then be long and exhausting,   
The whole past theory of your life and all conformity to the lives around you would have to be abandon’d, 
Therefore release me now before troubling yourself any further, let go your hand from my shoulders,   
Put me down, and depart on your way.   
   
Or else by stealth in some wood for trial,   
Or back of a rock in the open air,   
(For in any roof’d room of a house I emerge not, nor in company, 
And in libraries I lie as one dumb, a gawk, or unborn, or dead,)   
But just possibly with you on a high hill, first watching lest any person for miles around approach unawares,   
Or possibly with you sailing at sea, or on the beach of the sea or some quiet island,   
Here to put your lips upon mine I permit you,   
With the comrade’s long-dwelling kiss or the new husband’s kiss, 
For I am the new husband and I am the comrade.   
   
Or if you will, thrusting me beneath your clothing,   
Where I may feel the throbs of your heart or rest upon your hip,   
Carry me when you go forth over land or sea;   
For thus merely touching you is enough, is best,
And thus touching you, would I silently sleep and be carried eternally.   
   
But these leaves conning you con at peril,   
For these leaves and me you will not understand,   
They will elude you at first and still more afterward, I will certainly elude you,   
Even while you should think you had unquestionably caught me, behold!
Already you see I have escaped from you.   
   
For it is not for what I have put into it that I have written this book,   
Nor is it by reading it you will acquire it,   
Nor do those know me best who admire me and vauntingly praise me,   
Nor will the candidates for my love (unless at most a very few,) prove victorious,
Nor will my poems do good only, they will do just as much evil, perhaps more,    
For all is useless without that which you may guess at many times and not hit, that which I hinted at;   
Therefore release me and depart on your way.

This poem is in the public domain.

You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I’ll rise.

Does my sassiness upset you?
Why are you beset with gloom?
’Cause I walk like I’ve got oil wells
Pumping in my living room.
Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I’ll rise.

Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops,
Weakened by my soulful cries?

Does my haughtiness offend you?
Don’t you take it awful hard
’Cause I laugh like I’ve got gold mines
Diggin’ in my own backyard.

You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I’ll rise.

Does my sexiness upset you?
Does it come as a surprise
That I dance like I’ve got diamonds
At the meeting of my thighs?

Out of the huts of history’s shame
I rise
Up from a past that’s rooted in pain
I rise
I’m a black ocean, leaping and wide,
Welling and swelling I bear in the tide.

Leaving behind nights of terror and fear
I rise
Into a daybreak that’s wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.

From And Still I Rise by Maya Angelou. Copyright © 1978 by Maya Angelou. Reprinted by permission of Random House, Inc.

I, too, sing America.

I am the darker brother.
They send me to eat in the kitchen
When company comes,
But I laugh,
And eat well,
And grow strong.

Tomorrow,
I'll be at the table
When company comes.
Nobody'll dare
Say to me,
“Eat in the kitchen,”
Then.

Besides,
They'll see how beautiful I am
And be ashamed—

I, too, am America.

From The Collected Poems of Langston Hughes, published by Knopf and Vintage Books. Copyright © 1994 by the Estate of Langston Hughes. All rights reserved. Used by permission of Harold Ober Associates Incorporated.