But most by Numbers judge a Poet's song; And smooth or rough, with them, is right or wrong: In the bright Muse tho' thousand charms conspire, Her voice is all these tuneful fools admire; Who haunt Parnassus but to please their ear, Not mend their minds; as some to church repair, Not for the doctrine but the music there. These equal syllables alone require, Tho' oft the ear the open vowels tire; While expletives their feeble aid do join; And ten low words oft creep in one dull line: While they ring round the same unvary'd chimes, With sure returns of still expected rhymes; Where'er you find "the cooling western breeze," In the next line it "whispers through the trees" If crystal streams "with pleasing murmurs creep" The reader's threaten'd (not in vain) with "sleep": Then, at the last and only couplet fraught With some unmeaning thing they call a thought, A needless Alexandrine ends the song That, like a wounded snake, drags its slow length along.
This poem is in the public domain.
Where does the sea end and the sky begin?
We sink in blue for which there is no word.
Two sails, fog-coloured, loiter on the thin
Mirage of ocean.
There is no sound of wind, nor wave, nor bird,
Nor any motion.
Except the shifting mists that turn and lift,
Showing behind the two limp sails a third,
Then blotting it again.
A gust, a spattering of rain,
The lazy water breaks in nervous rings.
Somewhere a bleak bell buoy sings,
Muffled at first, then clear,
Its wet, grey monotone.
The dead are here.
We are not quite alone.
This poem is in the public domain. Published in Poem-a-Day on August 10, 2019, by the Academy of American Poets.
(War Time)
There will come soft rains and the smell of the ground,
And swallows circling with their shimmering sound;
And frogs in the pools singing at night,
And wild plum trees in tremulous white,
Robins will wear their feathery fire
Whistling their whims on a low fence-wire;
And not one will know of the war, not one
Will care at last when it is done.
Not one would mind, neither bird nor tree
If mankind perished utterly;
And Spring herself, when she woke at dawn,
Would scarcely know that we were gone.
From The Language of Spring, edited by Robert Atwan, published by Beacon Press, 2003.
This evening, as the twilight fell,
My younger children watched for me;
Like cherubs in the window framed,
I saw the smiling group of three.
While round and round the house I trudged,
Intent to walk a weary mile,
Oft as I passed within their range,
The little things would beck and smile.
They watched me, as Astronomers
Whose business lies in heaven afar,
Await, beside the slanting glass,
The re-appearance of a star.
Not so, not so, my pretty ones,
Seek stars in yonder cloudless sky;
But mark no steadfast path for me,
A comet dire and strange am I.
Now to the inmost spheres of light
Lifted, my wondering soul dilates,
Now dropped in endless depth of night,
My hope God’s slow recall awaits.
Among the shining I have shone,
Among the blessing, have been blest,
Then wearying years have held me bound
Where darkness deadness gives, not rest.
Between extremes distraught and rent,
I question not the way I go;
Who made me, gave it me, I deem,
Thus to aspire, to languish so.
But Comets too have holy laws,
Their fiery sinews to restrain,
And from their outmost wanderings
Are drawn to heaven’s dear heart again.
And ye, beloved ones, when ye know
What wild, erratic natures are,
Pray that the laws of heavenly force
Would hold and guide the Mother star.
This poem is in the pubic domain.
If you can keep your head when all about you
Are losing theirs and blaming it on you;
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or, being lied about, don’t deal in lies,
Or, being hated, don’t give way to hating,
And yet don’t look too good, nor talk too wise;
If you can dream—and not make dreams your master;
If you can think—and not make thoughts your aim;
If you can meet with triumph and disaster
And treat those two impostors just the same;
If you can bear to hear the truth you’ve spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to broken,
And stoop and build ’em up with wornout tools;
If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: “Hold on”;
If you can talk with crowds and keep your virtue,
Or walk with kings—nor lose the common touch;
If neither foes nor loving friends can hurt you;
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds’ worth of distance run—
Yours is the Earth and everything that’s in it,
And—which is more—you’ll be a Man, my son!
This poem is in the public domain.
When I heard the learn’d astronomer,
When the proofs, the figures, were ranged in columns before me,
When I was shown the charts and diagrams, to add, divide, and measure them,
When I sitting heard the astronomer where he lectured with much applause in the lecture-room,
How soon unaccountable I became tired and sick,
Till rising and gliding out I wander’d off by myself,
In the mystical moist night-air, and from time to time,
Look’d up in perfect silence at the stars.
This poem is in the public domain.
O day—if I could cup my hands and drink of you,
And make this shining wonder be
A part of me!
O day! O day!
You lift and sway your colors on the sky
Till I am crushed with beauty. Why is there
More of reeling sunlit air
Than I can breathe? Why is there sound
In silence? Why is a singing wound
About each hour?
And perfume when there is no flower?
O day! O Day! How may I press
Nearer to loveliness?
This poem is in the public domain. Published in Poem-a-Day on March 22, 2020, by the Academy of American Poets.
I love you for your brownness,
And the rounded darkness of your breast,
I love you for the breaking sadness in your voice
And shadows where your wayward eyelids rest.
Something of old forgotten queens
Lurks in the lithe abandon of your walk
And something of the shackled slave
Sobs in the rhythm of your talk.
Oh, little brown girl, born for sorrow's mate,
Keep all you have of queenliness,
Forgetting that you once were slave,
And let your full lips laugh at Fate!
From The Book of American Negro Poetry (Harcourt, Brace and Company, 1922) edited by James Weldon Johnson. This poem is in the public domain.