I have studied many times
The marble which was chiseled for me--
A boat with a furled sail at rest in a harbor.
In truth it pictures not my destination
But my life.
For love was offered me and I shrank from its disillusionment;
Sorrow knocked at my door, but I was afraid;
Ambition called to me, but I dreaded the chances.
Yet all the while I hungered for meaning in my life.
And now I know that we must lift the sail
And catch the winds of destiny
Wherever they drive the boat.
To put meaning in one's life may end in madness,
But life without meaning is the torture
Of restlessness and vague desire--
It is a boat longing for the sea and yet afraid.
This poem is in the public domain.
The world is a beautiful place
to be born into
if you don’t mind happiness
not always being
so very much fun
if you don’t mind a touch of hell
now and then
just when everything is fine
because even in heaven
they don’t sing
all the time
The world is a beautiful place
to be born into
if you don’t mind some people dying
all the time
or maybe only starving
some of the time
which isn’t half so bad
if it isn’t you
Oh the world is a beautiful place
to be born into
if you don’t much mind
a few dead minds
in the higher places
or a bomb or two
now and then
in your upturned faces
or such other improprieties
as our Name Brand society
is prey to
with its men of distinction
and its men of extinction
and its priests
and other patrolmen
and its various segregations
and congressional investigations
and other constipations
that our fool flesh
is heir to
Yes the world is the best place of all
for a lot of such things as
making the fun scene
and making the love scene
and making the sad scene
and singing low songs of having
inspirations
and walking around
looking at everything
and smelling flowers
and goosing statues
and even thinking
and kissing people and
making babies and wearing pants
and waving hats and
dancing
and going swimming in rivers
on picnics
in the middle of the summer
and just generally
‘living it up’
Yes
but then right in the middle of it
comes the smiling
mortician
From A Coney Island of the Mind, copyright © 1955 by Lawrence Ferlinghetti. Reprinted by permission of New Directions Publishing Corp.
My mother said this to me
long before Beyoncé lifted the lyrics
from the Yeah Yeah Yeahs,
and what my mother meant by
Don’t stray was that she knew
all about it—the way it feels to need
someone to love you, someone
not your kind, someone white,
some one some many who live
because so many of mine
have not, and further, live on top of
those of ours who don’t.
I’ll say, say, say,
I’ll say, say, say,
What is the United States if not a clot
of clouds? If not spilled milk? Or blood?
If not the place we once were
in the millions? America is Maps—
Maps are ghosts: white and
layered with people and places I see through.
My mother has always known best,
knew that I’d been begging for them,
to lay my face against their white
laps, to be held in something more
than the loud light of their projectors
as they flicker themselves—sepia
or blue—all over my body.
All this time,
I thought my mother said, Wait,
as in, Give them a little more time
to know your worth,
when really, she said, Weight,
meaning heft, preparing me
for the yoke of myself,
the beast of my country’s burdens,
which is less worse than
my country’s plow. Yes,
when my mother said,
They don’t love you like I love you,
she meant,
Natalie, that doesn’t mean
you aren’t good.
*The italicized words, with the exception of the final stanza, come from the Yeah Yeah Yeahs song “Maps.”
Copyright © 2019 by Natalie Diaz. Originally published in Poem-a-Day on June 20, 2019, by the Academy of American Poets.
As I must mount to feed those doves of ours,
Perhaps you too will spend nocturnal hours
Upon your roof
So high aloof
That from its terraced bowers
We catch at clouds and draw a bath from showers.
Before the moon has made all pale the night,
Let's meet with flute and viol, and supper light :
A yew lamb, minted sauce, a raisined bun,
A melon riper than the melting sun—
A flask of Xeres, that we've scarce begun—
We'll try the « lunar waltz » while floats afar
Upon the liquid night—night's nenuphar.
Or else, with senses tuned alike perchance,
Reclining love will make the heavens dance;
And if the enemy from aerial cars
Drops death, we'll share it vibrant with the stars!
This poem is in the public domain.
Looking out over the cliff, we’re overwhelmed
by a sky that seems to heap danger upon us. We
end up staring at a single white fluff in the air—
feather, fur, dandelion puff—we don’t care
to define it. The relief of having something
to focus our attention. At home, our patio furniture
unscrews itself under the usual sun. On this trip—
well, I’m not any sadder, I just have more space
for my sadness to fill. I don’t want to give
particulars. A woman huffing up the trail behind
us says to her hiking partner, It wasn’t my size,
but it was only 9 dollars. And now all I want
is to see what it is. The future refuses
to happen, so where else should I turn?
Copyright © 2023 by Paige Lewis. Originally published in Poem-a-Day on January 9, 2023, by the Academy of American Poets.
Sometimes I tremble like a storm-swept flower,
And seek to hide my tortured soul from thee,
Bowing my head in deep humility
Before the silent thunder of thy power.
Sometimes I flee before thy blazing light,
As from the specter of pursuing death;
Intimidated lest thy mighty breath,
Windways, will sweep me into utter night.
For oh, I fear they will be swallowed up—
The loves which are to me of vital worth,
My passion and my pleasure in the earth—
And lost forever in thy magic cup!
I fear, I fear my truly human heart
Will perish on the altar-stone of art!
This poem is in the public domain. Published in Poem-a-Day on May 19, 2018, by the Academy of American Poets.
You have found me
hidden in a wheat field
within a husk of corn
growing for you
I am ready
pick me
Hold me in your hands
remove my skin
peel away my color
find that I am tender
soft and sweet
Eat of me
until there is nothing
and your mouths are empty
and your bellies filled
What is left
will live
as seed
to grow
again
brighter
hardened
and less bitter
Copyright © 2020 by Huascar Medina. From Un Mango Grows in Kansas (Spartan Press, 2020). Used with the permission of the poet.