Poetry

- 1889-1948
Sometimes I tremble like a storm-swept flower,
And seek to hide my tortured soul from thee,
Bowing my head in deep humility
Before the silent thunder of thy power.
Sometimes I flee before thy blazing light,
As from the specter of pursuing death;
Intimidated lest thy mighty breath,
Windways, will sweep me into utter night.
For oh, I fear they will be swallowed up—
The loves which are to me of vital worth,
My passion and my pleasure in the earth—
And lost forever in thy magic cup!
I fear, I fear my truly human heart
Will perish on the altar-stone of art!

More by Claude McKay

The City's Love

For one brief golden moment rare like wine, 
The gracious city swept across the line; 
Oblivious of the color of my skin, 
Forgetting that I was an alien guest, 
She bent to me, my hostile heart to win, 
Caught me in passion to her pillowy breast; 
The great, proud city, seized with a strange love, 
Bowed down for one flame hour my pride to prove. 

Spring in New Hampshire

Too green the springing April grass, 
Too blue the silver-speckled sky, 
For me to linger here, alas, 
While happy winds go laughing by, 
Wasting the golden hours indoors, 
Washing windows and scrubbing floors. 

Too wonderful the April night, 
Too faintly sweet the first May flowers, 
The stars too gloriously bright, 
For me to spend the evening hours, 
When fields are fresh and streams are leaping, 
Wearied, exhausted, dully sleeping.

The Snow Fairy

I 

Throughout the afternoon I watched them there, 
Snow-fairies falling, falling from the sky, 
Whirling fantastic in the misty air, 
Contending fierce for space supremacy. 
And they flew down a mightier force at night, 
As though in heaven there was revolt and riot, 
And they, frail things had taken panic flight 
Down to the calm earth seeking peace and quiet. 
I went to bed and rose at early dawn 
To see them huddled together in a heap, 
Each merged into the other upon the lawn, 
Worn out by the sharp struggle, fast asleep. 
The sun shone brightly on them half the day, 
By night they stealthily had stol'n away. 


II 

And suddenly my thoughts then turned to you 
Who came to me upon a winter's night, 
When snow-sprites round my attic window flew, 
Your hair disheveled, eyes aglow with light. 
My heart was like the weather when you came, 
The wanton winds were blowing loud and long; 
But you, with joy and passion all aflame, 
You danced and sang a lilting summer song. 
I made room for you in my little bed, 
Took covers from the closet fresh and warm, 
A downful pillow for your scented head, 
And lay down with you resting in my arm. 
You went with Dawn. You left me ere the day, 
The lonely actor of a dreamy play.

Related Poems

Poetry

I too, dislike it: there are things that are important beyond
      all this fiddle.
   Reading it, however, with a perfect contempt for it, one
      discovers that there is in
   it after all, a place for the genuine.
      Hands that can grasp, eyes
      that can dilate, hair that can rise
         if it must, these things are important not because a

high-sounding interpretation can be put upon them but because
      they are
   useful; when they become so derivative as to become
      unintelligible, the
   same thing may be said for all of us—that we
      do not admire what
      we cannot understand. The bat,
         holding on upside down or in quest of something to

eat, elephants pushing, a wild horse taking a roll, a tireless
      wolf under
   a tree, the immovable critic twinkling his skin like a horse
      that feels a flea, the base-
   ball fan, the statistician—case after case
      could be cited did
      one wish it; nor is it valid
         to discriminate against “business documents and

school-books”; all these phenomena are important. One must
      make a distinction
   however: when dragged into prominence by half poets,
      the result is not poetry,
   nor till the autocrats among us can be
     “literalists of
      the imagination”—above
         insolence and triviality and can present

for inspection, imaginary gardens with real toads in them,
      shall we have
   it. In the meantime, if you demand on the one hand, in defiance of their opinion—
   the raw material of poetry in
      all its rawness, and
      that which is on the other hand,
         genuine, then you are interested in poetry.