If I die, I want a loud death. I don’t want to be just
breaking news, or a number in a group, I want a death
that the world will hear, an impact that will remain
through time, and a timeless image that cannot be
buried by time or place.
—Fatima Hassouna, Gaza photo journalist,
on April 15, before her death on April 16, 2025
Like the sound waves in space that tear
the remnants of supernovas, and twist the paths
of light
so maybe this is why some spiral galaxies
like Messier 77 resemble ears.
But also when
sunset splinters its light over the ridgeline and
the fireflies in this ravine cry desperately to save it,
or when the embers from last night’s crackling
campfire tremble,
or when our dog begins to fear
the sounds we do not hear,
then we know those waves
have touched us too.
For it is the silence after
the plane’s screech or the missile’s strike,
a kind of voiceless scream
that her photos captured
even as she stood among the rubble looking up
as if those waves could also signal a moment’s
desperate hope.
There is so much we do not hear—
the rumble of shifting sand dunes, the purr and drum
of the wolf spider, the echoes of bats, the explosions
on the sun, the warning cry of the treehopper, but
it’s the cry of those buried alive we so often refuse
to hear as too distant or beyond our reach to help,
yet even an elephant’s infrasound, which can be
detected by herd members as far as 115 miles
brings them to safety,
which tells us, well,
tells us what?
It was Jesus (Luke 19:40)
who said if these keep silent, then the very stones
will cry out.
Here, the news moves on to the next
loudest story,
or some chat on the phone blares
the latest scandal, score or personal interest.
In Gaza,
one journalist warned, a press vest makes you a target.
In one photo a hand reaches through the rubble is if
it were reaching to speak, 16 April 2025, from Al-Touffah.
In the end, it was the sound of her home collapsing.
In the end, we are all targets in our silences.
In the end, we know her absence the way each syllable
shouts its lament, pleading from inside each of these words.
Copyright © 2025 by Richard Jackson. Originally published in Poem-a-Day on December 5, 2025, by the Academy of American Poets.