When you doubt the world
look at the undivided darkness

look at Wheeler Peak
cliffs like suspended prayers

contemplate the cerulean
the gleaming limestone

the frozen shades
the wildflowers

look at the bristlecone pine
a labyrinth to winding wonders

listen to the caves
sing silently

remember the smell of sagebrush
after a thunderstorm

that Lexington Arch
is a bridge of questions

in the solitude of dreams
that here

distances disturb desire
to deliver a collision of breaths

the desert echoes
in this dark night sky

stars reveal the way
a heart can light a world.

Copyright © 2016 by Nathalie Handal. Originally published in Poem-a-Day on November 25, 2016, this poem was commissioned by the Academy of American Poets and funded by a National Endowment for the Arts Imagine Your Parks grant.

I'm traveling back home to you but it's an omen:
my road map's creased and torn along dead straight lines.

The hill and gully ride is over now and I'm flat out
on the dead straight highway with a toll.

Not a glimmer of the coastline as I try to make it home
to you through a forest of hotels as thick as thieves.

For the sea, the coves and beaches once seen through
seaside shacks and palm trees have been sold.

And the rest of us are herded to the verge by this new
highway while over there our beauty is extolled,

bottled and sold. And gated. In this new paradise the only
palms are greased. And somebody's beach umbrella

has replaced the shade tree we once sat under and the
towns and settlements molder as they are bypassed.

I can no longer witness on this highway with a toll that
makes us seem as modern as elsewhere. For elsewhere

is not where I'm meant to be. And a dead straight
highway leaves no scent, no monument to the past,

no scenic beauty for the curvature of my eye to take in.
And endless empty space is not inviting. But perhaps

there's no social meaning to this tirade after all. I'm just
feeling lost without a map as I make it home to you

and pay the toll. You could see it simply as a love song.
To the curving of your cheekbones, to the mountains

of your thighs, the hill and gully passion of your eyes, and
your hair that is not dead straight but very much otherwise.

From So Much Things To Say: 100 Calabash Poets, edited by Kwame Dawes and Colin Channer. Copyright © 2010 by Natasha Trethewey. Used with permisson of Calabash International Literary Trust and the author.

Allons! the road is before us!
It is safe—I have tried it—my own feet have tried it well—be not detain'd!

Let the paper remain on the desk unwritten, and the book on the shelf unopen'd!
Let the tools remain in the workshop! let the money remain unearn'd!
Let the school stand! mind not the cry of the teacher!
Let the preacher preach in his pulpit! let the lawyer plead in the court, and the judge expound the law.

Camerado, I give you my hand!
I give you my love more precious than money,
I give you myself before preaching or law;
Will you give me yourself? will you come travel with me?
Shall we stick by each other as long as we live?

This poem is in the public domain. 

The shine of many city streets
Confuses any countryman;
It flickers here and flashes there,
It goes as soon as it began,
It beckons many ways at once
For him to follow if he can.

Under the lamp a woman stands,
The lamps are shining equal well,
But in her eyes are other lights,
And lights plus other lights will tell:
He loves the brightness of that street
Which is the shining street to hell.

There’s light enough, and strong enough,
To lighten every pleasant park;
I’m sorry lights are held so cheap,
I’d rather there were not a spark
Than choose those shining ways for joy
And have them lead me into dark.

This poem is in the public domain, and originally appeared in Poems about God (Henry Holt and Co, 1919).