How on earth did it happen, I used to wonder
that a whole city—arches, pillars, colonnades, 
not to mention vehicles and animals—had all 
one fine day gone under?

I mean, I said to myself, the world was small then.
Surely a great city must have been missed?
I miss our old city —

white pepper, white pudding, you and I meeting 
under fanlights and low skies to go home in it. Maybe 
what really happened is 

this: the old fable-makers searched hard for a word
to convey that what is gone is gone forever and 
never found it. And so, in the best traditions of 

where we come from, they gave their sorrow a name
and drowned it.

"Atlantis—A Lost Sonnet", from Domestic Violence by Eavan Boland. Copyright © 2007 by Eavan Boland. Used by permission of W. W. Norton & Company, Inc.

I would like to watch you sleeping,
which may not happen.
I would like to watch you,
sleeping. I would like to sleep
with you, to enter
your sleep as its smooth dark wave
slides over my head

and walk with you through that lucent
wavering forest of bluegreen leaves
with its watery sun & three moons
towards the cave where you must descend,
towards your worst fear

I would like to give you the silver
branch, the small white flower, the one
word that will protect you
from the grief at the center
of your dream, from the grief
at the center. I would like to follow
you up the long stairway
again & become
the boat that would row you back
carefully, a flame
in two cupped hands
to where your body lies
beside me, and you enter
it as easily as breathing in

I would like to be the air
that inhabits you for a moment
only. I would like to be that unnoticed
& that necessary.

From Selected Poems II: 1976-1986 by Margaret Atwood. Copyright © 1987 by Margaret Atwood. Reprinted by permission of Houghton Mifflin. All rights reserved.

after Gwendolyn Brooks

My wild grief didn’t know where to end.
Everywhere I looked: a field alive and unburied.
Whole swaths of green swallowed the light.
All around me, the field was growing. I grew out
My hair in every direction. Let the sun freckle my face.
Even in the greenest depths, I crouched
Towards the light. That summer, everything grew
So alive and so alone. A world hushed in green.
Wildest grief grew inside out.

I crawled to the field’s edge, bruises blooming
In every crevice of my palms.
I didn’t know I’d reached a shoreline till I felt it
There: A salt wind lifted
The hair from my neck.
At the edge of every green lies an ocean.
When I saw that blue, I knew then:
This world will end.

Grief is not the only geography I know.
Every wound closes. Repair comes with sweetness,
Come spring. Every empire will fall:
I must believe this. I felt it
Somewhere in the field: my ancestors
Murmuring Go home, go home—soon, soon.
No country wants me back anymore and I’m okay.

If grief is love with nowhere to go, then
Oh, I’ve loved so immensely.
That summer, everything I touched
Was green. All bruises will fade
From green and blue to skin.
Let me grow through this green
And not drown in it.
Let me be lawless and beloved,
Ungovernable and unafraid.
Let me be brave enough to live here.
Let me be precise in my actions.
Let me feel hurt.
I know I can heal.
Let me try again—again and again.

Copyright © 2022 by Laurel Chen. Originally published in Poem-a-Day on October 21, 2022, by the Academy of American Poets.

Johnny, the kitchen sink has been clogged for days, some utensil probably fell down there.
And the Drano won’t work but smells dangerous, and the crusty dishes have piled up

waiting for the plumber I still haven’t called. This is the everyday we spoke of.
It’s winter again: the sky’s a deep, headstrong blue, and the sunlight pours through

the open living-room windows because the heat’s on too high in here and I can’t turn it off.
For weeks now, driving, or dropping a bag of groceries in the street, the bag breaking,

I’ve been thinking: This is what the living do. And yesterday, hurrying along those
wobbly bricks in the Cambridge sidewalk, spilling my coffee down my wrist and sleeve,

I thought it again, and again later, when buying a hairbrush: This is it.
Parking. Slamming the car door shut in the cold. What you called that yearning.

What you finally gave up. We want the spring to come and the winter to pass. We want
whoever to call or not call, a letter, a kiss—we want more and more and then more of it.

But there are moments, walking, when I catch a glimpse of myself in the window glass,
say, the window of the corner video store, and I'm gripped by a cherishing so deep

for my own blowing hair, chapped face, and unbuttoned coat that I’m speechless:
I am living. I remember you.

From What the Living Do, copyright © 1998 by Marie Howe. Used by permission of W. W. Norton. All rights reserved.