translated from the German by Jessie Lamont

Oh! All things are long passed away and far.
A light is shining but the distant star
From which it still comes to me has been dead
A thousand years . . . In the dim phantom boat
That glided past some ghastly thing was said.
A clock just struck within some house remote.
Which house?—I long to still my beating heart.
Beneath the sky’s vast dome I long to pray . . .
Of all the stars there must be far away
A single star which still exists apart.
And I believe that I should know the one
Which has alone endured and which alone
Like a white City that all space commands
At the ray’s end in the high heaven stands.

This poem is in the public domain. Published in Poem-a-Day on December 8, 2024, by the Academy of American Poets.

    Someone had spread an elaborate rumor about me, that I was
in possession of an extraterrestrial being, and I thought I knew who
it was. It was Roger Lawson. Roger was a practical joker of the
worst sort, and up till now I had not been one of his victims, so
I kind of knew my time had come. People parked in front of my
house for hours and took pictures. I had to draw all my blinds
and only went out when I had to. Then there was a barrage of
questions. “What does he look like?” “What do you feed him?” “How
did you capture him?” And I simple denied the presence of an
extraterrestrial in my house. And, of course, this excited them
all the more. The press showed up and started creeping around
my yard. It got to be very irritating. More and more came and
parked up and down the street. Roger was working overtime
on this one. I had to do something. Finally, I made an announcement.
I said, “The little fellow died peacefully in his sleep at 11:02
last night.” “Let us see the body,” they clamored. “He went up
in smoke instantly,” I said. “I don’t believe you,” one of them
said. “There is no body in the house or I would have buried it
myself,” I said. About half of them got in their cars and drove
off. The rest of them kept their vigil, but more solemnly now.
I went out and bought some groceries. When I came back about an
hour later another half of them had gone. When I went into the kitchen
I nearly dropped the groceries. There was a nearly transparent
fellow with large pink eyes standing about three feet tall. “Why
did you tell them I was dead? That was a lie,” he said. “You
speak English,” I said. “I listen to the radio. It wasn’t very
hard to learn. Also we have television. We get all your channels.
I like cowboys, especially John Ford movies. They’re the best,”
he said. “What am I going to do with you?” I said. “Take me
to meet a real cowboy. That would make me happy,” he said. “I
don’t know any real cowboys, but maybe we could find one. But
people will go crazy if they see you. We’d have press following
us everywhere. It would be the story of a century,” I said.
“I can be invisible. It’s not hard for me to do,” he said.
“I’ll think about it. Wyoming or Montana would be our best bet, but
they’re a long way from here,” I said. “Please, I won’t cause
you any trouble,” he said. “It would take some planning,” I said.
I put the groceries down and started putting them away. I tried
not to think of the cosmic meaning of all this. Instead, I
treated him like a smart little kid. “Do you have any sarsaparilla?”
he said. “No, but I have some orange juice. It’s good for you,”
I said. He drank it and made a face. “I’m going to get the maps
out,” I said. “We’ll see how we could get there.” When I came
back he was dancing on the kitchen table, a sort of ballet, but
very sad. “I have the maps,” I said. “We won’t need them. I just
received word. I’m going to die tonight. It’s really a joyous
occasion, and I hope you’ll help me celebrate by watching The
Magnificent Seven,” he said. I stood there with the maps in my
hand. I felt an unbearable sadness come over me. “Why must
you die?” I said. “Father decides these things. It is probably
my reward for coming here safely and meeting you,” he said. “But
I was going to take you to meet a real cowboy,” I said. “Let’s
pretend you are my cowboy,” he said.

“The Cowboy,” from The Ghost Soldiers, published by Ecco, 2008. Copyright © 2008 by James Tate. Reprinted with permission.

That streetlight looks like the slicked backbone

            of a dead tree in the rain, its green lamp blazing

like the first neon fig glowing in the first garden

            on a continent that split away from Africa

from which floated away Brazil. Why are we not

            more amazed by the constellations, all those flung

stars held together by the thinnest filaments

            of our evolved, image making brains. For instance,

here we are in the middle of another Autumn,

            plummeting through a universe that made us

from its shattering and dust, stooping

            now to pluck an orange leaf from the sidewalk,

a small veined hand we hold in an open palm

            as we walk through the park on a weekend we

invented so we would have time to spare. Time,

            another idea we devised so the days would have

an epilogue, precise, unwavering, a pendulum

            strung above our heads.  When was the sun

enough? The moon with its diminishing face?

            The sea with its nets of fish? The meadow’s

yellow baskets of grain? If I was in charge

            I’d say leave them there on their backs

in the grass, wondering, eating berries

            and rolling toward each other’s naked bodies

for warmth, for something we’ve yet to name,

            when the leaves were turning colors in their dying

and we didn’t know why, or that they would return,

            bud and green. One of a billion

small miracles. This planet will again be stone.

Copyright © 2019 by Dorianne Laux. Originally published in Poem-a-Day on July 10, 2019, by the Academy of American Poets.

How countlessly they congregate
     O’er our tumultuous snow,
Which flows in shapes as tall as trees
     When wintry winds do blow!—

As if with keenness for our fate,
     Out faltering few steps on
To white rest, and a place of rest
     Invisible at dawn,—

And yet with neither love nor hate,
     Those stars like some snow-white
Minerva’s snow-white marble eyes
     Without the gift of sight.

This poem is in the public domain.

 

We’ve been told space
is like two dark lips colliding

like science fiction
it outlines a small cosmos

where fear hides in a glow
where negative space

becomes a place for wishing
a constellation of hazy tunes

of faint sharp vowels
a glossary of meteors

a telescope to god
a cold bright white

maybe distance damages us
maybe Jupiter

will suddenly surprise us
with a notion of holiness

but instead an old planet
takes over all the space

and we are reminded
of the traces of fire

in our gaze
defining our infidelities

Copyright © 2015 by Nathalie Handal. Originally published in Poem-a-Day on May 12, 2015, by the Academy of American Poets.