The great thing
is not having
a mind. Feelings:
oh, I have those; they
govern me. I have
a lord in heaven
called the sun, and open
for him, showing him
the fire of my own heart, fire
like his presence.
What could such glory be
if not a heart? Oh my brothers and sisters,
were you like me once, long ago,
before you were human? Did you
permit yourselves
to open once, who would never
open again? Because in truth
I am speaking now
the way you do. I speak
because I am shattered.
From The Wild Iris, published by Ecco Press, 1992. Copyright © 1992 by Louise Glück. All rights reserved. Used with permission. This poem appeared in Poem-a-Day on October 10, 2020.
The time will come
when, with elation,
you will greet yourself arriving
at your own door, in your own mirror,
and each will smile at the other’s welcome,
and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you
all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,
the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.
From THE POETRY OF DEREK WALCOTT, 1948–2013 by Derek Walcott, selected by Glyn Maxwell. Copyright © 2014 by Derek Walcott. Reprinted by permission of Farrar, Straus and Giroux. All Rights Reserved.
must look so small, undetectable even,
from the vantage point where I imagine
a god could see me, and I do sometimes
imagine a god like a sentient star
out beyond where our instruments
could find it, then I talk myself
out of the image. Out of the concept
entirely. From a distance, I know
I’m an ant tunneling my way
through sand between plastic panels,
watched—or not—from outside.
My puny movements on this planet,
all the things I’ve done or built
with my own body or mind, seem
like nothing at all. But from the inside
this life feels enormous, unlimited
by the self—by selfness—
vaster even than the sparkling
dark it can’t be seen from.
Copyright © 2026 by Maggie Smith. Originally published in Poem-a-Day on March 2, 2026, by the Academy of American Poets.
When I am newly angry at one person, I forgive
another. Infants divide the good breast from the bad
one, but really, we resent need. On our small,
transactional earth, God promotes a few angels
in the green jungle of wild selves. And the rest?
Thirst at the watering hole. I told you
how this would go. We would have a fight,
and I would become a jaguar, shrug my big
shoulders at your pain. Shrug like an indifferent
cat. You can’t win a fight with a cat, unless
you drown her. When you drown her, she is
resurrected as good. I remove myself from this
balancing act and spare you the labor of buoyancy.
I am not an animal that can be weighed.
Copyright © 2025 by Megan Fernandes. Originally published in Poem-a-Day on January 21, 2025, by the Academy of American Poets.
“When did the ‘present’ begin?”
—Lauren Berlant
When the tyrant’s voice comes on the car radio, I close my eyes in an effort to slow the rate at which hopelessness enters me. With this act, I hurl myself faster toward extinction.
Every morning, I stretch, put food in my throat, and fail to forgive myself.
At night, I sit down to watch last year’s extinctions paint the wall, while next time’s fire buffers in a perpetual next time.
Somewhere between these, I occupy the present tense, with all the confidence of a settler.
Sometime before was when the things we survived happened. What am I surviving today: the war or its unending ending?
I remember none of it and so live without language for its opposite.
The country (was/is) divided, the US military (occupied/has occupied) the country, I (return/am returning) there.
What is the opposite of the present tense?
(I’m speaking, I say, until it’s no longer true.)
I love next time. I love it with all the declarative confidence of a child who’s never fished the softened bodies of her parents from a river as soldiers chew cud.
History hangs inside me, like a dependent clause.
History ends when its mirrors rush from the future like brake lights, polishing me into language.
After the catastrophe. By polishing me; through buffering grammar. In red memories dotting the highway smudged out by a storm. By the tyrant, unevenly distributed. With current.
The screech of tires is just the sound of my past catching up with yours.
Copyright © 2023 by Franny Choi. Originally published in Poem-a-Day on May 31, 2023, by the Academy of American Poets.
I DO not like my state of mind;
I’m bitter, querulous, unkind.
I hate my legs, I hate my hands,
I do not yearn for lovelier lands.
I dread the dawn’s recurrent light;
I hate to go to bed at night.
I snoot at simple, earnest folk.
I cannot take the gentlest joke.
I find no peace in paint or type.
My world is but a lot of tripe.
I’m disillusioned, empty-breasted.
For what I think, I’d be arrested.
I am not sick, I am not well.
My quondam dreams are shot to hell.
My soul is crushed, my spirit sore;
I do not like me any more.
I cavil, quarrel, grumble, grouse.
I ponder on the narrow house.
I shudder at the thought of men. . . .
I’m due to fall in love again.
From Enough Rope (Boni & Liveright, 1926) by Dorothy Parker. This poem is in the public domain.
Looking up at the stars, I know quite well
That, for all they care, I can go to hell,
But on earth indifference is the least
We have to dread from man or beast.
How should we like it were stars to burn
With a passion for us we could not return?
If equal affection cannot be,
Let the more loving one be me.
Admirer as I think I am
Of stars that do not give a damn,
I cannot, now I see them, say
I missed one terribly all day.
Were all stars to disappear or die,
I should learn to look at an empty sky
And feel its total dark sublime,
Though this might take me a little time.
From Homage to Clio by W. H. Auden, published by Random House. Copyright © 1960 W. H. Auden, renewed by the Estate of W. H. Auden. Used by permission of Curtis Brown, Ltd.
The world is a beautiful place
to be born into
if you don’t mind happiness
not always being
so very much fun
if you don’t mind a touch of hell
now and then
just when everything is fine
because even in heaven
they don’t sing
all the time
The world is a beautiful place
to be born into
if you don’t mind some people dying
all the time
or maybe only starving
some of the time
which isn’t half so bad
if it isn’t you
Oh the world is a beautiful place
to be born into
if you don’t much mind
a few dead minds
in the higher places
or a bomb or two
now and then
in your upturned faces
or such other improprieties
as our Name Brand society
is prey to
with its men of distinction
and its men of extinction
and its priests
and other patrolmen
and its various segregations
and congressional investigations
and other constipations
that our fool flesh
is heir to
Yes the world is the best place of all
for a lot of such things as
making the fun scene
and making the love scene
and making the sad scene
and singing low songs of having
inspirations
and walking around
looking at everything
and smelling flowers
and goosing statues
and even thinking
and kissing people and
making babies and wearing pants
and waving hats and
dancing
and going swimming in rivers
on picnics
in the middle of the summer
and just generally
‘living it up’
Yes
but then right in the middle of it
comes the smiling
mortician
From A Coney Island of the Mind, copyright © 1955 by Lawrence Ferlinghetti. Reprinted by permission of New Directions Publishing Corp.
Every day I am born like this—
No chingues. Nothing happens
for the first time. Not the neon
sign that says vacant, not the men
nor the jackals who resemble them.
I take my bones inscribed by those
who came before, and learn
to court myself under a violence
of stars. I prefer to become demon,
what their eyes cannot. Half of me
is beautiful, half of me is a promise
filled with the quietest places.
Every day I pray like a dog
in the mirror and relish the crux
of my hurt. We know Lilith ate
the bones of her enemies. We know
a bitch learns to love her own ghost.
Copyright © 2018 by Erika L. Sánchez. Originally published in Poem-a-Day on April 27, 2018, by the Academy of American Poets.
The bumper sticker says Live In The Moment! on a Jeep that cuts me off. I’m working to forget it, to let go of everything but the wheel in my hands, as a road connects two cities without forcing them to touch. When I drive by something, does it sway toward me or away? Does it slip into the past or dance nervously in place? The past suffers from anxiety too. It goes underground, emerging once in a blue moon to hiss. I hear the grass never saying a word. I hear it spreading its arms across each grave & barely catch a name. My dying wish is scattering now before every planet. I want places to look forward to. Listen: the earth is a thin voice in a headset. It’s whispering breathe... breathe... but who believes in going back?
Copyright © 2018 by Ben Purkert. Originally published in Poem-a-Day on March 2, 2018, by the Academy of American Poets.