Why not lindendust, hackberry, hemlock, live oak, maple, why name the remains after the blade, not what it cut— only now do I see that the air is full of small sharp stars pinwheeling through every living thing that gets in their way.
From Sharp Stars by Sharon Bryant. Copyright © 2009 by Sharon Bryant. Used by permission of BOA Editions Ltd.
If there’s one true thing, it’s that Google will make money off us no matter what. If we want to know what percentage of America is white (as it seems we do) what percentage of the population is gay (as it seems we do) what percentage of the earth is water: the engine is ready for our desire. The urgent snow is everywhere is a line by Edna St. Vincent Millay, and many have asked, apparently, where am I right now. Also when will I die. Do you love me may be up there, generating high cost-per-click, but not as high as how to make pancakes, what time is it in California. So many things I wanted to ask you, now that you’re gone, and your texts bounce back to me undeliverable. Praise to the goddess of the internet search, who returns with her basket of grain, 67,000 helpful suggestions to everything we request: how to solve a Rubik’s Cube, what to do when you’re bored, how old is the earth, how to clear cache, what animal am I, why do we dream, where are you now, come back.
Copyright © 2018 by Rachel Richardson. Originally published in Poem-a-Day on June 15, 2018, by the Academy of American Poets.
Count these number of things you call mine. This is the distance between
you and enlightenment.
—Swami Satchidananda.
(for Jenny) my pillow my shirt my house my supper my tooth my money my kite my job my bagel my spatula my blanket my arm my painting my fountain pen my desk my room my turn my book my hopelessness my wallet my print my sock my toe my stamp my introduction my luggage my plan my mistake my monkey my friend my penis my anger my expectation my pencil my pain my poster my fear my luggage tag my eyes my rainment my wash my opinion my fat my sleeplessness my love my basket my lunch my game my box my drawer my cup my longing my blotter my distraction my underpants my papers my wish my despair my erasure my plantation my candy my thoughtfulness my forbearance my gracelessness my courage my crying my hat my pocket my dirt my body my sex my scarf my solidarity my hope my spelling my smile my gaze my helplessness my quilt my reply my enemy my records my letter my gait my struggle my spirit my cut my thorn my demise my dream my plate my pit my hollow my blindness my clinging my projection my teacher my homework my housework my responsibility my guilt my relaxation my boat my crew my peanut butter my mill my man my hopelessness my fooling my sweet my terror my programme my judgement my disguise my distress my ladle my soup my mother my basin my pleat my cheddar my ownership my enmity my thought my encyclopedia my property my formula my infidelity my discretion my decision my delusion my deduction my derision my destitution my delinquincy my belt my eroica my junk my jealousy my remorse my strength my vision my world my fantasy my anger my determination my refusal my commitment my insanity my verbosity my austerity my androgeny my defiance my insistence my emastication my arousal my mystification my obscuraration my ejaculation my prostration my wontonness my cigarette my belief my uncertainty my cat my penetration my insight my obsolescence my sleeping bag my temptation my dedication my ball my court my kidney my razor my way my tissue my inadequacy my own my recorder my song my knack my perception my will my canoe my billiard ball my content my cassette my voice my sight my knowledge my bowels my beard my child my lethargy my nerve my incredulity my banana my ink my refrigerator my car my change my pupil my hair my tongue my tenderness my star my skill my persona my popularity my pickle my pinto my window my remembrance my munificance my country my fragility my visit my longevity my curtness my incomparability my sarcasm my sincerity my bed my bed table my table top my bar mitzvah my laughter my scorn my heartache my sandwich my call my loss my wit my charm my jest my undoing my practice my piano lesson my rage my toe my tattoo my turtledove my fly swatter my vest my notebook my pocketbook my sketchbook my repulsion my tea cup my taste my bag my handbag my bike my jay my roll my dear my milk my closet my slacks my hoist my ennui my analysis my language my fortune my vagueness my mint my limit my import my inference my affectation my affection my insolence my solitude my memory my bottle my history my ability my adobe my mission my likeness my misery my solipsism my omission my regression my opera my penicillin my resentment my future my understanding my apricots my holiday my umbrella my favorite my mood my side my seat my figment my contour my sky my rainbow my god my mask my reflection my blessing my light my time my epoxy my drum my hammer my grease my sand my story my top my past my mark my depth my garden my silence my speech my selfishness my hunger my allowance my letter my massage my derision my epoch my space my land my plentitude my perversity my poverty my transgression my exultation my lack my lustre my beatude my remission my encantation my white my pulse my creation my grace my object my sum my contumely my gloom my idea my chart my circumference my gravity my polarity my distance my eyelid my planting my separation my id my art my death my stand my preparation my heart my life my impression my grave my graciousness my marrow my heaven my appearance my olive oil my flake my self my porridge my mind my function my nakedness my illumination my freedom my charity my rose my pallour my pomp my pajamas my pity my posing my prayer my dawn my ocean my tide my underarm my spectacle my drifting my ground my body my angels my worship my dew my hobbey horse my customer my bread my faith my lies my care my restlessness my sunflower my weariness my age my existence my sense my backache my pie my thanks my numbness my sweeping my inspiration my token my pond my brillo my squint my pound my rock my critique my aplomb my portrait my view my rocking chair my sisters my demands my gumdrops my word
From Asylums, published in 1975 by Asylum's Press. Used by permission of the author.
The dead are breathing inside me now,
everything slowing to the pace of the newt
crawling across the bricks, the old cat watching,
the newt too slow for even him
as the crack in the earth opens and the roots
rise up to trip me. Fire lives in me
and the fear of fire, plague and the fear
of plague, death and the fear of death
though only it will silence me. I remember
the abandoned freight cars
standing on unused tracks, doors open.
I saw through them to the stubbled fields
beyond. The owl sitting on its fencepost late
in the day, the creek and its flowing,
the pied horse in its pasture—I was afraid
I’d lose them. If I could only do just this,
the long days filled, me longing, in pursuit
of something exquisite that eludes me, always
clumsy, never knowing the manners
of the place I have entered.
Copyright © 2023 by Maxine Scates. Originally published in Poem-a-Day on March 2, 2023, by the Academy of American Poets.
Palm-sized and fledgling, a beak
protruding from the sleeve, I
have kept my birds muted
for so long, I fear they’ve grown
accustom to a grim quietude.
What chaos could ensue
should a wing get loose?
Come overdue burst, come
flock, swarm, talon, and claw.
Scatter the coop’s roost, free
the cygnet and its shadow. Crack
and scratch at the state’s cage,
cut through cloud and branch,
no matter the dumb hourglass’s
white sand yawning grain by grain.
What cannot be contained
cannot be contained.
Copyright © 2020 Ada Limón. This poem was co-commissioned by the Academy of American Poets and the New York Philharmonic as part of the Project 19 initiative.
My husband says dark matter is a reality
not just some theory invented by adolescent computers
he can prove it exists and is everywhere
forming invisible haloes around everything
and somehow because of gravity
holding everything loosely together
the way a child wants to escape its parents
and doesn’t want to—what’s that—
we don’t know what it is but we know it is real
the way our mothers and fathers fondly
angrily followed fixed orbits around
each other like mice on a track
the way every human and every atom
rushes through space wrapped in its invisible
halo, this big shadow—that’s dark dark matter
sweetheart, while the galaxies
in the wealth of their ferocious protective bubbles
stare at each other
unable to cease
proudly
receding
Copyright © 2015 by Alicia Ostriker. Used with permission of the author.
If all you counted were tires on the cars left in driveways and stranded beside the roads.
Melted dashboards and tail lights, oil pans, window glass, seat belt clasps.
The propane tanks in everyone's yards, though we didn't hear them explode.
R-13 insulation. Paint, inside and out. The liquor store's plastic letters in puddled
colors below their charred sign. Each man-made sole of every shoe in all those closets.
The laundromat's washers' round metal doors.
But then Arco, Safeway, Walgreens, the library—everything they contained.
How many miles of electrical wire and PVC pipe swirling into the once-blue sky:
how many linoleum acres? Not to mention the valley oaks, the ponderosas, all the wild
hearts and all the tame, their bark and leaves and hooves and hair and bones, their final
cries, and our neighbors: so many particular, precious, irreplaceable lives that despite
ourselves we're inhaling.
Copyright © 2018 Molly Fisk. This poem originally appeared in Rattle. Used with permission of the author.
for Kait Rhoads
Gather up whatever is
glittering in the gutter,
whatever has tumbled
in the waves or fallen
in flames out of the sky,
for it’s not only our
hearts that are broken,
but the heart
of the world as well.
Stitch it back together.
Make a place where
the day speaks to the night
and the earth speaks to the sky.
Whether we created God
or God created us
it all comes down to this:
In our imperfect world
we are meant to repair
and stitch together
what beauty there is, stitch it
with compassion and wire.
See how everything
we have made gathers
the light inside itself
and overflows? A blessing.
From Only Now (Deerbrook Editions, 2013). Copyright © 2013 by Stuart Kestenbaum. Used with permission of the author.
It was taken some time ago.
At first it seems to be
a smeared
print: blurred lines and grey flecks
blended with the paper;
then, as you scan
it, you see in the left-hand corner
a thing that is like a branch: part of a tree
(balsam or spruce) emerging
and, to the right, halfway up
what ought to be a gentle
slope, a small frame house.
In the background there is a lake,
and beyond that, some low hills.
(The photograph was taken
the day after I drowned.
I am in the lake, in the center
of the picture, just under the surface.
It is difficult to say where
precisely, or to say
how large or small I am:
the effect of water
on light is a distortion
but if you look long enough,
eventually
you will be able to see me.)
From The Circle Game by Margaret Atwood. Copyright © 1998 by Margaret Atwood. Reproduced by permission of House of Anansi Press. All rights reserved.
somewhere i have never travelled, gladly beyond
any experience, your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near
your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skillfully, mysteriously) her first rose
or if your wish be to close me, i and
my life will shut very beautifully, suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;
nothing which we are to perceive in this world equals
the power of your intense fragility: whose texture
compels me with the colour of its countries,
rendering death and forever with each breathing
(i do not know what it is about you that closes
and opens; only something in me understands
the voice of your eyes is deeper than all roses)
nobody, not even the rain, has such small hands
From Complete Poems: 1904-1962 by E. E. Cummings, edited by George J. Firmage. Used with the permission of Liveright Publishing Corporation. Copyright © 1923, 1931, 1935, 1940, 1951, 1959, 1963, 1968, 1991 by the Trustees for the E. E. Cummings Trust. Copyright © 1976, 1978, 1979 by George James Firmage.
In those days, there was a woman in our circle
who was known, not only for her beauty,
but for taking off all her clothes and singing opera.
And sure enough, as the night wore on and the stars
emerged to stare at their reflections on the sea,
and everyone had drunk a little wine,
she began to disrobe, loose her great bosom,
and the tender belly, pale in the moonlight,
the Viking hips, and to let her torn raiment
fall to the sand as we looked up from the flames.
And then a voice lifted into the dark, high and clear
as a flock of blackbirds. And everything was very still,
the way the congregation quiets when the priest
prays over the incense, and the smoke wafts
up into the rafters. I wanted to be that free
inside the body, the doors of pleasure
opening, one after the next, an arpeggio
climbing the ladder of sky. And all the while
she was singing and wading into the water
until it rose up to her waist and then lapped
at the underside of her breasts, and the aria
drifted over us, her soprano spare and sharp
in the night air. And even though I was young,
somehow, in that moment, I heard it,
the song inside the song, and I knew then
that this was not the hymn of promise
but the body’s bright wailing against its limits.
A bird caught in a cathedral—the way it tries
to escape by throwing itself, again and again,
against the stained glass.
Copyright © 2017 Danusha Laméris. “Bonfire Opera” originally appeared in The American Poetry Review. Used with permission of the author.
dear reader, with our heels digging into the good mud at a swamp’s edge, you might tell me something about the dandelion & how it is not a flower itself but a plant made up of several small flowers at its crown & lord knows I have been called by what I look like more than I have been called by what I actually am & I wish to return the favor for the purpose of this exercise. which, too, is an attempt at fashioning something pretty out of seeds refusing to make anything worthwhile of their burial. size me up & skip whatever semantics arrive to the tongue first. say: that boy he look like a hollowed-out grandfather clock. he look like a million-dollar god with a two-cent heaven. like all it takes is one kiss & before morning, you could scatter his whole mind across a field.
Copyright © 2018 by Hanif Abdurraqib. Originally published in Poem-a-Day on July 4, 2018, by the Academy of American Poets.
let ruin end here
let him find honey
where there was once a slaughter
let him enter the lion’s cage
& find a field of lilacs
let this be the healing
& if not let it be
From Don’t Call Us Dead (Graywolf Press, 2017). Copyright © 2017 by Danez Smith. Used by permission of The Permissions Company, Inc., on behalf of Graywolf Press, www.graywolfpress.org.
In the burned house I am eating breakfast.
You understand: there is no house, there is no breakfast,
yet here I am.
The spoon which was melted scrapes against
the bowl which was melted also.
No one else is around.
Where have they gone to, brother and sister,
mother and father? Off along the shore,
perhaps. Their clothes are still on the hangers,
their dishes piled beside the sink,
which is beside the woodstove
with its grate and sooty kettle,
every detail clear,
tin cup and rippled mirror.
The day is bright and songless,
the lake is blue, the forest watchful.
In the east a bank of cloud
rises up silently like dark bread.
I can see the swirls in the oilcloth,
I can see the flaws in the glass,
those flares where the sun hits them.
I can't see my own arms and legs
or know if this is a trap or blessing,
finding myself back here, where everything
in this house has long been over,
kettle and mirror, spoon and bowl,
including my own body,
including the body I had then,
including the body I have now
as I sit at this morning table, alone and happy,
bare child's feet on the scorched floorboards
(I can almost see)
in my burning clothes, the thin green shorts
and grubby yellow T-shirt
holding my cindery, non-existent,
radiant flesh. Incandescent.
From Morning in the Burned House by Margaret Atwood. Copyright © 1995 by Margaret Atwood. Published in the United States by Houghton Mifflin Co., published in Canada by McClelland and Stewart, Inc. All rights reserved.