Why not lindendust,
   hackberry, hemlock,
live oak, maple, why
   name the remains
after the blade, not
   what it cut—

only now do I see
   that the air is full
of small sharp stars
   pinwheeling through
every living thing
   that gets in their way.

 

From Sharp Stars by Sharon Bryant. Copyright © 2009 by Sharon Bryant. Used by permission of BOA Editions Ltd.

If there’s one true thing, it’s that 
Google will make money off us no matter what. 
If we want to know 
what percentage of America is white 
(as it seems we do) 
what percentage of the population is gay 
(as it seems we do) 
what percentage of the earth is water: 
the engine is ready for our desire. 
The urgent snow is everywhere
is a line by Edna St. Vincent Millay, and 
many have asked, apparently, 
where am I right now. Also 
when will I die. Do you love me 
may be up there, generating 
high cost-per-click, but not 
as high as how to make pancakes, 
what time is it in California. 
So many things I wanted to ask you, 
now that you’re gone, and your texts 
bounce back to me 
undeliverable. Praise to 
the goddess of the internet search, who returns 
with her basket of grain, 
67,000 helpful suggestions
to everything we request: 
how to solve a Rubik’s Cube, 
what to do when you’re bored, 
how old is the earth, 
how to clear cache, 
what animal am I, 
why do we dream, 
where are you now, come back.

Copyright © 2018 by Rachel Richardson. Originally published in Poem-a-Day on June 15, 2018, by the Academy of American Poets.

          Count these number of things you call mine. This is the distance between
          you and enlightenment
.
                    —Swami Satchidananda.


                        (for Jenny)


my pillow

my shirt

my house

my supper

my tooth

my money

my kite

my job

my bagel

my spatula

my blanket

my arm

my painting

my fountain pen

my desk

my room

my turn

my book

my hopelessness

my wallet

my print

my sock

my toe

my stamp

my introduction

my luggage

my plan

my mistake

my monkey

my friend

my penis

my anger

my expectation

my pencil

my pain

my poster

my fear

my luggage tag

my eyes

my rainment

my wash

my opinion

my fat

my sleeplessness

my love

my basket

my lunch

my game

my box

my drawer

my cup

my longing

my blotter

my distraction

my underpants

my papers

my wish

my despair

my erasure

my plantation

my candy

my thoughtfulness

my forbearance

my gracelessness

my courage

my crying

my hat

my pocket

my dirt

my body

my sex

my scarf

my solidarity

my hope

my spelling

my smile

my gaze

my helplessness

my quilt

my reply

my enemy

my records

my letter

my gait

my struggle

my spirit

my cut

my thorn

my demise

my dream

my plate

my pit

my hollow

my blindness

my clinging

my projection

my teacher

my homework

my housework

my responsibility

my guilt

my relaxation

my boat

my crew

my peanut butter

my mill

my man

my hopelessness

my fooling

my sweet

my terror

my programme

my judgement

my disguise

my distress

my ladle

my soup

my mother

my basin

my pleat

my cheddar

my ownership

my enmity

my thought

my encyclopedia

my property

my formula

my infidelity

my discretion

my decision

my delusion

my deduction

my derision

my destitution

my delinquincy

my belt

my eroica

my junk

my jealousy

my remorse

my strength

my vision

my world

my fantasy

my anger

my determination

my refusal

my commitment

my insanity

my verbosity

my austerity

my androgeny

my defiance

my insistence

my emastication

my arousal

my mystification

my obscuraration

my ejaculation

my prostration

my wontonness

my cigarette

my belief

my uncertainty

my cat

my penetration

my insight

my obsolescence

my sleeping bag

my temptation

my dedication

my ball

my court

my kidney

my razor

my way

my tissue

my inadequacy

my own

my recorder

my song

my knack

my perception

my will

my canoe

my billiard ball

my content

my cassette

my voice

my sight

my knowledge

my bowels

my beard

my child

my lethargy

my nerve

my incredulity

my banana

my ink

my refrigerator

my car

my change

my pupil

my hair

my tongue

my tenderness

my star

my skill

my persona

my popularity

my pickle

my pinto

my window

my remembrance

my munificance

my country

my fragility

my visit

my longevity

my curtness

my incomparability

my sarcasm

my sincerity

my bed

my bed table

my table top

my bar mitzvah

my laughter

my scorn

my heartache

my sandwich

my call

my loss

my wit

my charm

my jest

my undoing

my practice

my piano lesson

my rage

my toe

my tattoo

my turtledove

my fly swatter

my vest

my notebook

my pocketbook

my sketchbook

my repulsion

my tea cup

my taste

my bag

my handbag

my bike

my jay

my roll

my dear

my milk

my closet

my slacks

my hoist

my ennui

my analysis

my language

my fortune

my vagueness

my mint

my limit

my import

my inference

my affectation

my affection

my insolence

my solitude

my memory

my bottle

my history

my ability

my adobe

my mission

my likeness

my misery

my solipsism

my omission

my regression

my opera

my penicillin

my resentment

my future

my understanding

my apricots

my holiday

my umbrella

my favorite

my mood

my side

my seat

my figment

my contour

my sky

my rainbow

my god

my mask

my reflection

my blessing

my light

my time

my epoxy

my drum

my hammer

my grease

my sand

my story

my top

my past

my mark

my depth

my garden

my silence

my speech

my selfishness

my hunger

my allowance

my letter

my massage

my derision

my epoch

my space

my land

my plentitude

my perversity

my poverty

my transgression

my exultation

my lack

my lustre

my beatude

my remission

my encantation

my white

my pulse

my creation

my grace

my object

my sum

my contumely

my gloom

my idea

my chart

my circumference

my gravity

my polarity

my distance

my eyelid

my planting

my separation

my id

my art

my death

my stand

my preparation

my heart

my life

my impression

my grave

my graciousness

my marrow

my heaven

my appearance

my olive oil

my flake

my self

my porridge

my mind

my function

my nakedness

my illumination

my freedom

my charity

my rose

my pallour

my pomp

my pajamas

my pity

my posing

my prayer

my dawn

my ocean

my tide

my underarm

my spectacle

my drifting

my ground

my body

my angels

my worship

my dew

my hobbey horse

my customer

my bread

my faith

my lies

my care

my restlessness

my sunflower

my weariness

my age

my existence

my sense

my backache

my pie

my thanks

my numbness

my sweeping

my inspiration

my token

my pond

my brillo

my squint

my pound

my rock

my critique

my aplomb

my portrait

my view

my rocking chair

my sisters

my demands

my gumdrops

my word

From Asylums, published in 1975 by Asylum's Press. Used by permission of the author.

The dead are breathing inside me now,

everything slowing to the pace of the newt
crawling across the bricks, the old cat watching,

the newt too slow for even him
as the crack in the earth opens and the roots

rise up to trip me. Fire lives in me
and the fear of fire, plague and the fear

of plague, death and the fear of death
though only it will silence me. I remember

the abandoned freight cars
standing on unused tracks, doors open.

I saw through them to the stubbled fields
beyond. The owl sitting on its fencepost late

in the day, the creek and its flowing,
the pied horse in its pasture—I was afraid

I’d lose them. If I could only do just this,
the long days filled, me longing, in pursuit

of something exquisite that eludes me, always
clumsy, never knowing the manners

of the place I have entered.

Copyright © 2023 by Maxine Scates. Originally published in Poem-a-Day on March 2, 2023, by the Academy of American Poets.

Palm-sized and fledgling, a beak
protruding from the sleeve, I
have kept my birds muted
for so long, I fear they’ve grown
accustom to a grim quietude.
What chaos could ensue
should a wing get loose?
Come overdue burst, come
flock, swarm, talon, and claw.
Scatter the coop’s roost, free
the cygnet and its shadow. Crack
and scratch at the state’s cage,
cut through cloud and branch,
no matter the dumb hourglass’s
white sand yawning grain by grain.
What cannot be contained
cannot be contained.

Copyright © 2020 Ada Limón. This poem was co-commissioned by the Academy of American Poets and the New York Philharmonic as part of the Project 19 initiative.

My husband says dark matter is a reality
not just some theory invented by adolescent computers
he can prove it exists and is everywhere

forming invisible haloes around everything
and somehow because of gravity
holding everything loosely together

the way a child wants to escape its parents
and doesn’t want to—what’s that—
we don’t know what it is but we know it is real

the way our mothers and fathers fondly
angrily followed fixed orbits around
each other like mice on a track

the way every human and every atom
rushes through space wrapped in its invisible
halo, this big shadow—that’s dark dark matter

sweetheart, while the galaxies
in the wealth of their ferocious protective bubbles
stare at each other

unable to cease
proudly
receding

Copyright © 2015 by Alicia Ostriker. Used with permission of the author.

If all you counted were tires on the cars left in driveways and stranded beside the roads.
Melted dashboards and tail lights, oil pans, window glass, seat belt clasps.
The propane tanks in everyone's yards, though we didn't hear them explode.

R-13 insulation. Paint, inside and out. The liquor store's plastic letters in puddled
colors below their charred sign. Each man-made sole of every shoe in all those closets.
The laundromat's washers' round metal doors.

But then Arco, Safeway, Walgreens, the library—everything they contained.
How many miles of electrical wire and PVC pipe swirling into the once-blue sky:
how many linoleum acres? Not to mention the valley oaks, the ponderosas, all the wild

hearts and all the tame, their bark and leaves and hooves and hair and bones, their final
cries, and our neighbors: so many particular, precious, irreplaceable lives that despite
ourselves we're inhaling.

Copyright © 2018 Molly Fisk. This poem originally appeared in Rattle. Used with permission of the author.

for Kait Rhoads

Gather up whatever is 
glittering in the gutter,
whatever has tumbled 
in the waves or fallen 
in flames out of the sky,

for it’s not only our
hearts that are broken, 
but the heart
of the world as well.
Stitch it back together. 

Make a place where
the day speaks to the night
and the earth speaks to the sky.
Whether we created God
or God created us

it all comes down to this:
In our imperfect world
we are meant to repair
and stitch together 
what beauty there is, stitch it 

with compassion and wire. 
See how everything 
we have made gathers 
the light inside itself
and overflows? A blessing.

From Only Now (Deerbrook Editions, 2013). Copyright © 2013 by Stuart Kestenbaum. Used with permission of the author.

It was taken some time ago.
At first it seems to be
a smeared
print: blurred lines and grey flecks
blended with the paper;

then, as you scan
it, you see in the left-hand corner
a thing that is like a branch: part of a tree
(balsam or spruce) emerging
and, to the right, halfway up
what ought to be a gentle
slope, a small frame house.

In the background there is a lake,
and beyond that, some low hills.

(The photograph was taken
the day after I drowned.

I am in the lake, in the center
of the picture, just under the surface.

It is difficult to say where
precisely, or to say
how large or small I am:
the effect of water
on light is a distortion

but if you look long enough,
eventually
you will be able to see me.)

From The Circle Game by Margaret Atwood. Copyright © 1998 by Margaret Atwood. Reproduced by permission of House of Anansi Press. All rights reserved.

somewhere i have never travelled, gladly beyond
any experience, your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near

your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skillfully, mysteriously) her first rose

or if your wish be to close me, i and
my life will shut very beautifully, suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;

nothing which we are to perceive in this world equals
the power of your intense fragility: whose texture
compels me with the colour of its countries,
rendering death and forever with each breathing

(i do not know what it is about you that closes
and opens; only something in me understands
the voice of your eyes is deeper than all roses)
nobody, not even the rain, has such small hands

From Complete Poems: 1904-1962 by E. E. Cummings, edited by George J. Firmage. Used with the permission of Liveright Publishing Corporation. Copyright © 1923, 1931, 1935, 1940, 1951, 1959, 1963, 1968, 1991 by the Trustees for the E. E. Cummings Trust. Copyright © 1976, 1978, 1979 by George James Firmage.

In those days, there was a woman in our circle
who was known, not only for her beauty,
but for taking off all her clothes and singing opera.
And sure enough, as the night wore on and the stars
emerged to stare at their reflections on the sea,
and everyone had drunk a little wine,
she began to disrobe, loose her great bosom,
and the tender belly, pale in the moonlight,
the Viking hips, and to let her torn raiment
fall to the sand as we looked up from the flames.
And then a voice lifted into the dark, high and clear
as a flock of blackbirds. And everything was very still,
the way the congregation quiets when the priest
prays over the incense, and the smoke wafts
up into the rafters. I wanted to be that free
inside the body, the doors of pleasure
opening, one after the next, an arpeggio
climbing the ladder of sky. And all the while
she was singing and wading into the water
until it rose up to her waist and then lapped
at the underside of her breasts, and the aria
drifted over us, her soprano spare and sharp
in the night air. And even though I was young,
somehow, in that moment, I heard it,
the song inside the song, and I knew then
that this was not the hymn of promise
but the body’s bright wailing against its limits.
A bird caught in a cathedral—the way it tries
to escape by throwing itself, again and again,
against the stained glass.

Copyright © 2017 Danusha Laméris. “Bonfire Opera” originally appeared in The American Poetry Review. Used with permission of the author.

 

dear reader, with our heels digging into the good 
mud at a swamp’s edge, you might tell me something 
about the dandelion & how it is not a flower itself 
but a plant made up of several small flowers at its crown 
& lord knows I have been called by what I look like 
more than I have been called by what I actually am & 
I wish to return the favor for the purpose of this 
exercise. which, too, is an attempt at fashioning 
something pretty out of seeds refusing to make anything 
worthwhile of their burial. size me up & skip whatever semantics arrive 
to the tongue first. say: that boy he look like a hollowed-out grandfather 
clock. he look like a million-dollar god with a two-cent 
heaven. like all it takes is one kiss & before morning, 
you could scatter his whole mind across a field.

Copyright © 2018 by Hanif Abdurraqib. Originally published in Poem-a-Day on July 4, 2018, by the Academy of American Poets.

let ruin end here

let him find honey
where there was once a slaughter

let him enter the lion’s cage
& find a field of lilacs

let this be the healing
& if not   let it be

From Don’t Call Us Dead (Graywolf Press, 2017). Copyright © 2017 by Danez Smith. Used by permission of The Permissions Company, Inc., on behalf of Graywolf Press, www.graywolfpress.org.

In the burned house I am eating breakfast.
You understand: there is no house, there is no breakfast,
yet here I am.

The spoon which was melted scrapes against
the bowl which was melted also.
No one else is around.

Where have they gone to, brother and sister,
mother and father? Off along the shore,
perhaps. Their clothes are still on the hangers,

their dishes piled beside the sink,
which is beside the woodstove
with its grate and sooty kettle,

every detail clear,
tin cup and rippled mirror.
The day is bright and songless,

the lake is blue, the forest watchful.
In the east a bank of cloud
rises up silently like dark bread.

I can see the swirls in the oilcloth,
I can see the flaws in the glass,
those flares where the sun hits them.

I can't see my own arms and legs
or know if this is a trap or blessing,
finding myself back here, where everything

in this house has long been over,
kettle and mirror, spoon and bowl,
including my own body,

including the body I had then,
including the body I have now
as I sit at this morning table, alone and happy,

bare child's feet on the scorched floorboards
(I can almost see)
in my burning clothes, the thin green shorts

and grubby yellow T-shirt
holding my cindery, non-existent,
radiant flesh. Incandescent.

From Morning in the Burned House by Margaret Atwood. Copyright © 1995 by Margaret Atwood. Published in the United States by Houghton Mifflin Co., published in Canada by McClelland and Stewart, Inc. All rights reserved.

For years I have seen
dead animals on the highway
 
and grieved for them
only to realize they are
 
not dead animals
they are t shirts
 
or bits of blown tire
and I have found
 
myself with this
excess of grief
 
I have made with
no object to let
 
it spill over and
I have not known
 
where to put it or
keep it and then today
 
I thought I know
I can give it to you
 

Copyright © 2017 by Heather Christle. Originally published in Poem-a-Day on September 18, 2017, by the Academy of American Poets.