Why not lindendust, hackberry, hemlock, live oak, maple, why name the remains after the blade, not what it cut— only now do I see that the air is full of small sharp stars pinwheeling through every living thing that gets in their way.
From Sharp Stars by Sharon Bryant. Copyright © 2009 by Sharon Bryant. Used by permission of BOA Editions Ltd.
If there’s one true thing, it’s that Google will make money off us no matter what. If we want to know what percentage of America is white (as it seems we do) what percentage of the population is gay (as it seems we do) what percentage of the earth is water: the engine is ready for our desire. The urgent snow is everywhere is a line by Edna St. Vincent Millay, and many have asked, apparently, where am I right now. Also when will I die. Do you love me may be up there, generating high cost-per-click, but not as high as how to make pancakes, what time is it in California. So many things I wanted to ask you, now that you’re gone, and your texts bounce back to me undeliverable. Praise to the goddess of the internet search, who returns with her basket of grain, 67,000 helpful suggestions to everything we request: how to solve a Rubik’s Cube, what to do when you’re bored, how old is the earth, how to clear cache, what animal am I, why do we dream, where are you now, come back.
Copyright © 2018 by Rachel Richardson. Originally published in Poem-a-Day on June 15, 2018, by the Academy of American Poets.
Count these number of things you call mine. This is the distance between
you and enlightenment.
—Swami Satchidananda.
(for Jenny)
my pillow
my shirt
my house
my supper
my tooth
my money
my kite
my job
my bagel
my spatula
my blanket
my arm
my painting
my fountain pen
my desk
my room
my turn
my book
my hopelessness
my wallet
my print
my sock
my toe
my stamp
my introduction
my luggage
my plan
my mistake
my monkey
my friend
my penis
my anger
my expectation
my pencil
my pain
my poster
my fear
my luggage tag
my eyes
my rainment
my wash
my opinion
my fat
my sleeplessness
my love
my basket
my lunch
my game
my box
my drawer
my cup
my longing
my blotter
my distraction
my underpants
my papers
my wish
my despair
my erasure
my plantation
my candy
my thoughtfulness
my forbearance
my gracelessness
my courage
my crying
my hat
my pocket
my dirt
my body
my sex
my scarf
my solidarity
my hope
my spelling
my smile
my gaze
my helplessness
my quilt
my reply
my enemy
my records
my letter
my gait
my struggle
my spirit
my cut
my thorn
my demise
my dream
my plate
my pit
my hollow
my blindness
my clinging
my projection
my teacher
my homework
my housework
my responsibility
my guilt
my relaxation
my boat
my crew
my peanut butter
my mill
my man
my hopelessness
my fooling
my sweet
my terror
my programme
my judgement
my disguise
my distress
my ladle
my soup
my mother
my basin
my pleat
my cheddar
my ownership
my enmity
my thought
my encyclopedia
my property
my formula
my infidelity
my discretion
my decision
my delusion
my deduction
my derision
my destitution
my delinquincy
my belt
my eroica
my junk
my jealousy
my remorse
my strength
my vision
my world
my fantasy
my anger
my determination
my refusal
my commitment
my insanity
my verbosity
my austerity
my androgeny
my defiance
my insistence
my emastication
my arousal
my mystification
my obscuraration
my ejaculation
my prostration
my wontonness
my cigarette
my belief
my uncertainty
my cat
my penetration
my insight
my obsolescence
my sleeping bag
my temptation
my dedication
my ball
my court
my kidney
my razor
my way
my tissue
my inadequacy
my own
my recorder
my song
my knack
my perception
my will
my canoe
my billiard ball
my content
my cassette
my voice
my sight
my knowledge
my bowels
my beard
my child
my lethargy
my nerve
my incredulity
my banana
my ink
my refrigerator
my car
my change
my pupil
my hair
my tongue
my tenderness
my star
my skill
my persona
my popularity
my pickle
my pinto
my window
my remembrance
my munificance
my country
my fragility
my visit
my longevity
my curtness
my incomparability
my sarcasm
my sincerity
my bed
my bed table
my table top
my bar mitzvah
my laughter
my scorn
my heartache
my sandwich
my call
my loss
my wit
my charm
my jest
my undoing
my practice
my piano lesson
my rage
my toe
my tattoo
my turtledove
my fly swatter
my vest
my notebook
my pocketbook
my sketchbook
my repulsion
my tea cup
my taste
my bag
my handbag
my bike
my jay
my roll
my dear
my milk
my closet
my slacks
my hoist
my ennui
my analysis
my language
my fortune
my vagueness
my mint
my limit
my import
my inference
my affectation
my affection
my insolence
my solitude
my memory
my bottle
my history
my ability
my adobe
my mission
my likeness
my misery
my solipsism
my omission
my regression
my opera
my penicillin
my resentment
my future
my understanding
my apricots
my holiday
my umbrella
my favorite
my mood
my side
my seat
my figment
my contour
my sky
my rainbow
my god
my mask
my reflection
my blessing
my light
my time
my epoxy
my drum
my hammer
my grease
my sand
my story
my top
my past
my mark
my depth
my garden
my silence
my speech
my selfishness
my hunger
my allowance
my letter
my massage
my derision
my epoch
my space
my land
my plentitude
my perversity
my poverty
my transgression
my exultation
my lack
my lustre
my beatude
my remission
my encantation
my white
my pulse
my creation
my grace
my object
my sum
my contumely
my gloom
my idea
my chart
my circumference
my gravity
my polarity
my distance
my eyelid
my planting
my separation
my id
my art
my death
my stand
my preparation
my heart
my life
my impression
my grave
my graciousness
my marrow
my heaven
my appearance
my olive oil
my flake
my self
my porridge
my mind
my function
my nakedness
my illumination
my freedom
my charity
my rose
my pallour
my pomp
my pajamas
my pity
my posing
my prayer
my dawn
my ocean
my tide
my underarm
my spectacle
my drifting
my ground
my body
my angels
my worship
my dew
my hobbey horse
my customer
my bread
my faith
my lies
my care
my restlessness
my sunflower
my weariness
my age
my existence
my sense
my backache
my pie
my thanks
my numbness
my sweeping
my inspiration
my token
my pond
my brillo
my squint
my pound
my rock
my critique
my aplomb
my portrait
my view
my rocking chair
my sisters
my demands
my gumdrops
my word
From Asylums, published in 1975 by Asylum's Press. Used by permission of the author.
The dead are breathing inside me now,
everything slowing to the pace of the newt
crawling across the bricks, the old cat watching,
the newt too slow for even him
as the crack in the earth opens and the roots
rise up to trip me. Fire lives in me
and the fear of fire, plague and the fear
of plague, death and the fear of death
though only it will silence me. I remember
the abandoned freight cars
standing on unused tracks, doors open.
I saw through them to the stubbled fields
beyond. The owl sitting on its fencepost late
in the day, the creek and its flowing,
the pied horse in its pasture—I was afraid
I’d lose them. If I could only do just this,
the long days filled, me longing, in pursuit
of something exquisite that eludes me, always
clumsy, never knowing the manners
of the place I have entered.
Copyright © 2023 by Maxine Scates. Originally published in Poem-a-Day on March 2, 2023, by the Academy of American Poets.
Palm-sized and fledgling, a beak
protruding from the sleeve, I
have kept my birds muted
for so long, I fear they’ve grown
accustom to a grim quietude.
What chaos could ensue
should a wing get loose?
Come overdue burst, come
flock, swarm, talon, and claw.
Scatter the coop’s roost, free
the cygnet and its shadow. Crack
and scratch at the state’s cage,
cut through cloud and branch,
no matter the dumb hourglass’s
white sand yawning grain by grain.
What cannot be contained
cannot be contained.
Copyright © 2020 Ada Limón. This poem was co-commissioned by the Academy of American Poets and the New York Philharmonic as part of the Project 19 initiative.
My husband says dark matter is a reality
not just some theory invented by adolescent computers
he can prove it exists and is everywhere
forming invisible haloes around everything
and somehow because of gravity
holding everything loosely together
the way a child wants to escape its parents
and doesn’t want to—what’s that—
we don’t know what it is but we know it is real
the way our mothers and fathers fondly
angrily followed fixed orbits around
each other like mice on a track
the way every human and every atom
rushes through space wrapped in its invisible
halo, this big shadow—that’s dark dark matter
sweetheart, while the galaxies
in the wealth of their ferocious protective bubbles
stare at each other
unable to cease
proudly
receding
Copyright © 2015 by Alicia Ostriker. Used with permission of the author.
If all you counted were tires on the cars left in driveways and stranded beside the roads.
Melted dashboards and tail lights, oil pans, window glass, seat belt clasps.
The propane tanks in everyone's yards, though we didn't hear them explode.
R-13 insulation. Paint, inside and out. The liquor store's plastic letters in puddled
colors below their charred sign. Each man-made sole of every shoe in all those closets.
The laundromat's washers' round metal doors.
But then Arco, Safeway, Walgreens, the library—everything they contained.
How many miles of electrical wire and PVC pipe swirling into the once-blue sky:
how many linoleum acres? Not to mention the valley oaks, the ponderosas, all the wild
hearts and all the tame, their bark and leaves and hooves and hair and bones, their final
cries, and our neighbors: so many particular, precious, irreplaceable lives that despite
ourselves we're inhaling.
Copyright © 2018 Molly Fisk. This poem originally appeared in Rattle. Used with permission of the author.
for Kait Rhoads
Gather up whatever is
glittering in the gutter,
whatever has tumbled
in the waves or fallen
in flames out of the sky,
for it’s not only our
hearts that are broken,
but the heart
of the world as well.
Stitch it back together.
Make a place where
the day speaks to the night
and the earth speaks to the sky.
Whether we created God
or God created us
it all comes down to this:
In our imperfect world
we are meant to repair
and stitch together
what beauty there is, stitch it
with compassion and wire.
See how everything
we have made gathers
the light inside itself
and overflows? A blessing.
From Only Now (Deerbrook Editions, 2013). Copyright © 2013 by Stuart Kestenbaum. Used with permission of the author.
It was taken some time ago.
At first it seems to be
a smeared
print: blurred lines and grey flecks
blended with the paper;
then, as you scan
it, you see in the left-hand corner
a thing that is like a branch: part of a tree
(balsam or spruce) emerging
and, to the right, halfway up
what ought to be a gentle
slope, a small frame house.
In the background there is a lake,
and beyond that, some low hills.
(The photograph was taken
the day after I drowned.
I am in the lake, in the center
of the picture, just under the surface.
It is difficult to say where
precisely, or to say
how large or small I am:
the effect of water
on light is a distortion
but if you look long enough,
eventually
you will be able to see me.)
From The Circle Game by Margaret Atwood. Copyright © 1998 by Margaret Atwood. Reproduced by permission of House of Anansi Press. All rights reserved.
somewhere i have never travelled, gladly beyond
any experience, your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near
your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skillfully, mysteriously) her first rose
or if your wish be to close me, i and
my life will shut very beautifully, suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;
nothing which we are to perceive in this world equals
the power of your intense fragility: whose texture
compels me with the colour of its countries,
rendering death and forever with each breathing
(i do not know what it is about you that closes
and opens; only something in me understands
the voice of your eyes is deeper than all roses)
nobody, not even the rain, has such small hands
From Complete Poems: 1904-1962 by E. E. Cummings, edited by George J. Firmage. Used with the permission of Liveright Publishing Corporation. Copyright © 1923, 1931, 1935, 1940, 1951, 1959, 1963, 1968, 1991 by the Trustees for the E. E. Cummings Trust. Copyright © 1976, 1978, 1979 by George James Firmage.
In those days, there was a woman in our circle
who was known, not only for her beauty,
but for taking off all her clothes and singing opera.
And sure enough, as the night wore on and the stars
emerged to stare at their reflections on the sea,
and everyone had drunk a little wine,
she began to disrobe, loose her great bosom,
and the tender belly, pale in the moonlight,
the Viking hips, and to let her torn raiment
fall to the sand as we looked up from the flames.
And then a voice lifted into the dark, high and clear
as a flock of blackbirds. And everything was very still,
the way the congregation quiets when the priest
prays over the incense, and the smoke wafts
up into the rafters. I wanted to be that free
inside the body, the doors of pleasure
opening, one after the next, an arpeggio
climbing the ladder of sky. And all the while
she was singing and wading into the water
until it rose up to her waist and then lapped
at the underside of her breasts, and the aria
drifted over us, her soprano spare and sharp
in the night air. And even though I was young,
somehow, in that moment, I heard it,
the song inside the song, and I knew then
that this was not the hymn of promise
but the body’s bright wailing against its limits.
A bird caught in a cathedral—the way it tries
to escape by throwing itself, again and again,
against the stained glass.
Copyright © 2017 Danusha Laméris. “Bonfire Opera” originally appeared in The American Poetry Review. Used with permission of the author.
dear reader, with our heels digging into the good mud at a swamp’s edge, you might tell me something about the dandelion & how it is not a flower itself but a plant made up of several small flowers at its crown & lord knows I have been called by what I look like more than I have been called by what I actually am & I wish to return the favor for the purpose of this exercise. which, too, is an attempt at fashioning something pretty out of seeds refusing to make anything worthwhile of their burial. size me up & skip whatever semantics arrive to the tongue first. say: that boy he look like a hollowed-out grandfather clock. he look like a million-dollar god with a two-cent heaven. like all it takes is one kiss & before morning, you could scatter his whole mind across a field.
Copyright © 2018 by Hanif Abdurraqib. Originally published in Poem-a-Day on July 4, 2018, by the Academy of American Poets.
let ruin end here
let him find honey
where there was once a slaughter
let him enter the lion’s cage
& find a field of lilacs
let this be the healing
& if not let it be
From Don’t Call Us Dead (Graywolf Press, 2017). Copyright © 2017 by Danez Smith. Used by permission of The Permissions Company, Inc., on behalf of Graywolf Press, www.graywolfpress.org.
In the burned house I am eating breakfast.
You understand: there is no house, there is no breakfast,
yet here I am.
The spoon which was melted scrapes against
the bowl which was melted also.
No one else is around.
Where have they gone to, brother and sister,
mother and father? Off along the shore,
perhaps. Their clothes are still on the hangers,
their dishes piled beside the sink,
which is beside the woodstove
with its grate and sooty kettle,
every detail clear,
tin cup and rippled mirror.
The day is bright and songless,
the lake is blue, the forest watchful.
In the east a bank of cloud
rises up silently like dark bread.
I can see the swirls in the oilcloth,
I can see the flaws in the glass,
those flares where the sun hits them.
I can’t see my own arms and legs
or know if this is a trap or blessing,
finding myself back here, where everything
in this house has long been over,
kettle and mirror, spoon and bowl,
including my own body,
including the body I had then,
including the body I have now
as I sit at this morning table, alone and happy,
bare child’s feet on the scorched floorboards
(I can almost see)
in my burning clothes, the thin green shorts
and grubby yellow T-shirt
holding my cindery, non-existent,
radiant flesh. Incandescent.
From Morning in the Burned House by Margaret Atwood. Copyright © 1995 by Margaret Atwood. Published in the United States by Houghton Mifflin Co., published in Canada by McClelland and Stewart, Inc. All rights reserved.
Copyright © 2017 by Heather Christle. Originally published in Poem-a-Day on September 18, 2017, by the Academy of American Poets.
try calling it hibernation.
Imagine the darkness is a cave
in which you will be nurtured
by doing absolutely nothing.
Hibernating animals don’t even dream.
It’s okay if you can’t imagine
Spring. Sleep through the alarm
of the world. Name your hopelessness
a quiet hollow, a place you go
to heal, a den you dug,
Sweetheart, instead
of a grave.
From You Better Be Lightning (Button Poetry, 2021) by Andrea Gibson. Copyright © 2021 Andrea Gibson. Reprinted by permission of the author.
The war was all over my hands.
I held the war and I watched them
die in high-definition. I could watch
anyone die, but I looked away. Still,
I wore the war on my back. I put it
on every morning. I walked the dogs
and they too wore the war. The sky
overhead was clear or it was cloudy
or it rained or it snowed, and I was rarely
afraid of what would fall from it. I worried
about what to do with my car, or how
much I could send my great-aunt this month
and the next. I ate my hamburger, I ate
my pizza, I ate a salad or lentil soup,
and this too was the war.
At times I was able to forget that I
was on the wrong side of the war,
my money and my typing and sleeping
sound at night. I never learned how
to get free. I never learned how
not to have anyone’s blood
on my own soft hands.
Copyright © 2019 by Donika Kelly. Originally published in Poem-a-Day on February 25, 2019, by the Academy of American Poets.
Cook a large fish—choose one with many bones, a skeleton
you will need skill to expose, maybe the flying
silver carp that's invaded the Great Lakes, tumbling
the others into oblivion. If you don't live
near a lake, you'll have to travel.
Walking is best and shows you mean it,
but you could take a train and let yourself
be soothed by the rocking
on the rails. It's permitted
to receive solace for whatever you did
or didn't do, pitiful, beautiful
human. When my mother was in the hospital,
my daughter and I had to clear out the home
she wouldn't return to. Then she recovered
and asked, incredulous,
How could you have thrown out all my shoes?
So you'll need a boat. You could rent or buy,
but, for the sake of repairing the world,
build your own. Thin strips
of Western red cedar are perfect,
but don't cut a tree. There'll be
a demolished barn or downed trunk
if you venture further.
And someone will have a mill.
And someone will loan you tools.
The perfume of sawdust and the curls
that fall from your plane
will sweeten the hours. Each night
we dream thirty-six billion dreams. In one night
we could dream back everything lost.
So grill the pale flesh.
Unharness yourself from your weary stories.
Then carry the oily, succulent fish to the one you hurt.
There is much to fear as a creature
caught in time, but this
is safe. You need no defense. This
is just another way to know
you are alive.
“How to Apologize” originally appeared in The New Yorker (March 15, 2021). Used with the permission of the poet.
after Linda Hogan
Nothing wants to suffer. Not the wind
as it scrapes itself against the cliff. Not the cliff
being eaten, slowly, by the sea. The earth does not want
to suffer the rough tread of those who do not notice it.
The trees do not want to suffer the axe, nor see
their sisters felled by root rot, mildew, rust.
The coyote in its den. The puma stalking its prey.
These, too, want ease and a tender animal in the mouth
to take their hunger. An offering, one hopes,
made quickly, and without much suffering.
The chair mourns an angry sitter. The lamp, a scalded moth.
A table, the weight of years of argument.
We know this, though we forget.
Not the shark nor the tiger, fanged as they are.
Nor the worm, content in its windowless world
of soil and stone. Not the stone, resting in its riverbed.
The riverbed, gazing up at the stars.
Least of all, the stars, ensconced in their canopy,
looking down at all of us— their offspring—
scattered so far beyond reach.
Copyright © 2021 by Danusha Laméris. Originally published in Poem-a-Day on April 9, 2021, by the Academy of American Poets.
is a black shambling bear ruffling its wild back and tossing mountains into the sea is a black hawk circling the burying ground circling the bones picked clean and discarded is a fish black blind in the belly of water is a diamond blind in the black belly of coal is a black and living thing is a favorite child of the universe feel her rolling her hand in its kinky hair feel her brushing it clean
Lucille Clifton, “the earth is a living thing” from The Book of Light. Copyright © 1993 by Lucille Clifton. Reprinted with the permission of The Permissions Company, LLC on behalf of Copper Canyon Press, coppercanyonpress.org.