I fear the vast dimensions of eternity.
I fear the gap between the platform and the train.
I fear the onset of a murderous campaign.
I fear the palpitations caused by too much tea.

I fear the drawn pistol of a rapparee.
I fear the books will not survive the acid rain.
I fear the ruler and the blackboard and the cane.
I fear the Jabberwock, whatever it might be.

I fear the bad decisions of a referee.
I fear the only recourse is to plead insane.
I fear the implications of a lawyer’s fee.

I fear the gremlins that have colonized my brain.
I fear to read the small print of the guarantee.
And what else do I fear? Let me begin again.

From Selected Poems by Ciaran Carson, published by Wake Forest University Press. Copyright © 2001 by Ciaran Carson. Reprinted with permission by Wake Forest University Press. All rights reserved.

It fills up the space where poems used to be,
Until there’s no space left. It’s incessant
Phone calls, figuring out money and flights to
Somewhere, nowhere, not knowing what comes next:
There’s nowhere to go, which is the problem
(I think everything’s the problem) taking its toll.
Diane looked at me cross-eyed at lunch and I sunk
Into a depression I recalled from forty years ago:
The constant consciousness of helplessness;
The constant feeling of inevitability, of the anger
At that feeling; of the separateness of persons.
Talk is like drugs, repeating what I said each night
In the morning, and on the phone each afternoon:
A different hospital each time, then the same hospital.
A fear of selfishness, an imperative of self-defense:
These are the boundaries of my life now,
The borderlines of my existence for a while.

“In the midst of life we are in death.” Any
Person’s death diminishes me, and yet the fear of
Death is something one can only face alone.
Poetry is stylized indifference, a drawing back
From the divide between my life and its negation—
Not because it’s empty, but because it’s full, too full,
Full of someone else’s.  Coming home each day
To the message light blinking on the phone,
My heart sinks as I press the button, and the dial tone
Comes as a relief, since I don’t know what to do.
It’s easier in miniature, within the limits of the page,
The confines of a single consciousness, with the drama
All offstage until the phone rings, and it starts again.

Copyright © 2015 by John Koethe. Originally published in Poem-a-Day on June 10, 2015, by the Academy of American Poets.

Sometimes I tremble like a storm-swept flower,
And seek to hide my tortured soul from thee,
Bowing my head in deep humility
Before the silent thunder of thy power.
Sometimes I flee before thy blazing light,
As from the specter of pursuing death;
Intimidated lest thy mighty breath,
Windways, will sweep me into utter night.
For oh, I fear they will be swallowed up—
The loves which are to me of vital worth,
My passion and my pleasure in the earth—
And lost forever in thy magic cup!
I fear, I fear my truly human heart
Will perish on the altar-stone of art!

This poem is in the public domain. Published in Poem-a-Day on May 19, 2018, by the Academy of American Poets.

Then Almitra spoke, saying, We would ask now of Death.
    And he said:
    You would know the secret of death.
    But how shall you find it unless you seek it in the heart of life?
    The owl whose night-bound eyes are blind unto the day cannot unveil the mystery of light.
    If you would indeed behold the spirit of death, open your heart wide unto the body of life.
    For life and death are one, even as the river and the sea are one.

    In the depth of your hopes and desires lies your silent knowledge of the beyond;
    And like seeds dreaming beneath the snow your heart dreams of spring.
    Trust the dreams, for in them is hidden the gate to eternity.
    Your fear of death is but the trembling of the shepherd when he stands before the king whose hand is to be laid upon him in honour.
    Is the shepherd not joyful beneath his trembling, that he shall wear the mark of the king?
    Yet is he not more mindful of his trembling?

    For what is it to die but to stand naked in the wind and to melt into the sun?
    And what is it to cease breathing, but to free the breath from its restless tides, that it may rise and expand and seek God unencumbered?

    Only when you drink from the river of silence shall you indeed sing.
    And when you have reached the mountain top, then you shall begin to climb.
    And when the earth shall claim your limbs, then shall you truly dance.

From The Prophet (Knopf, 1923). This poem is in the public domain.

I’m on a bike and someone’s name is forming.

The road is potholes the road is dust.

Cruising the dirt, the meadow humming with bugs.

Dust rising, tires crushing rock, bats ejecting from under the barn

streaming the insected air the pulse life repeating life looping back

slowing down getting longer though it didn’t and isn’t.

A little letting go of fear.

A little spittle in death’s eye.

Don’t ask don’t think (I didn’t ask or think).

Didn’t think don’t think.

I remember giving in to it lying back and then

little sprout of willow

spray of the earth green of leaves the light coming down

as if through a ferny veil dirty primal randomly animate

and we are in it still.

From The Uses of the Body, published by Copper Canyon Press. Copyright © 2015 by Deborah Landau. Reprinted with permission of Copper Canyon Press.