I am the river of Spavinaw,
    I am the river of pain;
Sadness and gladness must answer my law;
Measure for measure I give, and withdraw
Back through the hills of the Spavinaw,
    Hiding away from the plain.

I am the river of Spavinaw;
    I sing the songs of the world;
Dashing and whirling, swishing and swirling,
Delicate, mystical, silvery spray hurling,
    Sing I the songs of the world,
    The passionate songs of the world.

I sing of laughter and mirth,
    And I laugh in a gurgle of glee
As the myriad joys of the earth
    Trip through the light with me.
Gay shallows dimple, sparkle and ripple.
    Like songs that a lover would sing,
      Skipping in moonlight,
      Tripping in moonlight,
    Whispering echoes of spring.

And again
    I move with the slow sadness of pain.
In my dark blue deep, where the shadows creep,
    I catch up life’s sorrows and mirror them back again.
And my song is a throbbing, pitiful sobbing,
    Choked by an agonized pain.

And then
    I move forth toward the beckoning north,
       And I sing of the power of men.
           As I dash down my falls,
           As I beat at my walls
Frantically fighting, running and righting,
All through the flood, through the snarling and biting,
       I sing of the power of men,
       Of the hurry and power of men.

       I am the river of Spavinaw,
       I am the giver of pain;
Sadness and gladness must answer my law;
Measure for measure I give, and withdraw
Back through the hills of the Spavinaw,
       Hiding away from the plain.

This poem is in the public domain. Published in Poem-a-Day on December 15, 2018, by the Academy of American Poets.

Droning a drowsy syncopated tune,
Rocking back and forth to a mellow croon,
     I heard a Negro play.
Down on Lenox Avenue the other night
By the pale dull pallor of an old gas light
     He did a lazy sway . . .
     He did a lazy sway . . .
To the tune o’ those Weary Blues.
With his ebony hands on each ivory key
He made that poor piano moan with melody.
     O Blues!
Swaying to and fro on his rickety stool
He played that sad raggy tune like a musical fool.
     Sweet Blues!
Coming from a black man’s soul.
     O Blues!
In a deep song voice with a melancholy tone
I heard that Negro sing, that old piano moan—
     "Ain’t got nobody in all this world,
       Ain’t got nobody but ma self.
       I’s gwine to quit ma frownin’
       And put ma troubles on the shelf."

Thump, thump, thump, went his foot on the floor.
He played a few chords then he sang some more—
     "I got the Weary Blues
       And I can’t be satisfied.
       Got the Weary Blues
       And can’t be satisfied—
       I ain’t happy no mo’
       And I wish that I had died."
And far into the night he crooned that tune.
The stars went out and so did the moon.
The singer stopped playing and went to bed
While the Weary Blues echoed through his head.
He slept like a rock or a man that's dead.

From The Weary Blues (Alfred A. Knopf, 1926) by Langston Hughes. This poem is in the public domain. 

Let me make the songs for the people,
   Songs for the old and young;
Songs to stir like a battle-cry
   Wherever they are sung.

Not for the clashing of sabres,
   For carnage nor for strife;
But songs to thrill the hearts of men
   With more abundant life.

Let me make the songs for the weary,
   Amid life's fever and fret,
Till hearts shall relax their tension,
   And careworn brows forget.

Let me sing for little children,
   Before their footsteps stray,
Sweet anthems of love and duty,
   To float o'er life's highway.

I would sing for the poor and aged,
   When shadows dim their sight;
Of the bright and restful mansions,
   Where there shall be no night.

Our world, so worn and weary,
   Needs music, pure and strong,
To hush the jangle and discords
   Of sorrow, pain, and wrong.

Music to soothe all its sorrow,
   Till war and crime shall cease; 
And the hearts of men grown tender
   Girdle the world with peace.

This poem is in the public domain. Published in Poem-a-Day on August 8, 2020, by the Academy of American Poets.

Are you bowed down in heart?
Do you but hear the clashing discords and the din of life?
Then come away, come to the peaceful wood,
Here bathe your soul in silence. Listen! Now,
From out the palpitating solitude
Do you not catch, yet faint, elusive strains?
They are above, around, within you, everywhere.
Silently listen! Clear, and still more clear, they come.
They bubble up in rippling notes, and swell in singing tones.
Now let your soul run the whole gamut of the wondrous scale
Until, responsive to the tonic chord,
It touches the diapason of God’s grand cathedral organ,
Filling earth for you with heavenly peace
And holy harmonies.

This poem is in the public domain.

Some day, when trees have shed their leaves
         And against the morning's white
The shivering birds beneath the eaves
         Have sheltered for the night,
We'll turn our faces southward, love,
         Toward the summer isle
Where bamboos spire to shafted grove
         And wide-mouthed orchids smile.

And we will seek the quiet hill
         Where towers the cotton tree,
And leaps the laughing crystal rill,
         And works the droning bee.
And we will build a cottage there
         Beside an open glade,
With black-ribbed blue-bells blowing near,
         And ferns that never fade.

From Harlem Shadows (New York, Harcourt, Brace and company, 1922) by Claude McKay. This poem is in the public domain.

They dip their wings in the sunset,
They dash against the air
As if to break themselves upon its stillness:
In every movement, too swift to count,
Is a revelry of indecision,
A furtive delight in trees they do not desire
And in grasses that shall not know their weight.

They hover and lean toward the meadow
With little edged cries;
And then,
As if frightened at the earth’s nearness,
They seek the high austerity of evening sky
And swirl into its depth.
 

This poem is in the public domain.

I’ll tell you how the sun rose, —
A ribbon at a time.
The steeples swam in amethyst,
The news like squirrels ran.

The hills untied their bonnets,
The bobolinks begun.
Then I said softly to myself,
“That must have been the sun!”

But how he set, I know not.
There seemed a purple stile
Which little yellow boys and girls
Were climbing all the while

Till when they reached the other side,
A dominie in gray
Put gently up the evening bars,
And led the flock away.
 

This poem is in the public domain.

From childhood’s hour I have not been
As others were—I have not seen
As others saw—I could not bring
My passions from a common spring—
From the same source I have not taken
My sorrow—I could not awaken
My heart to joy at the same tone—
And all I lov’d—I lov’d alone—
Then—in my childhood—in the dawn
Of a most stormy life—was drawn
From ev’ry depth of good and ill
The mystery which binds me still—
From the torrent, or the fountain—
From the red cliff of the mountain—
From the sun that ‘round me roll’d
In its autumn tint of gold—
From the lightning in the sky
As it pass’d me flying by—
From the thunder, and the storm—
And the cloud that took the form
(When the rest of Heaven was blue)
Of a demon in my view—

This poem is in the public domain.

Passers-by,
Out of your many faces
Flash memories to me
Now at the day end
Away from the sidewalks
Where your shoe soles traveled
And your voices rose and blent
To form the city’s afternoon roar
Hindering an old silence.

Passers-by,
I remember lean ones among you,
Throats in the clutch of a hope,
Lips written over with strivings,
Mouths that kiss only for love,
Records of great wishes slept with,
      Held long
And prayed and toiled for:

      Yes,
Written on
Your mouths
And your throats
I read them
When you passed by.

This poem is in the public domain.

If you can keep your head when all about you
   Are losing theirs and blaming it on you;
If you can trust yourself when all men doubt you,
   But make allowance for their doubting too;
If you can wait and not be tired by waiting,
   Or, being lied about, don’t deal in lies,
Or, being hated, don’t give way to hating,
   And yet don’t look too good, nor talk too wise;

If you can dream—and not make dreams your master;
   If you can think—and not make thoughts your aim;
If you can meet with triumph and disaster
   And treat those two impostors just the same;
If you can bear to hear the truth you’ve spoken
   Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to broken,
   And stoop and build ’em up with wornout tools;

If you can make one heap of all your winnings
   And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
   And never breathe a word about your loss;
If you can force your heart and nerve and sinew
   To serve your turn long after they are gone,
And so hold on when there is nothing in you
   Except the Will which says to them: “Hold on”;

If you can talk with crowds and keep your virtue,
   Or walk with kings—nor lose the common touch;
If neither foes nor loving friends can hurt you;
   If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds’ worth of distance run—
   Yours is the Earth and everything that’s in it,
And—which is more—you’ll be a Man, my son!

This poem is in the public domain.