When the doctor suggested surgery
and a brace for all my youngest years,
my parents scrambled to take me
to massage therapy, deep tissue work,
osteopathy, and soon my crooked spine
unspooled a bit, I could breathe again,
and move more in a body unclouded
by pain. My mom would tell me to sing
songs to her the whole forty-five minute
drive to Middle Two Rock Road and forty-
five minutes back from physical therapy.
She’d say, even my voice sounded unfettered
by my spine afterward. So I sang and sang,
because I thought she liked it. I never
asked her what she gave up to drive me,
or how her day was before this chore. Today,
at her age, I was driving myself home from yet
another spine appointment, singing along
to some maudlin but solid song on the radio,
and I saw a mom take her raincoat off
and give it to her young daughter when
a storm took over the afternoon. My god,
I thought, my whole life I’ve been under her
raincoat thinking it was somehow a marvel
that I never got wet.

From The Carrying (Milkweed Editions, 2018) by Ada Limón. Copyright © 2018 by Ada Limón. Used with the permission of Milkweed Editions. milkweed.org.

I like being with you all night with closed eyes.
What luck—here you are
coming
along the stars!
I did a road trip
all over my mind and heart
and
there you were
kneeling by the roadside
with your little toolkit
fixing something.

Give me a world, you have taken the world I was.

Copyright © 2020 by Anne Carson. Originally published in Poem-a-Day on December 10, 2020, by the Academy of American Poets.

She pressed her lips to mind.
—a typo

How many years I must have yearned
for someone’s lips against mind.
Pheromones, newly born, were floating
between us. There was hardly any air.

She kissed me again, reaching that place
that sends messages to toes and fingertips,
then all the way to something like home.
Some music was playing on its own.

Nothing like a woman who knows
to kiss the right thing at the right time,
then kisses the things she’s missed.
How had I ever settled for less?

I was thinking this is intelligence,
this is the wisest tongue
since the Oracle got into a Greek’s ear,
speaking sense. It’s the Good,

defining itself. I was out of my mind.
She was in. We married as soon as we could.

"The Kiss," from Everything Else in the World by Stephen Dunn. Copyright © 2007 by Stephen Dunn. Used by permission of W. W. Norton & Company, Inc.

Wind rising in the alleys
My spirit lifts in you like a banner
  Streaming free of hot walls.
You are full of unspent dreams . . .
You are laden with beginnings . . .
There is hope in you . . . not sweet . . .
    acrid as blood in the mouth.
Come into my tossing dust
Scattering the peace of old deaths,
Wind rising in the alleys
Carrying stuff of flame.

This poem is in the public domain. Published in Poem-a-Day on July 11, 2021, by the Academy of American Poets.

Last night I heard your voice, mother,
The words you sang to me
When I, a little barefoot boy,
Knelt down against your knee.
And tears gushed from my heart, mother,
And passed beyond its wall,
But though the fountain reached my throat
The drops refused to fall.
'Tis ten years since you died, mother,
Just ten dark years of pain,
And oh, I only wish that I
Could weep just once again.

From Harlem Shadows (New York, Harcourt, Brace and company, 1922) by Claude McKay. This poem is in the public domain.

He winds through the party like wind, one of the just 
who live alone in black and white, bewildered

by the eden of his body. (You, you talk like winter 
rain.) He's the meaning of almost-morning walking home 

at five A.M., the difference a night makes 
turning over into day, simple birds staking claims 

on no sleep. Whatever they call those particular birds. 
He's the age of sensibility at seventeen, he isn't worth

the time of afternoon it takes to write this down. 
He's the friend that lightning makes, raking 

the naked tree, thunder that waits for weeks to arrive; 
he's the certainty of torrents in September, harvest time 

and powerlines down for miles. He doesn't even know 
his name. In his body he's one with air, white as a sky

rinsed with rain. It's cold there, it's hard to breathe, 
and drowning is somewhere to be after a month of drought. 

"A Muse" from Some Are Drowning, by Reginald Shepherd. Copyright © 1995. Reprinted by permission of University of Pittsburgh Press.

                The world is a beautiful place 
                                                           to be born into 
if you don’t mind happiness 
                                             not always being 
                                                                        so very much fun 
       if you don’t mind a touch of hell
                                                       now and then
                just when everything is fine
                                                             because even in heaven
                                they don’t sing 
                                                        all the time

             The world is a beautiful place
                                                           to be born into
       if you don’t mind some people dying
                                                                  all the time
                        or maybe only starving
                                                           some of the time
                 which isn’t half so bad
                                                      if it isn’t you

      Oh the world is a beautiful place
                                                          to be born into
               if you don’t much mind
                                                   a few dead minds
                    in the higher places
                                                    or a bomb or two
                            now and then
                                                  in your upturned faces
         or such other improprieties
                                                    as our Name Brand society
                                  is prey to
                                              with its men of distinction
             and its men of extinction
                                                   and its priests
                         and other patrolmen
                                                         and its various segregations
         and congressional investigations
                                                             and other constipations
                        that our fool flesh
                                                     is heir to

Yes the world is the best place of all
                                                           for a lot of such things as
         making the fun scene
                                                and making the love scene
and making the sad scene
                                         and singing low songs of having 
                                                                                      inspirations
and walking around 
                                looking at everything
                                                                  and smelling flowers
and goosing statues
                              and even thinking 
                                                         and kissing people and
     making babies and wearing pants
                                                         and waving hats and
                                     dancing
                                                and going swimming in rivers
                              on picnics
                                       in the middle of the summer
and just generally
                            ‘living it up’

Yes
   but then right in the middle of it
                                                    comes the smiling
                                                                                 mortician

                                           

From A Coney Island of the Mind, copyright ©1955 by Lawrence Ferlinghetti. Reprinted by permission of New Directions Publishing Corp.

Listen
with the night falling we are saying thank you
we are stopping on the bridges to bow from the railings
we are running out of the glass rooms
with our mouths full of food to look at the sky
and say thank you
we are standing by the water thanking it
standing by the windows looking out
in our directions

back from a series of hospitals back from a mugging
after funerals we are saying thank you
after the news of the dead
whether or not we knew them we are saying thank you

over telephones we are saying thank you
in doorways and in the backs of cars and in elevators
remembering wars and the police at the door
and the beatings on stairs we are saying thank you
in the banks we are saying thank you
in the faces of the officials and the rich
and of all who will never change
we go on saying thank you thank you

with the animals dying around us
our lost feelings we are saying thank you
with the forests falling faster than the minutes
of our lives we are saying thank you
with the words going out like cells of a brain
with the cities growing over us
we are saying thank you faster and faster
with nobody listening we are saying thank you
we are saying thank you and waving
dark though it is

From Migration: New & Selected Poems (Copper Canyon Press, 2005). Copyright © 1988 by W. S. Merwin. Used by permission. All rights reserved.

Love comes quietly,
finally, drops
about me, on me,
in the old ways.

What did I know
thinking myself
able to go
alone all the way.

From For Love: Poems. Copyright © 1962 by Robert Creeley. Used with permission of the Estate of Robert Creeley and The Permissions Company.

I would like to describe the simplest emotion
joy or sadness
but not as others do
reaching for shafts of rain or sun

I would like to describe a light
which is being born in me
but I know it does not resemble
any star
for it is not so bright
not so pure
and is uncertain

I would like to describe courage
without dragging behind me a dusty lion
and also anxiety
without shaking a glass full of water

to put it another way
I would give all metaphors
in return for one word
drawn out of my breast like a rib
for one word
contained within the boundaries
of my skin

but apparently this is not possible

and just to say - I love
I run around like mad
picking up handfuls of birds
and my tenderness
which after all is not made of water
asks the water for a face
and anger
different from fire
borrows from it
a loquacious tongue

so is blurred
so is blurred
in me
what white-haired gentlemen
separated once and for all
and said 
this is the subject
and this is the object

we fall asleep
with one hand under our head
and with the other in a mound of planets

our feet abandon us
and taste the earth
with their tiny roots
which next morning
we tear out painfully

From The Collected Poems 1956-1998 by Zbigniew Herbert. © 2007 by The Estate of Zbigniew Herbert. Published by arrangement with Ecco, an imprint of HarperCollins Publishers.

				       for Ted Berrigan & Alice Notley

the bridges of Chicago
are not the bridges of Paris
or the bridges of Amsterdam
except they are a definition
almost no one bothers to define
like life full of surprises
in what now looks to be the oldest
modern American city
o apparition of the movie version of
the future circa 1931
the bridges soon filled with moving lines
of people workers' armies
in the darkness of first December visit
along the water
bend of the Chicago River
the cliffs of architecture like palisades
at night the stars in windows
stars in the poem you wrote a sky
through which the el train pulls its lights
in New York streets of childhood
is like a necklace (necktie) in the language of
old poems old memories
old Fritz Lang visions of the night before
the revolution the poor souls
of working people we all love
fathers or uncles
lost to us in dreams & gauze
of intervening 1960s
there are whole tribes of Indians
somewhere inhabiting
a tunnel paradise
they will wait it out still
with a perfect assurance of things to come
everyone so well read in old novels
maybe the economics of disaster Ted
depressions of the spirit
so unlike the bright promise of
the early years
gloss of the young life easing death
atop a hill in Lawrence Kansas
the afternoon sky became aluminum
(illumination)
played on a tambourine to calm
the serpent fear
the material corpse that leaves us vulnerable
everyone will come to it I think
I do not think you dig it
getting so out of hand so far away
but we remain & I will
make another visit soon
hope we can take a walk
together it is night & we are
not so bad off have turned forty
like poets happy with our sadness
we are still humans in a city overhung
with ancient bridges
you pop your pill I laugh
look back upon the future of
America & remember
when we both wrote our famous poems called
Modern Times

From New Selected Poems. Copyright © 1986 by Jerome Rothenberg. Reprinted with permission of New Directions Publishing Corporation.

I’m Nobody! Who are you?
Are you – Nobody – too?
Then there’s a pair of us!
Don't tell! they'd advertise – you know!

How dreary – to be – Somebody!
How public – like a Frog –
To tell one’s name – the livelong June –
To an admiring Bog!

Poetry used by permission of the publishers and the Trustees of Amherst College from The Poems of Emily Dickinson, Ralph W. Franklin ed., Cambridge, Mass.: The Belknap Press of Harvard University Press. Copyright © 1998 by the President and Fellows of Harvard College. Copyright © 1951, 1955, 1979 by the President and Fellows of Harvard College.

to Ken Kesey & Ken Babbs

Clumsy at first, fitting together
the years we have been apart,
and the ways.

But as the night
passed and the day came, the first
fine morning of April,

it came clear:
the world that has tried us
and showed us its joy

was our bond
when we said nothing.
And we allowed it to be

with us, the new green
shining.

          *

Our lives, half gone,
stay full of laughter.

Free-hearted men
have the world for words.

Though we have been
apart, we have been together.

          *

Trying to sleep, I cannot
take my mind away.
The bright day

shines in my head
like a coin
on the bed of a stream.

          *

You left
your welcome.
 

From Collected Poems: 1957-1982 by Wendell Berry. Copyright © 1985 by Wendell Berry. Used by permission of Counterpoint Press. All rights reserved.