Great wonder that my blood spurts ruby red
And not a green and slimy stream instead—
That all my tears are salt, not bitter gall,
That I still live, and love and laugh at all!
And that my teeth are lustrous, pearly white,
Instead of blue cold blades that clash at night.
Why do you stand aloof and bid me pray,
You who sow strife and pain upon my way?
How does my soul live on mauled by hate’s rod?
You cannot know ’twas made by One called God.

From Black Opals 1, No. 2 (Christmas 1927). This poem is in the public domain.

To fling my arms wide
In some place of the sun,
To whirl and to dance
Till the white day is done.
Then rest at cool evening
Beneath a tall tree
While night comes on gently,
    Dark like me—
That is my dream!

To fling my arms wide
In the face of the sun,
Dance! Whirl! Whirl!
Till the quick day is done.
Rest at pale evening . . .
A tall, slim tree . . .
Night coming tenderly
    Black like me.

From The Collected Poems of Langston Hughes, published by Alfred A. Knopf, Inc. Copyright © 1994 the Estate of Langston Hughes. Used with permission.

I have gone out, a possessed witch,
haunting the black air, braver at night;
dreaming evil, I have done my hitch
over the plain houses, light by light:
lonely thing, twelve-fingered, out of mind.
A woman like that is not a woman, quite.
I have been her kind.

I have found the warm caves in the woods,
filled them with skillets, carvings, shelves,
closets, silks, innumerable goods;
fixed the suppers for the worms and the elves:
whining, rearranging the disaligned.
A woman like that is misunderstood.
I have been her kind.

I have ridden in your cart, driver,
waved my nude arms at villages going by,
learning the last bright routes, survivor
where your flames still bite my thigh
and my ribs crack where your wheels wind.
A woman like that is not ashamed to die.
I have been her kind.

From The Complete Poems by Anne Sexton, published by Houghton Mifflin Company. Copyright © 1981 by Linda Gray Sexton. Used with permission.

I’m Nobody! Who are you?

Are you – Nobody – too?

Then there’s a pair of us!

Don’t tell! they’d advertise – you know!

How dreary – to be – Somebody!

How public – like a Frog –

To tell one’s name – the livelong June –

To an admiring Bog!

Poetry used by permission of the publishers and the Trustees of Amherst College from The Poems of Emily Dickinson, Ralph W. Franklin ed., Cambridge, Mass.: The Belknap Press of Harvard University Press. Copyright © 1998 by the President and Fellows of Harvard College. Copyright © 1951, 1955, 1979 by the President and Fellows of Harvard College.

Today I go back to the sea
And the wind-beaten rise of the foam.
Today I go back to the sea—
And it’s just as though I were home. 
It’s just as though I were home again
On this ship of iron and steam,
And it’s just as though I have found again
The broken edge of a dream.

From Black Opals 1, No. 1 (Spring 1927). This poem is in the public domain.

I look at the world

From awakening eyes in a black face —

And this is what I see:

This fenced-off narrow space

Assigned to me.



I look then at the silly walls

Through dark eyes in a dark face —

And this is what I know:

That all these walls oppression builds

Will have to go!



I look at my own body

With eyes no longer blind —

And I see that my own hands can make

The world that’s in my mind.

Then let us hurry, comrades,

The road to find.

“I Look at the World” by Langston Hughes, copyright © 2009 by The Estate of Langston Hughes. Reprinted by permission of the Estate of Langston Hughes and International Literary Properties LLC.

Where did the shooting stars go?
They flit across my childhood sky
And by my teens I no longer looked upward—
My face instead peered through the windshield
Of my first car, or into the rearview mirror,
All the small tragedies behind me,
The road and the road’s curve up ahead.

The shooting stars?
At night, I now look upward—
Jets and single-prop planes.
No brief light, nothing to wish for,
The neighbor’s security light coming on.

Big white moon on the hill,
Lantern on gravestones,
You don’t count.

Copyright © 2016 by Gary Soto. Used with permission of the author.