I’ll tell you how the sun rose, —
A ribbon at a time.
The steeples swam in amethyst,
The news like squirrels ran.
The hills untied their bonnets,
The bobolinks begun.
Then I said softly to myself,
“That must have been the sun!”
But how he set, I know not.
There seemed a purple stile
Which little yellow boys and girls
Were climbing all the while
Till when they reached the other side,
A dominie in gray
Put gently up the evening bars,
And led the flock away.
This poem is in the public domain.
sometimes I think the gods deliberately keep pushing me into the fire just to hear me yelp a few good lines. they just aren't going to let me retire silk scarf about neck giving lectures at Yale. the gods need me to entertain them. they must be terribly bored with all the others and I am too. and now my cigarette lighter has gone dry. I sit here hopelessly flicking it. this kind of fire they can't give me.
From The Continual Condtion by Charles Bukowski. Copyright © 2009 by Linda Lee Bukowski. Used by permission of Ecco Books, an imprint of HarperCollins.
I went to the worst of bars hoping to get killed. but all I could do was to get drunk again. worse, the bar patrons even ended up liking me. there I was trying to get pushed over the dark edge and I ended up with free drinks while somewhere else some poor son-of-a-bitch was in a hospital bed, tubes sticking out all over him as he fought like hell to live. nobody would help me die as the drinks kept coming, as the next day waited for me with its steel clamps, its stinking anonymity, its incogitant attitude. death doesn't always come running when you call it, not even if you call it from a shining castle or from an ocean liner or from the best bar on earth (or the worst). such impertinence only makes the gods hesitate and delay. ask me: I'm 72.
Copyright © 2005 by Charles Bukowski. From Slouching Toward Nirvana: New Poems. Reprinted with permission of HarperCollins Publishers.
if it doesn't come bursting out of you
in spite of everything,
don't do it.
unless it comes unasked out of your
heart and your mind and your mouth
and your gut,
don't do it.
if you have to sit for hours
staring at your computer screen
or hunched over your
typewriter
searching for words,
don't do it.
if you're doing it for money or
fame,
don't do it.
if you're doing it because you want
women in your bed,
don't do it.
if you have to sit there and
rewrite it again and again,
don't do it.
if it's hard work just thinking about doing it,
don't do it.
if you're trying to write like somebody
else,
forget about it.
if you have to wait for it to roar out of
you,
then wait patiently.
if it never does roar out of you,
do something else.
if you first have to read it to your wife
or your girlfriend or your boyfriend
or your parents or to anybody at all,
you're not ready.
don't be like so many writers,
don't be like so many thousands of
people who call themselves writers,
don't be dull and boring and
pretentious, don't be consumed with self-
love.
the libraries of the world have
yawned themselves to
sleep
over your kind.
don't add to that.
don't do it.
unless it comes out of
your soul like a rocket,
unless being still would
drive you to madness or
suicide or murder,
don't do it.
unless the sun inside you is
burning your gut,
don't do it.
when it is truly time,
and if you have been chosen,
it will do it by
itself and it will keep on doing it
until you die or it dies in you.
there is no other way.
and there never was.
From sifting through the madness for the Word, the line, the way by Charles Bukowski. Copyright © 2003 by the Estate of Charles Bukowski. Reprinted by permission of HarperCollins. All rights reserved.
When the boy's head, full of raw torment, Longs for hazy dreams to swarm in white, Two charming older sisters come to his bed With slender fingers and silvery nails. They sit him at a casement window, thrown Open on a mass of flowers basking in blue air, And run the fine, intimidating witchcraft Of their fingers through his dew-dank hair. He listens to their diffident, sing-song breath, Smelling of elongated honey off the rose, Broken now and then by a hiss: saliva sucked Back from the lip, or a longing to be kissed. He hears their dark eyelashes start in the sweet- Smelling silence and, through his grey listlessness, The crackle of small lice dying, beneath The imperious nails of their soft, electric fingers. The wine of Torpor wells up in him then — Near on trance, a harmonica-sigh — And in their slow caress he feels The endless ebb and flow of a desire to cry.
Copyright © Jeremy Harding and John Sturrock, 2004. Reproduced by permission of Penguin Books Ltd.
Knows how to forget! But could It teach it? Easiest of Arts, they say When one learn how Dull Hearts have died In the Acquisition Sacrificed for Science Is common, though, now — I went to School But was not wiser Globe did not teach it Nor Logarithm Show "How to forget"! Say — some — Philosopher! Ah, to be erudite Enough to know! Is it in a Book? So, I could buy it — Is it like a Planet? Telescopes would know — If it be invention It must have a Patent. Rabbi of the Wise Book Don't you know?
This poem is in the public domain.
One Sister have I in our house - And one a hedge away. There's only one recorded, But both belong to me. One came the way that I came - And wore my past year's gown - The other as a bird her nest, Builded our hearts among. She did not sing as we did - It was a different tune - Herself to her a Music As Bumble-bee of June. Today is far from Childhood - But up and down the hills I held her hand the tighter - Which shortened all the miles - And still her hum The years among, Deceives the Butterfly; Still in her Eye The Violets lie Mouldered this many May. I spilt the dew - But took the morn, - I chose this single star From out the wide night's numbers - Sue - forevermore!
This poem is in the public domain.
My life closed twice before its close—
It yet remains to see
If Immortality unveil
A third event to me
So huge, so hopeless to conceive
As these that twice befell.
Parting is all we know of heaven,
And all we need of hell.
This poem is in the public domain.
It’s all I have to bring today—
This, and my heart beside—
This, and my heart, and all the fields—
And all the meadows wide—
Be sure you count—should I forget
Some one the sum could tell—
This, and my heart, and all the Bees
Which in the Clover dwell.
This poem is in the public domain.