Although it no longer has a body
to cover out of a sense of decorum,

the ghost must still consider fashion—

must clothe its invisibility in something
if it is to “appear” in public.

Some traditional specters favor
the simple shroud—

a toga of ectoplasm
worn Isadora-Duncan-style
swirling around them.

While others opt for lightweight versions
of once familiar tee shirts and jeans.

Perhaps being thought-forms,
they can change their outfits instantly—

or if they were loved ones,
it is we who clothe them
like dolls from memory.
 

Copyright © 2015 by Elaine Equi. Originally published in Poem-a-Day on August 6, 2015, by the Academy of American Poets.

When sleepless, it’s helpful to meditate on mottoes of the states.
South Carolina, “While I breathe I hope.”  Perhaps this could be
the new flag on the empty flagpole.
Or “I Direct” from Maine—why?
Because Maine gets the first sunrise?  How bossy, Maine!
Kansas, “To the Stars through Difficulties”—
clackety wagon wheels, long, long land
and the droning press of heat—cool stars, relief.
In Arkansas, “The People Rule”—lucky you.
Idaho, “Let It Be Perpetual”—now this is strange.
Idaho, what is your “it”?
Who chose these lines?
How many contenders?
What would my motto be tonight, in tangled sheets?
Texas—“Friendship”—now boasts the Open Carry law.
Wisconsin, where my mother’s parents are buried,
chose “Forward.”
New Mexico, “It Grows As It Goes”—now this is scary.
Two dangling its. This does not represent that glorious place.
West Virginia, “Mountaineers Are Always Free”—really?
Washington, you’re wise.
What could be better than “By and By”?
Oklahoma must be tired—“Labor Conquers all Things.”
Oklahoma, get together with Nevada, who chose only
“Industry” as motto. I think of Nevada as a playground
or mostly empty. How wrong we are about one another.
For Alaska to pick “North to the Future”
seems odd. Where else are they going?

Copyright © 2016 by Naomi Shihab Nye. Used with permission by the author. 

      I sat in the old tree swing without swinging. My loafer had fallen off and I left it on the ground. My sister came running out of the house to tell me something. She said, "I'm going to camp tomorrow." I said, "I don't believe you." She said, "I am. It's a fact. Mother told me." We didn't speak for the rest of the day. I was mad at her for getting to do something I didn't. At dinner I asked mother what kind of camp it was. She said, "Oh, just a camp like any other." I didn't really know what that meant. The next day they got her ready to go, and then they drove off, leaving me with the neighbors. When they got back everything was normal, except I missed Maisie. And I missed her more each following day. I didn't know how much she had meant to me before. I asked my parents over and over how much longer it would be. All they said was soon. I told some kids at school how long my sister had been gone. One of them said, "She'll never be back. That's the death camp." When I got home I told my parents what that boy had said. "He doesn't know what he's talking about," my father said. But after a couple of more weeks of her absence I began to wonder. That's when they began to clean out Maisie's room. I said, "What are you doing?" You said Maise will be back soon." My mother said, "Maisie's not coming back. She likes it there better than she does here." "That's not true. I don't believe you," I said. My father gave me a look that let me know I might be next if I didn't mend my ways. I never said a word about Maisie again.

Copyright © 2012 by James Tate. Used with permission of the author.

The world begins at a kitchen table. No matter what, we must eat to live.

The gifts of earth are brought and prepared, set on the table. So it has been since creation, and it will go on.

We chase chickens or dogs away from it. Babies teethe at the corners. They scrape their knees under it.

It is here that children are given instructions on what it means to be human. We make men at it, we make women.

At this table we gossip, recall enemies and the ghosts of lovers.

Our dreams drink coffee with us as they put their arms around our children. They laugh with us at our poor falling-down selves and as we put ourselves back together once again at the table.

This table has been a house in the rain, an umbrella in the sun.

Wars have begun and ended at this table. It is a place to hide in the shadow of terror. A place to celebrate the terrible victory.

We have given birth on this table, and have prepared our parents for burial here.

At this table we sing with joy, with sorrow. We pray of suffering and remorse. We give thanks.

Perhaps the world will end at the kitchen table, while we are laughing and crying, eating of the last sweet bite.

From The Woman Who Fell From the Sky (W. W. Norton, 1994) by Joy Harjo. Copyright © 1994 by Joy Harjo. Used with permission of the author.

You tell me to live each day
as if it were my last. This is in the kitchen
where before coffee I complain
of the day ahead—that obstacle race
of minutes and hours,
grocery stores and doctors.

But why the last? I ask. Why not
live each day as if it were the first—
all raw astonishment, Eve rubbing
her eyes awake that first morning,
the sun coming up
like an ingénue in the east?

You grind the coffee
with the small roar of a mind
trying to clear itself. I set
the table, glance out the window
where dew has baptized every
living surface.

From Insomnia, published by W. W. Norton. Copyright © 2015 by Linda Pastan. Used with permission of Linda Pastan in care of the Jean V. Naggar Literary Agency, Inc.

The man cut his throat and left his head there.
The others went to get it.
When they got there they put the head in a sack.
Farther on the head fell out onto the ground.
They put the head back in the sack.
Farther on the head fell out again.
Around the first sack they put a second one that 
   was thicker.
But the head fell out just the same.
It should be explained that they were taking the head 
   to show to the others.
They did not put the head back in the sack.
They left it in the middle of the road.
They went away.

They crossed the river.
But the head followed them.
They climbed up a tree full of fruit 
to see whether it would go past.

The head stopped at the foot of the tree
and asked them for some fruit.
So the men shook the tree.
The head went to get the fruit.
Then it asked for some more.

So the men shook the tree
so that the fruit fell into the water.
The head said it couldn't get the fruit from there.
So the men threw the fruit a long way
to make the head go a long way to get it so they could go.
While the head was getting the fruit 
the men got down from the tree and went on.

The head came back and looked at the tree
and didn't see anybody
so went on rolling down the road.

The men had stopped to wait 
to see whether the head would follow them.
They saw the head come rolling.

They ran.
They got to their hut they told the others that the head
was rolling after them and to shut the door.

All the huts were closed tight.
When it got there the head commanded them to open the doors.
The owners would not open them because they were afraid.

So the head started to think what it would turn into.
If it turned into water they would drink it.
If it turned into earth they would walk on it.
If it turned into a house they would live in it.
If it turned into a steer they would kill it and eat it.
If it turned into a cow they would milk it.
If it turned into a bean they would cook it.
If it turned into the sun
When men were cold it would heat them.
If it turned into rain the grass would grow and the 
   animals would crop it. 

So it thought, and it said, "I will turn into the moon."
It called, "Open the doors, I want to get my things."
They would not open them.

The head cried. It called out, "At least give me
my two balls of twine."
They threw out the two balls of twine through a hole. 
It took them and threw them into the sky.

It asked them to throw it a little stick too
to roll the thread around so it could climb up.

Then it said, "I can climb, I am going to the sky."
It started to climb.

The men opened the doors right away.
The head went on climbing.
The men shouted, "You going to the sky, head?"
It didn't answer.

As soon as it got to the Sun
it turned into the Moon.
Toward evening the Moon was white, it was beautiful.
And the men were surprised
to see that the head had turned into the Moon.

Original text by Anonymous Caxinua Amazon, translated by W. S. Merwin. From Selected Translations by W. S. Merwin. Copyright © 1968 by W. S. Merwin. Used by permission. All rights reserved.

Rush hour, and the short order cook lobs breakfast
sandwiches, silverfoil softballs, up and down the line. 
We stand until someone says, Yes? The next person behind
breathes hungrily. The cashier’s hands never stop. He shouts:
Where’s my double double? We help. We eliminate all verbs.
The superfluous want, need, give they already know. Nothing’s left
but stay or go, and a few things like bread. No one can stay long,
not even the stolid man in blue-hooded sweats, head down, eating,
his work boots powdered with cement dust like snow that never melts.

From The Dirt She Ate: Selected and New Poems by Minnie Bruce Pratt. Copyright © 2003 by Minnie Bruce Pratt. Used by permission of the University of Pittsburgh Press. All rights reserved.

1.

Pies have a reputation.
And it’s immediate—no talk of potential

Regarding a pie.  It’s good
Or it isn’t, but mostly it is—sweet, very sweet

Right then, right there, blue and red.
It can’t go to junior college,

Work hard for the grades,
Work two jobs on the side.

It can’t slowly build a reputation
And a growing client base.

A pie gets one chance
And knows it, wearing as makeup

Those sparkling granules of sugar,
As a collar those diamond cutouts

Bespeaking Fair Day, felicity, contentment.
I tell you everything is great, says a pie,

Great, and fun, and fine.
And you smell nice, too, someone says.

A full pound of round sound, all ahh, all good.
Pies live a life of applause.

 

2.

But then there are the other pies.
The leftover pies.  The ones

Nobody chooses at Thanksgiving.
Mincemeat?  What the hell is that? people ask,

Pointing instead at a double helping of Mr.
“I-can-do-no-wrong” pecan pie.

But the unchosen pies have a long history, too.
They have plenty of good stories, places they’ve been—

They were once fun, too—
But nobody wants to listen to them anymore.

Oh sure, everybody used to love lard,
But things have changed, brother—things have changed.

That’s never the end of the story, of course.
Some pies make a break for it—

Live underground for a while,
Doing what they can, talking fast,

Trying to be sweet pizzas, if they’re lucky.
But no good comes of it.  Nobody is fooled.

A pie is a pie for one great day.  Last week,
It was Jell-O.  Tomorrow, it’ll be cake.

Originally published in The Dangerous Shirt (Copper Canyon Press, 2009). Copyright © by Alberto Ríos. Reprinted with the permission of the author.

I love the hour before takeoff,
that stretch of no time, no home
but the gray vinyl seats linked like
unfolding paper dolls. Soon we shall
be summoned to the gate, soon enough
there’ll be the clumsy procedure of row numbers
and perforated stubs—but for now
I can look at these ragtag nuclear families
with their cooing and bickering
or the heeled bachelorette trying
to ignore a baby’s wail and the baby’s
exhausted mother waiting to be called up early
while the athlete, one monstrous hand
asleep on his duffel bag, listens,
perched like a seal trained for the plunge.
Even the lone executive
who has wandered this far into summer
with his lasered itinerary, briefcase
knocking his knees—even he
has worked for the pleasure of bearing
no more than a scrap of himself
into this hall. He’ll dine out, she’ll sleep late,
they’ll let the sun burn them happy all morning
—a little hope, a little whimsy
before the loudspeaker blurts
and we leap up to become
Flight 828, now boarding at Gate 17.

Reprinted from On the Wing, published by the University of Iowa Press.

And I am full of worry I wrote to a friend
Worry, she replied about what—love, money, health?

All of them, I wrote back. It’s autumn, the air is clear
and you hear death music—the rattle of leaves swirling

the midnight cat howling, a newborn baby’s 3 am
call for food or help or heart’s love

At the market, the green, red and yellow apples are piled high,
sweet perfume—once, I went apple picking in Massachusetts

a day of thralling beauty, my companions and I
had no desire to leave the valley—the plump trees,

the fierce pride of small town New England where a gift shop
exploded gingham, calico, silly stuffed toys

we stood within this shrine to cloying femininity of entwined hearts
and ribbons and bows like invading aliens, fascinated and appalled

and here too, people throng around the dahlias—
the last of the bright fat flowers. Open. Scentless.

It is going to be a very hard winter and we all know it in our bones
an almost atavistic memory with instruction—wear heavy clothes
horde food, drink water, stand against the wind

listen.

Copyright © 2010 by Patricia Spears Jones. From Painkiller (Tia Cucha Press, 2010). Reprinted from Split This Rock’s The Quarry: A Social Justice Poetry Database.