’Twas brillig, and the slithy toves
   Did gyre and gimble in the wabe;
All mimsy were the borogoves,
   And the mome raths outgrabe.

“Beware the Jabberwock, my son
   The jaws that bite, the claws that catch!
Beware the Jubjub bird, and shun
   The frumious Bandersnatch!”

He took his vorpal sword in hand;
   Long time the manxome foe he sought—
So rested he by the Tumtum tree,
   And stood awhile in thought.

And, as in uffish thought he stood,
   The Jabberwock, with eyes of flame,
Came whiffling through the tulgey wood,
   And burbled as it came!

One, two! One, two! And through and through
   The vorpal blade went snicker-snack!
He left it dead, and with its head
   He went galumphing back.

“And hast thou slain the Jabberwock?
   Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!”
   He chortled in his joy.

’Twas brillig, and the slithy toves
   Did gyre and gimble in the wabe;
All mimsy were the borogoves,
   And the mome raths outgrabe.

The sun was shining on the sea,
   Shining with all his might:
He did his very best to make
   The billows smooth and bright—
And this was odd, because it was
   The middle of the night.

The moon was shining sulkily,
   Because she thought the sun
Had got no business to be there
   After the day was done—
"It's very rude of him," she said,
   "To come and spoil the fun!"

The sea was wet as wet could be,
   The sands were dry as dry.
You could not see a cloud because
   No cloud was in the sky:
No birds were flying overhead—
   There were no birds to fly.

The Walrus and the Carpenter
   Were walking close at hand:
They wept like anything to see
   Such quantities of sand:
"If this were only cleared away,"
   They said, "it would be grand!"

"If seven maids with seven mops
   Swept it for half a year,
Do you suppose," the Walrus said,
   "That they could get it clear?"
"I doubt it," said the Carpenter,
   And shed a bitter tear.

"0 Oysters, come and walk with us!"
   The Walrus did beseech.
"A pleasant walk, a pleasant talk,
   Along the briny beach:
We cannot do with more than four,
   To give a hand to each."

The eldest Oyster looked at him,
   But never a word he said;
The eldest Oyster winked his eye,
   And shook his heavy head—
Meaning to say he did not choose
   To leave the oyster-bed.

But four young Oysters hurried up,
   All eager for the treat:
Their coats were brushed, their faces washed,
   Their shoes were clean and neat—
And this was odd, because, you know,
   They hadn't any feet.

Four other Oysters followed them,
   And yet another four;
And thick and fast they came at last,
   And more and more and more—
All hopping through the frothy waves,
   And scrambling to the shore.

The Walrus and the Carpenter
   Walked on a mile or so,
And then they rested on a rock
   Conveniently low:
And all the little Oysters stood
   And waited in a row.

"The time has come," the Walrus said,
   "To talk of many things:
Of shoes—and ships—and sealing-wax—
   Of cabbages—and kings—
And why the sea is boiling hot—
   And whether pigs have wings."

"But wait a bit," the Oysters cried,
   "Before we have our chat;
For some of us are out of breath,
   And all of us are fat!"
"No hurry!" said the Carpenter.
   They thanked him much for that.

"A loaf of bread," the Walrus said,
   "Is what we chiefly need:
Pepper and vinegar besides
   Are very good indeed—
Now, if you're ready, Oysters dear,
   We can begin to feed."

"But not on us!" the Oysters cried,
   Turning a little blue.
"After such kindness, that would be
   A dismal thing to do!"
"The night is fine," the Walrus said,
   "Do you admire the view?

"It was so kind of you to come!
   And you are very nice!"
The Carpenter said nothing but
   "Cut us another slice.
I wish you were not quite so deaf—
   I've had to ask you twice!"

"It seems a shame," the Walrus said,
   "To play them such a trick.
After we've brought them out so far,
   And made them trot so quick!"
The Carpenter said nothing but
   "The butter's spread too thick!"

"I weep for you," the Walrus said:
   "I deeply sympathize."
With sobs and tears he sorted out
   Those of the largest size,
Holding his pocket-handkerchief
   Before his streaming eyes.

"0 Oysters," said the Carpenter,
   "You've had a pleasant run!
Shall we be trotting home again?"
   But answer came there none—
And this was scarcely odd, because
   They'd eaten every one.

How doth the little crocodile
     Improve his shining tail,
And pour the waters of the Nile
     On every golden scale!

How cheerfully he seems to grin,
     How neatly spreads his claws,
And welcomes little fishes in,
     With gently smiling jaws!

A boat, beneath a sunny sky
Lingering onward dreamily
In an evening of July—

Children three that nestle near,
Eager eye and willing ear,
Pleased a simple tale to hear—

Long has paled that sunny sky:
Echoes fade and memories die:
Autumn frosts have slain July.

Still she haunts me, phantomwise,
Alice moving under skies
Never seen by waking eyes.

Children yet, the tale to hear,
Eager eye and willing ear,
Lovingly shall nestle near.

In a Wonderland they lie,
Dreaming as the days go by,
Dreaming as the summers die:

Ever drifting down the stream—
Lingering in the golden gleam—
Life, what is it but a dream?

Little maidens, when you look
On this little story-book,
Reading with attentive eye
Its enticing history,
Never think that hours of play
Are your only HOLIDAY,
And that in a HOUSE of joy
Lessons serve but to annoy:
If in any HOUSE you find
Children of a gentle mind,
Each the others pleasing ever—
Each the others vexing never—
Daily work and pastime daily
In their order taking gaily—
Then be very sure that they
Have a life of HOLIDAY.

This is my hat: behold its upstart plume,

Soaring like pride, that even in heaven asks room!

This is my cloak of scarlet splendor rare,

A saucy challenge to the sunset glare.

Behold my coach of state and pony chaise,

A fairy pleasure for the summer days;

The seeds that fly, like lightnings in a leash,

With their rude Jove, subservient to my wish.

Here are my jewels: each a fortune holds;

A starving artist planned the graceful moulds:

Here hang my dresses in composed array,

A rainbow with a hue for every day.

These are my lovers, registered in date,

Who, with my dowry, seek myself to mate.

The haughtiest wooer wins me for his bride:

Who asks affection? Pride should wed with pride.

These are my friends, who hourly come or send,

Pleased with my notice and a finger-end;

Yonder’s my parson, proud to share my feast;

My doctor’s there, a sycophantic beast.

This is my villa, where I take my ease

With flowers well-ordered, and ambitious trees;

And this—what sudden spectre stays my breath?

Amanda, poor Amanda! this is death.

Daughter of Heaven and Earth, coy Spring,

With sudden passion languishing,

Teaching Barren moors to smile,

Painting pictures mile on mile,

Holds a cup with cowslip-wreaths,

Whence a smokeless incense breathes.

The air is full of whistlings bland;

What was that I heard

Out of the hazy land?

Harp of the wind, or song of bird,

Or vagrant booming of the air,

Voice of a meteor lost in day?

Such tidings of the starry sphere

Can this elastic air convey.

Or haply ’twas the cannonade

Of the pent and darkened lake,

Cooled by the pendent mountain’s shade,

Whose deeps, till beams of noonday break,

Afflicted moan, and latest hold

Even into May the iceberg cold.

Was it a squirrel’s pettish bark,

Or clarionet of jay? or hark

Where yon wedged line the Nestor leads,

Steering north with raucous cry

Through tracts and provinces of sky,

Every night alighting down

In new landscapes of romance,

Where darkling feed the clamorous clans

By lonely lakes to men unknown.

Come the tumult whence it will,

Voice of sport, or rush of wings,

It is a sound, it is a token

That the marble sleep is broken,

And a change has passed on things.

  When late I walked, in earlier days,

All was stiff and stark;

Knee-deep snows choked all the ways,

In the sky no spark;

Firm-braced I sought my ancient woods,

Struggling through the drifted roads;

The whited desert knew me not,

Snow-ridges masked each darling spot;

The summer dells, by genius haunted,

One arctic moon had disenchanted.

All the sweet secrets therein hid

By Fancy, ghastly spells undid.

Eldest mason, Frost, had piled

Swift cathedrals in the wild;

The piny hosts were sheeted ghosts

In the star-lit minster aisled.

I found no joy: the icy wind

Might rule the forest to his mind.

Who would freeze on frozen lakes?

Back to books and sheltered home,

And wood-fire flickering on the walls,

To hear, when, ’mid our talk and games,

Without the baffled North-wind calls.

But soft! a sultry morning breaks;

The ground-pines wash their rusty green,

The maple-tops their crimson tint,

On the soft path each track is seen,

The girl’s foot leaves its neater print.

The pebble loosened from the frost

Asks of the urchin to be tost.

In flint and marble beats a heart,

The kind Earth takes her children’s part,

The green lane is the school-boy’s friend,

Low leaves his quarrel apprehend,

The fresh ground loves his top and ball,

The air rings jocund to his call,

The brimming brook invites a leap,

He dives the hollow, climbs the steep.

The youth sees omens where he goes,

And speaks all languages the rose,

The wood-fly mocks with tiny voice

The far halloo of human voice;

The perfumed berry on the spray

Smacks of faint memories far away.

A subtle chain of countless rings

The next into the farthest brings,

And, striving to be man, the worm

Mounts through all the spires of form.

  The caged linnet in the spring

Hearkens for the choral glee,

When his fellows on the wing

Migrate from the Southern Sea;

When trellised grapes their flowers unmask,

And the new-born tendrils twine,

The old wine darkling in the cask

Feels the bloom on the living vine,

And bursts the hoops at hint of Spring:

And so, perchance, in Adam’s race,

Of Eden’s bower some dream-like trace

Survived the Flight and swam the Flood,

And wakes the wish in youngest blood

To tread the forfeit Paradise,

And feed once more the exile’s eyes;

And ever when the happy child

In May beholds the blooming wild,

And hears in heaven the bluebird sing,

‘Onward,’ he cries, ‘your baskets bring,—

In the next field is air more mild,

And o'er yon hazy crest is Eden's balmier spring.’

  Not for a regiment’s parade,

Nor evil laws or rulers made,

Blue Walden rolls its cannonade,

But for a lofty sign

Which the Zodiac threw,

That the bondage-days are told.

And waters free as winds shall flow.

Lo! how all the tribes combine

To rout the flying foe.

See, every patriot oak-leaf throws

His elfin length upon the snows,

Not idle, since the leaf all day

Draws to the spot the solar ray,

Ere sunset quarrying inches down,

And halfway to the mosses brown;

While the grass beneath the rime

Has hints of the propitious time,

And upward pries and perforates

Through the cold slab a thousand gates,

Till green lances peering through

Bend happy in the welkin blue.

  As we thaw frozen flesh with snow,

So Spring will not her time forerun,

Mix polar night with tropic glow,

Nor cloy us with unshaded sun,

Nor wanton skip with bacchic dance,

But she has the temperance

Of the gods, whereof she is one,—

Masks her treasury of heat

Under east winds crossed with sleet.

Plants and birds and humble creatures

Well accept her rule austere;

Titan-born, to hardy natures

Cold is genial and dear.

As Southern wrath to Northern right

Is but straw to anthracite;

As in the day of sacrifice,

When heroes piled the pyre,

The dismal Massachusetts ice

Burned more than others’ fire,

So Spring guards with surface cold

The garnered heat of ages old.

Hers to sow the seed of bread,

That man and all the kinds be fed;

And, when the sunlight fills the hours,

Dissolves the crust, displays the flowers.

  Beneath the calm, within the light,

A hid unruly appetite

Of swifter life, a surer hope,

Strains every sense to larger scope,

Impatient to anticipate

The halting steps of aged Fate.

Slow grows the palm, too slow the pearl:

When Nature falters, fain would zeal

Grasp the felloes of her wheel,

And grasping give the orbs another whirl.

Turn swiftlier round, O tardy ball!

And sun this frozen side.

Bring hither back the robin’s call,

Bring back the tulip’s pride.

  Why chidest thou the tardy Spring?

The hardy bunting does not chide;

The blackbirds make the maples ring

With social cheer and jubilee;

The redwing flutes his o-ka-lee,

The robins know the melting snow;

The sparrow meek, prophetic-eyed,

Her nest beside the snow-drift weaves,

Secure the osier yet will hide

Her callow brood in mantling leaves,—

And thou, by science all undone,

Why only must thy reason fail

To see the southing of the sun?

  The world rolls round,—mistrust it not,—

Befalls again what once befell;

All things return, both sphere and mote,

And I shall hear my bluebird’s note,

And dream the dream of Auburn-dell.

  April cold with dropping rain

Willows and lilacs brings again,

The whistle of returning birds,

And trumpet-lowing of the herds.

The scarlet maple-keys betray

What potent blood hath modest May,

What fiery force the earth renews,

The wealth of forms, the flush of hues;

What joy in rosy waves outpoured

Flows from the heart of Love, the Lord.

  Hither rolls the storm of heat;

I feel its finer billows beat

Like a sea which me infolds;

Heat with viewless fingers moulds,

Swells, and mellows, and matures,

Paints, and flavors, and allures,

Bird and brier inly warms,

Still enriches and transforms,

Gives the reed and lily length,

Adds to oak and oxen strength,

Transforming what it doth infold,

Life out of death, new out of old,

Painting fawns’ and leopards’ fells,

Seethes the gulf-encrimsoning shells,

Fires gardens with a joyful blaze

Of tulips, in the morning’s rays.

The dead log touched bursts into leaf,

The wheat-blade whispers of the sheaf.

What god is this imperial Heat,

Earth’s prime secret, sculpture’s seat?

Doth it bear hidden in its heart

Water-line patterns of all art?

Is it Daedalus? is it Love?

Or walks in mask almighty Jove,

And drops from Power’s redundant horn

All seeds of beauty to be born?

  Where shall we keep the holiday,

And duly greet the entering May?

Too strait and low our cottage doors,

And all unmeet our carpet floors;

Nor spacious court, nor monarch’s hall,

Suffice to hold the festival.

Up and away! where haughty woods

Front the liberated floods:

We will climb the broad-backed hills,

Hear the uproar of their joy;

We will mark the leaps and gleams

Of the new-delivered streams,

And the murmuring rivers of sap

Mount in the pipes of the trees,

Giddy with day, to the topmost spire,

Which for a spike of tender green

Bartered its powdery cap;

And the colors of joy in the bird,

And the love in its carol heard,

Frog and lizard in holiday coats,

And turtle brave in his golden spots;

While cheerful cries of crag and plain

Reply to the thunder of river and main.

  As poured the flood of the ancient sea

Spilling over mountain chains,

Bending forests as bends the sedge,

Faster flowing o’er the plains,—

A world-wide wave with a foaming edge

That rims the running silver sheet,—

So pours the deluge of the heat

Broad northward o’er the land,

Painting artless paradises,

Drugging herbs with Syrian spices,

Fanning secret fires which glow

In columbine and clover-blow,

Climbing the northern zones,

Where a thousand pallid towns

Lie like cockles by the main,

Or tented armies on a plain.

The million-handed sculptor moulds

Quaintest bud and blossom folds,

The million-handed painter pours

Opal hues and purple dye;

Azaleas flush the island floors,

And the tints of heaven reply.

  Wreaths for the May! for happy Spring

To-day shall all her dowry bring,

The love of kind, the joy, the grace,

Hymen of element and race,

Knowing well to celebrate

With song and hue and star and state,

With tender light and youthful cheer,

The spousals of the new-born year.

  Spring is strong and virtuous,

Broad-sowing, cheerful, plenteous,

Quickening underneath the mould

Grains beyond the price of gold.

So deep and large her bounties are,

That one broad, long midsummer day

Shall to the planet overpay

The ravage of a year of war.

  Drug the cup, thou butler sweet,

And send the nectar round;

The feet that slid so long on sleet

Are glad to feel the ground.

Fill and saturate each kind

With good according to its mind,

Fill each kind and saturate

With good agreeing with its fate,

And soft perfection of its plan—

Willow and violet, maiden and man.

  The bitter-sweet, the haunting air

Creepeth, bloweth everywhere;

It preys on all, all prey on it.

Blooms in beauty, thinks in wit,

Stings the strong with enterprise,

Makes travellers long for Indian skies,

And where it comes this courier fleet

Fans in all hearts expectance sweet,

As if to-morrow should redeem

The vanished rose of evening’s dream.

By houses lies a fresher green,

On men and maids a ruddier mien,

As if Time brought a new relay

Of shining virgins every May,

And Summer came to ripen maids

To a beauty that not fades.

  I saw the bud-crowned Spring go forth,

Stepping daily onward north

To greet staid ancient cavaliers

Filing single in stately train.

And who, and who are the travellers?

They were Night and Day, and Day and Night,

Pilgrims wight with step forthright.

I saw the Days deformed and low,

Short and bent by cold and snow;

The merry Spring threw wreaths on them,

Flower-wreaths gay with bud and bell;

Many a flower and many a gem,

They were refreshed by the smell,

They shook the snow from hats and shoon,

They put their April raiment on;

And those eternal forms,

Unhurt by a thousand storms,

Shot up to the height of the sky again,

And danced as merrily as young men.

I saw them mask their awful glance

Sidewise meek in gossamer lids;

And to speak my thought if none forbids

It was as if the eternal gods,

Tired of their starry periods,

Hid their majesty in cloth

Woven of tulips and painted moth.

On carpets green the maskers march

Below May’s well-appointed arch,

Each star, each god; each grace amain,

Every joy and virtue speed,

Marching duly in her train,

And fainting Nature at her need

Is made whole again.

  ’Twas the vintage-day of field and wood,

When magic wine for bards is brewed;

Every tree and stem and chink

Gushed with syrup to the brink.

The air stole into the streets of towns,

Refreshed the wise, reformed the clowns,

And betrayed the fund of joy

To the high-school and medalled boy:

On from hall to chamber ran,

From youth to maid, from boy to man,

To babes, and to old eyes as well.

‘Once more,’ the old man cried, ‘ye clouds,

Airy turrets purple-piled,

Which once my infancy beguiled,

Beguile me with the wonted spell.

I know ye skilful to convoy

The total freight of hope and joy

Into rude and homely nooks,

Shed mocking lustres on shelf of books,

On farmer’s byre, on pasture rude,

And stony pathway to the wood.

I care not if the pomps you show

Be what they soothfast appear,

Or if yon realms in sunset glow

Be bubbles of the atmosphere.

And if it be to you allowed

To fool me with a shining cloud,

So only new griefs are consoled

By new delights, as old by old,

Frankly I will be your guest,

Count your change and cheer the best.

The world hath overmuch of pain,—

If Nature give me joy again,

Of such deceit I’ll not complain.’

  Ah! well I mind the calendar,

Faithful through a thousand years,

Of the painted race of flowers,

Exact to days, exact to hours,

Counted on the spacious dial

Yon broidered zodiac girds.

I know the trusty almanac

Of the punctual coming-back,

On their due days, of the birds.

I marked them yestermorn,

A flock of finches darting

Beneath the crystal arch,

Piping, as they flew, a march,—

Belike the one they used in parting

Last year from yon oak or larch;

Dusky sparrows in a crowd,

Diving, darting northward free,

Suddenly betook them all,

Every one to his hole in the wall,

Or to his niche in the apple-tree.

I greet with joy the choral trains

Fresh from palms and Cuba’s canes.

Best gems of Nature’s cabinet,

With dews of tropic morning wet,

Beloved of children, bards and Spring,

O birds, your perfect virtues bring,

Your song, your forms, your rhythmic flight,

Your manners for the heart’s delight,

Nestle in hedge, or barn, or roof,

Here weave your chamber weather-proof,

Forgive our harms, and condescend

To man, as to a lubber friend,

And, generous, teach his awkward race

Courage and probity and grace!

  Poets praise that hidden wine

Hid in milk we drew

At the barrier of Time,

When our life was new.

We had eaten fairy fruit,

We were quick from head to foot,

All the forms we looked on shone

As with diamond dews thereon.

What cared we for costly joys,

The Museum’s far-fetched toys?

Gleam of sunshine on the wall

Poured a deeper cheer than all

The revels of the Carnival.

We a pine-grove did prefer

To a marble theatre,

Could with gods on mallows dine,

Nor cared for spices or for wine.

Wreaths of mist and rainbow spanned.

Arch on arch, the grimmest land;

Whittle of a woodland bird

Made the pulses dance,

Note of horn in valleys heard

Filled the region with romance.

  None can tell how sweet,

How virtuous, the morning air;

Every accent vibrates well;

Not alone the wood-bird’s call,

Or shouting boys that chase their ball,

Pass the height of minstrel skill,

But the ploughman’s thoughtless cry,

Lowing oxen, sheep that bleat,

And the joiner’s hammer-beat,

Softened are above their will,

Take tones from groves they wandered through

Or flutes which passing angels blew.

All grating discords melt,

No dissonant note is dealt,

And though thy voice be shrill

Like rasping file on steel,

Such is the temper of the air,

Echo waits with art and care,

And will the faults of song repair.

  So by remote Superior Lake,

And by resounding Mackinac,

When northern storms the forest shake,

And billows on the long beach break,

The artful Air will separate

Note by note all sounds that grate,

Smothering in her ample breast

All but godlike words,

Reporting to the happy ear

Only purified accords.

Strangely wrought from barking waves,

Soft music daunts the Indian braves,—

Convent-chanting which the child

Hears pealing from the panther's cave

And the impenetrable wild.

  Soft on the South-wind sleeps the haze:

So on thy broad mystic van

Lie the opal-colored days,

And waft the miracle to man.

Soothsayer of the eldest gods,

Repairer of what harms betide,

Revealer of the inmost powers

Prometheus proffered, Jove denied;

Disclosing treasures more than true,

Or in what far to-morrow due;

Speaking by the tongues of flowers,

By the ten-tongued laurel speaking,

Singing by the oriole songs,

Heart of bird the man’s heart seeking;

Whispering hints of treasure hid

Under Morn’s unlifted lid,

Islands looming just beyond

The dim horizon’s utmost bound;—

Who can, like thee, our rags upbraid,

Or taunt us with our hope decayed?

Or who like thee persuade,

Making the splendor of the air,

The morn and sparkling dew, a snare?

Or who resent

Thy genius, wiles and blandishment?

  There is no orator prevails

To beckon or persuade

Like thee the youth or maid:

Thy birds, thy songs, thy brooks, thy gales,

Thy blooms, thy kinds,

Thy echoes in the wilderness,

Soothe pain, and age, and love’s distress,

Fire fainting will, and build heroic minds.

  For thou, O Spring! canst renovate

All that high God did first create.

Be still his arm and architect,

Rebuild the ruin, mend defect;

Chemist to vamp old worlds with new,

Coat sea and sky with heavenlier blue,

New tint the plumage of the birds,

And slough decay from grazing herds,

Sweep ruins from the scarped mountain,

Cleanse the torrent at the fountain,

Purge alpine air by towns defiled,

Bring to fair mother fairer child,

Not less renew the heart and brain,

Scatter the sloth, wash out the stain,

Make the aged eye sun-clear,

To parting soul bring grandeur near.

Under gentle types, my Spring

Masks the might of Nature’s king,

An energy that searches thorough

From Chaos to the dawning morrow;

Into all our human plight,

The soul’s pilgrimage and flight;

In city or in solitude,

Step by step, lifts bad to good,

Without halting, without rest,

Lifting Better up to Best;

Planting seeds of knowledge pure,

Through earth to ripen, through heaven endure.

To fling my arms wide
In some place of the sun,
To whirl and to dance
Till the white day is done.
Then rest at cool evening
Beneath a tall tree
While night comes on gently,
    Dark like me—
That is my dream!

To fling my arms wide
In the face of the sun,
Dance! Whirl! Whirl!
Till the quick day is done.
Rest at pale evening . . .
A tall, slim tree . . .
Night coming tenderly
    Black like me.

A long night I spent
thinking that reality was the story
of the human species

the vanquished search for the vanquished

Sounds come by, ruffling my soul

I sense space’s elasticity,
go on reading the books she wrote on the
wars she’s seen

Why do seasons who regularly follow
their appointed time, deny their kind of energy
to us?

why is winter followed by a few
more days of winter?

We came to transmit the shimmering
from which we came; to name it

 
we deal with a permanent voyage,
the becoming of that which itself had
become

Before you know what kindness really is
you must lose things,
feel the future dissolve in a moment
like salt in a weakened broth.
What you held in your hand,
what you counted and carefully saved,
all this must go so you know
how desolate the landscape can be
between the regions of kindness.
How you ride and ride
thinking the bus will never stop,
the passengers eating maize and chicken
will stare out the window forever.

Before you learn the tender gravity of kindness
you must travel where the Indian in a white poncho
lies dead by the side of the road.
You must see how this could be you,
how he too was someone
who journeyed through the night with plans
and the simple breath that kept him alive.

Before you know kindness as the deepest thing inside,
you must know sorrow as the other deepest thing.
You must wake up with sorrow.
You must speak to it till your voice
catches the thread of all sorrows
and you see the size of the cloth.
Then it is only kindness that makes sense anymore,
only kindness that ties your shoes
and sends you out into the day to gaze at bread,
only kindness that raises its head
from the crowd of the world to say
It is I you have been looking for,
and then goes with you everywhere
like a shadow or a friend.

. . .

The hands of the poor people
of the Casbah
are long and thin and stretched like the roots
of potatoes.
The voice of the poor people
is frail,
they have round eyes
and ugly mugs,
like Pepe Le Moko's when he's sloshed on the Rue
du Regard one rainy
day
near the Grevin Museum.

Now a minute of silence. . . 
two hours of minutes of silence
in memory of those dead of hunger
in memory of those dead from the cold
in memory of those dead of an overdose of sleep
in memory of those dead broke
and a stop-right-there; after you; no, you first; no, you
in memory as well
of the living dead, who are neither too dead nor too alive
but nonetheless are
living
for want of something better.

One day
I set about counting the poor people 
in the streets of my Casbah
The beggars were enumerating their vermin:
fleas, lice, bedbugs with wrapping included.
There's only one sun for everybody,
for the Americans and for the Cannibals.

. . .

Then a woman said, Speak to us of Joy and Sorrow.
And he answered:
Your joy is your sorrow unmasked.
And the selfsame well from which your laughter rises was oftentimes filled with your tears.
And how else can it be?
The deeper that sorrow carves into your being, the more joy you can contain.
Is not the cup that holds your wine the very cup that was burned in the potter’s oven?
And is not the lute that soothes your spirit, the very wood that was hollowed with knives?
When you are joyous, look deep into your heart and you shall find it is only that which has given you sorrow that is giving you joy.
When you are sorrowful look again in your heart, and you shall see that in truth you are weeping for that which has been your delight.

Some of you say, “Joy is greater than sorrow,” and others say, “Nay, sorrow is the greater.”
But I say unto you, they are inseparable.
Together they come, and when one sits alone with you at your board, remember that the other is asleep upon your bed.

Verily you are suspended like scales between your sorrow and your joy.
Only when you are empty are you at standstill and balanced.
When the treasure-keeper lifts you to weigh his gold and his silver, needs must your joy or your sorrow rise or fall.

(Mather AFB, California, 1956)

When we play horses at recess, my name
is Moonlily and I’m a yearling mare.
We gallop circles around the playground,
whinnying, neighing, and shaking our manes.
We scrape the ground with scuffed saddle oxfords,
thunder around the little kids on swings
and seesaws, and around the boys’ ball games.
We’re sorrel, chestnut, buckskin, pinto, gray,
a herd in pastel dresses and white socks.
We’re self-named, untamed, untouched, unridden.
Our plains know no fences. We can smell spring.
The bell produces metamorphosis.
Still hot and flushed, we file back to our desks,
one bay in a room of palominos.

I am taken with the hot animal
of my skin, grateful to swing my limbs

and have them move as I intend, though
my knee, though my shoulder, though something
is torn or tearing. Today, a dozen squid, dead

on the harbor beach: one mostly buried,
one with skin empty as a shell and hollow

feeling, and, though the tentacles look soft,
I do not touch them. I imagine they
were startled to find themselves in the sun.

I imagine the tide simply went out
without them. I imagine they cannot

feel the black flies charting the raised hills
of their eyes. I write my name in the sand:
Donika Kelly. I watch eighteen seagulls

skim the sandbar and lift low in the sky.
I pick up a pebble that looks like a green egg.

To the ditch lily I say I am in love.
To the Jeep parked haphazardly on the narrow
street I am in love. To the roses, white

petals rimmed brown, to the yellow lined
pavement, to the house trimmed in gold I am

in love. I shout with the rough calculus
of walking. Just let me find my way back,
let me move like a tide come in.

What I’ve written for you, I have always written
in English, my language of silent vowel endings
never translated into your language of silent h’s.
               Lo que he escrito para ti, siempre lo he escrito
               en inglés, en mi lengua llena de vocales mudas
               nunca traducidas a tu idioma de haches mudas.
I’ve transcribed all your old letters into poems
that reconcile your exile from Cuba, but always
in English. I’ve given you back the guajiro roads
you left behind, stretched them into sentences
punctuated with palms, but only in English.
               He transcrito todas tus cartas viejas en poemas
               que reconcilian tu exilio de Cuba, pero siempre
               en inglés. Te he devuelto los caminos guajiros
               que dejastes atrás, transformados en oraciones
               puntuadas por palmas, pero solamente en inglés.
I have recreated the pueblecito you had to forget,
forced your green mountains up again, grown
valleys of sugarcane, stars for you in English.
               He reconstruido el pueblecito que tuvistes que olvidar,
               he levantado de nuevo tus montañas verdes, cultivado
               la caña, las estrellas de tus valles, para ti, en inglés.
In English I have told you how I love you cutting
gladiolas, crushing ajo, setting cups of dulce de leche
on the counter to cool, or hanging up the laundry
at night under our suburban moon. In English,
               En inglés te he dicho cómo te amo cuando cortas
               gladiolas, machacas ajo, enfrías tacitas de dulce de leche
               encima del mostrador, o cuando tiendes la ropa
               de noche bajo nuestra luna en suburbia. En inglés
I have imagined you surviving by transforming
yards of taffeta into dresses you never wear,
keeping Papá’s photo hinged in your mirror,
and leaving the porch light on, all night long.
               He imaginado como sobrevives transformando
               yardas de tafetán en vestidos que nunca estrenas,
               la foto de papá que guardas en el espejo de tu cómoda,
               la luz del portal que dejas encendida, toda la noche.
               Te he captado en inglés en la mesa de la cocina
               esperando que cuele el café, que hierva la leche
               y que tu vida acostumbre a tu vida. En inglés
               has aprendido a adorer tus pérdidas igual que yo.
I have captured you in English at the kitchen table
waiting for the café to brew, the milk to froth,
and your life to adjust to your life. In English
you’ve learned to adore your losses the way I do.