How should I know? The enormous wheels of will  
  Drove me cold-eyed on tired and sleepless feet.  
Night was void arms and you a phantom still,  
  And day your far light swaying down the street.  
As never fool for love, I starved for you;
  My throat was dry and my eyes hot to see.  
Your mouth so lying was most heaven in view,  
  And your remembered smell most agony.  
   
Love wakens love! I felt your hot wrist shiver  
  And suddenly the mad victory I planned
  Flashed real, in your burning bending head...
My conqueror’s blood was cool as a deep river  
  In shadow; and my heart beneath your hand  
  Quieter than a dead man on a bed. 

This poem is in the public domain.

somewhere i have never travelled, gladly beyond
any experience, your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near

your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skillfully, mysteriously) her first rose

or if your wish be to close me, i and
my life will shut very beautifully, suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;

nothing which we are to perceive in this world equals
the power of your intense fragility: whose texture
compels me with the colour of its countries,
rendering death and forever with each breathing

(i do not know what it is about you that closes
and opens; only something in me understands
the voice of your eyes is deeper than all roses)
nobody, not even the rain, has such small hands

From Complete Poems: 1904-1962 by E. E. Cummings, edited by George J. Firmage. Used with the permission of Liveright Publishing Corporation. Copyright © 1923, 1931, 1935, 1940, 1951, 1959, 1963, 1968, 1991 by the Trustees for the E. E. Cummings Trust. Copyright © 1976, 1978, 1979 by George James Firmage.

I don’t love you as if you were a rose of salt, topaz,
or arrow of carnations that propagate fire:
I love you as one loves certain obscure things,
secretly, between the shadow and the soul.

I love you as the plant that doesn’t bloom but carries
the light of those flowers, hidden, within itself,
and thanks to your love the tight aroma that arose
from the earth lives dimly in my body.

I love you without knowing how, or when, or from where,
I love you directly without problems or pride:
I love you like this because I don’t know any other way
        to love,
except in this form in which I am not nor are you,
so close that your hand upon my chest is mine,
so close that your eyes close with my dreams.


Cien Sonetos de Amor: XVII (No te amo como si fueras rosa)

No te amo como si fueras rosa de sal, topacio
o flecha de claveles que propagan el fuego:
te amo como se aman ciertas cosas oscuras,
secretamente, entre la sombra y el alma.

Te amo como la planta que no florece y lleva
dentro de sí, escondida, la luz de aquellas flores,
y gracias a tu amor vive oscuro en mi cuerpo
el apretado aroma que ascendió de la tierra.

Te amo sin saber como, ni cuándo, ni de dónde,
Te amo directamente sin problemas ni orgullo:
así te amo porque no sé amar de otra manera,
sino así de este modo en que no soy ni eres,
tan cerca que tu mano sobre mi pecho es mía,
tan cerca que se cierran tus ojos con mi sueño.  

Pablo Neruda, “One Hundred Love Sonnets: XVII,” translated by Mark Eisner, from The Essential Neruda: Selected Poems, edited by Mark Eisner. Copyright © 2004 by Mark Eisner. Reprinted with the permission of The Permissions Company, LLC on behalf of City Lights Books, citylights.com. 
 

What is it men in women do require
The lineaments of Gratified Desire
What is it women do in men require
The lineaments of Gratified Desire

This poem is in the public domain.