One Hundred Love Sonnets: XVII (I don’t love you as if you were a rose)

- 1904-1973

I don’t love you as if you were a rose of salt, topaz,
or arrow of carnations that propagate fire:
I love you as one loves certain obscure things,
secretly, between the shadow and the soul.

I love you as the plant that doesn’t bloom but carries
the light of those flowers, hidden, within itself,
and thanks to your love the tight aroma that arose
from the earth lives dimly in my body.

I love you without knowing how, or when, or from where,
I love you directly without problems or pride:
I love you like this because I don’t know any other way
        to love,
except in this form in which I am not nor are you,
so close that your hand upon my chest is mine,
so close that your eyes close with my dreams.


Cien Sonetos de Amor: XVII (No te amo como si fueras rosa)

No te amo como si fueras rosa de sal, topacio
o flecha de claveles que propagan el fuego:
te amo como se aman ciertas cosas oscuras,
secretamente, entre la sombra y el alma.

Te amo como la planta que no florece y lleva
dentro de sí, escondida, la luz de aquellas flores,
y gracias a tu amor vive oscuro en mi cuerpo
el apretado aroma que ascendió de la tierra.

Te amo sin saber como, ni cuándo, ni de dónde,
Te amo directamente sin problemas ni orgullo:
así te amo porque no sé amar de otra manera,
sino así de este modo en que no soy ni eres,
tan cerca que tu mano sobre mi pecho es mía,
tan cerca que se cierran tus ojos con mi sueño.  

Still Another Day: I

Today is that day, the day that carried
a desperate light that since has died.
Don't let the squatters know:
let’s keep it all between us,
day, between your bell
and my secret.

Today is dead winter in the forgotten land
that comes to visit me, with a cross on the map
and a volcano in the snow, to return to me,
to return again the water
fallen on the roof of my childhood.
Today when the sun began with its shafts
to tell the story, so clear, so old,
the slanting rain fell like a sword,
the rain my hard heart welcomes.

You, my love, still asleep in August,
my queen, my woman, my vastness, my geography
kiss of mud, the carbon-coated zither,
you, vestment of my persistent song,
today you are reborn again and with the sky’s
black water confuse me and compel me:
I must renew my bones in your kingdom,
I must still uncloud my earthly duties.

Still Another Day: XVII/Men

The truth is in the prologue.  Death to the romantic fool,
to the expert in solitary confinement,
I’m the same as the teacher from Colombia,
the rotarian from Philadelphia, the merchant
from Paysandu who save his silver
to come here.  We all arrive by different streets,
by unequal languages, at Silence.

Curse

Furrowed motherland, I swear that in your ashes
you will be born like a flower of eternal water
I swear that from your mouth of thirst will come to the air
the petals of bread, the spilt
inaugurated flower. Cursed,
cursed, cursed be those who with an ax and serpent
came to your earthly arena, cursed those
who waited for this day to open the door
of the dwelling to the moor and the bandit:
What have you achieved? Bring, bring the lamp,
see the soaked earth, see the blackened little bone
eaten by the flames, the garment
of murdered Spain.