Wait, for now.
Distrust everything if you have to.
But trust the hours. Haven’t they
carried you everywhere, up to now?
Personal events will become interesting again.
Hair will become interesting.
Pain will become interesting.
Buds that open out of season will become interesting.
Second-hand gloves will become lovely again;
their memories are what give them
the need for other hands. The desolation
of lovers is the same: that enormous emptiness
carved out of such tiny beings as we are
asks to be filled; the need
for the new love is faithfulness to the old.

Wait.
Don’t go too early.
You’re tired. But everyone’s tired.
But no one is tired enough.
Only wait a little and listen:
music of hair,
music of pain,
music of looms weaving our loves again.
Be there to hear it, it will be the only time,
most of all to hear your whole existence,
rehearsed by the sorrows, play itself into total exhaustion.

Copyright © 1980 by Galway Kinnell. From Mortal Acts, Mortal Words (Mariner Books, 1980). Used with permission of Houghton Mifflin Harcourt.

What was it I was going to say?
Slipped away probably because
it needn’t be said. At that edge

almost not knowing but second
guessing the gain, loss, or effect
of an otherwise hesitant remark.

Slant of light on a brass box. The way
a passing thought knots the heart.
There’s nothing, nothing to say.

Copyright © 2015 by Thomas Meyer. Originally published in Poem-a-Day on July 1, 2015, by the Academy of American Poets.

So if you love me you will tolerant
Be of the nature that is with me sent.
  I cannot be a different thing although
  For your sake, to win you, I would grow 
       Wings and shed thorns,
       Be weed, or newly born,
    Anything so to please you,
    But I'm myself and cannot ease you.

Come kindly to me then, forgiveness use, 
Do not heap on my patent-wrongs abuse,
  For your sake I'd be different but am not, 
  For your sake I'd have other needs forgot,
       But I am one
       And they are of the sum
    Of me, and will not set me free
    From my desires, which still follow me.

Oh choose, and choose me wholly, so we be 
All of imperfectness, but summary.
  Be sum, no fraction, though a fraction may 
  Marvelous wonder easily convey,
       Yet it's but part
       And may not be the heart,
    The whole is all of us, if we use not 
    All strata, love's geology's forgot.

From Nature & Love Poems, published by Eakins Press, 1969. Copyright © 1969 by Ruth Herschberger. Used by permission of the author.

Love gives all its reasons
as if they were terms for peace.
Love is this but not that
that but not this.
Love as it always was.

But there is no peace in the mountain
cleft where the fruit bats scatter
from the light.
There is no peace in the hollow when
the heat snuffs night’s blue candle.

The outline of brown leaves on
the beach is the wind’s body.

A crow is squawking at the sun
as if the screech itself is dawn.
Let me hear every perfect note.
How I loved that jasper morning.

Copyright © 2015 by Jonathan Wells. Used with permission of the author.

Tell me no more of minds embracing minds, 
     And hearts exchang'd for hearts; 
That spirits spirits meet, as winds do winds, 
     And mix their subt'lest parts; 
That two unbodied essences may kiss, 
And then like Angels, twist and feel one Bliss. 

I was that silly thing that once was wrought 
     To practise this thin love; 
I climb'd from sex to soul, from soul to thought; 
     But thinking there to move, 
Headlong I rolled from thought to soul, and then 
From soul I lighted at the sex again. 

As some strict down-looked men pretend to fast, 
     Who yet in closets eat; 
So lovers who profess they spririts taste, 
     Feed yet on grosser meat; 
I know they boast they souls to souls convey, 
Howe'r they meet, the body is the way. 

Come, I will undeceive thee, they that tread 
     Those vain aerial ways 
Are like young heirs and alchemists misled 
     To waste their wealth and days, 
For searching thus to be for ever rich, 
They only find a med'cine for the itch.

This poem is in the public domain.

The truth is that I fall in love
so easily because

it's easy.
It happens

a dozen times some days.
I've lived whole lives,

had children,
grown old, and died

in the arms of other women
in no more time

than it takes the 2-train
to get from City Hall to Brooklyn,

which brings me back
to you: the only one

I fall in love with
at least once every day—

not because
there are no other
 
lovely women in the world,
but because each time,

dying in their arms,
I call your name.

From Boy (University of Georgia Press, 2008). Copyright © 2008 by Patrick Phillips. Used with permission of University Georgia Press.