The wind has come up
and now there is a cloud behind the mountain.
How many times did she tell me the story
of my birth? The story ended when she’d say,
and that was the happiest day of my life, and
I’d feel a little sad because I’d had no child
and would never have a day like hers. Sometimes,
I can see the river bottom and its glitter
of stones. Then a fish leaps in sunlight rippling
the surface. Sometimes, I listen to the birds,
our seers, the pileated always laughing. I’ve read
the dead in dreams are never dead,
and yes, it is their aliveness that is reassuring,
their going on even as they leave us here. Just now
the shadow of wings, and a far-off child’s voice
shouting Hey, Mom.
Copyright © 2026 by Maxine Scates. Originally published in Poem-a-Day on April 24, 2026, by the Academy of American Poets.
All our windows open, steady drizzle on the kudzu’s
broad backs, birds making their music like this isn’t North
Carolina, but a tropical rainforest, and we’re somewhere
deep in the palms and vines. But it’s our own ferns and fiddleheads,
evergreens and sugar maples, trillium blooming, or on the verge,
for no one in particular, for everyone in particular, as if to say,
Go on, enjoy it. Rain, flowers, time on earth. The apple I
hand-picked at the market. Braiding my friend’s hair, silver
in my fingers, how I tie a tiny bow gently at the end
just as the sun comes out. I want to believe this is true power, that
kindness is the only weapon worth wielding, and I wield it,
land blow after blow to my enemies, without mercy.
Mercy. Bring the wine. Set the table for surprise guests.
No matter the plates don’t match and we’ve run out of chairs,
only that there is bread and laughter, enough to go around.
Parades, in spite of—Pride, in spite of—Please, someone answer all my
questions about hummingbirds and the little futures we are
reaching for, the ones rising above the horizon right before our eyes,
such intoxicating visions, our truest selves, with nothing to hide. Go on.
Trust the child standing barefoot in the rain, her face turned
up to the sky. Trust that crescendo building in your chest is your
voice, singing what you need to hear, the stone-heavy echo
welled from darkest springs. Go ahead. Open the door. No one can
explain how to love the world. It doesn’t happen all at once. But
you can start here. Tonight, with yourself. Someone near you. Let it go
zigzagging town to town. Look, there. It’s already coming back around.
Copyright © 2026 by Arielle Hebert. Originally published in Poem-a-Day on April 15, 2026, by the Academy of American Poets.
You like to fight. You desire sweat
and snap of bicep,
thick resource of thighbone,
shouldering aside obstacles.
You like to thrust your way in and find
something hard and real to go up against—
call it a wall, call it
your brother. Call it the angel
who came to wrestle
but was forced to bestow
a blessing. Strength is a woman
with her hand knotted in a lion’s mane.
Yours to claim or disavow.
I wield no gun,
slingshot, nor lightning bolt.
Only the memory
of membrane and synapse,
how you once had to belly-crawl
through my very body
to get into the world.
I live in you as beauty,
call it spirit or flesh,
call it a swift elbow strike
to will the wall DOWN
that separates—let mine be the blow
that wakes the castle
from its dream of parapets and spikes.
Let mine be the courage
of the trembling tongue
that confesses its true need,
so you can lie in my arms, a cub again
at last, a sheaf of immortal flowers.
Copyright © 2026 by Alison Luterman. Originally published in Poem-a-Day on April 16, 2026, by the Academy of American Poets.
I think about him still. The lone boy
standing at an edge of the obelisk
at the crack of dawn playing a tune
I’d never heard, warm brass with cinnamon tendrils,
then sudden sweetness—a furtive gecko painting its tail
across the unfolding. You are right to ask
what a seventeen-year-old girl was doing there.
I was a runaway. It’s no tragedy. I had meant
for an epic rebellion, but was gently held,
my days thrilled from end to end. A bygone era.
I couldn’t tell you what I was doing. I only know
that I stood three meters from this boy, his skin a hue
even deeper than mine in that city hell-bent
on drowning us under its weight.
Gray and blue and purple wafting behind him
more ancient than any ruin, even as they slide
into light. He grew me into something else, this boy.
Something no longer a child. Stale smoke
on the morning air, a tang of espresso beans.
Head upturned, eyes closed, casual
as the first raindrop, he slid a nocturne
in C sharp minor between loneliness
and solitude like tucking a hand under
a shoulder blade. Perhaps this, my skin engulfed
in morning dew and music,
is the true human romance.
Immune to purpose. Just a hinge
between day and night,
the right to be a body in its body.
Copyright © 2026 by Ashna Ali. Originally published in Poem-a-Day on May 11, 2026, by the Academy of American Poets.
I was looking for an old knowledge
I could make new.
Dehorn your cattle when the sign’s in the legs.
Kill a barn swallow, get blood in your milk.
Dig by the moon’s dark, prune by its light.
I read all afternoon in my office on the third floor.
A passage on shovels reminded me
of crossing that one green pasture with my mother
before we buried her mother again, closer
to our dead kin, the dairy bootleggers.
The dead can’t sleep if you’re always making noise,
but I have never known a soul with my blood
who wants to sleep, once dead, more than four days.
The women, especially, are always wanting
to wake up, shiver in the grasses, sigh.
The worst pain of my life, I was far from the South,
holding my belly, screaming in silence,
and one came to me, ravenous, her eyes widening.
Taking my pain in and in. Like a lover
after a too-long, anguished absence
drinking, as much as they can at one time,
the expressions,
freckles,
eyes of the desired.
I don’t know who she was, but she belonged to me.
Her grave had been left open overnight
leaving her to grasp after our awful music forever.
I felt myself all the way down
to be full of sons, sons I would die with
tucked inside,
so when I found out I might be rounding with a daughter—
I had to walk many miles
when the sign was high in the knees
and the knees were bent in snow
and sap, freezing in the trees, split
loud slits up their middles,
lines a child pried open to enter
dug, but not yet cut by me.
Copyright © 2026 by Gabrielle Bates. Originally published in Poem-a-Day on May 8, 2026, by the Academy of American Poets.
there is a new big problem & the problem is the students
have started setting up shop on the quad with their tarps
& tents their hand-lettered signs they are cooking vast
pots of soup they are hi-lighting Fanon & scrolling Tik-Tok
at full volume they are starting a kind of school I am leaning
in the kitchen of the administrator’s house pinot bright
in my glass it would shock you she is saying how good the new
algorithm is matches a faceprint in seconds even through
a mask she sets a timer wipes her hands of course the fees
are extortionate she laughs but the system will pay for itself
if something were to god forbid actually happen of the threats
on letterhead the teargas & beatings on stairs she says I
was young once too you know I get it you can have your views
but at a certain point in the other world a Shadow
scans the stalls of a market fresh fruit body heat a keystroke
& a distant turret turns she stirs the pan tops off
my glass shallots cook in butter evening leans into the arms
of the trees outside well okay right yes she says did you see
the new one where that French actor plays a young Bob
Dylan & sings all the songs himself & sounds actually
pretty good weren’t you impressed don’t you think that
was a risky move I swallow & say I agree I agree I am saying
as a streetlamp snaps on revealing a grid of freshly
mown turf clippings bagged & lined up at the curb a trail
in the lawn where someone dragged them we’re getting close
she says putting in the garlic & the fish
Copyright © 2026 by Edgar Kunz. Originally published in Poem-a-Day on May 7, 2026, by the Academy of American Poets.
We rented a small place by the sea.
For a few days, we could look out
across a widening expanse of blues. Nights
beside the water, more stars. You traced
Orion’s Belt against the dark.
I hoped to be free of seeking attention
from the external world, which always
overwhelmed my art. Yet, in my work
there were times I could give myself
over completely to matters of the heart.
In the sand, I watched white-breasted gulls
return. You could spend lifetimes
in the shadow of other people’s wants,
and you have done it many lifetimes over,
said the mystic, brushing my tears
from the cards. In my work,
I was adept at constructing niche
dioramas of the heart, long hallways
for certain sorrows to brood in, and sudden
windows facing westward to gaze upon joys,
until, one morning, I found my own joy
dead in the yard. After that,
I woke repeatedly into a persistent dark.
So you see, I often said, I have lived so long
with a vacant heart and what if our love
turns to sand? You take my hands
into your hands. Our small place: the sea
is illegible at night, except for its solemn
crashing. To be drawn into oneself, then out
like the tide, is that love? Or is love
what shore remains?
By the sea, everything seen
is seen lightly, shadows of wings
passing over sand.
Copyright © 2026 by Megan Pinto. Originally published in Poem-a-Day on May 6, 2026, by the Academy of American Poets.
Sand-gray desert siren, a roadrunner
froze between creosote, confused
not by prickly pear or pencil cactus,
but by fumes choking the road’s throat.
A toddler nearby tensed at each
tire’s shriek, his hand crushed inside
his mother’s as the roadrunner
swiveled its head as if looking for his
before darting west, then north,
then west again, this time
toward a canyon whose creek,
after a meagre snowmelt,
was ringed by thin reeds, skeeters
careening between them. Don’t,
my mother had warned when I crawled
from beneath mesquite,
lizard’s tail dangling from my fist.
When she tried to stop
bulldozers from collapsing bighorn
habitat, I ignored her, grabbing
whiptails, dung beetles, centipedes.
Now the toddler,
eyeing flecks of fool’s gold glowing
in a chunk of sandstone
slips free of his mother’s hand
to flop in the dirt beside the highway.
Can he feel dunes breathing
beneath his feet, aquifer dwindling
but still rich as his own blood running?—
Or does he hear only the groans
of a desert emptying, ravens massed
in the valley to scavenge.
Copyright © 2026 by W. J. Herbert. Originally published in Poem-a-Day on May 3, 2026, by the Academy of American Poets.
We were living in a blue room, somewhere near
the coast. The trees were tall and green as sleeping men,
bent against the wind. There were blackberries,
apple farms, roaring waves of storms. Long December
foghorn nights, the distant tinny ringing of a bell.
We watched the ships go by, the seagulls flock
and spread. We stayed up late and read Neruda
in the dark, returning every nerve. So close it seemed
the other person’s body was our own. Eyes for eyes,
hands for hands, waiting for the other one to come.
It wasn’t beauty but a lack of time. We saw the stars
dissolve, the shifting range of blues against the peaks.
Mountains in the distance. Black hills. Moon. There was
a time, a period of days and nights before the end.
We were living in a blue room, and we were happy.
Copyright © 2026 by Kai Carlson-Wee. Originally published in Poem-a-Day on April 28, 2026, by the Academy of American Poets.