somewhere i have never travelled, gladly beyond
any experience, your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near
your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skillfully, mysteriously) her first rose
or if your wish be to close me, i and
my life will shut very beautifully, suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;
nothing which we are to perceive in this world equals
the power of your intense fragility: whose texture
compels me with the colour of its countries,
rendering death and forever with each breathing
(i do not know what it is about you that closes
and opens; only something in me understands
the voice of your eyes is deeper than all roses)
nobody, not even the rain, has such small hands
From Complete Poems: 1904-1962 by E. E. Cummings, edited by George J. Firmage. Used with the permission of Liveright Publishing Corporation. Copyright © 1923, 1931, 1935, 1940, 1951, 1959, 1963, 1968, 1991 by the Trustees for the E. E. Cummings Trust. Copyright © 1976, 1978, 1979 by George James Firmage.
Sometimes when you start to ramble
or rather when you feel you are starting to ramble
you will say Well, now I’m rambling
though I don’t think you ever are.
And if you ever are I don’t really care.
And not just because I and everyone really
at times falls into our own unspooling
—which really I think is a beautiful softness
of being human, trying to show someone else
the color of all our threads, wanting another to know
everything in us we are trying to show them—
but in the specific,
in the specific of you
here in this car that you are driving
and in which I am sitting beside you
with regards to you
and your specific mouth
parting to give way
to the specific sweetness that is
the water of your voice
tumbling forth—like I said
I don’t ever really mind
how much more
you might keep speaking
as it simply means
I get to hear you
speak for longer.
What was a stream
now a river.
Copyright © 2023 by Anis Mojgani. Originally published in Poem-a-Day on May 18, 2023, by the Academy of American Poets.
Masons, when they start upon a building,
Are careful to test out the scaffolding;
Make sure that planks won’t slip at busy points,
Secure all ladders, tighten bolted joints.
And yet all this comes down when the job’s done
Showing off walls of sure and solid stone.
So if, my dear, there sometimes seem to be
Old bridges breaking between you and me
Never fear. We may let the scaffolds fall
Confident that we have built our wall.
“Scaffolding” from Opened Ground: Selected Poems 1966–1996 by Seamus Heaney. Copyright © 1998 by Seamus Heaney.
Before you came, things were as they should be: the sky was the dead-end of sight, the road was just a road, wine merely wine. Now everything is like my heart, a color at the edge of blood: the grey of your absence, the color of poison, of thorns, the gold when we meet, the season ablaze, the yellow of autumn, the red of flowers, of flames, and the black when you cover the earth with the coal of dead fires. And the sky, the road, the glass of wine? The sky is a shirt wet with tears, the road a vein about to break, and the glass of wine a mirror in which the sky, the road, the world keep changing. Don't leave now that you're here— Stay. So the world may become like itself again: so the sky may be the sky, the road a road, and the glass of wine not a mirror, just a glass of wine.
From The Rebel's Silhouette by Faiz Ahmed Faiz, translated by Agha Shahid Ali. Copyright © 1991 by Agha Shahid Ali. Used by permission of University of Massachusetts Press.
since feeling is first
who pays any attention
to the syntax of things
will never wholly kiss you;
wholly to be a fool
while Spring is in the world
my blood approves,
and kisses are a better fate
than wisdom
lady i swear by all flowers. Don’t cry
—the best gesture of my brain is less than
your eyelids’ flutter which says
we are for each other: then
laugh, leaning back in my arms
for life’s not a paragraph
And death i think is no parenthesis
This poem is in the public domain. Published in Poem-a-Day on April 16, 2022, by the Academy of American Poets.
You on the bed beside me hold
One arm straight up till it is cold,
Then let it fall, the softest part
Lying for warmth against my heart.
My fingers with your fingers’ ends
Play in and out; a foot defends
Deep regions from another foot.
You turn and find my eyes. I put
A curious palm where it is seized
By a quick hand—but you are pleased. . . .
There is a third one in the room.
See—in the sun, where the figures bloom
Blood-red on the rug—somebody kneels?
Time smiles at us, and rests his heels.
Outside a hundred horses graze.
He will drive on; but now he stays.
Soon I must follow hence, and slip
Into my place beneath the whip. . . .
He smiles upon us. Come, forget!
He has not thought of rising yet.
This poem is in the public domain.