My pants could maybe fall down when I dive off the diving board.
My nose could maybe keep growing and never quit.
Miss Brearly could ask me to spell words like stomach and special.
     (Stumick and speshul?)
I could play tag all day and always be "it."
Jay Spievack, who's fourteen feet tall, could want to fight me.
My mom and my dad—like Ted's—could want a divorce.
Miss Brearly could ask me a question about Afghanistan.
     (Who's Afghanistan?)
Somebody maybe could make me ride a horse.
My mother could maybe decide that I needed more liver.
My dad could decide that I needed less TV.
Miss Brearly could say that I have to write script and stop printing.
     (I'm better at printing.)
Chris could decide to stop being friends with me.

The world could maybe come to an end on next Tuesday.
The ceiling could maybe come crashing on my head.
I maybe could run out of things for me to worry about.
And then I'd have to do my homework instead.

From If I Were in Charge of the World and Other Worries . . ., published by Macmillan, 1981. Used with permission.

Life is short, though I keep this from my children.
Life is short, and I’ve shortened mine
in a thousand delicious, ill-advised ways,
a thousand deliciously ill-advised ways
I’ll keep from my children. The world is at least
fifty percent terrible, and that’s a conservative
estimate, though I keep this from my children.
For every bird there is a stone thrown at a bird.
For every loved child, a child broken, bagged,
sunk in a lake. Life is short and the world
is at least half terrible, and for every kind
stranger, there is one who would break you,
though I keep this from my children. I am trying
to sell them the world. Any decent realtor,
walking you through a real shithole, chirps on
about good bones: This place could be beautiful,
right? You could make this place beautiful.

This poem originally appeared in Waxwing, Issue 10, in June 2016. Used with permission of the author.

Maybe you’re not the featherweight champ
of all the cutthroat combat sports

(fifteen and pregnant
again)

but you’d convert your ring corner
into a slaughterhouse

before you’d inquire after human kindness.


In the humdrum flare outside the clinic
you wait for a ride, feel the spill at the tipping point

trickle down your inner thigh
as you bask in the post-industrial particulate

on your skin, ash
into a jasmine pot’s bituminous anchorage

so tacky it glows in a habitat that spent your body
long before it finished growing.

    
     Lynn! they lied to you

don’t you know?
Your womb will be the first thing to heal.

What you smell is pleasure, not the rot of the thing
amid the waste.

You will have babies.
You will write poems about flowers that turn on in darkness.
 

Copyright © 2016 by Lynn Melnick. Originally published in Poem-a-Day on September 22, 2016, by the Academy of American Poets.

Seventy-seven betrayers will stand by the road,
And those who love you will be few but stronger.

Seventy-seven betrayers, skilful and various,
But do not fear them: they are unimportant.

You must learn soon, soon, that despite Judas
The great betrayals are impersonal

(Though many would be Judas, having the will
And the capacity, but few the courage).

You must learn soon, soon, that even love
Can be no shield against the abstract demons:

Time, cold and fire, and the law of pain,
The law of things falling, and the law of forgetting.

The messengers, of faces and names known
Or of forms familiar, are innocent.

Copyright © by the Estate of Hyam Plutzik. All rights reserved.

There must be soft words
for an evening like this, when the breeze
caresses like gentle fingertips
all over. I don’t know

how not to write darkly and sad.
But it’s two years today since
my little girl was born, cut safely
from the noose.

We meant nothing but hope;
how near death is to that.

Only children, only some children,
get to run free from these snags. She
was born! She lived and she grows
like joy spreading from the syllables

of songs. She reminds me of now
and now and now.
                            I must learn
to have been so lucky.

Copyright @ 2014 by Craig Morgan Teicher. Used with permission of the author. This poem appeared in Poem-a-Day on May 22, 2014.

In her room at the prow of the house
Where light breaks, and the windows are tossed with linden,
My daughter is writing a story.

I pause in the stairwell, hearing
From her shut door a commotion of typewriter-keys
Like a chain hauled over a gunwale.

Young as she is, the stuff
Of her life is a great cargo, and some of it heavy:
I wish her a lucky passage.

But now it is she who pauses,
As if to reject my thought and its easy figure.
A stillness greatens, in which

The whole house seems to be thinking,
And then she is at it again with a bunched clamor
Of strokes, and again is silent.

I remember the dazed starling
Which was trapped in that very room, two years ago;
How we stole in, lifted a sash

And retreated, not to affright it;
And how for a helpless hour, through the crack of the door,
We watched the sleek, wild, dark

And iridescent creature
Batter against the brilliance, drop like a glove
To the hard floor, or the desk-top,

And wait then, humped and bloody,
For the wits to try it again; and how our spirits
Rose when, suddenly sure,

It lifted off from a chair-back, 
Beating a smooth course for the right window
And clearing the sill of the world.

It is always a matter, my darling,
Of life or death, as I had forgotten.  I wish
What I wished you before, but harder.
 

From New and Collected Poems, published by Harcourt Brace, 1988. Copyright © 1969 by Richard Wilbur. All rights reserved. Used with permission.

Marriage is not
a house or even a tent

it is before that, and colder:

the edge of the forest, the edge
of the desert 
                    the unpainted stairs 
at the back where we squat 
outside, eating popcorn

the edge of the receding glacier

where painfully and with wonder
at having survived even
this far

we are learning to make fire 

“Habitation” excerpted from Selected Poems 1965–­1975 by Margaret Atwood. Copyright © 1987 by Margaret Atwood. Used by permission of Houghton Mifflin Harcourt. All rights reserved.

Strephon kissed me in the spring,
      Robin in the fall,
But Colin only looked at me
      And never kissed at all.

Strephon's kiss was lost in jest,
      Robin's lost in play,
But the kiss in Colin's eyes
      Haunts me night and day.

This poem is in the public domain.

You walked in like the light
From every sun that rose 
This year had exploded
Symmetrically from your eyes
I was uncertain—no I was certain 
I wanted your eyes to shoot 
Laser beams straight through me
It was certain we were soon to be
Bound by something mythological
It was certain that when you moved
The hair away from my mouth 
A locust in your eyes 
Moved farther afield
It was uncertain if one day
We would be saying 
I will not love you
The way I love you presently
It was certain we spoke
The danger language of deer
Moving only when moving 
Our velvet bodies in fear

Copyright © 2014 by Christie Ann Reynolds. Used with permission of the author. This poem appeared in Poem-A-Day on January 27, 2014. Browse the Poem-A-Day archive.