The Writer

- 1921-2017

In her room at the prow of the house
Where light breaks, and the windows are tossed with linden,
My daughter is writing a story.

I pause in the stairwell, hearing
From her shut door a commotion of typewriter-keys
Like a chain hauled over a gunwale.

Young as she is, the stuff
Of her life is a great cargo, and some of it heavy:
I wish her a lucky passage.

But now it is she who pauses,
As if to reject my thought and its easy figure.
A stillness greatens, in which

The whole house seems to be thinking,
And then she is at it again with a bunched clamor
Of strokes, and again is silent.

I remember the dazed starling
Which was trapped in that very room, two years ago;
How we stole in, lifted a sash

And retreated, not to affright it;
And how for a helpless hour, through the crack of the door,
We watched the sleek, wild, dark

And iridescent creature
Batter against the brilliance, drop like a glove
To the hard floor, or the desk-top,

And wait then, humped and bloody,
For the wits to try it again; and how our spirits
Rose when, suddenly sure,

It lifted off from a chair-back, 
Beating a smooth course for the right window
And clearing the sill of the world.

It is always a matter, my darling,
Of life or death, as I had forgotten.  I wish
What I wished you before, but harder.
 

The Prisoner of Zenda

At the end a
"The Prisoner of Zenda,"
The King being out of danger,
Stewart Granger
(As Rudolph Rassendyll)
Must swallow a bitter pill
By renouncing his co-star,
Deborah Kerr.

It would be poor behavia
In him and in Princess Flavia
Were they to put their own
Concerns before those of the Throne.
Deborah Kerr must wed
The King instead.

Rassendyll turns to go.
Must it be so?
Why can't they have their cake
And eat it, for heaven's sake?
Please let them have it both ways,
The audience prays.
And yet it is hard to quarrel
With a plot so moral.

One redeeming factor,
However, is that the actor
Who plays the once-dissolute King
(Who has learned through suffering
Not to drink or be mean
To his future Queen),
Far from being a stranger,
Is also Stewart Granger.

June Light

Your voice, with clear location of June days,
Called me outside the window.  You were there,
Light yet composed, as in the just soft stare
Of uncontested summer all things raise
Plainly their seeming into seamless air.

Then your love looked as simple and entire
As that picked pear you tossed me, and your face
As legible as pearskin's fleck and trace,
Which promise always wine, by mottled fire
More fatal fleshed than ever human grace.

And your gay gift—Oh when I saw it fall
Into my hands, through all that naïve light,
It seemed as blessed with truth and new delight
As must have been the first great gift of all.

The House

Sometimes, on waking, she would close her eyes
For a last look at that white house she knew
In sleep alone, and held no title to,
And had not entered yet, for all her sighs.

What did she tell me of that house of hers?
White gatepost; terrace; fanlight of the door;
A widow's walk above the bouldered shore;
Salt winds that ruffle the surrounding firs.

Is she now there, wherever there may be?
Only a foolish man would hope to find
That haven fashioned by her dreaming mind.
Night after night, my love, I put to sea.