What would I do
for a smidgeon
of your rebellion María?
As a woman to trust
the halo of your intuition
I know you know
courage plummets
easily from cliffs of doubt
both imposed and self harvested—
How to make manifest
what the mind knows
but the eye cannot yet see?
How to pluck Hope
from the terraced gardens
where it grows?
I think about the nature of change
the transfiguration from grain to woman
the audacity of salt to embolden water into ocean
the urge to break free
From Killing Marías: A Poem for Multiple Voices (Two Sylvias Press, 2017). Copyright © 2016 by Claudia Castro Luna. Used with the permission of the poet.
This is what life does. It lets you walk up to the store to buy breakfast and the paper, on a stiff knee. It lets you choose the way you have your eggs, your coffee. Then it sits a fisherman down beside you at the counter who say, Last night, the channel was full of starfish. And you wonder, is this a message, finally, or just another day? Life lets you take the dog for a walk down to the pond, where whole generations of biological processes are boiling beneath the mud. Reeds speak to you of the natural world: they whisper, they sing. And herons pass by. Are you old enough to appreciate the moment? Too old? There is movement beneath the water, but it may be nothing. There may be nothing going on. And then life suggests that you remember the years you ran around, the years you developed a shocking lifestyle, advocated careless abandon, owned a chilly heart. Upon reflection, you are genuinely surprised to find how quiet you have become. And then life lets you go home to think about all this. Which you do, for quite a long time. Later, you wake up beside your old love, the one who never had any conditions, the one who waited you out. This is life’s way of letting you know that you are lucky. (It won’t give you smart or brave, so you’ll have to settle for lucky.) Because you were born at a good time. Because you were able to listen when people spoke to you. Because you stopped when you should have and started again. So life lets you have a sandwich, and pie for your late night dessert. (Pie for the dog, as well.) And then life sends you back to bed, to dreamland, while outside, the starfish drift through the channel, with smiles on their starry faces as they head out to deep water, to the far and boundless sea.
From Our Post Soviet History Unfolds by Eleanor Lerman, published by Sarabande Books. Copyright © 2005 by Eleanor Lerman. Used with permission. All rights reserved.
December Moon Oak moon, reed moon— our friend called; she was telling the pain what to think. I said Look. If you relax you'll get better. Better? who wants better, said a moonbeam under the wire, the soul is light's hypotenuse; the lily's logic is frozen fire— |
December Moon Suppose you are the secret of the shore—a strong wave lying on its side— you'd come to earth again (as if joy's understudy would appear) & you could live one more bold day without meaning to, afresh, on winter's piney floor; you say, I've been to the door & wept; it says, what door |
Brenda Hillman, "December Moon," from Practical Water, © 2010 by Brenda Hillman. Used by permission of Wesleyan University Press.
I looked at all the trees and didn't know what to do. A box made out of leaves. What else was in the woods? A heart, closing. Nevertheless. Everyone needs a place. It shouldn't be inside of someone else. I kept my mind on the moon. Cold moon, long nights moon. From the landscape: a sense of scale. From the dead: a sense of scale. I turned my back on the story. A sense of superiority. Everything casts a shadow. Your body told me in a dream it's never been afraid of anything.
Copyright © 2011 by Richard Siken. Used with permission of the author.
Sun makes the day new.
Tiny green plants emerge from earth.
Birds are singing the sky into place.
There is nowhere else I want to be but here.
I lean into the rhythm of your heart to see where it will take us.
We gallop into a warm, southern wind.
I link my legs to yours and we ride together,
Toward the ancient encampment of our relatives.
Where have you been? they ask.
And what has taken you so long?
That night after eating, singing, and dancing
We lay together under the stars.
We know ourselves to be part of mystery.
It is unspeakable.
It is everlasting.
It is for keeps.
MARCH 4, 2013, CHAMPAIGN, ILLINOIS
Reprinted from Conflict Resolution for Holy Beings by Joy Harjo. Copyright © 2015 by Joy Harjo. Used with permission of the publisher, W. W. Norton & Company, Inc. All rights reserved.
Up until this sore minute, you could turn the key, pivot away.
But mine is the only medicine now
wherever you go or follow.
The past is so far away, but it flickers,
then cleaves the night. The bones
of the past splinter between our teeth.
This is our life, love. Why did I think
it would be anything less than too much
of everything? I know you remember that cheap motel
on the coast where we drank red wine,
the sea flashing its gold scales as sun
soaked our skin. You said, This must be
what people mean when they say
I could die now. Now
we’re so much closer
to death than we were then. Who isn’t crushed,
stubbed out beneath a clumsy heel?
Who hasn’t stood at the open window,
sleepless, for the solace of the damp air?
I had to get old to carry both buckets
yoked on my shoulders. Sweet
and bitter waters I drink from.
Let me know you, ox you.
I want your scent in my hair.
I want your jokes.
Hang your kisses on all my branches, please.
Sink your fingers into the darkness of my fur.
Copyright © 2020 by Ellen Bass. Originally published in Poem-a-Day on February 13, 2020, by the Academy of American Poets.