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Suji Kwock Kim

Born in 1969, Suji Kwock Kim was educated at Yale College; the Iowa Writers' Workshop; Seoul National University, where she was a Fulbright Scholar; and Stanford University, where she was a Stegner Fellow. Her first book of poems, Notes from the Divided Country (Louisiana State University Press, 2003) was chosen by Yusef Komunyakaa for the 2002 Walt Whitman Award.

Kim's work has appeared or is forthcoming in Poetry, Paris Review, The Nation, The New Republic, DoubleTake, Yale Review, Salmagundi, Threepenny Review, Ploughshares, New England Review, Southwest Review, Harvard Review, Michigan Quarterly Review, Asian-American Poetry: The Next Generation, and other journals and anthologies.

She is the recipient of fellowships from the National Endowment for the Arts and the Fine Arts Work Center in Provincetown, as well as The Nation/ "Discovery" Award and grants from the New York Foundation for the Arts, California Arts Council, Washington State Artist Trust, Korea Foundation and Blakemore Foundation for Asian Studies. Private Property, a multimedia play she co-wrote, was produced at the Edinburgh Festival Fringe and was featured on BBC-TV. She divides her time between San Francisco and New York.

Suji Kwok Kim
Raymond Collier Short

By This Poet

2

Monologue for an Onion

I don't mean to make you cry.
I mean nothing, but this has not kept you
From peeling away my body, layer by layer,

The tears clouding your eyes as the table fills
With husks, cut flesh, all the debris of pursuit.
Poor deluded human: you seek my heart.

Hunt all you want. Beneath each skin of mine
Lies another skin: I am pure onion--pure union
Of outside and in, surface and secret core.

Look at you, chopping and weeping. Idiot.
Is this the way you go through life, your mind
A stopless knife, driven by your fantasy of truth,

Of lasting union--slashing away skin after skin
From things, ruin and tears your only signs
Of progress? Enough is enough.

You must not grieve that the world is glimpsed
Through veils. How else can it be seen?
How will you rip away the veil of the eye, the veil

That you are, you who want to grasp the heart
Of things, hungry to know where meaning
Lies. Taste what you hold in your hands: onion-juice,

Yellow peels, my stinging shreds. You are the one
In pieces. Whatever you meant to love, in meaning to
You changed yourself: you are not who you are,

Your soul cut moment to moment by a blade
Of fresh desire, the ground sown with abandoned skins.
And at your inmost circle, what? A core that is

Not one. Poor fool, you are divided at the heart,
Lost in its maze of chambers, blood, and love,
A heart that will one day beat you to death.

Fugue

Out of albumen and blood, out of amniotic brine,
placental sea-swell, trough, salt-spume and foam,
 
you came to us infinitely far, little traveler, from the other world—
skull-keel and heel-hull socketed to pelvic cradle,
 
rib-rigging, bowsprit-spine, driftwood-bone,
the ship of you scudding wave after wave of what-might-never-have-been.
 
Memory, stay faithful to this moment, which will never return: 
may I never forget when we first saw you, there on the other side,
 
still fish-gilled, water-lunged,
your eelgrass-hair and seahorse-skeleton floating in the sonogram screen
 
like a ghost from tomorrow,
moth-breath quicksilver in snowy pixels, fists in sleep-twitch,
 
not yet alive but not not, 
you who were and were not,
 
a thunder of bloodbeats sutured in green jags on the ultrasound machine
like hooves galloping from eternity to time,
 
feet kicking bone-creel and womb-wall,
while we waited, never to waken in that world again, 
 
the world without the shadow of your death,
with no you or not-you, no is or was or might-have-been or never-were.
 
May I never forget when we first saw you in your afterlife
which was life,
 
soaked otter-pelt and swan-down crowning,
face cauled in blood and mucus-mud, eyes soldered shut,
 
wet birth-cord rooting you from one world to the next,
you who might not have lived, might never have been born, like all the others,
 
as we looked at every pock and crook of your skull,
every clotted hair, seal-slick on your blue-black scalp,
 
every lash, every nail, every pore, every breath,
with so much wonder that wonder is not the word—

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