The woman who cut and painted my toenails
is from Vietnam. Green card, she says. Many
people, my uncle the doctor, died in boats after April 30, 1975, she says. She tells me about
her fiancé. Thirteen years and when I couldn’t get back for my visit
after September 11, 2001, the new laws, she says, he kicked me out. His mother, she
says. She went back for a visit in 2007 and he was a doctor, offered
her an apartment, but she likes
her own money and she wouldn’t do that
to his wife, she says. When my friend
the performance artist, a vamp, shows up to meet me, the woman who cuts and paints
my toenails tells us about the last guy who asked her out. Got her number from their shared
bank teller. Drove her around and then brought her back to his house. When she refused
his advances—Did he even make you dinner? the performance artist asks—he told her she was a
high-quality woman. I remember dating, all the pop-up ads for instructional guides on
Becoming a High-Quality Woman. Save your money, she says. The bell on the door
is a white crystal pocket
and a college student walks in. Fill? The performance artist and I make plans for sushi
while my toenails dry. When I am ready to pay, the woman who cut and painted my toenails stops
as she’s walking to the register and hugs me from behind. So tall! she says, tenderly, petting
my forearm hair. It is May 18, 2016, and our good president has now been at war longer
than any other in American history.
Copyright © 2025 by Megan Levad Beisner. Originally published in Poem-a-Day on December 10, 2025, by the Academy of American Poets.