Life is Beautiful (audio only)
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The pines rub their great noise
into the spangled dark, scratch
their itchy boughs against the house,
that moan’s mystery translates roughly
into drudgery of ownership: time
to drag the ladder from the shed,
climb onto the roof with a saw
between my teeth, cut
those suckers down. What’s reality
if not a long exhaustive cringe
from the blade, the teeth. I want to sleep
and dream the life of trees, beings
from the muted world who care
nothing for Money, Politics, Power,
Will or Right, who want little from the night
but a few dead stars going dim, a white owl
lifting from their limbs, who want only
to sink their roots into the wet ground
and terrify the worms or shake
their bleary heads like fashion models
or old hippies. If trees could speak,
they wouldn’t, only hum some low
green note, roll their pinecones
down the empty streets and blame it,
with a shrug, on the cold wind.
During the day they sleep inside
their furry bark, clouds shredding
like ancient lace above their crowns.
Sun. Rain. Snow. Wind. They fear
nothing but the Hurricane, and Fire,
that whipped bully who rises up
and becomes his own dead father.
In the storms the young ones
bend and bend and the old know
they may not make it, go down
with the power lines sparking,
broken at the trunk. They fling
their branches, forked sacrifice
to the beaten earth. They do not pray.
If they make a sound it’s eaten
by the wind. And though the stars
return they do not offer thanks, only
ooze a sticky sap from their roundish
concentric wounds, clap the water
from their needles, straighten their spines
and breathe, and breathe again.
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The crunch is the thing, a certain joy in crashing through living tissue, a memory of Neanderthal days. —Edward Bunyard, The Anatomy of Dessert, 1929 Teeth at the skin. Anticipation. Then flesh. Grain on the tongue. Eve's knees ground in the dirt of paradise. Newton watching gravity happen. The history of apples in each starry core, every papery chamber's bright bitter seed. Woody stem an infant tree. William Tell and his lucky arrow. Orchards of the Fertile Crescent. Bushels. Fire blight. Scab and powdery mildew. Cedar apple rust. The apple endures. Born of the wild rose, of crab ancestors. The first pip raised in Kazakhstan. Snow White with poison on her lips. The buried blades of Halloween. Budding and grafting. John Chapman in his tin pot hat. Oh Westward Expansion. Apple pie. American as. Hard cider. Winter banana. Melt-in-the-mouth made sweet by hives of Britain's honeybees: white man's flies. O eat. O eat.
Man-made, bejesus hot, patches of sand turned to glass.
Home of Iron Mountain and McCulloch chainsaws.
London Bridge, disassembled, shipped, reassembled.
The white sturgeon stocked, found dead, some lost,
hiding in the depths of Parker Dam. Fifty year-old
monsters, maybe twenty feet long. Lake named
for the Mojave word for blue. Havasu. Havasu.
What we called the sky on largemouth bass days,
striped bass nights, carp, catfish, crappie, razorback,
turtles, stocked, caught, restocked. I stood waist deep
in that dammed blue, and I was beautiful, a life saver
resting on my young hips, childless, oblivious
to politics, to the life carted in and dumped
into the cauldron I swam through, going under,
gliding along the cool sand like a human fish,
white bikini-ed shark flashing my blind side.
We heard a woman died, face down in the sand,
drunk on a 125 degree day. That night we slept
on dampened sheets, a hotel ice bucket on the
bedside table. We sucked the cubes round, slid
the beveled edges down our thighs and spines,
let them melt to pools in the small caves
below our sternums. While you slept beside me
I thought of that woman, her body one long
third degree burn, sweating and turning
under a largo moon, the TV on: seven dead
from Tylenol, the etched black wedge of the
Vietnam Memorial, the Commodore Computer
unveiled, the first artificial heart, just beginning
to wonder if something might be wrong.