The bakery’s graffiti either spells HOPE
or NOPE. But hope and results
are different, said Fanny Brawne to her Keats
voiding his unreasonable lung.
Getting off the medicine
completely means light again
blinking to light. Device returned
to its factory settings. The complete black
of before the meteor shower
above the bakery. If you lose the smell
of leather, lemon, or rose,
studies show you will fail at being,
like Keats. I keep watching the same meteor
shower videos on YouTube
where awe is always a question of scale.
Night can be moths or weather, pulled in the dark.
The bakery, now, is beginning to close.
My arrhythmic heart
aches for the kind of dramatic arc
one can’t shop for. Or else to lease
what’s real for a while—
is this the good kind of consumption?
I wonder over the weight
of meaning. The difference between
hull and seed. The sugary
donut and its graceful hole. The greasy
bags that everyone leaves
in the alley leading to my door.
These scraps I work at like a crow.
If You Must Hide Yourself From Love
It is important to face the rear of the train as it leaves the republic. Not that all departing is yearning. First love is a factory. We sleep in a bed that had once been a tree. Nothing is forgot. Yet facts, over time, lose their charm, warned a dying Plato. You have to isolate the lies you love. Are we any less photorealistic? I spot in someone's Face- book sonogram a tiny dictum full of syllogisms. One says: all kisses come down to a hole in the skull, toothpaste and gin; therefore your eyes are bull, your mouth is a goal.