I Wonder if Waves Feel a Sense of Kinship According to How They Were Formed: A Cento
Rising out of the drowned Kingdom
Into which all oceans disappear
Shifting their stripped bones
[What might be] yucca plants or a dried creek
Land incised by a wall becomes a beach
The rain the river the rat the snake
Also the wall’s containment
A scarlet snake wound
In the tissue between the floodplains
Red-colored blossoms green-colored blossoms
If a river spoke English it might say:
(Spilling over their scalp)
The chain cholla fruit then fall
Taking the shape of their longing
To lose
To lose government
To live toward the direction of the ocean
Where in times of crises the tributaries
Long scarves of ocean
Bear and be whatever darkness [or leaping]
Will say it not roughly
This sound breaks the wave of
An island folded in half
Watch the slow green-blue dunes lift open
Eyes threading the vein
The sand calls out for
The song, if translated might feel like this:
(Taking the shape of their longing)
Soy tu cuerpo y estoy sobre la mesa donde
Se encausa la corriente del mundo
A river is a body
No two droughts are alike
The Corpse at Stake Was a Dream We Felt Inside Of was originally published in Widening the Lens: Photography, Ecology, and the Contemporary Landscape, 2024, edited by Dan Leers, Hillman Photography Initiative, Carnegie Museum of Art, Pittsburgh. Text originally produced online and in print by Bibeau Krueger Gallery to accompany Site Unfolding, a solo exhibition by Dionne Lee, February 2024. With lines from Eduardo C. Corral, Slow Lightning; Natalie Diaz, Postcolonial Love Poem; Dolores Dorantes, El Rio; Saretta Morgan, Alt-Nature; Roger Reeves, Best Barbarian; Brandon Shimoda, Hydra Medusa; Javier Zamora, Unaccompanied; and Ofelia Zepeda, Ocean Power.