Dreams
Hold fast to dreams
For if dreams die
Life is a broken-winged bird
That cannot fly.
Hold fast to dreams
For when dreams go
Life is a barren field
Frozen with snow.
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It was a long time ago.
I have almost forgotten my dream.
But it was there then,
In front of me,
Bright like a sun,—
My dream.
And then the wall rose,
Rose slowly,
Slowly,
Between me and my dream.
Rose slowly, slowly,
Dimming,
Hiding,
The light of my dream.
Rose until it touched the sky,—
The wall.
Shadow.
I am black.
I lie down in the shadow.
No longer the light of my dream before me,
Above me.
Only the thick wall.
Only the shadow.
My hands!
My dark hands!
Break through the wall!
Find my dream!
Help me to shatter this darkness,
To smash this night,
To break this shadow
Into a thousand lights of sun,
Into a thousand whirling dreams
Of sun!
Hold fast to dreams
For if dreams die
Life is a broken-winged bird
That cannot fly.
Hold fast to dreams
For when dreams go
Life is a barren field
Frozen with snow.
I went down to the river,
I set down on the bank.
I tried to think but couldn't,
So I jumped in and sank.
I came up once and hollered!
I came up twice and cried!
If that water hadn't a-been so cold
I might've sunk and died.
But it was Cold in that water! It was cold!
I took the elevator
Sixteen floors above the ground.
I thought about my baby
And thought I would jump down.
I stood there and I hollered!
I stood there and I cried!
If it hadn't a-been so high
I might've jumped and died.
But it was High up there! It was high!
So since I'm still here livin',
I guess I will live on.
I could've died for love—
But for livin' I was born
Though you may hear me holler,
And you may see me cry—
I'll be dogged, sweet baby,
If you gonna see me die.
Life is fine! Fine as wine! Life is fine!
The instructor said,
Go home and write
a page tonight.
And let that page come out of you—
Then, it will be true.
I wonder if it's that simple?
I am twenty-two, colored, born in Winston-Salem.
I went to school there, then Durham, then here
to this college on the hill above Harlem.
I am the only colored student in my class.
The steps from the hill lead down into Harlem,
through a park, then I cross St. Nicholas,
Eighth Avenue, Seventh, and I come to the Y,
the Harlem Branch Y, where I take the elevator
up to my room, sit down, and write this page:
It's not easy to know what is true for you or me
at twenty-two, my age. But I guess I'm what
I feel and see and hear, Harlem, I hear you:
hear you, hear me—we two—you, me, talk on this page.
(I hear New York, too.) Me—who?
Well, I like to eat, sleep, drink, and be in love.
I like to work, read, learn, and understand life.
I like a pipe for a Christmas present,
or records—Bessie, bop, or Bach.
I guess being colored doesn't make me not like
the same things other folks like who are other races.
So will my page be colored that I write?
Being me, it will not be white.
But it will be
a part of you, instructor.
You are white—
yet a part of me, as I am a part of you.
That's American.
Sometimes perhaps you don't want to be a part of me.
Nor do I often want to be a part of you.
But we are, that's true!
As I learn from you,
I guess you learn from me—
although you're older—and white—
and somewhat more free.
This is my page for English B.
O black and unknown bards of long ago, How came your lips to touch the sacred fire? How, in your darkness, did you come to know The power and beauty of the minstrel's lyre? Who first from midst his bonds lifted his eyes? Who first from out the still watch, lone and long, Feeling the ancient faith of prophets rise Within his dark-kept soul, burst into song? Heart of what slave poured out such melody As "Steal away to Jesus"? On its strains His spirit must have nightly floated free, Though still about his hands he felt his chains. Who heard great "Jordan roll"? Whose starward eye Saw chariot "swing low"? And who was he That breathed that comforting, melodic sigh, "Nobody knows de trouble I see"? What merely living clod, what captive thing, Could up toward God through all its darkness grope, And find within its deadened heart to sing These songs of sorrow, love and faith, and hope? How did it catch that subtle undertone, That note in music heard not with the ears? How sound the elusive reed so seldom blown, Which stirs the soul or melts the heart to tears. Not that great German master in his dream Of harmonies that thundered amongst the stars At the creation, ever heard a theme Nobler than "Go down, Moses." Mark its bars How like a mighty trumpet-call they stir The blood. Such are the notes that men have sung Going to valorous deeds; such tones there were That helped make history when Time was young. There is a wide, wide wonder in it all, That from degraded rest and servile toil The fiery spirit of the seer should call These simple children of the sun and soil. O black slave singers, gone, forgot, unfamed, You—you alone, of all the long, long line Of those who've sung untaught, unknown, unnamed, Have stretched out upward, seeking the divine. You sang not deeds of heroes or of kings; No chant of bloody war, no exulting pean Of arms-won triumphs; but your humble strings You touched in chord with music empyrean. You sang far better than you knew; the songs That for your listeners' hungry hearts sufficed Still live,—but more than this to you belongs: You sang a race from wood and stone to Christ.
I plucked my soul out of its secret place,
And held it to the mirror of my eye,
To see it like a star against the sky,
A twitching body quivering in space,
A spark of passion shining on my face.
And I explored it to determine why
This awful key to my infinity
Conspires to rob me of sweet joy and grace.
And if the sign may not be fully read,
If I can comprehend but not control,
I need not gloom my days with futile dread,
Because I see a part and not the whole.
Contemplating the strange, I’m comforted
By this narcotic thought: I know my soul.