Honeymoon

Louis Simpson - 1923-2012

Uncle Bob prayed over the groom:
"Let him establish Kingdom principles."
Aunt Shirley prayed for the bride:
"Father, I pray an anointing on her."
"Love," said Reverend Philips,

 

"is insensitive, love is invalueless."
He said that we merger together
in holy matrimony,
and the choir burst into song:
"He waits for us, and waits for us."
 

                                          *

Every day they went swimming in the pool
and rode the two water scooters.
They rented two deck chairs
and sat on the sand in the sun.
A breeze made the palm leaves whisper.
 

The sea is green close to shore,
further out it is blue.
The ship standing still on the horizon
makes you think of sailing away
forever with the one you love.
 

                                          *

Jennifer ordered the roast beef platter.
Mike had the fish cakes.
"I thought you didn't like fish,"
she said. "Well," he said, "I guess you were wrong."
Tears came to her eyes. The honeymoon was over.
 

But then they went to their room
and everything was OK.
In the evening they went dancing
and stayed up late on the veranda
looking at the lights and the moon.
 

                                          *

And you, hypocrite lecteur,
what makes you so superior?

More by Louis Simpson

My Father in the Night Commanding No

My father in the night commanding No
Has work to do. Smoke issues from his lips;
      He reads in silence.
The frogs are croaking and the street lamps glow.

And then my mother winds the gramophone,
The Bride of Lammermoor begins to shriek—
      Or reads a story
About a prince, a castle, and a dragon.

The moon is glittering above the hill.
I stand before the gateposts of the King—
      So runs the story—
Of Thule, at midnight when the mice are still.

And I have been in Thule! It has come true—
The journey and the danger of the world,
      All that there is
To bear and to enjoy, endure and do.

Landscapes, seascapes . . . where have I been led?
The names of cities—Paris, Venice, Rome—
      Held out their arms.
A feathered god, seductive, went ahead.

Here is my house. Under a red rose tree
A child is swinging; another gravely plays.
      They are not surprised
That I am here; they were expecting me.

And yet my father sits and reads in silence,
My mother sheds a tear, the moon is still,
      And the dark wind
Is murmuring that nothing ever happens.

Beyond his jurisdiction as I move
Do I not prove him wrong? And yet, it's true
      They will not change
There, on the stage of terror and of love.

The actors in that playhouse always sit
In fixed positions—father, mother, child
      With painted eyes.
How sad it is to be a little puppet!

Their heads are wooden. And you once pretended
To understand them! Shake them as you will,
      They cannot speak.
Do what you will, the comedy is ended.

Father, why did you work? Why did you weep,
Mother? Was the story so important?
      "Listen!" the wind
Said to the children, and they fell asleep.

Apart (Les Separes)

Do not write. I am sad, and want my light put out.
Summers in your absence are as dark as a room.
I have closed my arms again. They must do without.
To knock at my heart is like knocking at a tomb.
                Do not write!

Do not write. Let us learn to die, as best we may.
Did I love you? Ask God. Ask yourself. Do you know?
To hear that you love me, when you are far away,
Is like hearing from heaven and never to go.
                Do not write!

Do not write. I fear you. I fear to remember,
For memory holds the voice I have often heard.
To the one who cannot drink, do not show water,
The beloved one's picture in the handwritten word.
                Do not write!

Do not write those gentle words that I dare not see,
It seems that your voice is spreading them on my heart,
Across your smile, on fire, they appear to me,
It seems that a kiss is printing them on my heart.
                Do not write!

Les Séparés

N'écris pas. Je suis triste, et je voudrais m'éteindre.
Les beaux étés sans toi, c'est la nuit sans flambeau.
J'ai refermé mes bras qui ne peuvent t'atteindre,
Et frapper à mon coeur, c'est frapper au tombeau.
                N'écris pas!

N'écris pas. N'apprenons qu'à mourir à nous-mêmes.
Ne demande qu'à Dieu . . . qu'à toi, si je t'aimais!
Au fond de ton absence écouter que tu m'aimes,
C'est entendre le ciel sans y monter jamais.
                N'écris pas!

N'écris pas. Je te crains; j'ai peur de ma mémoire;
Elle a gardé ta voix qui m'appelle souvent.
Ne montre pas l'eau vive à qui ne peut la boire.
Une chère écriture est un portrait vivant.
                N'écris pas!

N'écris pas ces doux mots que je n'ose plus lire:
Il semble que ta voix les répand sur mon coeur;
Que je les vois brûler à travers ton sourire;
Il semble qu'un baiser les empreint sur mon coeur.
                N'écris pas!

Working Late

A light is on in my father's study.
"Still up?" he says, and we are silent,
looking at the harbor lights,
listening to the surf
and the creak of coconut boughs.
 

He is working late on cases.
No impassioned speech! He argues from evidence,
actually pacing out and measuring,
while the fans revolving on the ceiling
winnow the true from the false.
 

Once he passed a brass curtain rod
through a head made out of plaster
and showed the jury the angle of fire—
where the murderer must have stood.
For years, all through my childhood,
if I opened a closet . . . bang!
There would be the dead man's head
with a black hole in the forehead.
 

All the arguing in the world
will not stay the moon.
She has come all the way from Russia
to gaze for a while in a mango tree
and light the wall of a veranda,
before resuming her interrupted journey
beyond the harbor and the lighthouse
at Port Royal, turning away
from land to the open sea.
 

Yet, nothing in nature changes, from that day to this,
she is still the mother of us all.
I can see the drifting offshore lights,
black posts where the pelicans brood.
 

And the light that used to s

hine
at night in my father's study
now shines as late in mine.