^{translated from the Galician/Spanish by Samantha Schnee}

There are women who, upon the bright star 
of each twenty-eighth day,
receive a stream of liquidity in their accounts, 
endometrial or financial,
a blessed
            hemorrhage of cash.

I, on the other hand, have
a costly hypothesis:
each menstrual cycle is one of pointless nostalgia—
a broken necklace of infinitesimal un-births
not this one, or this one, or this other one, or that one …
all those cells waiting just to rush
headlong into dying so easily, 
my embryonic failures, I 
build a nest to curl up close with them
I’m left alone and, softly, I whisper to my ovaries:
Couldn’t you               
                       produce
                                  something more useful?

I swallow a pill
and make haste to desecrate myself.

A Roda Da Fortuna

Hai mulleres que, co luceiro de cada día vinte oito,
báixalles un caudal de liquidez ás súas contas,
endometrio ou salario,
unha bendita
                     hemorraxia de billetes.

A min, porén, píngame
unha gravosa hipótese
—cada ciclo menstrual é unha inútil nostalxia—
ábreseme un colar de diminutos abortos
este non, este tampouco, nin este outro, nin este ...
todos eses xermes facendo quenda para precipitarse
intentando morrer e non lles custa
meus embrionarios fracasos, eu
fago un niño para me recostar con eles
quedo a soas e, en baixiño, besbéllolles aos meus ovarios:
non podedes
                         segregar
                                          algo máis produtivo?

Trago unha pastilla
e corro a abusar de min mesma.

I am taken with the hot animal
of my skin, grateful to swing my limbs

and have them move as I intend, though
my knee, though my shoulder, though something
is torn or tearing. Today, a dozen squid, dead

on the harbor beach: one mostly buried,
one with skin empty as a shell and hollow

feeling, and, though the tentacles look soft,
I do not touch them. I imagine they
were startled to find themselves in the sun.

I imagine the tide simply went out
without them. I imagine they cannot

feel the black flies charting the raised hills
of their eyes. I write my name in the sand:
Donika Kelly. I watch eighteen seagulls

skim the sandbar and lift low in the sky.
I pick up a pebble that looks like a green egg.

To the ditch lily I say I am in love.
To the Jeep parked haphazardly on the narrow
street I am in love. To the roses, white

petals rimmed brown, to the yellow lined
pavement, to the house trimmed in gold I am

in love. I shout with the rough calculus
of walking. Just let me find my way back,
let me move like a tide come in.

Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.

The art of losing isn’t hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.

Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn’t hard to master.

Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.

I lost my mother’s watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn’t hard to master.

I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn’t a disaster.

—Even losing you (the joking voice, a gesture
I love) I shan’t have lied. It’s evident
the art of losing’s not too hard to master
though it may look like (Write it!) like disaster.