With Pantheist energy of will
The little craftsman of the Coral Sea
Strenuous in the blue abyss,
Up-builds his marvellous gallery
    And long arcade,
Erections freaked with many a fringe
    Of marble garlandry,
Evincing what a worm can do.p>

Laborious in a shallower wave,
    Advanced in kindred art,
A prouder agent proved Pan’s might
When Venice rose in reefs of palaces.

This poem is in the public domain.

Sea charm
The sea’s own children
Do not understand.
They know
But that the sea is strong
Like God’s hand.
They know
But that sea wind is sweet
Like God’s breath,
And that the sea holds
A wide, deep death.

From The Weary Blues (Alfred A. Knopf, 1926) by Langston Hughes. This poem is in the public domain. 

                      I.
As mad sexton’s bell, tolling
          For earth’s loveliest daughter,
Night’s dumbness breaks rolling
               Ghostily:
   So our boat breaks the water
               Witchingly.

                      II.
As her look the dream troubles
          Of her tearful-eyed lover,
So our sails in the bubbles
               Ghostily
   Are mirrored, and hover
               Moonily.

This poem is in the public domain. Published in Poem-a-Day on October 24, 2021, by the Academy of American Poets.

The sea is a wilderness of waves,
A desert of water.
We dip and dive,
Rise and roll,
Hide and are hidden
On the sea.
   Day, night,
   Night, day,
The sea is a desert of waves,
A wilderness of water.

From The Weary Blues (Alfred A. Knopf, 1926) by Langston Hughes. This poem is in the public domain. 

How still,
How strangely still
The water is today.
It is not good
For water
To be so still that way.

From The Weary Blues (Alfred A. Knopf, 1926) by Langston Hughes. This poem is in the public domain. 

Out of the rolling ocean, the crowd, came a drop gently to me,
Whispering I love you, before long I die,
I have travel'd a long way, merely to look on you to touch you,
For I could not die till I once look'd on you,
For I fear'd I might afterward lose you.

Now we have met, we have look'd, we are safe,
Return in peace to the ocean my love,
I too am part of that ocean, my love, we are not so much separated,
Behold the great rondure, the cohesion of all, how perfect!
But as for me, for you, the irresistible sea is to separate us,
As for an hour carrying us diverse, yet cannot carry us diverse forever;
Be not impatient—a little space—know you I salute the air, the ocean and the land,
Every day at sundown for your dear sake my love.

This poem is in the public domain.

Dead man’s fingers—
short and still
or waving spindles
brain coral,
mountain coral
ground small—they
would be pebbles
if they weren’t shards
hiding places
for trumpet
fish and crabs
live and dead coral
What is sand made of?
Who is to know
which is coral
and which
is bone
From the surface you
can see dark
patches where sea grass
and spirit hair grow

Copyright © 2017 by Rosamond S. King. Originally published in Poem-a-Day on January 24, 2017, by the Academy of American Poets.

The tide rises, the tide falls,
The twilight darkens, the curlew calls;
Along the sea-sands damp and brown
The traveller hastens toward the town,
    And the tide rises, the tide falls.

Darkness settles on roofs and walls,
But the sea, the sea in darkness calls;
The little waves, with their soft, white hands,
Efface the footprints in the sands,
    And the tide rises, the tide falls.

The morning breaks; the steeds in their stalls
Stamp and neigh, as the hostler calls;
The day returns, but nevermore
Returns the traveller to the shore,
    And the tide rises, the tide falls.

This poem is in the public domain.