There is a time and place in the world for abstraction. When my mother left Puerto Rico for the first time, the year was 1968. Against my unknowing. We hesitate to say what intimacy is and whether or not we have it. I keep trying / to teach my students that / stream-of-consciousness is / this, not that / this / activity fails. We know it does because each of us leaves the room / feeling like barbed wire— snarling behind the barricade (because) at some point, we stopped feeling (like language could say). So we went without while some others embraced. Notice (after the emptiness) : a pain that is not private. In other words, focus not on the object, but rather, the light that bounces off of that object. Perforated. Estranged. Esa luz. Tómatela. Under that light° I felt my body try / to hold on (to the knot inside) your right hand; when did it become a fist? Remind me what it is again / what it is that you wish / to share (with others) >> when you’re on stage…
 
                                  °That light, this pain (what never translates).

Copyright © 2018 by Lara Mimosa Montes. Originally published in Poem-a-Day on February 13, 2018, by the Academy of American Poets.

Now, dear, it isn’t the bold things,
Great deeds of valour and might,
That count the most in the summing up of life at the end of the day.
But it is the doing of old things,
Small acts that are just and right;
And doing them over and over again, no matter what others say;
In smiling at fate, when you want to cry, and in keeping at work when you want to play—
Dear, those are the things that count.

And, dear, it isn’t the new ways
Where the wonder-seekers crowd
That lead us into the land of content, or help us to find our own.
But it is keeping to true ways,
Though the music is not so loud,
And there may be many a shadowed spot where we journey along alone;
In flinging a prayer at the face of fear, and in changing into a song a groan—
Dear, these are the things that count.

My dear, it isn’t the loud part
Of creeds that are pleasing to God,
Not the chant of a prayer, or the hum of a hymn, or a jubilant shout or song.
But it is the beautiful proud part
Of walking with feet faith-shod;
And in loving, loving, loving through all, no matter how things go wrong;
In trusting ever, though dark the day, and in keeping your hope when the way seems long—
Dear, these are the things that count.

This poem is in the public domain. Published in Poem-a-Day on June 3, 2018, by the Academy of American Poets.

We pay to enter the dirty
pen. We buy small bags of feed
to feed the well-fed animals. We are
guests in their home, our feet
on their sawdust floor. We pretend
not to notice the stench. Theirs
is a predictable life. Better,
I guess, than the slaughter,
is the many-handed god. Me?
I’m going to leave here, eat
a body that was once untouched,
and fed, then gutted and delivered
to my table. Afterwards, I’ll wash
off what of this I can. If I dream
it will be of the smallest goat,
who despite her job, flinched
from most of the hands. Though
she let me touch her, she would not
eat from my palm. In my dream,
she’ll die of old age
and not boredom.

Copyright © 2019 by Nicole Homer. Originally published in Poem-a-Day on February 28, 2019, by the Academy of American Poets.