Life is short, though I keep this from my children.
Life is short, and I’ve shortened mine
in a thousand delicious, ill-advised ways,
a thousand deliciously ill-advised ways
I’ll keep from my children. The world is at least
fifty percent terrible, and that’s a conservative
estimate, though I keep this from my children.
For every bird there is a stone thrown at a bird.
For every loved child, a child broken, bagged,
sunk in a lake. Life is short and the world
is at least half terrible, and for every kind
stranger, there is one who would break you,
though I keep this from my children. I am trying
to sell them the world. Any decent realtor,
walking you through a real shithole, chirps on
about good bones: This place could be beautiful,
right? You could make this place beautiful.
This poem originally appeared in Waxwing, Issue 10, in June 2016. Used with permission of the author.
Out here, there’s a bowing even the trees are doing.
Winter’s icy hand at the back of all of us.
Black bark, slick yellow leaves, a kind of stillness that feels
so mute it’s almost in another year.
I am a hearth of spiders these days: a nest of trying.
We point out the stars that make Orion as we take out
the trash, the rolling containers a song of suburban thunder.
It’s almost romantic as we adjust the waxy blue
recycling bin until you say, Man, we should really learn
some new constellations.
And it’s true. We keep forgetting about Antlia, Centaurus,
Draco, Lacerta, Hydra, Lyra, Lynx.
But mostly we’re forgetting we’re dead stars too, my mouth is full
of dust and I wish to reclaim the rising—
to lean in the spotlight of streetlight with you, toward
what’s larger within us, toward how we were born.
Look, we are not unspectacular things.
We’ve come this far, survived this much. What
would happen if we decided to survive more? To love harder?
What if we stood up with our synapses and flesh and said, No.
No, to the rising tides.
Stood for the many mute mouths of the sea, of the land?
What would happen if we used our bodies to bargain
for the safety of others, for earth,
if we declared a clean night, if we stopped being terrified,
if we launched our demands into the sky, made ourselves so big
people could point to us with the arrows they make in their minds,
rolling their trash bins out, after all of this is over?
From The Carrying (Milkweed Editions, 2018) by Ada Limón. Copyright © 2018 by Ada Limón. Used with the permission of Milkweed Editions. milkweed.org.
My window opens out into the trees
And in that small space
Of branches and of sky
I see the seasons pass
Behold the tender green
Give way to darker heavier leaves.
The glory of the autumn comes
When steeped in mellow sunlight
The fragile, golden leaves
Against a clear blue sky
Linger in the magic of the afternoon
And then reluctantly break off
And filter down to pave
A street with gold.
Then bare, gray branches
Lift themselves against the
Cold December sky
Sometimes weaving a web
Across the rose and dusk of late sunset
Sometimes against a frail new moon
And one bright star riding
A sky of that dark, living blue
Which comes before the heaviness
Of night descends, or the stars
Have powdered the heavens.
Winds beat against these trees;
The cold, but gentle rain of spring
Touches them lightly
The summer torrents strive
To lash them into a fury
And seek to break them—
But they stand.
My life is fevered
And a restlessness at times
An agony—again a vague
And baffling discontent
Possesses me.
I am thankful for my bit of sky
And trees, and for the shifting
Pageant of the seasons.
Such beauty lays upon the heart
A quiet.
Such eternal change and permanence
Take meaning from all turmoil
And leave serenity
Which knows no pain.
From Caroling Dusk (Harper & Brothers, 1927), edited by Countee Cullen. This poem is in the public domain.
Hope is the thing with feathers
That perches in the soul,
And sings the tune without the words,
And never stops at all,
And sweetest in the gale is heard;
And sore must be the storm
That could abash the little bird
That kept so many warm.
I’ve heard it in the chillest land,
And on the strangest sea;
Yet, never, in extremity,
It asked a crumb of me.
This poem is in the public domain.
I know who I am because I believe it
The breath in my chest
Insistent in its choice
The skin that I’m in
The bones and blood and veins
It carries like a promise
Have you witnessed the ocean
Moving with so much gust and life
Have you witnessed the river
Still waters bubbling the rebirth of school
Have you witnessed your body
Its own country of water
Moving against the tide of a world
So heartbreaking it’s forgotten its own voice
Be still friend
Be still
Be kind to yourself in the gift of stillness
I know who I am because I believe it
I know
I know
Who I
Who I
Believe
Believe
Believe
In three’s we will come
A drip of water moving against a boulder
Water slow and steady can turn rock
Into a pebble
Like anxiety
Like self-doubt
Smaller
Smaller
Until gone
Let your love for yourself be the water
Be the rise
Be the mist
Let you be
I know who I am because I believe it
I believe I am my mother’s daughter
I believe I am my grandmother’s prayers
I believe I am my great-grandmother’s backbone revealed
I am I am because I believe so
I am because a woman believed in me
What a continent I became
What a country of water I be
I flow and fluid and rise and ebb and I believe in me
I am not wrong
I am wronged
In this skin I’ve reclaimed
From this trap of this country’s tourniquet
Only to find the sweet solace is a river bed
Its mud beckons me closer to its silt
Small fish and forgotten glass unearth themselves
Like baby teeth
Only one can cut into flesh purposely
Only one does not know what it is capable of
I believe in the air as much as I believe in the fire
I believe in the fire as much as the water consumes
I believe in a higher source
Energetic and wise
I believe in my ability to thrive
This body
This body is a good thing
Turning two miles walked over a bridge into a family’s meal
Creating poems that become cashier’s checks
Dentist bills and rent
I’ve three holes in my teeth
And a nation that pretends I didn’t almost die for it to survive
I am I am still here still here
I am still here and like the ocean, full of salt and shells
Full of ship remnants and noble ones
I bleed and the sand grieves
I be because someone survived for me to be here
Today
Breathing this almost air
Marching for cleaner belongings
My front seat beneath the deadening stars
Is still a seat
Is still a ground
Is still a home that I can pronounce my given name
To write amongst the forgotten names
The taken and the ignored
But today
There are no tombstones
Today
There is no true death
Only life
Only life
Only a song of the living
Maybe even a belief system
With water as its minister
I am water
I dive into my own currents
I dress my dreams in the satin breath
Of my ancestors
I know
I know
I know who I am
I know who I am because I believe it
Copyright © Mahogany Browne. Used with permission of the author.
what the birds know is the way home
it begins with a door that cannot find its own name
the bird who stitches together the last sky must sing the name into existence
and the door opens into the burning of the world
through the door we find each other
and in the wholeness the birds
collective rupture into species being
the last sky world burn sings itself into our feet
soles imbued with prophecy of dirt
good lord last sky world burn there is something beyond you
the birds are taking us to find it
you are singing the door open for us
and through it streams the flood of the people
the feet of the flood of the people burn the world as they run
the last sky world burn is desperate to open the door for us
there are birds making treaties with the sky to facilitate its arrival
there are feet conspiring with the land to ensure the world burn is total
last sky will empty itself of airplanes and war jets to make room for our spirits
the last sky world burn is a sketch of a coming dream
it is our duty to believe in its inevitable birth
the last sky world burn asks a question
it is our responsibility to make the answer
Copyright © 2025 by Fargo Nissim Tbakhi. Originally published in Poem-a-Day on February 25, 2025, by the Academy of American Poets.
I hear you call, pine tree, I hear you upon the hill, by the silent pond
where the lotus flowers bloom, I hear you call, pine tree.
What is it you call, pine tree, when the rain falls, when the winds
blow, and when the stars appear, what is it you call, pine tree?
I hear you call, pine tree, but I am blind, and do not know how to
reach you, pine tree. Who will take me to you, pine tree?
This poem is in the public domain.
Because I could not stop for Death—
He kindly stopped for me—
The Carriage held but just Ourselves—
And Immortality.
We slowly drove—He knew no haste
And I had put away
My labor and my leisure too,
For His Civility—
We passed the School, where Children strove
At Recess—in the Ring—
We passed the Fields of Gazing Grain—
We passed the Setting Sun—
Or rather—He passed us—
The Dews drew quivering and chill—
For only Gossamer, my Gown—
My Tippet—only Tulle—
We paused before a House that seemed
A Swelling of the Ground—
The Roof was scarcely visible—
The Cornice—in the Ground—
Since then—’tis Centuries—and yet
Feels shorter than the Day
I first surmised the Horses’ Heads
Were toward Eternity—
Poetry used by permission of the publishers and the Trustees of Amherst College from The Poems of Emily Dickinson, Ralph W. Franklin ed., Cambridge, Mass.: The Belknap Press of Harvard University Press, Copyright © 1998 by the President and Fellows of Harvard College. Copyright © 1951, 1955, 1979, by the President and Fellows of Harvard College.