here among them        the americans        this baffling
multi people        extremes and variegations        their
noise        restlessness        their almost frightening
energy        how best describe these aliens in my
reports to The Counselors

disguise myself in order to study them unobserved
adapting their varied pigmentations        white black
red brown yellow        the imprecise and strangering
distinctions by which they live        by which they
justify their cruelties to one another

charming savages        enlightened primitives        brash
new comers lately sprung up in our galaxy        how
describe them        do they indeed know what or who
they are        do not seem to        yet no other beings
in the universe make more extravagant claims
for their importance and identity

like us they have created a veritable populace
of machines that serve and soothe and pamper
and entertain        we have seen their flags and
foot prints on the moon        also the intricate
rubbish left behind        a wastefully ingenious
people        many it appears worship the Unknowable
Essence        the same for them as for us        but are
more faithful to their machine made gods
technologists their shamans

oceans deserts mountains grain fields canyons
forests        variousness of landscapes weathers
sun light moon light as at home        much here is
beautiful        dream like vistas reminding me of
home        item        have seen the rock place known
as garden of the gods and sacred to the first
indigenes        red monoliths of home        despite
the tensions i breathe in i am attracted to
the vigorous americans        disturbing sensuous
appeal of so many        never to be admitted

something they call the american dream        sure
we still believe in it i guess        an earth man
in the tavern said        irregardless of the some
times night mare facts we always try to double
talk our way around        and its okay the dreams
okay and means whats good could be a damn sight
better        means every body in the good old u s a
should have the chance to get ahead or at least
should have three squares a day        as for myself
i do okay        not crying hunger with a loaf of
bread tucked under my arm you understand        i
fear one does not clearly follow i replied
notice you got a funny accent pal        like where
you from he asked        far from here i mumbled
he stared hard        i left

must be more careful        item        learn to use okay
their pass word        okay

crowds gathering in the streets today for some
reason obscure to me        noise and violent motion
repulsive physical contact        sentinels        pigs
i heard them called        with flailing clubs        rage
and bleeding and frenzy and screaming        machines
wailing        unbearable decibels        i fled lest
vibrations of the brutal scene do further harm
to my metabolism already over taxed

The Counselors would never permit such barbarous
confusion        they know what is best for our sereni
ty        we are an ancient race and have outgrown
illusions cherished here        item        their vaunted
liberty        no body pushes me around i have heard
them say        land of the free they sing        what do
they fear mistrust betray more than the freedom
they boast of in their ignorant pride        have seen
the squalid ghettoes in their violent cities
paradox on paradox        how have the americans
managed to survive

parades fireworks displays video spectacles
much grandiloquence much buying and selling
they are celebrating their history        earth men
in antique uniforms play at the carnage whereby
the americans achieved identity        we too recall
that struggle as enterprise of suffering and
faith uniquely theirs        blonde miss teen age
america waving from a red white and blue flower
float as the goddess of liberty        a divided
people seeking reassurance from a past few under
stand and many scorn        why should we sanction
old hypocrisies        thus dissenters        The Counse
lors would silence them
a decadent people The Counselors believe        i
do not find them decadent        a refutation not
permitted me but for all their knowledge
power and inventiveness not yet more than raw
crude neophytes like earthlings everywhere

though i have easily passed for an american        in
bankers grey afro and dashiki long hair and jeans
hard hat yarmulka mini skirt        describe in some
detail for the amusement of The Counselors        and
though my skill in mimicry is impeccable        as
indeed The Counselors are aware        some thing
eludes me        some constant amid the variables
defies analysis and imitation        will i be judged
incompetent

america        as much a problem in metaphysics as
it is a nation earthly entity an iota in our
galaxy        an organism that changes even as i
examine it        fact and fantasy never twice the
same        so many variables

exert greater caution        twice have aroused
suspicion        returned to the ship until rumors
of humanoids from outer space        so their scoff
ing media voices termed us        had been laughed
away        my crew and i laughed too of course

confess i am curiously drawn        unmentionable        to
the americans        doubt i could exist among them for
long however        psychic demands far too severe
much violence        much that repels        i am attracted
none the less        their variousness their ingenuity
their elan vital        and that some thing        essence
quiddity        i cannot penetrate or name

Copyright © 1978, 1982 by Robert Hayden, from Collected Poems of Robert Hayden, edited by Frederick Glaysher. Used by permission of Liveright Publishing Corporation.

I do think of them
from time to time—
just now sucking the pulp

of a tangerine
the taste of which
is mostly texture,

in this spin-drunk season
that seems to forget
—us. —itself.

At the job I lost,
their husk carcasses
with the locust bean’s

cracked brown pods
rustled on the brick steps
leading into the white-walled

hours of computer screen;
their compressed toil
missing from the hives

they left agape in the backyard
of the next-door neighbor
who, recently divorced,

had brought us the jars
of honey I spooned into teas
I sipped in the break room

and watched at the window
as he continued to tend
the needle palm and hydrangea.

In the age of loss there is
the dream of loss
in which, of course, I

am alive at the center—
immobile but no one’s queen—
enveloped (beloved) in bees,

swathed in their wings’
wistful enterprise. They pry
the evolved thin eyelids

behind which I replay
the landscape as last I knew it
(crow feathers netting redder suns),

their empire’s droning edge
mindless in the spirals of
my obsolescing ears.

Beneath my feet
what kind of earth
I’m terrified to break

into sprint across to free
myself, to free them
from the myth they make

of me and then bury
below their dance
of manufactory;

what kind of future
they could die for if
punching into me their stings—

what future without risking
the same; and while, in either body
the buzzards of hunger conspire,

what kind of new
dread animal,
this shape we take?

Copyright © 2018 by Justin Phillip Reed. Originally published in Poem-a-Day on February 1, 2018, by the Academy of American Poets.

February on another coast is April
here. Astrology is months:
you are February, or are you
June, and who is
December? Who is books
read in spring, wingspan
between midnight
and mourning

Another starry tree, coastal
counterpoint where magnolia is
a brighter season
peach and pear
are grafted onto the same tree
fear and fat stick
to the same sprained bone
For this adolescent reprise
recycle everything trivial
but this time bring
the eye into sight:
make sight superior
to what is seen

A decade is to look at June
and see April
to look at April
and see February
Relief of repetition
seasons mean again,
one flowering branch suspended
in the half-light of spring
We sat on steps
beneath a tree
No: I walked by
The tree bloomed
and I looked up

Copyright © 2018 by Jennifer Hayashida. Originally published in Poem-a-Day on February 22, 2018, by the Academy of American Poets.

You were forever finding some new play. 
So when I saw you down on hands and knees 
In the meadow, busy with the new-cut hay, 
Trying, I thought, to set it up on end, 
I went to show you how to make it stay, 
If that was your idea, against the breeze, 
And, if you asked me, even help pretend 
To make it root again and grow afresh. 
But 'twas no make-believe with you to-day, 
Nor was the grass itself your real concern, 
Though I found your hand full of wilted fern, 
Steel-bright June-grass, and blackening heads of clover. 
'Twas a nest full of young birds on the ground 
The cutter-bar had just gone champing over 
(Miraculously without tasting flesh) 
And left defenseless to the heat and light. 
You wanted to restore them to their right 
Of something interposed between their sight 
And too much world at once—could means be found. 
The way the nest-full every time we stirred 
Stood up to us as to a mother-bird 
Whose coming home has been too long deferred, 
Made me ask would the mother-bird return 
And care for them in such a change of scene 
And might our meddling make her more afraid. 
That was a thing we could not wait to learn. 
We saw the risk we took in doing good, 
But dared not spare to do the best we could 
Though harm should come of it; so built the screen 
You had begun, and gave them back their shade. 
All this to prove we cared. Why is there then 
No more to tell? We turned to other things. 
I haven't any memory—have you?—
Of ever coming to the place again 
To see if the birds lived the first night through, 
And so at last to learn to use their wings. 

This poem is in the public domain. Published in Poem-a-Day on March 25, 2018, by the Academy of American Poets.

Days are unusual. The owl sends
           out 5 zeroes from the pines
           plus one small silver nothing. Where
            	do they float? Maybe out to
           sea, where jellyfish are aging left
& right. They have some nerve.
           Today, no new wars, probably. No
big button. The owl could be
           your scholar of trapped light or
Walter Benjamin who writes a storm
blows in from paradise. Thinking through
           these things each week, you cross 
 
the bridge: gold coils, fog, feelings…
           syllables also can grow younger like
  those jellyfish. You bring your quilt
           of questions in the car. At
work, you’ll have to be patient
           at the risky enterprise of talking
to other people;  so little progress
           in this since the Pleistocene. Mostly,
though, you’re calm when traveling: silver
nothing, moving right & left; day
           releasing the caged stars; one thought
mixed with no-thought, packed with light…
 
                                            	for MK

Copyright © 2018 by Brenda Hillman. Originally published in Poem-a-Day on May 2, 2018, by the Academy of American Poets.

I wrote hard
on paper

at the bottom
of a pool

near a canyon
where the stars

slid onto their bellies
like fish

I wrote:



I went through
the mountain

through the leaves
of La Puente

to see the moon
but it was too late

too long ago
to walk on glass.



Near those years
when the house fell on me

my father told me
draw mom

in bed with
another man—



From a plum tree

the sound of branches
fall like fruit

I’m older
no longer afraid

my voice like water
pulled from the well

where the wind had been buried
where someone was always

running into my room
asking, what’s wrong?

Copyright © 2018 by Diana Marie Delgado. Originally published in Poem-a-Day on September 19, 2018, by the Academy of American Poets.

a love letter to traci akemi kato-kiriyama

does a voice have to be auditory to be a voice?

where in the body does hearing take place?

which are the questions that cannot be addressed in language?

which are the questions where promises lodge?

how do we hear what is outside our earshot?

when does distance look like closeness, feel like velvet sunrise cheek to cheek?

what are the objects, ideas, or experiences we drop beneath the more evident surfaces of our lives to the air or water or ground beneath? do we drop them purposefully? are they forgotten?

what word makes the body?

what body defies the word?

which figures, shapes, presences, haunts, methods, media, modes, ephemera, gestures, abandonments, models, anti-models, breaths, harmonics? which soil? which fields?

what does beginning sound like? what body does continuing form? what note does perseverance hum?

is a word a body?

which apertures? which hinges?

where does a body stand without settling?

through which holes does history break into our day?

where in the past does the future excavate?

where in the future does the past propel?

what are the distinctions between proximity and simultaneity?

where does a body resist without refusal?

can borders be exceeded? can borders be disintegrated?

where in the body does hearing take place?

where in the body does loving take place?

how do we make family with someone we do not know?

what do we carry with us and where in the body do we carry it?

might we be permitted a we this evening?

may I hold your hand? to feel your hand as its actual shape, clothed in its papery useful unequivocal skin, bones stacked like tiny branches, the balancing act of a bird, joints unlocking, span from thumb to pinky octaving out toward unfamiliar harmonics?

what space does the body occupy despite everything?

what does despitesound like? what does withsound like?

where does attake place? where does respite take place?

 

Copyright © 2018 by Jen Hofer. Originally published in Poem-a-Day on November 7, 2018, by the Academy of American Poets.

I will wade out
                    	   till my thighs are steeped in burn-
ing flowers
I will take the sun in my mouth
and leap into the ripe air
                                	   	Alive
                                            	               with closed eyes
to dash against darkness
                                	  in the sleeping curves of my
body
Shall enter fingers of smooth mastery
with chasteness of sea-girls
                                	         Will I complete the mystery
of my flesh
I will rise
        	After a thousand years
lipping
flowers
             And set my teeth in the silver of the moon

This poem is in the public domain. Published in Poem-a-Day on October 14, 2018, by the Academy of American Poets.