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Diana Marie Delgado

Diana Marie Delgado is the author of Late-Night Talks With Men I Think I Trust (Center for Book Arts, 2015), andTracing the Horse, which is forthcoming from BOA Editions in the fall of 2019. She is the literary director of the Poetry Center at the University of Arizona and lives in Tucson, Arizona.

By This Poet


Who Makes Love to Us After We Die

I turn on the radio and hear horses, girls becoming women after tragedy. Talk about dreams! His heart was covered in a thin shell the color of the moon, and when touched, I’d grow old. The best movies have a philosophy, Dorothy, after being subjected to witch-on-girl violence, is rescued. Someone hung himself on that set, a man, who loved, but couldn’t have a certain woman. Management said it was a bird. The best movies begin with an encounter and end with someone setting someone free. In Coppola’s version of Dracula my favorite scene is when the camera chases two women through a garden and watches them kiss. I made love to a man who asked, after many years, for me to choke him, so that later, cleaning a kitchen cabinet, I read a recipe he’d written into wood, and I had a hard time believing him.

Bridge Called Water

I wrote hard
on paper
at the bottom
of a pool
near a canyon
where the stars
slid onto their bellies
like fish
I wrote:
I went through
the mountain
through the leaves
of La Puente
to see the moon
but it was too late
too long ago
to walk on glass.
Near those years
when the house fell on me
my father told me
draw mom
in bed with
another man—
From a plum tree
the sound of branches
fall like fruit
I’m older
no longer afraid
my voice like water
pulled from the well

where the wind had been buried
where someone was always

running into my room
asking, what’s wrong?